Critically hailed horror flick Obsession and Guy Ritchie’s action thriller In the Grey hope for breakout performances as holdovers look to rule the charts. You can peruse my detailed prediction posts on the newcomers here:
Obsession is a genuine question mark with solid reviews on its side and a chance to exceed expectations. I’m playing it safe and putting it just under double digits and that likely would mean a fifth place showing. However, a best case scenario could be a debut in third.
I don’t see In the Grey outdoing estimates and my mid single digits projection leaves Henry Cavill and Jake Gyllenhaal’s latest in sixth.
Mother’s Day weekend saw The Devil Wears Prada 2 hold up better than I assumed (more on that below). This weekend, I think Michael has a terrific shot at jumping from third to first. The musical biopic may only ease in the low 30s while Prada should decline over 40%.
Mortal Kombat II‘s plummet should be more severe in the mid 60s while The Sheep Detectives could experience a meager dip with family audiences catching up in its sophomore frame.
Here’s how I see the top 6 shaking out:
1. Michael
Predicted Gross: $25.8 million
2. The Devil Wears Prada 2
Predicted Gross: $23 million
3. Mortal Kombat II
Predicted Gross: $13.4 million
4. The Sheep Detectives
Predicted Gross: $10.2 million
5. Obsession
Predicted Gross: $9.6 million
6. In the Grey
Predicted Gross: $5.9 million
Box Office Results (May 8-10)
The Devil Wears Prada 2 took advantage of the Mother’s Day frame with a second weekend in 1st at $41.6 million. The sequel bested my $36 million prediction for a commendable two-week total of $143 million. It has already (not adjusted for inflation) topped the 2006 original’s $124 million domestic haul.
Mortal Kombat II kicked off at the lower end of prognoses with $38.5 million in the runner-up spot, not matching my kinder $43.1 million call. While the martial arts action sequel’s performance surpassed the $23 million that its 2021 predecessor debuted with, COVID complications and a simultaneous HBO Max release make that comparison tricky.
Michael was third in weekend #3 with $37.9 million, on target with my $37.6 million take. The record-setter for its genre grew to $241 million stateside.
The Sheep Detectives was fourth with $15 million, in line with my $14.6 million forecast. While parents and kiddos didn’t exactly (apologies) flock to it, the road ahead looks bright with encouraging word-of-mouth.
James Cameron’s concert doc Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) rounded out the top five at $7 million, not quite reaching my $8.3 million projection.
My second helping of ranked Oscar predictions for next year’s 99th ceremony can be called the pre-Cannes estimates. That festival in the French Riviera kicks off May 12th and runs through May 23rd. It will be our first look at several potential contenders: Ryusuke Hamaguchi’s All of a Sudden, Pawel Pawlikowski’s Fatherland, Cristian Mungiu’s Fjord, Na Hong-jin’s Hope, James Gray’s Paper Tiger, and The Man I Love from Ira Sachs to name a few. Keep an eye on the blog for my individual posts exploring the viability of the screening pictures.
The Academy made some news of its own by announcing rule changes. The most significant is that actors can be nominated twice in the same category. There’s been recent examples of when this could have resulted in a performer getting two nods. I would say most recently that Sebastian Stan could have benefited. He was nominated in lead Actor for The Apprentice and a double shot was possible via A Different Man. Going back a ways, Kate Winslet won Best Actress in 2008 for The Reader and might have seen her name pop again for Revolutionary Road. In 2006, Kate’s Titanic mate Leonardo DiCaprio was in contention for Blood Diamond. He could have easily landed another shot via The Departed.
In International Feature Film, the criteria has always been that a submitting nation can choose just one entrant for consideration. While that rule holds, the Academy has added another path to get in. If a picture wins a qualifying international festival (such as Cannes, Berlin, Toronto, Sundance, Venice), it is now a contender. This would have helped Anatomy of a Fall in 2023 since France did not choose it as their representative picture, but it emerged victorious for the Palme d’Or at Cannes.
Since my last update in mid-April, Michael opened to gigantic box office and mediocre reviews. While the audience score on Rotten Tomatoes is high, critical griping could cripple its viability at the Oscars. However, I wouldn’t completely rule out the acclaimed work of Jaafar Jackson and Colman Domingo. Best Picture? Probably a bridge too far despite the gaudy numbers.
The Devil Wears Prada 2 also hit multiplexes. While Meryl Streep was a Best Actress nominee 20 years ago for the original, a second at-bat seems like a reach. The sequel could materialize, however, in Costume Design and/or Original Song where Lady Gaga has a track. Those categories won’t be forecasted until a few weeks down the line.
We also learned that Narnia: The Magician’s Nephew from Greta Gerwig will not be out (on Netflix) until 2027. I had it on the outside looking in at #11. It drops from contention this time around.
You can read all the speculation below and my next update will arrive as Cannes concludes!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Wild Horse Nine (PR: 3) (E)
4. Digger (PR: 5) (E)
5. Fjord (PR: 6) (E)
6. No One Cares (PR: 6) (E)
7. Fatherland (PR: 8) (+1)
8. Dune: Part Three (PR: 10) (+2)
9. The Social Reckoning (PR: 9) (E)
10. All of a Sudden (PR: 7) (-3)
Other Possibilities:
11. Hope (PR: Not Ranked)
12. Cry to Heaven (PR: 16) (+4)
13. A Place in Hell (PR: 12) (-1)
14. Paper Tiger (PR: 21) (+7)
15. Werwulf (PR: 18) (+3)
16. Sense and Sensibility (PR: 23) (+7)
17. Josephine (PR: 17) (E)
18. Saturn Return (PR: 22) (+4)
19. The Entertainment System is Down (PR: 14) (-5)
Video game based martial arts sequel Mortal Kombat II looks to kick off in the #1 spot while family friendly mystery The Sheep Detectives and concert pic Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) also debut. You can peruse my detailed prediction posts on the trio of newcomers here:
2021’s Mortal Kombat franchise reboot faced hurdles from COVID related closures, but still managed to significantly top expectations with a $21 million start. It is anticipated that the sequel could double that figure and that’s where I’m projecting it. If it underwhelms and doesn’t match my prediction, a #1 debut could be in jeopardy.
That’s because holdovers The Devil Wears Prada and Michael loom. The former performed in line with its general anticipated range (more on that below) while Michael showed sturdy legs in its sophomore outing. I do believe the former will be more front-loaded with a drop over 50% (though the Mother’s Day audience could help). If Michael falls less than 35% (definitely achievable), it could stay in the runner-up position.
The other newbies should follow. The Sheep Detectives with Hugh Jackman appears headed for a fourth place showing in the lower teens. I have the Billie Eilish concert film (directed by James Cameron!) just under double digits and rounding out the top five.
Here’s how I see it playing out:
1. Mortal Kombat II
Predicted Gross: $43.1 million
2. Michael
Predicted Gross: $37.6 million
3. The Devil Wears Prada 2
Predicted Gross: $36 million
4. The Sheep Detectives
Predicted Gross: $14.6 million
5. Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)
Predicted Gross: $8.3 million
Box Office Results (May 1-3)
While not quite beginning in grand fashion and exceeding expectations like Michael did, The Devil Wears Prada 2 still easily ruled the charts. With Meryl Streep, Anne Hathaway, and others reprising their roles from 20 years ago, the sequel hauled in $76.7 million. While that’s below my $86.5 million prediction, it is still a laudable figure. As mentioned above, the opening could be somewhat top heavy.
Michael showed commendable movement in second with a 44% decline at $54.4 million. That’s a tad more than my $51 million take as the record-setting biopic has earned $184 million in two weeks.
The Super Mario Galaxy Movie was third with $12.6 million, in line with my $12.1 million projection. The animated sequel crossed a milestone after five weeks with $402 million.
Project Hail Mary was fourth with $8.5 million (I said $8.2 million) for a seven-week tally of $318 million.
Haunted house horror flick Hokum, sporting fresh reviews, was fifth with $6.4 million. The Adam Scott headlined feature managed to outdo my $4.2 million forecast.
Finally, Andy Serkis’s animated rendering of Animal Farm flopped in sixth place with only $3.3 million though it did get beyond my $2.7 million estimate.
The Devil Wears Prada 2, despite a two decade long break from its predecessor, seems to be fresh in the consciousness of moviegoers. The sequel is expected to make a killing at the box office with Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci reprising their roles from the 2006 comedy. Justin Theroux and Kenneth Branagh join the fun with David Frankel back directing.
Prada part one managed to get awards attention 20 years ago. Meryl Streep landed her 14th nomination for Best Actress (she’s now up to 21), falling short to Helen Mirren as The Queen. The fashion centric flick also contended for Costume Design. At the Golden Globes, Streep won lead Actress in a Musical or Comedy. The pic itself was up for Best Film in that Musical or Comedy derby while Emily Blunt was among the quintet vying for Supporting Actress.
The original posted scores of 75% on Rotten Tomatoes and a 62 Metacritic. The follow-up? 75% on RT with 61 on Metacritic! That tracks with the general consensus that 2 is a worthy if unspectacular continuation for these characters. I doubt Streep gets Academy nod #22 for this but she could certainly get her 35th Golden Globe at-bat. A spot in Best Musical or Comedy will be dependent on level of competition.
At the Oscars, Costume Design is obviously in play. Then there’s the original song “Runway” from Lady Gaga and Doechii. It could mark the former’s 4th nom in Original Song. She won with “Shallow” from A Star Is Born while “Til It Happens to You” (2015’s The Hunting Ground) and “Hold My Hand” (2022’s Top Gun: Maverick) made the dance. The Prada track is more uptempo and may not be as Academy-friendly as the aforementioned ballads. I still wouldn’t count her out. My Oscar Prediction posts will continue…
Two decades after the original was a blockbuster that showed staying power, The Devil Wears Prada 2 should fashion an impressive start to kick off May. We also have haunted house horror flick Hokum and Andy Serkis directed animated adaptation of Animal Farm debuting. You can peruse my detailed prediction posts on the trio of newcomers here:
Meryl Streep, Anne Hathaway, and others are back for Prada 2 in a sequel that seems to have audiences with a genuine eagerness to revisit the characters. The original opened to $27 million, but the follow-up is expected to triple those numbers. A best case scenario could be nine digits. I have it in the mid 80s as nostalgia and a high female turnout should push it to a runaway #1 debut.
Expectations are more tempered with other newbies. My mid single digits projection for the well-reviewed Hokum with Adam Scott should mean a fifth place showing.
As for Animal Farm from Angel Studios, meh reviews and a quiet marketing campaign could put this in low single digits. My $2.7 million forecast certainly leave it outside of the high five.
Besides the Prada premiere, the second major storyline is how Michael will perform in its sophomore frame after a sizzling beginning (more on that below). The musical biopic wasn’t a hit with many critics (38% on Rotten Tomatoes), but patrons are digging it as evidenced by the 97% audience score on the same site. Encouraging word-of-mouth might result in a drop in the 40% range. That’s similar to where Bohemian Rhapsody and Elvis eased in their second weekends. However, due to the sheer size of its performance, I will hedge and say a mid to high 40s drop could occur.
The Super Mario Galaxy Movie and Project Hail Mary should respectively move down a slot to third and fourth and add to their considerable hauls.
Here’s how I see the top five shaking out:
1. The Devil Wears Prada 2
Predicted Gross: $86.5 million
2. Michael
Predicted Gross: $51 million
3. The Super Mario Galaxy Movie
Predicted Gross: $12.6 million
4. Project Hail Mary
Predicted Gross: $8.2 million
5. Hokum
Predicted Gross: $4.2 million
Box Office Results (April 24-26)
Michael wanted to be startin’ with the greatest opening ever for its genre and it achieved that and then some. The look at Michael Jackson’s first two decades of massive fame stunned with $97.2 million compared to my $81 million prediction. That blows away the former musical biopic record of $60 million held by Straight Outta Compton. It will need $216 million to claim the largest domestic take for that genre held by Bohemian Rhapsody. That should happen.
After three weeks in the pole position, The Super Mario Galaxy Movie was second with $20.5 million. That’s in line with my $19.9 million take as the animated sequel grew to $385 million. A gross over $400 million is set to arrive by this weekend.
Project Hail Mary was third with $12.8 million as its 37% fall in weekend #6 was more Earth bound than previous meager declines. The sci-fi awards hopeful sits at $305 million.
Lee Cronin’s The Mummy held a bit better in frame #2 than I figured with $5.5 million compared to my $4.4 million call. The poorly received attempted franchise reboot has made only $23 million after two weeks.
The Drama rounded out the top five with $2.6 million (I said $2.8 million) for a four-week total of $44 million.
Arriving two decades after its predecessor on May 1st is the fashion dramedy The Devil Wears Prada 2. It will bank on riding a nostalgic wave and large female audience. David Frankel is back in the director’s seat with returning stars Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci alongside series newbies Justin Theroux and Kenneth Branagh (and a number of cameos).
In the summer of 2006, the first Prada was a solid counter programing performer. Opening to $27.5 million, it legged out impressively to a $124 million domestic haul. Most importantly, it has stuck around in the cultural zeitgeist over the past 20 years.
This truly appears to be an example where the sequel will outdo the original. Marketing has been heavy and the dawn of May indicates supreme confidence from 20th Century Studios. For Streep, it should blow away her best ever debut held by Mamma Mia! ($27.6 million) with the OG Devil right behind it. I believe this could triple (or more) what part one achieved (not adjusted for inflation) during its launch.
The Devil Wears Prada 2 opening weekend prediction: $86.5 million
Your Place or Mine features a greatest hits CD worth of tracks by The Cars while the movie never kicks into high gear. It never totally sputters either. Keeping the leads about 2800 miles apart for the vast duration might give off Sleepless in Seattle vibes, but you’ve got chemistry between Tom Hanks and Meg Ryan that surpasses that of Reese Witherspoon and Ashton Kutcher.
We meet Debbie (Witherspoon) and Peter (Kutcher) in 2003. He’s sporting a wallet chain and she’s in a WonderBra on the night they hook up after a crazy game of poker. The romance ceases after night one though they don’t lose it all. What follows is a close 20-year platonic relationship. He’s on the East Coast where his flings never exceed the six month mark. She’s on the West Coast with her teenage son (Wesley Kimmel). Her mountain climbing ex-hubby is off climbing mountains while her zany next door neighbor and part-time gardener (Steve Zahn) is always hanging around. A helicopter mom, Debbie is finally convinced to take her own flight to Brooklyn to complete a week-long accounting course. Peter hits L.A. to watch the kid.
Staying at each other’s abodes gives them fresh insights. They pride their friendship on being completely honest. It turns out this isn’t the case in ways large and small. Peter hasn’t completely given up his young 20s dream of being a novelist. Of course, the biggest diversion from the whole truth is they are madly in love and can’t admit it. I don’t think we need a SPOILER ALERT. They both try to avoid it. Debbie, with assistance from Peter’s ex-flame (Zoë Chao, quite funny), meets a dreamy publisher (Jesse Williams) for her first flirtation in some time. Meanwhile her babysitter’s best friend (the always game Tig Notaro) serves as Peter’s sounding board.
The directorial debut of Aline Brosh McKenna, she’s no stranger to writing hits in the genre like The Devil Wears Prada and 27 Dresses. 2003, shortly before those rom com entries, is about when Witherspoon and Kutcher were starting their known features in the field (Sweet Home Alabama for her, Just Married for him). It’s a tad surprising they never teamed up before.
Your Place or Mine imagines a glossy scenario where their version of happily ever after is delayed a couple of decades. The long wait includes the inability to truly judge their chemistry as the bulk of their interactions is via calls and texts. Contrary to The Cars songs that play, I guess it’s not what we needed and there’s scant magic. You might think it’s average at best.
Despite a number of critically praised lead and supporting roles, Emily Blunt has yet to break through with Oscar voters. That certainly makes her one of the most high profile actresses yet to get a nomination. Other awards shows and critics groups (including SAG and the Globes) have feted her in pics including The Devil Wears Prada, The Young Victoria, Salmon Fishing in the Yemen, Edge of Tomorrow, Sicario, Into the Woods, The Girl on the Train, A Quiet Place, and Mary Poppins Returns.
Her time probably isn’t far off, but it doesn’t sound as if she’ll get there with Wild Mountain Thyme. The romcom set in Ireland is slated for release this weekend. It comes from director John Patrick Shanley (adapting his own play) and he was on the radar screen of the Academy over three decades ago with Moonstruck, in which he won Best Original Screenplay. Costars here include Jamie Dornan, Jon Hamm, and Christopher Walken.
The reviews out today are on the negative side and it currently sports just a 33% Rotten Tomatoes score. Simply put, any Oscar attention is highly unlikely to materialize. On the other hand, the Hollywood Foreign Press has nominated Blunt six times. If distributor Bleecker Street mounts a spirited campaign for her in the Musical/Comedy category, I wouldn’t count her out for inclusion. The Academy is a totally different story. My Oscar Watch posts will continue…
OK – stop rolling your eyes. When Collateral Beauty (out Friday) had its trailers unveiled months ago, it was not out of the question that the film could receive some awards chatter. After all, the cast is made up of multiple Oscar winners and nominees – Will Smith, Edward Norton, Helen Mirren, Kate Winslet, and Keira Knightley. Maybe its director David Frankel (who’s had some hits with The Devil Wears Prada and Marley & Me) would enter a new phase of his career that included Academy attention.
So it wasn’t unreasonable to include the Picture, the Lead Actor with Mr. Smith, and supporting players like Norton and Mirren in the realm of possibility for nominations. Yet there was also a general feeling from the trailers that perhaps it was trying a bit too hard. Reviews out today seem to confirm that notion. Bottom line? Collateral Beauty won’t get any Oscar nods.
Interestingly, a number of critical write-ups have called it the Hollywood version of Manchester by the Sea, which also deals with the heavy issue of losing a child. Those reviews haven’t exactly meant it as a compliment. While Manchester is poised for many nominations (including Picture), Beauty‘s best hope now is to connect with audiences. At least its costar Naomie Harris looks certain to be recognized, but it’ll be for Moonlight and not this.
After headlining the summer comic book hit Suicide Squad, Will Smith switches to drama mode in the holiday season with Collateral Beauty. Out next weekend, the pic casts the Fresh Prince as a father who loses his child and begins writing letters to events and feelings such as Love, Death, and Time. It turns out those things are embodied by real people and some of them are famous actors. Costars include Edward Norton, Kate Winslet, Keira Knightley, Helen Mirren, Naomie Harris, and Michael Pena. David Frankel, who’s had his hits (The Devil Wears Prada, Marley & Me) and misses (The Big Year anyone?), directs.
The trailers for Beauty leave no doubt that this aims to be a tearjerker appealing to an adult (and probably more female) crowd. Word of mouth could cause this to play well throughout the Christmas season. For its opening, I don’t anticipate anything higher than to low to possibly mid teens. Rogue One: A Star Wars Story is opening against it and I think it’s a rather safe bet it will dominate the charts and possibly siphon away some of the females Beauty is looking to attract.
Though they are certainly not apples to apples comparisons, I could actually see this performing similarly to last year’s Tina Fey/Amy Poehler comedy Sisters. That pic also opened against the Star Wars franchise (in the form of The Force Awakens) at $13.9 million and subsequently managed to perform admirably from weekend to weekend. I’ll predict this falls a couple million under that.
Collateral Beauty opening weekend prediction: $11.4 million
For my Rogue One: A Star Wars Story prediction, click here:
All My Life... I Wanted To Be A Blogster 