Hail, Caesar! Movie Review

Joel and Ethan Coen seem to be struggling with ambivalence to the film industry in their latest, Hail, Caesar! It takes place in the early 1950s when the studios had their own struggles with the impending explosion of television threatening their existence. Capitol Pictures production head Eddie Mannix (Josh Brolin) spends his days and nights putting out fires with damaged actors, directors, and other assorted players. He has an offer on the table for a nice everyday job with Lockheed and his decision whether to stay or go is treated (quite literally) as one of Biblical proportions.

The film’s title is one shared with a Roman epic meant to be Capitol’s blockbuster of the year. It stars Baird Whitlock and he’s played by George Clooney in a welcome continuation of the actor playing extraordinarily dumb guys in the Coen universe. These directors either realized years ago that Clooney excels in these roles or have secret contempt for him. It’s probably the former. Baird is kidnapped by a group of gentlemen who are either underpaid and frustrated screenwriters, Communist sympathizers, or both. His return to the set means a handsome ransom paid by Capitol.

That is just one of many issues that Mannix deals with during his workday. They include the synchronized swimming Esther Williams type starlet (Scarlett Johansson) whose squeaky clean image is polar opposite from the real story. And the Western crooning leading man (Alden Ehrenreich) clumsily trying his hand at serious drama.

Much of this simply appears to be an excuse for the brothers from Minnesota to play around with genres popular in the era. Channing Tatum pops up as a tap dancing sailor making an energetic and silly musical. The works of the aforementioned movie stars lets the Coens give us scenes from Westerns, Bible epics, and aquamusicals. Fans of the period will almost certainly appreciate it all more than those unfamiliar.

Certain performances stand out. Some of the more recognizable faces (Johansson, Jonah Hill as a studio problem fixer) are given little material. Lesser known Ehrenreich is quite a find and he shares a very funny sequence with an exasperated director  played by Ralph Fiennes. Tilda Swinton is on point in a dual role as haughty twin gossip columnists.

The overall theme is of Mannix’s wondering if his crazy job is inconsequential. You get the feeling from time to time if it’s the Coens thinking that themselves. We saw it in 2008’s superior Burn After Reading, a picture that concluded with a conversation about its own unnecessary existence. That also seemed to serve as a statement about the spy thrillers it was sending up. Here the message is a little murkier and quite a bit less humorous. Joel and Ethan Coen have certainly earned the right to do whatever they want and Hail, Caesar! still has plenty of moments that remind us why they’re such cinematic treasures. The ambivalence that I mentioned earlier that permeates their exercise here? We feel it a bit as well, however.

**1/2 (out of four)

Hands of Stone Box Office Prediction

***BLOGGER’S UPDATE (08/23/16): It was announced today by the Weinstein Company that they are significantly changing their release pattern for Hands of Stone. The film was originally scheduled to debut this Friday on approximately 2,000 screens. Now, it will premiere on only 800 screens with a wider roll-out on Wednesday (08/31). This forces a shift in my prediction for it. My $6.1 million estimate is now $3.2 million.

Centering on the relationship between real-life boxing legend Roberto Duran and his trainer Ray Arcel, Venezuelan filmmaker Jonathan Jakubowicz brings us Hands of Stone next weekend. Edgar Ramirez plays the fighter with Robert De Niro as his corner man. Costars include Usher (playing Sugar Ray Leonard), Ana de Armas, Ellen Barkin, Ruben Blades, and John Turturro.

The pic premiered at the Cannes Film Festival in May to a mixed reaction after sitting on the shelf for over two years (not a good sign). Movies about the sweet science have been prevalent this decade with hits like 2010’s The Fighter and last year’s Creed. They had the benefit of critical acclaim and Oscar buzz. There was last summer’s Southpaw with Jake Gyllenhaal, which managed to do just OK with a $52 million overall gross.

Hands of Stone arrives in the dog days of August, where new titles typically fight to reach double digits. The Weinstein Company is distributing and they’re rumored to be making a push for De Niro in the Supporting Actor Academy race. They will probably not be successful like Sylvester Stallone was for Creed. And this will likely not pack much of a punch in the box office ring.

Hands of Stone opening weekend prediction: $3.2 million

For my Mechanic: Resurrection prediction, click here:

https://toddmthatcher.com/2016/08/16/mechanic-resurrection-box-office-prediction/

For my Don’t Breathe prediction, click here:

https://toddmthatcher.com/2016/08/16/dont-breathe-box-office-prediction/

 

Don’t Breathe Box Office Prediction

****BLOGGER’S UPDATE #2 (08/25/16): Finally relenting with Don’t Breathe to give it the #1 spot at $12.4 million. That’s not as high as most prognosticators, but it basically assures it the top spot. The change is reflected below. 

Next weekend, the makers of the Evil Dead reboot are back with Don’t Breathe, a horror pic that is garnering early positive reviews. Fede Alvarez directs with Sam Raimi producing in this tale of some teenagers robbing a blind man’s home. That man (played by veteran character actor Stephen Lang) turns out to be quite a force to be reckoned with. Jane Levy and Dylan Minnette costar.

The film premiered at the South by Southwest Film Festival this past spring to good notices. It currently stands at 83% on Rotten Tomatoes. It’s been a solid summer for horror – as The Conjuring 2 and Lights Out both performed well (especially the latter considering its tiny budget). Lights benefited from a simple concept and critical acclaim, yet I’m not sure that will be repeated here. The late August release date has not been kind to the genre over the past few years. Last summer’s Sinister 2 managed just $10.5 million and that was a sequel to a well-regarded predecessor. The best comparison might be 2013’s You’re Next, another well-reviewed title that only grossed $7 million for its start. I’ll say this manages to top that, but not by too much.

I’ll predict Don’t Breathe tops that meager figure, but not by much at all.

Don’t Breathe opening weekend prediction: $12.4 million

For my Mechanic: Resurrection prediction, click here:

https://toddmthatcher.com/2016/08/16/mechanic-resurrection-box-office-prediction/

For my Hands of Stone prediction, click here:

https://toddmthatcher.com/2016/08/17/hands-of-stone-box-office-prediction/

Mechanic: Resurrection Box Office Prediction

Jason Statham starred in one of the biggest sequels of 2015 with Furious 7. He is highly unlikely to repeat himself this year as Mechanic: Resurrection hits screens next weekend. This is a follow-up to 2011’s The Mechanic, a remake of a 1972 Charles Bronson vehicle that performed fairly modestly with an $11.4 million opening and $29.1 million overall domestic gross. Frankly, I’m not really sure why this warrants a sequel.

The supporting cast includes Jessica Alba, Tommy Lee Jones, and Michelle Yeoh with Dennis Gansel taking over directorial duties from Simon West. While the past five years has given its star more exposure with hits like the aforementioned seventh Furious entry and Spy, I doubt that will be enough for Resurrection to rise above what its predecessor even earned. Heck, this isn’t even the most high-profile sequel ending in the word “Resurrection” (as Ripley and Winona Ryder could tell you).

In this same late August weekend last year, similar genre type pic Hitman: Agent 47 made $8.3 million. That actually seems about right for this and I’ll predict it just tops that unimpressive number.

Mechanic: Resurrection opening weekend prediction: $8.5 million

For my Don’t Breathe prediction, click here:

https://toddmthatcher.com/2016/08/16/dont-breathe-box-office-prediction/

For my Hands of Stone prediction, click here:

https://toddmthatcher.com/2016/08/17/hands-of-stone-box-office-prediction/

Scoop Movie Review

A year after Woody Allen felt London calling in 2005’s Match Point instead of his usual New York stories, he returned to the British city a year later in Scoop. It isn’t a picture talked about too much in his extensive catalogue and ten years later, I’ve learned there’s pretty good reason for it.

The aforementioned Point was a pivotal comeback work for Woody and also provided a role for Scarlett Johansson that she was perfect for. Here she’s rather miscast as mousy journalism student Sondra on London holiday. When she attends a magic show by Sid or “The Great Splendini” (Allen), she’s called onstage for the whole disappear in the box act. When she gets in, she’s greeted by the spirit of a recently killed famous journalist (Ian McShane). He has information on London’s famed Tarot Card Killer that he believes to be hunky aristocrat and aspiring politician Peter (Hugh Jackman). Naturally, Sondra falls for him as she’s investigating the case along with Sid as the “did he or didn’t he?” mystery plays itself out.

Woody dabbling in murder mystery hijinks is nothing new. He did it seriously in 1989’s terrific Crimes and Misdemeanors and with far more laughs in 1993’s Manhattan Murder Mystery. When we talk of Mr. Allen’s extensive filmography, there’s his dramatic work and his hilarious stuff. Scoop is one that wants to be on the hilarious side, but is too slight and inconsequential to succeed. Anything with Allen dropping one-liners is going to have its bright spots and they exist here. The best dialogue belongs to him. It does move along briskly, too. And his career long obsession with death is intact here. Yet, as mentioned, Johansson is a little out of her element and Jackman has little to do other than veer between kinda charming and maybe sinister. It’s not bad (the director rarely does bad), but it is forgettable.

Ten years after Scoop, it’s simple to see why it’s been lost in the shuffle. And I say that with all due respect.

**1/2 (out of four)

 

Box Office Predictions: August 19-21

As the summer movie season beings to close out, three new titles open Friday and they could all experience similar grosses. They are the big-budget Ben-Hur remake, animated fantasy Kubo and the Two Strings, and Jonah Hill/Miles Teller action comedy War Dogs. You can peruse my detailed individual predictions on each here:

https://toddmthatcher.com/2016/08/10/ben-hur-box-office-prediction/

https://toddmthatcher.com/2016/08/10/war-dogs-box-office-prediction/

https://toddmthatcher.com/2016/08/10/kubo-and-the-two-strings-box-office-prediction/

The difference in predictions between the trio of newcomers is a scant $3.6 million. I have Kubo edging out the others with Ben-Hur closely behind and War Dogs a bit further down.

As for where my loyal blog readers see my predictions: 53% currently feel my Kubo estimate is Just About Right with 30% saying Too High and 17% saying Too Low. 43% say Just About Right on Ben-Hur with 30% saying Too High and 27% saying Too Low. Those numbers for Hur show the unpredictability as to what it might accomplish or not accomplish. As for War Dogs, a whopping 61% think I’m Too Low with 39% saying Just About Right. A whole ZERO percent think I’m Too High on it.

Suicide Squad experienced a hefty decline in its sophomore frame. It shouldn’t be quite as big in its third weekend, but I still estimate it losing in the mid-50s. That should still keep at #1, unless one of the newcomers tops my forecast (which is certainly possible).

The story of this past weekend was the huge opening of Sausage Party (more on that below). I have it losing just over half its audience in weekend #2. Then there’s Disney’s Pete’s Dragon, which experienced a disappointing debut. Its “A” Cinemascore grade could mean a fairly soft decline, unless Kubo takes a nice portion of its family audience away (also possible). If it drops 40% or more, that would put Pete and his green friend in sixth place.

Bottom line: this is one unpredictable weekend where the grosses could be tightly bunched together. Here’s my top 6 predictions on how I believe it will play out:

  1. Suicide Squad

Predicted Gross: $19.8 million (representing a drop of 54%)

2. Kubo and the Two Strings

Predicted Gross: $17 million

3. Sausage Party

Predicted Gross: $16.7 million (representing a drop of 51%)

4. Ben-Hur

Predicted Gross: $16.3 million

5. War Dogs

Predicted Gross: $13.4 million

6. Pete’s Dragon

Predicted Gross: $12.3 million (representing a drop of 43%)

Box Office Results (August 12-14)

As expected, Suicide Squad dropped precipitously in its second weekend but managed to stay atop the box office rather easily with $43.5 million (a touch below my $45.7M prediction) for a total of $222 million. Its 67% dip isn’t quite as pronounced as Batman v Superman‘s 69%, but consider that the Caped Crusader/Man of Steel battle earned $33M more out of the gate than Harley Quinn and company.

The real fiesta was happening over at Columbia Pictures as Seth Rogen’s critically acclaimed raunchy animated Sausage Party produced a gross of $34.2 million. This was on the absolute highest end of expectations (as I totally underestimated it with $19.4M). Making its $30 million budget back in one weekend, expect a sequel to this and some other R rated ‘toons heading your way in the future.

Pete’s Dragon did not bring (or breathe, if you will) the kind of fire normally reserved for Disney live-action remakes. It opened in third with a muted $21.5 million (under my $29.8M estimate), despite solid reviews and its studio pedigree. Family audiences have had plenty to see this summer and the fact that this property was based on one of Disney’s lesser known properties clearly hurt.

Jason Bourne held nicely in weekend 3 with $13.8 million (ahead of my $11.4M forecast) for a total of $127M. Holding even better was Bad Moms in its third frame with $11.3 million (above my $9.3M prognosis) for a very good $71M.

Finally, Meryl Streep’s Florence Foster Jenkins debuted in 8th place with a quiet $6.6 million (I went a bit higher with $8.2M). Interestingly, that’s the exact same figure that Streep’s Ricki and the Flash opened with a year ago.

And that will do it for now, folks! Until next time…

Oscar Watch: Hell or High Water

You may not be aware, but one of 2016’s best reviewed pictures came out in limited release  this weekend with Hell or High Water. The modern day Western/heist thriller debuted at the Cannes Film Festival a few months back to positive buzz and further critical reaction has solidified its reputation. Directed by David Mackenzie and starring Jeff Bridges, Chris Pine, and Ben Foster, it stands at 99% on Rotten Tomatoes.

Hell’s biggest hurdle could be breaking out with audiences and being widely known enough to garner attention from Oscar voters. It’s probably on the outside looking in, but if its admirers and CBS Films mount a campaign, who knows? I would say its best shot at Academy attention won’t be the film, director, or performers – but screenwriter Taylor Sheridan in Original Screenplay. This is his second acclaimed script in as many years as he penned 2015’s Sicario.

Bottom line: Hell or High Water has an uphill climb for nominations, but it’s got better than a snowball’s chance.

Kubo and the Two Strings Box Office Prediction

The animation division of Focus Features/Laika hopes for another solid performer as Kubo and the Two Strings plays theaters next weekend. The 3D stop-motion fantasy set in ancient Japan features a number of recognizable actors voicing the action, including Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, and OG Sulu George Takei.

Travis Knight directs and he’s served as lead animator for all of Laika’s previous efforts. Those would be: 2009’s Coraline, which opened with $16.8 million; 2012’s ParaNorman, which debuted at $14 million; and 2014’s The Boxtrolls, which premiered with $17.2 million.

Those are some pretty consistent numbers and I believe Kubo should fall right in line with them. In fact, I believe Two Strings has a good shot at just outpacing its two competitors opening against it: the pricey Ben-Hur remake and Jonah Hill action/comedy War Dogs. My prediction puts this right at where Coraline got things started seven years ago and Boxtrolls left things two years back.

Kubo and the Two Strings opening weekend prediction: $17 million

For my Ben-Hur prediction, click here:

https://toddmthatcher.com/2016/08/10/ben-hur-box-office-prediction/

For my War Dogs prediction, click here:

https://toddmthatcher.com/2016/08/10/war-dogs-box-office-prediction/

War Dogs Box Office Prediction

Director Todd Phillips brings his comedic sensibilities overseas in War Dogs, opening next weekend. It stars Jonah Hill and Miles Teller in the true life story of two dudes who make it big as arms dealers in Afghanistan. Ana de Armas and Hangover headliner Bradley Cooper are in the supporting cast.

Trailers and TV spots haven’t been shy about advertising that this comes from the Hangover team. Hill is a known commodity in the genre and he could help turnout. A few years back, just the involvement of Phillips would be a major box office pull. In the middle of the first and second Hangover, it even helped Due Date reached a gross of $100 million. Of course, the participation of Robert Downey, Jr. and Zach Galifianakis didn’t hurt. I’m skeptical the director’s name carries as much weight now, especially since his signature franchise ran out of steam.

I suspect War Dogs could have trouble finding a wide audience. War comedies can have a tough road. You can ask Tina Fey and the team behind this spring’s Whiskey Tango Foxtrot, which faltered with only $7.4 million in its debut. Or George Clooney and the makers of 2009’s The Men Who Stare at Goats, which premiered with $12.7 million. This should manage to top that by a bit, but I’ll predict low teens for a lackluster start.

War Dogs opening weekend prediction: $13.4 million

For my Ben-Hur prediction, click here:

https://toddmthatcher.com/2016/08/10/ben-hur-box-office-prediction/

For my Kubo and the Two Strings prediction, click here:

https://toddmthatcher.com/2016/08/10/kubo-and-the-two-strings-box-office-prediction/

Ben-Hur Box Office Prediction

Timur Berkmambetov’s $100 million remake of Ben-Hur chariots into theaters next weekend and it represents a massive and expensive risk from Paramount Pictures. The Biblical epic has actually been produced numerous times, though most famously in 1959 in the Oscar-winning Charlton Heston extravaganza.

This time around, Jack Huston is the title character with Morgan Freeman, Toby Kebbell, Nazanin Bonialdi, and Rodrigo Santoro (as Jesus) among the supporting cast. The director is best known for 2008’s hit Wanted and 2012’s Abraham Lincoln: Vampire Hunter. 

Early reports have signaled a bumpy road ahead for this with projections in the mid-teens. For starters, people who are in their mid-teens and even older aren’t overly familiar with the source material. More mature audiences who hold the 1959 pic in high regard may not be clamoring for an action fueled remake. It begs the question: who will turn out for this?

Paramount is likely hoping Christian moviegoers will show up. That could be its best hope at hitting $20 million or over. Yet I’m skeptical. The stories indicating a weak teens opening will probably turn out to be accurate in my judgment and that means a costly flop for the studio. The similarly themed Gods of Egypt bombed with just $14.1 million earlier this year. I’ll say manages to slightly outdo that, but not by much.

Ben-Hur opening weekend prediction: $16.3 million

For my War Dogs prediction, click here:

https://toddmthatcher.com/2016/08/10/war-dogs-box-office-prediction/

For my Kubo and the Two Strings prediction, click here:

https://toddmthatcher.com/2016/08/10/kubo-and-the-two-strings-box-office-prediction/