Sausage Party Movie Review

The comedic team of Seth Rogen and Evan Goldberg (they were childhood friends) was first witnessed by mass audiences in 2007’s inspired Superbad. That pic was conceived by the duo when they were young and that teen spirit infused it with a refreshing authenticity. Their cinematic marriage has since shown their fondness for raunchiness and weed. Nothing has quite hit the effectiveness of their first collaboration. Some have come pretty darn close (Pineapple Express, This is the End) while others have come up a bit shorter (The Watch, The Interview, The Night Before). Most of their works have performed well or at least decently at the box office (The Watch is a notable exception) and Sausage Party is the kind of movie you get to make when studios let you do whatever you want. It ends up on the higher scale of their work.

Party gives us the rare instance of a truly R rated animated flick. Rogen and Goldberg’s affection for vulgarity is on full display and one suspects it was green stuff other than money that may have assisted in coming up with the concept. Here it is: the food and products in your local grocery store are alive and blissfully unaware of what happens to them after they walk out of the sliding doors. Rogen’s Frank is a sausage and Kristin Wiig’s Brenda is a bun and they’ve been waiting to connect once they break out of their respective packages. In their understanding, this will occur once they’re purchased by the Gods (who are actually just your everyday consumers) and enter the Great Beyond outside of Shopwell’s.

A returned jar of honey mustard (voiced by Danny McBride) tries to warn his market friends of what lies ahead when their dream of freedom is met. Many are skeptical and what’s often most surprising about Sausage Party is its allegorical themes pertaining to religion and sex with some expected drug humor thrown in. It’s also chock full of bad puns (some quite hilarious) and plenty of the living products representing their stereotypes. The most obvious and amusing example? The villain of the establishment (voiced by Nick Kroll) is literally a Douche. We also have Sammy the Bagel, giving Edward Norton a chance to be funny and essentially do a Woody Allen impersonation and his ex-girlfriend Salma Hayek coming out of her shell as Theresa del Taco.

As mentioned, Goldberg and Rogen are free to do what they want here and Sausage Party does have plenty of uproariously inappropriate moments. There are also times when their out there idea is funnier in concept than actual execution. Additionally, the final gag practically begs for a post-credits sequence that never materializes. Still, at a brisk 88 minutes, this Party is fresh enough for consumption of its creators fans.

*** (out of four)

Box Office Predictions: January 2-4

The first weekend of 2015 at the box office should be dominated by Christmas time holdovers. Only one new release is out – horror sequel The Woman in Black 2: Angel of Death. You can read my detailed prediction post on it here:

https://toddmthatcher.com/2014/12/28/the-woman-in-black-2-angel-of-death-box-office-prediction/

In order for Black to even have a shot at the top spot, it would need to outdo the $20 million that its predecessor debuted at and that seems highly unlikely. I believe it’ll even fail to crack the top five.

The race for #1 could come down to The Hobbit: The Battle of the Five Armies, Unbroken, and Into the Woods. I believe Hobbit should manage a three-peat with the other two battling it out for second. Family fare Night at the Museum: Secret of the Tomb and Annie should round out the top five.

And with that, my top 6 predictions for the weekend:

1. The Hobbit: The Battle of the Five Armies

Predicted Gross: $23.3 million (representing a drop of 42%)

2. Unbroken

Predicted Gross: $19.2 million (representing a drop of 37%)

3. Into the Woods

Predicted Gross: $18.5 million (representing a drop of 40%)

4. Night at the Museum: Secret of the Tomb

Predicted Gross: $14.3 million (representing a drop of 30%)

5. Annie

Predicted Gross: $11.2 million (representing a drop of 33%)

6. The Woman in Black 2: Angel of Death

Predicted Gross: $11.1 million

Box Office Results (December 25-28)

The Christmas weekend box office saw a host of new films premiering and expanding, but The Hobbit three-quel stayed on top with $40.9 million. This was right on track with my $42.4M estimate. Peter Jackson’s fantasy epic has earned $168M in two weeks.

The #2 and #3 spots belonged to newcomers that greatly exceeded my expectations. Disney’s Into the Woods scored with $31 million over Friday to Sunday and $46.1 million since its Christmas bow, well ahead of my respective $21.8M and $30.1M projections. Rob Marshall’s generally well-received musical clearly hit its target audience and then some.

Despite middling reviews, Angelina Jolie’s Unbroken also opened very high with $30.6 million from Friday to Sunday and $46 million since Christmas. This blew away my $20.5M and $28.6M predictions.

Night at the Museum: Secret of the Tomb held up well in weekend #2 with $20.2 million, just above my $18.7M projection. While it will certainly be the lowest earner of the franchise, its total stands at a fair $54 million and it should manage to pass the century mark (though not by much).

Annie was fourth with $16.5 million, right in line with my $16.9M estimate. It also benefited in its sophomore frame from family audiences on break and its total stands at $45 million, despite its woeful critical reaction.

As for other newbies, Mark Wahlberg’s The Gambler had a so-so debut with $9.1 million over the traditional weekend. My estimate? $9.1 million (gold star!). Its $14.1M Christmas to Sunday take did barely exceed my $12.2M prediction.

Oscar hopeful The Imitation Game opened wide with fabulous results with $7.9 million (Fri to Sun) and $10.9 million since December 25. This out shined my respective estimates of $5.3M and $7.2M.

The news was not so good for Tim Burton’s Big Eyes. Despite mostly positive notices, adult audiences simply had so much to choose from that this was ignored. It made $3 million from Friday to Sunday and $4.4 million since Christmas, lower than my projections of $5.5M and $7.4M.

Finally, The Interview. Opening on a scant 331 screens due to large chain boycotts, the Seth Rogen/James Franco international headline of a raunchy comedy managed a pretty commendable $1.8 million (Fri to Sun) and $2.8 million since the holiday. It didn’t reach my predictions of $3.1M and $4.4M, but this still isn’t bad considering it reportedly made $15 million through its online distribution offerings.

And that’ll do it for now, folks! Happy New Year!!!

 

The Interview Movie Review

It was a movie that never expected to lead breaking news updates on CNN, but by now we all know the fascinating journey that caused The Interview to debut in limited release and not its planned wide release Christmas Day. It meant this blogger viewed it on YouTube and not a large chain theater. And now I can finally strip away all the hype and controversy and simply let you know my feelings on the picture itself.

The verdict? Mixed. Quite mixed. The Interview is director Seth Rogen and Evan Goldberg’s follow-up to their very successful (and better) first effort This is the End. As you’ve perhaps heard, it involves a plot to assassinate North Korean leader Kim Jong-un (Randall Park). The plan? Take little respected entertainment interviewer Dave Skylark (James Franco) and his producer Aaron (Rogen) to the homeland of Jong-un for a fluff interview and use the situation to take him out. The CIA is involved, including Lizzy Caplan (from Showtime’s Masters of Sex) as an operative.

Of course, not all goes as planned. Aaron develops a crush on Sook (Diana Bang), one of Kim’s top communications officials. Dave begins to bond with Kim over sex, drugs, Katy Perry (yep, you read it right), and their mutual perceived lack of respectability. In essence, Dave receives the real life Dennis Rodman treatment from the Supreme Leader which leads him to question whether Kim is really that bad of a guy.

Since this is a work from Rogen and his head collaborator Goldberg, we have an abundance of gross out gags. If you guessed Rogen has to shove a top secret device up his rectum at one point – take a shot! Some of the gags work while many others are all too familiar and fall flat. Rogen is his typical self, but he brings his teddy bear charm to a satisfactory level. Franco is another story. He’s a talented performer who is hit or miss in comedies. Here, his character’s smarmy demeanor comes off more off putting than humorous.

The Interview is ultimately not overly concerned with making grand political statements and more focused on hard R rated sight gags. The character of Kim, played with gusto by Park, is chock full of Daddy issues and an inferiority complex. There’s funny moments with him (his obsession with the aforementioned Perry is good for some belly laughs), but there’s nothing here that Team America: World Police didn’t handle on a more highly elevated satirical level. Early snippets of Skylark’s interviews with Eminem and Rob Lowe actually provide the biggest guffaws and they have nothing to do with the eventual plot.

There’s little doubt The Interview will be remembered more for its generated headlines with the Sony hack and North Korean government reaction that what is up on the screen. For fans of Rogen and Goldberg’s brand of humor, there’s just enough worthwhile to watch. However, they’ve done better work and while nothing they’ve made before or since is likely to capture worldwide media attention – The Interview seems bound to be regarded as a so-so entry in their filmography.

**1/2 (out of four)

The Interview Box Office Prediction

Well, whaddya know??

On this Christmas morning, it turns out my present to you on the blog is something I didn’t get to think I’d write this week: a box office prediction for The Interview.

At this point, everyone movie blogger and critic has written about the debacle that involved hacking and North Korea and Sony Pictures and the controversial decision to not release the Seth Rogen/James Franco comedy in theaters. I wrote my own post when it looked like the picture may not see the light of day and if you missed it, you can find it here:

https://toddmthatcher.com/2014/12/18/a-canceled-interview/

And now – Sony has reversed course, to an extent. The Interview, in which Rogen and Franco play entertainment journalists sent on a mission to take out North Korean leader Kim Jong Un, will premiere today in 331 independently owned theaters across the nation. The big movie chains are still not screening it. It is also debuting on numerous digital formats, including YouTube, Google Play, and Xbox which may divert some curious eyes from the theaters and to their laptops.

So what does that mean as far as its box office prospects? Well, that’s a tricky proposition but I’ll try my best. First, 331 screens isn’t many considering the average wannabe blockbuster comes to at least 2000 and often 3000 plus venues. In other words, think low. On the other hand, its per screen average should outdo the other holiday newbies that are rolling out.

With all the hype surrounding the movie (even with its less than stellar reviews – 5o% on Rotten Tomatoes), it should manage to bring out viewers who may not have even intended on watching it right away in the first place. Whether they do so at a theater they might not be used to going to or at home is a mystery that won’t be resolved until the numbers are released early next week. I’ll predict its limited release yields an average of over $10,000 per screen for an impressive haul.

The Interview opening weekend prediction: $3.1 million (Friday to Sunday), $4.4 million (Thursday to Sunday)

For my Unbroken prediction, click here:

https://toddmthatcher.com/2014/12/20/unbroken-box-office-prediction/

For my Into the Woods prediction, click here:

https://toddmthatcher.com/2014/12/20/into-the-woods-box-office-prediction/

For my prediction on The Gambler, click here:

https://toddmthatcher.com/2014/12/22/the-gambler-box-office-prediction/

For my Big Eyes prediction, click here:

https://toddmthatcher.com/2014/12/24/big-eyes-box-office-prediction/

For my prediction on The Imitation Game, click here:

https://toddmthatcher.com/2014/12/24/the-imitation-game-box-office-prediction/

Box Office Predictions: December 25-28

Three new releases (not the originally planned four) roll out Christmas Day to compete with holdovers The Hobbit: The Battle of the Five Armies, Night at the Museum: Secret of the Tomb, and Annie. They are Disney’s musical fantasy Into the Woods, Angelina Jolie’s adaptation of the bestseller Unbroken, and Mark Wahlberg’s crime drama The Gambler. You can read my detailed prediction posts on each of the new entries here:

https://toddmthatcher.com/2014/12/20/into-the-woods-box-office-prediction/

https://toddmthatcher.com/2014/12/20/unbroken-box-office-prediction/

https://toddmthatcher.com/2014/12/22/the-gambler-box-office-prediction/

Of course, there was a fourth movie planned for release called The Interview. If you’re not familiar with happened there, you can turn on cable news or open your Twitter or Facebook feed.

I expect Into the Woods and Unbroken to post similar results for second and third place finishes behind current champ The Hobbit. It is worth noting that some prognosticators have Woods outdoing my estimate and it’s certainly possible.

During the Christmas holiday weekend, it’s not uncommon for some films to gain audience from the previous weekend and I’m predicting modest gains for family fare Museum and Annie. 

Wahlberg’s Gambler is likely to settle for a sixth place debut. And with that, my predictions for the Christmas weekend’s top 6:

1. The Hobbit: The Battle of the Five Armies

Predicted Gross: $42.4 million (representing a drop of 23%)

2. Into the Woods

Predicted Gross: $21.8 million (Friday to Sunday), $30.1 million (Thursday to Sunday)

3. Unbroken

Predicted Gross: $20.5 million (Friday to Sunday), $28.6 million (Thursday to Sunday)

4. Night at the Museum: Secret of the Tomb

Predicted Gross: $18.7 million (representing an increase of 10%)

5. Annie

Predicted Gross: $16.9 million (representing an increase of 7%)

Box Office Results (December 19-21)

Peter Jackson’s third  and final Hobbit pic dominated the box office while not quite reaching the numbers I predicted. Its Wednesday release was a bit more front loaded than I anticipated. It took in $54.7 million for the traditional Friday to Sunday portion of the weekend – under my $67.1M estimate. However, its five day take of $89.1 million was on track with my $93.6M forecast. This is a solid start for the end of the franchise and the fact that its second weekend falls on Christmas will help it.

Night at the Museum: Secret of the Tomb showed that the franchise is seriously running out of steam as it grossed just $17.1 million out of the gate, under my $25.4M estimate. Perhaps the five year wait from the second and third entries was too long as its fans have simply grown up.

The critically reviled Annie had a ho-hum debut with $15.8 million, just under my $17.6M prediction. It should gain some audience for Christmas, but this has to be below what the beleaguered Sony expected.

Exodus: Gods and Kings, as anticipated, fell hard in weekend #2 to $8.1 million, a bit under my $9.7M prognosis. The Ridley Scott epic, which was met with critical scorn, has earned an unimpressive $38M so far.

The Hunger Games: Mockingjay, Part 1 rounded out the top five with $7.8 million (on pace with my $8M prediction). Its earned $289M at press time.

Finally, the Reese Witherspoon drama Wild debuted in sixth place with $4.1 million, not matching my $5.8M estimate. Its Oscar buzz (for Reese) could mean slow drop-offs in subsequent weekends.

And that’s all for now, folks! Have a very Merry Christmas!

A Canceled Interview

This Saturday, one of my blog posts would have been a box office prediction for The Interview, the Seth Rogen/James Franco comedy in which they play journalists tasked by the U.S. government to take out North Korean leader Kim Jong-un.

So… that’s not going to happen. You may have heard of this movie in the last 24 hours or so. The recent Sony Pictures cyber attack that’s been garnering headlines all over the world has led to threats against any movie theaters screening the picture, which was scheduled to premiere on Christmas Day.

Sony Pictures made the unprecedented decision to pull The Interview from theaters after several large theater chains chose not to show it, due to safety concerns. I’ll leave it to smarter folks than I to pontificate on all the ramifications here. The best I can do is offer my brief insights.

First thought: we are truly in uncharted waters here. There have been plenty of controversial movies, but we’ve never seen anything like this. Here we have a major studio offering that will likely never see the light of day in major theaters. And it’s mainly due to the fact that a fascist dictator can’t take a joke.

The irony is thick, to say the least. The Interview purportedly deals with the issues of Jong-un’s reign in North Korea, albeit in humorous and low brow comedy fashion. It probably deals with his lack of allowing free speech in that territory.

And yet the actions of these hackers (allegedly stemming from the country he controls) has eliminated the free speech rights that our country was founded upon. It’s hard for me to come up with any other argument than this: the hackers won and they’ve set a precedent that is dangerous.

Threats against this nation are nothing new. Threats against movie theaters that dare to show Seth Rogen and James Franco satirizing North Korea… well, that is a new one. It begs the once ridiculous sounding question: what if a group of cyber terrorists decide they don’t want to see Fifty Shades of Grey in February? What if a dangerous faction somewhere in the world makes claims of action if we go see Star Wars: The Force Awakens a year from now?

Trust me, I’m no expert on security issues. However, I’m rather sure our government and financial centers of institutions are threatened on a very regular basis. We don’t stop going to them. And yes – our movie theaters are our entertainment centers of institution.

I have no idea whether The Interview is any good (early reviews indicate not, but there’s a lot of talent involved). The action taken yesterday guarantees one thing (security and political arguments aside) – the picture will be seen by a lot of folks who might not have intended to watch it originally. The term all publicity is good publicity should apply here. My guess is a VOD or Netflix type premiere will happen relatively soon and it will be massively successful.

The decision that faced the owners of theater chains and Sony Pictures forced them into an incredibly unenviable position. Still, my reaction is similar to many I’ve seen in the media. This just doesn’t feel right. We have a right to free speech in this nation. This covers everything from key political speech to the words written in a screenplay and filmed for a sophomoric Seth Rogen Christmas holiday release. And we should never feel compelled to surrender those rights to those who wish us harm.

Todd’s Top Ten Most Eagerly Awaited Fall 2014 Movies

The summer of 2014 is heading towards its closure and that means school, football, and the Fall Movie Season is ahead of us! As many know, the months of September through December is when studios typically save up their major Oscar contenders and that is certainly the case this year. As for what’s been released pre-fall, Richard Linklater’s Boyhood is the only shoo-in for a Best Picture nomination (it could win too) while Wes Anderson’s The Grand Budapest Hotel currently has a decent shot.

This brings us to my personal top ten most anticipated films being released in the final four months of the year. Some of my choices are Oscar hopefuls while others are not. I’ll get to my first round of inappropriately early Academy Award nomination predictions very soon on the blog. In the meantime, here’s the pics that this blogger is most looking forward to:

10. St. Vincent

Release Date: October 24

This comedy/drama had me at the actor headlining the cast: Bill Murray. He plays an irresponsible war veteran who befriends a young boy. Melissa McCarthy and Naomi Watts costar. If it’s good, expect Oscar buzz for Mr. Murray and Ms. Watts in the Supporting Actress race.

9. The Interview

Release Date: December 25

When Seth Rogen and James Franco have teamed up, it’s led to two hilarious comedies: Pineapple Express and This is the End. Here’s hoping the trend continues where they play two journalists given the task of assassinating Kim Jong-Un.

8. Big Eyes

Release Date: December 25

Tim Burton has seemed to be on autopilot lately with lackluster pics like Alice in Wonderland and Dark Shadows. This could change that in the true life tale of a man (Christoph Waltz) who fraudulently claims credit for his wife’s (Amy Adams) bestselling paintings. Oscar buzz could follow if this one if it delivers.

**No trailer released at press time

7. Birdman

Release Date: October 17

Not a biography of the tattooed Miami Heat player – rather Birdman stars Michael Keaton in what could be a huge comeback role. He plays an actor most known for playing an iconic superhero, which shouldn’t be much of a stretch. Edward Norton, Naomi Watts, Emma Stone, and Zach Galifinakis round out the ensemble and it’s directed by Alejandro Gonzalez Inarritu, who brought us 21 Grams and Babel.

6. Dumb and Dumber To

Release Date: November 14

Whether or not the return of Harry (Jeff Daniels) and Lloyd (Jim Carrey) nearly 20 years after the iconic original works is an open question, but you can be damn sure I’ll be in the theater to find out.

5. The Hunger Games: Mockingjay, Part 1

Release Date: November 21

Catching Fire improved upon an already first-rate original in the franchise so I’m pumped to see the series continue. It also serves as one of our final opportunities to see the great Philip Seymour Hoffman.

4. Inherent Vice

Release Date: December 12

Anytime Paul Thomas Anderson makes a film, it’s noteworthy given his filmography includes Boogie Nights, Magnolia, There Will Be Blood, and The Master. This private detective tale stars Joaquin Phoenix, Josh Brolin, Owen Wilson, and Reese Witherspoon.

**No trailer released at press time

3. Foxcatcher

Release Date: November 14

Director Bennett Miller has seen both his features, Capote and Moneyball, earn Best Picture nominations. Advance word is that this will as well. The true story of John du Pont’s (Steve Carell) obsession with a pair of wrestlers (Channing Tatum and Mark Ruffalo) is generating Academy Award chatter for all three actors.

2. Gone Girl

Release Date: October 3

One of the very best directors working today David Fincher adapts Gillian Flynn’s bestselling murder mystery novel. Ben Affleck, Rosamund Pike (in a role likely to earn Oscar buzz), Tyler Perry, and Neil Patrick Harris star.

1. Interstellar

Christopher Nolan has given us the acclaimed Dark Knight trilogy and Inception. In his latest, recent Oscar winner Matthew McConaughey is tasked with no less than saving the world. Anne Hathaway, Jessica Chastain, and (of course) Michael Caine costar. Expect amazing visuals at the very least.

And that’s my top ten, folks. See you at the movies!