Tag: Rob Cohen

Summer 2002: The Top 10 Hits and More

In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring. 

By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.

20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.

As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:

Summer 1992: The Top 10 Hits and More

Let’s begin with that top 10!

10. Mr. Deeds

Domestic Gross: $126 million

When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.

9. Minority Report

Domestic Gross: $132 million

The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.

8. xXx

Domestic Gross: 142 million

Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.

7. Lilo & Stitch

Domestic Gross: $145 million

This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.

6. Scooby-Doo

Domestic Gross: $153 million

Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.

5. Men in Black II

Domestic Gross: $190 million

Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.

4. Austin Powers in Goldmember

Domestic Gross: $213 million

Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me. 

3. Signs

Domestic Gross: $227 million

After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.

2. Star Wars: Episode II – Attack of the Clones

Domestic Gross: $302 million

$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.

    1. Spider-Man

Domestic Gross: $403 million

When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.

Now let’s move to some other notable titles from the season:

The Bourne Identity 

Domestic Gross: $121 million

While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.

The Sum of All Fears

Domestic Gross: $118 million

Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.

Road to Perdition

Domestic Gross: $104 million

His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.

Insomnia

Domestic Gross: $67 million

Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).

Unfaithful

Domestic Gross: $52 million

Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.

And now for some movies that didn’t perform so well…

Reign of Fire

Domestic Gross: $43 million

This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.

Windtalkers

Domestic Gross: $40 million

John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.

K-19: The Widowmaker 

Domestic Gross: $35 million

Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.

Halloween: Resurrection

Domestic Gross: $30 million

Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.

Bad Company

Domestic Gross: $30 million

One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.

Blood Work 

Domestic Gross: $26 million

Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.

The Adventures of Pluto Nash

Domestic Gross: $4 million

Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.

2012 is up next!

The Hurricane Heist Box Office Prediction

The relatively new Entertainment Studios is hoping for another sleeper hit next weekend when The Hurricane Heist hits theaters. The disaster crime flick comes from director Rob Cohen (best known for making the original The Fast and the Furious and xXx) and centers on a group of bank robbers trying to pull off a job during a Category 5 hurricane. The cast includes Toby Kebbell, Maggie Grace, Ryan Kwanten, Melissa Bolona, and Ralph Ineson.

Made for a reported $35 million, Heist‘s best hope is that it will make some cash based on its concept (star power will not be a factor). There is plenty of competition out there as Red Sparrow and Death Wish will be in their sophomore frames and The Strangers: Prey at Night opens against it looking for similar audience members.

Last summer, the studio had an unexpected hit with the shark tale 47 Meters Down. It debuted to $11.2 million with a $44 million overall domestic haul. Ironically, that film’s director is behind the camera with The Strangers sequel it’s competing with. Meters had the advantage of having a shark in it (maybe one of the bank robbers should have been a great white) so I don’t really see Heist reaching its gross.

Interestingly, I keep going back to last fall’s Geostorm as an example of a disaster pic that outperformed expectations. That critically drubbed pic managed to gross $13.7 million out of the gate. Could Hurricane somehow blow away expectations? I doubt it.

For now, I’ll say this doesn’t reach double digits, but it could make more than my current expectations.

The Hurricane Heist opening weekend prediction: $5.6 million

For my A Wrinkle in Time prediction, click here:

A Wrinkle in Time Box Office Prediction

For my The Strangers: Prey at Night prediction, click here:

The Strangers: Prey at Night Box Office Prediction

For my Gringo prediction, click here:

Gringo Box Office Prediction

The Boy Next Door Movie Review

Jennifer Lopez is given the role of a lifetime in The Boy Next Door. Make that – role of a Lifetime as this thriller is no different than the guilty pleasure schlock you find on that channel. The difference is that it feels better to watch that kind of material on a couch and far hidden away from the public eye. When big stars (one at least) are involved, it feels cheaper than that occasional junk food excursion into carbon copy TV movie territory.

Lopez is Claire, a recently separated English lit teacher trying to move on with her life with her teenage son (Ian Nelson). Her husband is John Corbett and he’s trying to patch things up after he was caught cheating with his secretary. It’s revealed that Claire discovered her husband’s infidelity via email and that his mistress smelled like chocolate chip cookies. Whether he meant fresh-baked or store-bought is a plot point left dangling for our collective imaginations.

The title character is 19-year-old Noah (Ryan Guzman), a new addition to the neighborhood who’s living with his elderly uncle. His parents are deceased and we see that as a red flag quickly. Same with his love of the subject Claire teaches as they ridiculously discuss Homer’s Iliad. Yeah, it’s painful. On a weekend where the rest of her family is away on a camping trip, Noah successfully seduces her. She immediately realizes it was a mistake the next morning (at least her walk of shame is short, right??). Noah doesn’t see it that way and the boy next door turns into the stalker next door.

There is hardly a moment here where the screenplay doesn’t feel as lazily choreographed as J Lo on her worst day as a “In Living Color” fly girl. There’s the supportive best friend played by the talented Kristen Chenoweth, who should have been anywhere else during the filming of this. We have Kevin being given a serious medical ailment with his allergies. I will give the script reluctant credit for not using that overused cliche in quite the way I anticipated.

Rob Cohen, who started the Fast and Furious and xXx franchises, directs this low-budget enterprise with Lopez producing. Her acting is acceptable, I suppose. Guzman has plenty of moments where he overacts painfully. The screenplay is essentially an hour of finding ways for him to torment Claire and almost expose her for her one night she’d like to forget. None of them are memorable or believable. We are told a video exists of their romantic encounter and that it must be erased from his laptop, pronto!! I couldn’t help but think that any 19-year-old would have backed that thing up like J Lo in 1999 when MTV was playing her videos. With The Boy Next Door, you’ll want to back up an hour and a half of your time if you go down Jenny’s block here.

*1/2 (out of four)

The Boy Next Door Box Office Prediction

In recent years Jennifer Lopez has become known more for American Idol than her once stellar film career. This Friday, she headlines the psychological thriller The Boy Next Door and it could be primed for a healthy opening. Costars include Ryan Guzman, Kristen Chenoweth and John Corbett. Rob Cohen, director of XXX and the original Fast and Furious flick, is behind the camera.

The Boy Next Door could benefit from a decent female audience turnout. Its reported tiny budget of only $4 million virtually assures profitability. Reviews aren’t likely to be on its side, but that shouldn’t matter a whole lot. I envision this performing on a similar scale to The Call, Halle Berry’s thriller which debuted with a higher than expected $17 million nearly two years ago. That means Jenny from the Block could double the grosses of Johnny (Depp) from Mortdecai this weekend.

The Boy Next Door opening weekend prediction: $14.7 million

For my Mortdecai prediction, click here:

https://toddmthatcher.com/2015/01/17/mortdecai-box-office-prediction/

For my prediction on Strange Magic, click here:

https://toddmthatcher.com/2015/01/17/strange-magic-box-office-prediction/