Tag: movies

Midnight Special Movie Review

Jeff Nichols’ Midnight Special is an occasionally very effective family drama masquerading as a sci-fi genre piece. None of the elements contained here are really fresh, but the writer/director manages to find ways to the audience intrigued with some stellar performances to boot.

The pic tells the story of Alton Meyer (Jacob Lieberher), an eight year old Texas boy seemingly kidnapped by his father Roy (Michael Shannon). Alas, it’s not so simple. The young lad holds supernatural powers that his father knows gives him a far greater cause than he can fathom. If Dad were to tell others that his son’s eyes light up, he means it differently than most. Alton has spent the past couple of years in the care of a religious cult who believe he can predict the end times. The United States government are fearful that he’s a weapon. They’re both chasing him as Roy and his state trooper buddy (Joel Edgerton) try to get Alton where he needs to be. Mom (Kirsten Dunst) eventually enters the frame as well.

Part of the joy of Midnight Special is the genuine unpredictability that pervades the first half especially. The story reveals itself gradually as our protagonists speed along to a destination unknown for the majority of its running time. Shannon has appeared in all four Nichols features. He may not look like your typical leading man these days (he may have been more at home in the 70s), but he has again and again proven his ability to carry a film. Lieberher is understated and effective and all aforementioned supporting players do fine work. This also extends to Adam Driver as a sympathetic NSA operative (not a movie term used often for that profession).

By the director’s own telling, this is partly an homage to the 1970s/80s genre masters before him like Spielberg and John Carpenter (the score could have been composed by him). When we reach the third act, it’s still engaging even if a sense of familiarity and an anti-climactic tone chimes in. For more overt sci-fi throwbacks to the era Nichols is celebrating, we have Super 8 and now Netflix’s “Stranger Things”. The most rewarding moments here lie in the drama of a father’s love for his son and willingness to do anything for him. Anything in the universe.

*** (out of four)

Box Office Predictions: August 12-14

Three new pics enter the marketplace in the second weekend of August as Disney’s live-action remake Pete’s Dragon, Seth Rogen’s raunchy animated Sausage Party, and Meryl Streep biopic Florence Foster Jenkins debut. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2016/08/03/petes-dragon-box-office-prediction/

https://toddmthatcher.com/2016/08/03/sausage-party-box-office-prediction/

https://toddmthatcher.com/2016/08/03/florence-foster-jenkins-box-office-prediction/

None, in my view, will earn enough to dethrone Suicide Squad from a second weekend atop the charts. If Pete’s Dragon over performs, it’s not outside the realm of possibility that it could place first, but my sub $30M forecast makes that scenario unlikely to me. The big question is how far will Squad fall in its sophomore frame after a record premiere (more on that below). I don’t believe it’ll dip quite as far as Batman v Superman: Dawn of Justice did earlier this year (69%), though it could be close and in the mid 60s.

As for Sausage Party, I look for it to almost reach $20M for a third place showing (solid considering its reported $30M budget). Truth be told, this Party is a bit of a wild card. I could see it doing $25M or $15M so I pretty much split the difference.

I’ll predict Mila Kunis and company have the smallest drop this weekend and that could put Bad Moms in a race with Jason Bourne (both in their third weekends) for the #4 position (though I’ll give Mr. Damon the edge by a couple million). As for Bad Singer Florence Foster Jenkins, its relatively low 1500 screen count has me putting it in sixth.

And with that, a top 6 predictions for the weekend:

  1. Suicide Squad

Predicted Gross: $45.7 million

2. Pete’s Dragon

Predicted Gross: $29.8 million

3. Sausage Party

Predicted Gross: $19.4 million

4. Jason Bourne

Predicted Gross: $11.4 million

5. Bad Moms

Predicted Gross: $9.3 million

6. Florence Foster Jenkins

Predicted Gross: $8.2 million

As far as where my readers currently think I am with predictions on the newcomers:

A hefty 69% think I’m Too Low on Pete’s Dragon, 24% think Just About Right, and just 7% Too High

56% think I’m Too Low on Sausage Party, 23% Too High, 21% Just About Right

Florence Foster Jenkins: 54% Too Low, 31% Just About Right, 15% Too High

Box Office Results (August 5-7)

Suicide Squad easily broke the August opening weekend record (by nearly $40 million) as it earned $133.6 million. The DC comics adaptation was subject to mostly negative reviews. Mine was more mixed and you can read it here:

https://toddmthatcher.com/2016/08/05/suicide-squad-movie-review/

Squad did not quite match my goal of $144.3M that I had it at. The biggest worry from Warner Bros could be how far it drops in weekend 2, as discussed above. Its large dip from Friday to Saturday could be a sign of things to come.

Jason Bourne fell to second in weekend #2, tumbling further than I anticipated with a gross of $22.4 million compared to my $27.1M forecast. The fifth entry in the franchise has earned $103M so far.

Bad Moms experienced a nice hold for third at $14 million (above my $12.1M projection) for a two-week total of $50M.

The Secret Life of Pets was fourth with $11.5 million (slightly above my $10.6M estimate) for a whopping total of $319M.

Star Trek Beyond rounded out the top five with $10 million (I said $10.8M) for a tally of $127M.

Finally, the level of anticipation for a horribly reviewed Kevin Spacey cat reincarnation movie was under my guess. Nine Lives debuted in sixth with $6.2 million and under my generous $9.8M prediction.

And that’ll do it for now, friends! Until next time…

Keanu Movie Review

It may be called Keanu with an adorable kitten named after the actor who gave us Neo/Johnny Utah/John Wick, but the debut feature starring Comedy Central’s “Key and Peele” could’ve been titled George Michael as well. The iconic 1980s British crooner gets his props throughout this action comedy that may have felt right at home in theaters when “Faith” and “Father Figure” were burning up the charts.

The duo’s basic cable program was a rather groundbreaking show with some truly inspired bits. You won’t really find that here. Instead, Keanu is a breezy if rather forgettable tale of the tail of the cat who captures the hearts of everyone who comes in contact with it. Jordan Peele is Rell, who’s depressed after his girlfriend broke up with him when that darn kitty comes into his possession. His best bud/cousin Clarence (Keegan-Michael Key) is stuck in a dull middle class existence with a bored wife (Nia Long) who’s out of town for the weekend. The pair soon learn that Keanu is actually the property of a drug kingpin whose employees were recently mowed down by assassins known as The Allentown Boys (also played by Key and Peele). Before you know it, Rell and Clarence are posing as them in an effort to get the kidnapped Keanu back.

Their journey brings them to the underground L.A. drug scene and a crew led by Cheddar (Method Man) and Hi-C (Tiffany Haddish), who Rell has the hots for. Of course, they need nifty nicknames, too. Tectonic and Shark Tank suffice. As they try to find that fabulously cute feline, the guys teach some criminals the joys of George Michael in a humorous bit that just keeps going and going.

Maybe that’s part of the problem here. The shark out of water premise of Keanu barely can sustain itself for 100 minutes. There are moments sprinkled throughout that work well. An unexpected cameo from Scary Movie lead Anna Faris is amusing. Key and Peele do succeed in proving that their charisma on the small screen translates to the big one. And, yes, that kitten really is a gem. Yet the concept of these guys having to “get hard” (to borrow a phrase from a far worse Kevin Hart vehicle that uses similar plotting) is a rather familiar one. This is a talented pair at work, though. I wouldn’t hesitate to sign up when they get “One More Try”, as that hit song says from Mr. Michael.

**1/2 (out of four)

Suicide Squad Movie Review

Suicide Squad is the latest in DC’s attempt to Marvelize its cinematic universe in considerably darker shades. It’s noisy and messy. It’s filled with some top-notch performances and fascinating characters mixed with utterly forgettable ones. In a pic filled with villains, there’s weak ones and strong ones. Yes, it’s what we’ve come to anticipate in a series that continues to follow what Man of Steel and Batman v Superman: Dawn of Justice started.

David Ayers directs this tale of super villains who are charged with saving the world. This is an idea hatched by government official Amanda Waller (a typically solid Viola Davis) and the team she assembles is an unknown one unless you’re an avid comic book reader. It includes master marksman Deadshot (Will Smith), loony tunes temptress Harley Quinn (Margot Robbie), flame thrower with a fiery temper El Diablo (Jay Hernandez), Aussie Captain Boomerang (Jai Courtney), disfigured Killer Croc (Adewale Akinnouye-Agbaje) and sword expert Katana (Karen Fukuhara).

We get back stories on them all – some more detailed and worthy of screen time than others. Will Smith gives a decent performance, even though his subplot of being a bad hit man who’s also a really dedicated dad (!) is as stale as it sounds. Still he acquits himself well, even if he’s done the dour anti-hero thing before in Hancock. The El Diablo story is helped by Hernandez’s work, even though his flashback info is a bit too serious for everything else happening here. Quite frankly, many of the others aren’t even worth mentioning.

The other that is? That would be Ms. Quinn, played with gusto and a Stockard Channing like Grease accent from Robbie. Her wise cracks land more often than not. She’s the highlight here and her road to villainy involves her romance with the granddaddy baddie of them all, The Joker (Jared Leto). Their story is one that works well, partly due to Leto hitting his mark in a role that’s obviously been well-played before. His screen time is limited (probably wisely) and I look with anticipation to seeing him again.

Where Squad fails majorly is with a dull main villain and that’s Enchantress (Carla Delevingne),  an archeologist turned witchy woman with world domination on her mind. In a movie filled with bad guys, the one they’re chasing shouldn’t be a bore. She is and so is her soldier boyfriend – Colonel Rick Flag (Joel Kinnaman) – from her pre-spell life.

The action sequences are a mixed bag, especially when Ayers films them in such darkness that it’s hard to tell what’s happening. This is an issue that has pervaded other DC adaptations. We expect CG to look pretty decent in everything now and that holds true here, though nothing really stands out.

For the first half or so, Suicide Squad is a bit of depraved fun. A lot of that is Robbie’s doing with some credit to Smith. After about the halfway mark, the feeling sets in that we aren’t terribly invested in what’s occurring and that the Squad goals of taking down the witch seem inconsequential. Batman v Superman was a bit of a mess as well (its main villain issues – aka Jesse Eisenberg – were also there). Yet I somehow left that experience ready to see the Justice League formed. Here – I’m indifferent to Squad seconds. Now if Harley wants to join her main man to battle Superman, Batman, and the others – that’s cool.

**1/2 (out of four)

Florence Foster Jenkins Box Office Prediction

Meryl Streep headlines the autobiographical comedic drama Florence Foster Jenkins, opening next weekend. Casting the record-setting Oscar nominee as the New York heiress in the early 1940s whose dream was to perform at Carnegie Hall (despite a questionable voice), Jenkins comes from The Queen director Stephen Frears. The supporting cast includes Hugh Grant, Simon Helberg, and Rebecca Ferguson.

The pic will attempt to bring in an older and mostly female audience as counter programming during the dog days of August. Reviews have been encouraging with a 92% Rotten Tomatoes rating. In fact, Ms. Streep could be on the cusp of her 20th Academy Award nomination (especially if this performs well stateside).

That prospect is a bit questionable – both with box office numbers and a potential Oscar nod. Our lead does have a history in recent years with August premieres. 2009’s Julie and Julia scored with a $20 million start. 2012’s Hope Springs made a decent $14.6 million. Last year’s example wasn’t as successful as Ricki and the Flash (which received mixed critical notes) premiered with just $6.6 million. My estimate puts Florence a little closer to Ricki considering its rather low screen count opening of 1500 theaters.

Florence Foster Jenkins opening weekend prediction: $8.2 million

For my Pete’s Dragon prediction, click here:

https://toddmthatcher.com/2016/08/03/petes-dragon-box-office-prediction/

For my Sausage Party prediction, click here:

https://toddmthatcher.com/2016/08/03/sausage-party-box-office-prediction/

Sausage Party Box Office Prediction

It’s a banner year for animated movies at the box office (excluding the freezing out of Ice Age: Collision Course), yet a very different one opens next weekend with Sausage Party. The 3D animated flick comes from the minds of Seth Rogen and Evan Goldberg and it is definitely not meant for the little ones.

Supermarket produce comes to life in the very hard R comedy that features a whole lotta familiar voices other than Mr. Rogen’s. They include Kristin Wiig, Jonah Hill, Bill Hader, Michael Cera, James Franco, Danny McBride, Craig Robinson, Paul Rudd, Nick Kroll, Edward Norton, and Salma Hayek. Made for a quite reasonable $30 million, this has been a passion project for Rogen and company and took years to get produced. Early reviews have been strong – it holds a 100% score on Rotten Tomatoes (no word yet on whether actual rotten tomatoes are featured in this).

If there’s one genre where not a whole lot of data exists – adult animated pics would be one of them. 1996’s Beavis and Butthead Do America opened to $20.1 million and 1999’s South Park: Bigger, Longer, and Uncut earned $11.3 million. Word of mouth could certainly help here but in the end, I envision this performing similarly to some other Rogen features. This is The End earned $20.7 million in its initial weekend and this summer’s Neighbors 2: Sorority Rising disappointed with $21.7 million. That seems like a reasonable range for this Party and I’ll put it at just below $20M.

Sausage Party opening weekend prediction: $19.4 million

For my Pete’s Dragon prediction, click here:

https://toddmthatcher.com/2016/08/03/petes-dragon-box-office-prediction/

For my Florence Foster Jenkins prediction, click here:

https://toddmthatcher.com/2016/08/03/florence-foster-jenkins-box-office-prediction/

Pete’s Dragon Box Office Prediction

The Disney live-action remake train keep rolling along next weekend as Pete’s Dragon debuts in theaters. The Mouse Factory has found great success in the past couple of years taking their storied animated hits of decades past and repackaging and re-imagining them with real actors and tons of CG effects.

Pete’s Dragon, however, is a slightly different story. Unlike Maleficent, Cinderella, and The Jungle Book (and next year’s Beauty and the Beast for that matter), the pic this is based on is not considered a classic. The Disney Dragon ‘toon opened in 1977 at a time when the studio was in a downturn in their animation department. It was only a mild box office performer and reviews weren’t too strong.

The fact that Disney has been on a roll lately should help Pete and his magical dragon change the narrative somewhat with this property. David Lowery (best known for directing the low budget indie drama Ain’t Them Bodies Saints) is behind the camera. Oakes Fegley plays the title character (the Pete part) while the dragon is handled by Weta Digital. Costars include Bryce Dallas Howard, Robert Redford, Wes Bentley, and Karl Urban. Early reviews have been mostly positive with an 81% on Rotten Tomatoes.

Let’s start here: this has no real chance of reaching the heights of the live action reboots before it. 2014’s Maleficent made $69 million for its start. Last year’s Cinderella earned $67 million. This spring’s The Jungle Book made $103 million. Dragon may be lucky to make half of any of those titles in its opening. Disney should be pretty happy if this manages to top $35 million, but my prediction reflects a belief that just over/under $30 million is the more likely scenario.

Pete’s Dragon opening weekend prediction: $29.8 million

For my Sausage Party prediction, click here:

https://toddmthatcher.com/2016/08/03/sausage-party-box-office-prediction/

For my Florence Foster Jenkins prediction, click here:

https://toddmthatcher.com/2016/08/03/florence-foster-jenkins-box-office-prediction/

Box Office Predictions: August 5-7

The first weekend of August at theaters brings us two new films. One is among the most eagerly anticipated movies of the summer. The other finds Kevin Spacey reincarnated into the body of a cat.

They are Suicide Squad, the DC Comics gathering of super villains (including Will Smith, Margot Robbie, and Jared Leto as The Joker) that looks to be a box office juggernaut and Nine Lives, the aforementioned Spacey/kitty cat pic. You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2016/07/26/suicide-squad-box-office-prediction/

https://toddmthatcher.com/2016/07/26/nine-lives-box-office-prediction/

Warner Bros. has to be feeling pretty confident with their Squad goals. My prediction for it puts it at the 15th highest domestic opening of all time and it has a legit chance at ruling the box office charts for the entire month of August.

As for Nine Lives, I’m predicting it falls just under double digits for a sixth place showing. As for holdovers, Jason Bourne will likely lose more than half its audience in weekend #2 while the drop for Bad Moms may not be quite as pronounced. Moms may stay put at third with Star Trek Beyond slipping to fourth and The Secret Life of Pets rounding out the top five (though those two could swap spots).

And with that, a top 6 predictions for the weekend:

  1. Suicide Squad

Predicted Gross: $144.3 million

2. Jason Bourne

Predicted Gross: $27.1 million

3. Bad Moms

Predicted Gross: $12.1 million

4. Star Trek Beyond

Predicted Gross: $10.8 million

5. The Secret Life of Pets

Predicted Gross: $10.6 million

6. Nine Lives

Predicted Gross: $9.8 million

**At press time, here are the results for my poll on the newbies:

Suicide Squad

52% believe my prediction is “Just About Right”

37% believe my prediction is “Too High”

11% believe my prediction is “Too Low”

Nine Lives

43% believe my prediction is “Just About Right”

37% believe my prediction is “Too High”

20% believe my prediction is “Too Low”

Box Office Results (July 29-31)

Matt Damon’s return as Jason Bourne brought audiences in to the tune of $59.2 million – a solid opening that didn’t match my estimate of $67.6M. While the star’s last turn as the title hero in 2007 performed better with $69M out of the gate, this is still a hefty enough debut to warrant further franchise entries.

Star Trek Beyond fell precipitously in its sophomore frame with $24.7 million for second, under my $28.5M prediction for a two-week take of $106M. The third Trek pic in this particular franchise will easily be the lowest grosser thus far and puts into question its viability going forward (and… beyond).

Bad Moms had a good start in third with $23.8 million, a bit below my $26M projection. As mentioned above, it may not fall too hard next weekend to remain in third.

The Secret Life of Pets was fourth with $18.9 million (above my $16.4M forecast) for a $296M total. A less successful animated feature – Ice Age: Collision Course – was fifth in weekend 2 with $10.9 million (I said $10.1M) for an overall gross of $42 million. Sleeper horror hit Lights Out was sixth, earning $10.8 million in its second weekend (I said $10.6M). It has also made $42 million so far. Ghostbusters was seventh in its third weekend with $10.1 million (a touch under my $11.2M projection) for a $106M total.

YA tech thriller Nerve performed fairly well in an 8th place debut with $9.4 million over the traditional weekend and $15.4 million since its Wednesday roll out – slightly below my respective estimates of $10.8M and $16.3M.

Rounding out the top ten: Finding Dory in ninth with $4.3 million (I said $4.5M) for a $469M haul and The Legend of Tarzan in tenth with $2.4 million (I was over with $3.6M) for a $121M total.

Outside the top ten, Woody Allen’s Cafe Society expanded nationwide and placed 12th with $2.3 million. I said $2.3M! So we’ll end on that high note!

That’s all for now – until next time…

Ranking Tarantino

Quentin Tarantino made a little news recently when he indicated that he’s likely to direct perhaps one more feature film. Whether this holds true or not – we shall see.

For loyal readers of this here blog, you may have picked up that Q.T. is my personal favorite director working today. It got me thinking – how would I list the ten pictures that this mad genius has directed?

Well, I went ahead and did it and it is sure wasn’t easy, but here goes…

10. The Hateful Eight (2015)

Last year’s Western – with a dash of Agatha Christie murder mystery thrown in – is the first and only Q.T. pic that I didn’t award four stars (it got three and a half). As I put it then – even Tarantino’s “worst” is better than most director’s “best”. That holds true here and it’s pretty darn solid.

9. Death Proof (2007)

One half of the double feature Grindhouse (the other is Robert Rodriguez’s Planet Terror), Death Proof is a gloriously fun homage to 1970s car racing features with a terrific twisted turn by Kurt Russell. One of the few Tarantino projects that flopped. It didn’t deserve to and is a must-see.

8. Django Unchained (2012)

It’s his highest grossing movie to date. Django is the controversial revenge flick set during slavery times that earned Christoph Waltz his second Oscar for a Q.T. entry and gave Leo DiCaprio a sinister role, showcasing a side of his we had yet to witness.

7. Once Upon a Time in Hollywood (2019)

A melancholy fairy tale that actually serves as his least violent pictures (in terms of screen time), Hollywood could be criticized for being slow or self indulgent. Yet indulging in this revisionist late 1960s tale is a treat and spending time with the characters headlined by Leonardo DiCaprio and Brad Pitt is gloriously well spent.

6. Jackie Brown (1997)

The pressure to follow-up Pulp Fiction was immense, but Quentin came through with this crime tale based off an Elmore Leonard novel. Not as ambitious as what came before, but it’s a dynamite genre piece with an amazing cast led by Pam Grier and Samuel L. Jackson in perhaps his career best performance.

5. Kill Bill: Volume 2 (2004)

Fanatics are divided as to their preference between part 1 and 2. Volume 2 rates just a bit lower for me yet it’s remarkable nonetheless.

4. Reservoir Dogs (1992)

The one that started it all. A heist picture like we had never seen – Dogs educated us quickly as to what the Q.T. experience would be. Lots of pop culture references, first-rate acting, and bursts of violence. The opening credits sequence is one of the most memorable in cinematic history.

3. Kill Bill: Volume 1 (2003)

The first edition of Bill truly has an aura of a filmmaker feeling completely free to do whatever the hell he wants. Mixing martial arts, blaxploitation, anime, Western themes, De Palma homages, and more – it’s a dizzying and exhilarating ride.

2. Inglourious Basterds (2009)

Q.T. is surely the only man with the cojones to change the ending of World War II and he does so in this brilliant and often hilarious tale with an Oscar-winning Christoph Waltz performance that is arguably the best performance in any Tarantino work.

  1. Pulp Fiction (1994)

The pinnacle. Containing every element of what makes Quentin the force he is, Pulp Fiction is not only my favorite work of his – it ranks behind only the first two Godfather films as my all-time best picture.

Let’s hear your order, blog friends!

P.S. – This post is likely to lead to another list in the near future: “The 25 Greatest Quentin Tarantino Movie Scenes”… stay tuned…

Nine Lives Box Office Prediction

Next weekend, the family comedy Nine Lives attempts to answer important queries such as…

Did Kevin Spacey lose or a bet or something?!?!?

The pic casts the two time Oscar winner and star of the acclaimed “House of Cards” as a rich businessman who experiences an accident that traps him into the body of a cat…

No seriously. What does distributor EuropaCorp have on Spacey??? 

Costars include Jennifer Garner and Christopher Walken and directorial duties are handled by Barry Sonnenfeld (who’s had his share of hits with the Men in Black and Addams Family franchises)…

For that matter, what is Sonnenfeld doing directing this??? I mean, he did Wild Wild West, but still…

Who knows? Maybe Nine Lives will turn out to be a classic family comedy, but it sure doesn’t look like it judging from the trailer, which I thought might be a Funny or Die spoof or something when I first viewed it…

Mr. Spacey – if you’re doing this movie against your will, send us a signal or something…

I’ll predict this makes about a million bucks or so for each life in the title and decent odds that President Underwood spends conversations int the future trying to live it down.

Nine Lives opening weekend prediction: $9.8 million

For my Suicide Squad prediction, click here:

https://toddmthatcher.com/2016/07/26/suicide-squad-box-office-prediction/

For an explanation of why Kevin Spacey is in this movie, I got nothing…