A nearly 160 minute epic spanning decades of gay history in Spain, Javier Calva and Javier Ambrossi’s The Black Ball (or La bola negra in its home language) was greeted with an extended ovation at the Cannes Film Festival. Telling three stories interconnected over 85 years, the cast includes singer Guitarricadelafuente, Miguel Bernardeau, Carlos González, Milo Quifes, Lola Dueñas, Julio Torres, Glenn Close, and Penélope Cruz.
Based on an unfinished play by Federico Garcia Lorca, all eyes are on the Cannes jury to see if Ball picks up a major prize later this weekend. The melodrama is being highly praised with many critics calling it a festival standout. Rotten Tomatoes is at 88% with 85 on Metacritic.
This is exactly the type of ambitious project that the Academy could honor in numerous categories including Best Picture and Director (the filmmakers are collectively known as Los Javis). The buzz reminds me of Emilia Pérez when it was unburdened by the controversies that would eventually follow. We probably have our Spanish submission for International Feature Film where this has immediately become a surefire contender. The reaction also indicates this could play in several down-the-line races like Casting, Costume Design, Production Design, and Sound.
As for the actors, Casting could be seen as a way to honor them all. Quifes seems to be generating particular attention. With Penélope Cruz, her small but memorable part might be remembered in Supporting Actress where she may also be in contention for this summer’s The Invite. Close’s role sounds too minor.
Just this morning, Netflix won the bidding war for Ball‘s release. Expect them to go all out in their campaign. My Oscar Prediction posts will continue…
My second helping of ranked Oscar predictions for next year’s 99th ceremony can be called the pre-Cannes estimates. That festival in the French Riviera kicks off May 12th and runs through May 23rd. It will be our first look at several potential contenders: Ryusuke Hamaguchi’s All of a Sudden, Pawel Pawlikowski’s Fatherland, Cristian Mungiu’s Fjord, Na Hong-jin’s Hope, James Gray’s Paper Tiger, and The Man I Love from Ira Sachs to name a few. Keep an eye on the blog for my individual posts exploring the viability of the screening pictures.
The Academy made some news of its own by announcing rule changes. The most significant is that actors can be nominated twice in the same category. There’s been recent examples of when this could have resulted in a performer getting two nods. I would say most recently that Sebastian Stan could have benefited. He was nominated in lead Actor for The Apprentice and a double shot was possible via A Different Man. Going back a ways, Kate Winslet won Best Actress in 2008 for The Reader and might have seen her name pop again for Revolutionary Road. In 2006, Kate’s Titanic mate Leonardo DiCaprio was in contention for Blood Diamond. He could have easily landed another shot via The Departed.
In International Feature Film, the criteria has always been that a submitting nation can choose just one entrant for consideration. While that rule holds, the Academy has added another path to get in. If a picture wins a qualifying international festival (such as Cannes, Berlin, Toronto, Sundance, Venice), it is now a contender. This would have helped Anatomy of a Fall in 2023 since France did not choose it as their representative picture, but it emerged victorious for the Palme d’Or at Cannes.
Since my last update in mid-April, Michael opened to gigantic box office and mediocre reviews. While the audience score on Rotten Tomatoes is high, critical griping could cripple its viability at the Oscars. However, I wouldn’t completely rule out the acclaimed work of Jaafar Jackson and Colman Domingo. Best Picture? Probably a bridge too far despite the gaudy numbers.
The Devil Wears Prada 2 also hit multiplexes. While Meryl Streep was a Best Actress nominee 20 years ago for the original, a second at-bat seems like a reach. The sequel could materialize, however, in Costume Design and/or Original Song where Lady Gaga has a track. Those categories won’t be forecasted until a few weeks down the line.
We also learned that Narnia: The Magician’s Nephew from Greta Gerwig will not be out (on Netflix) until 2027. I had it on the outside looking in at #11. It drops from contention this time around.
You can read all the speculation below and my next update will arrive as Cannes concludes!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Wild Horse Nine (PR: 3) (E)
4. Digger (PR: 5) (E)
5. Fjord (PR: 6) (E)
6. No One Cares (PR: 6) (E)
7. Fatherland (PR: 8) (+1)
8. Dune: Part Three (PR: 10) (+2)
9. The Social Reckoning (PR: 9) (E)
10. All of a Sudden (PR: 7) (-3)
Other Possibilities:
11. Hope (PR: Not Ranked)
12. Cry to Heaven (PR: 16) (+4)
13. A Place in Hell (PR: 12) (-1)
14. Paper Tiger (PR: 21) (+7)
15. Werwulf (PR: 18) (+3)
16. Sense and Sensibility (PR: 23) (+7)
17. Josephine (PR: 17) (E)
18. Saturn Return (PR: 22) (+4)
19. The Entertainment System is Down (PR: 14) (-5)
A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.
Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…
Gregg Araki’s I Want Your Sex does not chronicle the making of George Michael’s nearly 40-year-old pop hit. Premiering at Sundance, the explicit comedy stars Olivia Wilde and Cooper Hoffman as an unconventional couple with Mason Gooding, Chase Sui Wonders, Daveed Diggs, and Charlie XCX in the supporting cast.
Early word-of-mouth suggests the romp (seeking distribution) has some positive attributes but may appeal only to a niche crowd. Rotten Tomatoes stands at 85% with Metacritic at 63. It’s safe to assume this won’t be in awards contention. Olivia Wilde’s directorial effort (The Invite) which is also screening in Park City might be another story and you can expect that write-up on the blog in short order. My Oscar Prediction posts will continue…
All My Life... I Wanted To Be A Blogster 