We come to Best Actor in my deep dive of the major Oscar races covering the four acting showdowns in addition to Picture and Director. If you missed the first two covering Supporting Actor and Actress, they’re here:
Looking at the past two years in my early November estimates in this competition, there’s a better track record than with the supporting categories. In 2019, with two months to go, I rightly had four of the five nominees pegged: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). Antonio Banderas (Pain and Glory) was mentioned in Other Possibilities. For the 2020 experience, that number was three – winner Anthony Hopkins in The Father, Chadwick Boseman (Ma Rainey’s Black Bottom), and Gary Oldman (Mank). The other two were named as possibilities – Riz Ahmed for Sound of Metal and Minari‘s Steven Yeun.
In 2021, it appears that three hopefuls have probably punched their tickets. The conversation begins with Will Smith. He’s a two-time nominee – once 20 years ago as Ali and 15 years past in The Pursuit of Happyness. As King Richard, it may well be the Fresh Prince’s time to be crowned for the true life sports drama that is said to be a massive crowdpleaser.
When Smith lost for Ali, it was to Denzel Washington in Training Day. The two-time winner looks to be back in the mix with The Tragedy of Macbeth. While I’m feeling confident in his nomination, I don’t see Mr. Washington emerging victorious here.
The other probable player is Benedict Cumberbatch in The Power of the Dog, gunning for his second nod seven years after The Imitation Game. Several festival reviews are calling it career best work and I don’t see him sliding.
After that, there’s quite a few of performers vying for the remaining two spots. There’s a few in the “not yet seen” silo. That includes Bradley Cooper in Nightmare Alley. We are all waiting to see how big his supporting role is in Licorice Pizza. I’ve had Cooper listed #1 there for months. If he ends up falling shot in that one, he could rise with this.
Andrew Garfield’s performance in Tick, Tick… Boom! is a trendy selection. He’s also a possibility in supporting with The Eyes of Tammy Faye (though I’m skeptical he makes it through there).
We also have Leonardo DiCaprio for Don’t Look Up. I’m not as high on the film as some other prognosticators, but laudatory screenings could change that dynamic. There’s also Adam Driver for House of Gucci and Cooper Hoffman for the aforementioned Pizza. With all these gentlemen, time will tell and we won’t have to wait long.
Back to the performances we do know about. Nicolas Cage garnered some of the best notices of his career for Pig. He’ll have internet chatter on his side but I wouldn’t bet the farm on him making it. Speaking of web love, expect the same for Timothee Chalamet (Dune). I believe he’s less likely than Cage. Same goes for former MTV veejay Simon Rex in Red Rocket.
Belfast is the frontrunner for Best Picture and its quartet of supporting thespians (Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds) could all show up in their races. The film’s young lead Jude Hill is more of a long shot. Clifton Collins Jr. drew raves beginning at Sundance with Jockey. I would say Sony Pictures Classics needs to up their game with his campaign for him to enter this derby. There’s also a slight chance that Amir Jadidi could be a factor in A Hero (which could take International Feature Film).
For now, I’m sticking with two actors that I’ve had in my five for awhile. Peter Dinklage has gotten plenty of Emmy love for his Game of Thrones stretch and his musical and dramatic stylings in Cyrano could cause the Academy to take note.
Even though he won just two years back for Joker, Joaquin Phoenix could be up again for C’Mon C’Mon if none of the unseen candidates rise in the polls.
Bottom line: Smith (especially), Cumberbatch, and Washington are all relatively safe at press time. About a dozen others will vie for slots four and five. Here’s where I have it at this beginning of November time frame:
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (Previous Ranking: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3)
Blogger’s Note (11/03): I’ve seen some unconfirmed data indicating Spencer will open on just under 1000 screens. If that holds true, I’m revising my estimate from $4.6M to $4.1M.
Blogger’s Update (11/02): Even though I don’t have a theater count at press time, I am factoring in the opening of Spencer to my estimates. My detailed prediction for it is here:
My $4.6M projection puts it in the top five so it’s now a top 6 for the weekend ahead!
The third of four 2021 Marvel Cinematic Universe titles hits this weekend (thanks to some COVID delays) with Chloe Zhao’s Eternals. It’s eagerly awaited, but it also faces some unusual challenges for the MCU. You can peruse my detailed prediction post on it here:
The buzz for Eternals is mixed in a way that its studio isn’t accustomed to. Sitting at 59% on Rotten Tomatoes, the pic has the lowest RT score of the 26 MCU entries dating back to 2008. That has caused me to revise my estimate down just a touch, but I still believe mid to high 70s is the probable haul.
Unsurprisingly, Eternals is the only wide release as November dawns. Dune, after two weeks on top, may lose around 50-55% of its audience for second place with No Time to Die, Halloween Kills, and Venom: Let There Be Carnage providing a sequel heavy presence in the rest of the top five.
My Hero Academia: World Heroes’ Mission, after being the top newcomer this past weekend, should drop precipitously around 70% (like its predecessor) and fall outside the high five flicks.
With that, here’s how I see it looking:
1. Eternals
Predicted Gross: $77.8 million
2. Dune
Predicted Gross: $7.2 million
3. No Time to Die
Predicted Gross: $4.8 million
4. Spencer
Predicted Gross: $4.1 million
5. Venom: Let There Be Carnage
Predicted Gross: $3.8 million
6. Halloween Kills
Predicted Gross: $3 million
Box Office Results (October 29-31)
I supersized my normal estimates with a top ten due to the prevalence of newbies over the Halloween frame. All but one, as I predicted, fell outside the top five.
As anticipated, Dune reigned supreme in its sophomore outing. However, it fell more than I figured. The $15.4 million take didn’t match my $18.5 million and the two-week tally is $69 million.
Other holdovers held a bit sturdier than I thought they would. Halloween Kills was second with $8.7 million compared to my $6.1 million projection and it’s up to $85 million with the century mark in view.
No Time to Die was third with $7.7 million (I said $6.3 million) and Mr. Bond has reached $133 million.
My Heroes Academia: World Heroes’ Mission was the best performing newbie at $6.4 million, on pace with my $6.1 million prediction.
Venom: Let There Be Carnage rounded out the top five with $5.7 million, on pace with my forecast of $5.6 million. Total is $190 million as it approaches double century territory.
Antlers debuted in sixth with a mediocre $4.2 million. It did surpass my take of $3.2 million.
Edgar Wright’s Last Night in Soho started out in seventh with just $4.1 million, not matching my $5.2 million estimate.
Ron’s Gone Wrong was eighth in weekend #2 at $3.7 million (I went with $4.1 million) as the animated feature has drawn in only $12 million.
The Addams Family 2 followed in ninth with $3 million and I was close at $3.3 million for $52 million overall.
Finally, Wes Anderson’s The French Dispatch expanded to nearly 800 screens and took tenth at $2.6 million. I was more hopeful with $3.8 million.
Relic from first time director Natalie Erika James is a psychological thriller about dementia trapped inside a haunted house tale. Its early stages are the most frightening before its own genre trappings become clearer. That’s not to say there aren’t creepy moments as the walls close in at its setting. There are and James and cowriter Christian White have fashioned a worthwhile chiller about life slipping away.
When the widowed Edna (Robyn Nevin) hasn’t been heard from in days, Kay (Emily Mortimer) and daughter Sam (Bella Heathcote) travel to her countryside home to locate her. A police report is filed but by morning the matriarch is back. She’s disheveled and seemingly unaware of the ruckus she’s caused. Displaying troubling memory lapses, the first act of Relic deals with the difficult questions many families have faced. Is putting their mom and grandmother in a retirement facility the answer? Should she stay with Kay or should the underemployed Sam serve as caretaker? There’s hopeful moments when Edna’s mind seems intact. Maybe it’s not so bad after all.
Those thoughts are fleeting as something is increasingly disturbing in Edna’s behavior and the mind of its own actions of her quarters. The walls creak. Shadowy figures appear in the nooks and crannies. A mysterious black mold and an abandoned shack on the property are potential keys to unlock the mystery.
Yet the most effective pieces of Relic are the ones most familiar to many a viewer. Mortimer finely conveys the sense of dread in witnessing a loved one losing their grip on reality. Two generations removed, Heathcote’s part is just as well defined. She wants to help but is helpless to the downward spiral. Nevin may have the most challenging role. The veteran Australian stage actress never goes overboard. A bewildered look after a jewelry exchange or a firm instruction for her daughter to check under the bed convey the scary situation with a subtle dread.
By its third act, the screenplay’s metaphors become more literal and it earns the horror pic designation. There may be no truly satisfying way to end it. That’s in part due to the disease that haunts Edna. The finality is dark by its nature. The acceptance of its victim and others that suffer is complex. Relic conveys that in a unique and frequently engrossing manner.
The 2021 derby for Best Supporting Actress at the Oscars might have a bit more clarity than the currently wide open Supporting Actor race, but not much. I’m doing a deep dive on the four acting races as well as Picture and Director. If you missed the first post covering Supporting Actor, you can peruse it right here:
At this point when I was projecting the race in 2019 and 2020, I correctly identified three out of the five eventual nominees. Two years ago, that included the winner Laura Dern in Marriage Story as well as Florence Pugh (Little Women) and Margot Robbie for Bombshell. Scarlett Johansson was mentioned in Other Possibilities while I didn’t have Kathy Bates (Richard Jewell) listed. Last year, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were in my five. Eventual victor Yuh-jung Youn (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were in Other Possibilities.
Since 2010, there have been three instances where two actresses for the same picture made the cut here. In 2010, it was Melissa Leo (who won) and Amy Adams in The Fighter. A year later, Octavia Spencer took gold for The Help while costar Jessica Chastain also got in. In 2018, both Emma Stone and Rachel Weisz were nominated for The Favourite.
The best chance of that happening in 2021 lies with Caitriona Balfe and Judi Dench for Belfast. The former could be considered the frontrunner at press time. I’m confident that Balfe will be in the quintet of hopefuls. My Supporting Actor forecast has both Jamie Dornan and Ciaran Hinds in for Kenneth Branagh’s period drama. It might be foolish to bet against Dench and she could absolutely get her 8th nod. I do, however, feel the competition is steeper than Supporting Actor at the moment and she could miss out.
Other double nominee possibilities lie with Jessie Buckley and Dakota Johnson in The Lost Daughter, but I could just as easily see lead Olivia Colman garnering all the attention. The as yet unscreened Nightmare Alley could see either Toni Collette or Rooney Mara competing.
Then there’s Mass. Ann Dowd looks to be a better bet than Martha Plimpton. If the acclaimed drama catches on with the Academy, there could be room for both. For now, I’m far more confident in Dowd receiving her first nod after her somewhat surprise omission for 2012’s Compliance.
With Balfe and Dowd penciled in, Kirsten Dunst also appears headed for her inaugural inclusion at the dance for The Power of the Dog. She could even be a threat to win.
After that, it gets murky. There’s plenty of hopefuls. 50 years ago, Rita Moreno took gold as Anita for West Side Story. The forthcoming remake could see Ariana DeBose nominated for the same role in Steven Spielberg’s remake. Marlee Matlin (35 years after taking Best Actress for Children of a Lesser God) got fine reviews for CODA. If the film registers with voters, she could be swept in. King Richard is anticipated to give Will Smith a solid chance at his first Oscar crowning and Aunjanue Ellis (as the mother of Venus and Serena Williams) could share in the wealth. Salma Hayek is part of the House of Gucci ensemble. She hasn’t been visible in the trailers and that gives me pause. Online chatter will be heavy for Rebecca Ferguson in Dune, though I question whether any of its cast makes its way in. Also worthy of mention: Olga Merediz (In the Heights), Gaby Hoffman (C’Mon C’Mon), Kathryn Hunter (The Tragedy of Macbeth), Sally Hawkins (Spencer), and Jayne Houdyshell (The Humans). All are feasible but will need lot some critics prizes to elevate their chances.
Meryl Streep is gunning for her 22nd (!) nomination for Don’t Look Up. Playing the President of the United States in the political satire, it feels strange to leave her out of the top 5 for such a high profile role. Let’s see what the critics think before I more carefully consider her.
One performer who seems to catching on is Ruth Negga for Passing. Nominated for Actress five years back for Loving, I was basically down to a coin flip between her and Aunjanue Ellis for a current slot. I’m leaning toward Negga in what would probably be the film’s sole nod.
Bottom line: right now I have Balfe, Dunst, and Dowd as (fairly) safe bets with the other two spots up for grabs. Here’s where it shakes out as October closes:
Starting on the blog today, I’m taking a deeper dive into the four acting derbies at the Oscars as well as Picture and Director. It begins with Supporting Actor.
If I could use a couple words to describe this particular race – “very open” immediately comes to mind. With just two months left in the calendar year, I would go as far to say that not I’m not 100% certain on any performer discussed below making the final five. That’s rare.
Before I delve into the many hopefuls, let’s take a look at where my projections were at in 2019 and 2020 during the same time frame. Two years ago, I had already correctly pegged four of the five eventual nominees: winner Brad Pitt (Once Upon a Time Hollywood), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other contender was Joe Pesci (also for The Irishman) and I had him listed at #6 in Other Possibilities. In hindsight, Supporting Actor was well on its way to being established with two months remaining in 2019.
Not so much for 2020. Last year was more difficult than perhaps any before it in figuring out who’d make the cut (much of that uncertainty was due to COVID and the constantly shifting release schedule). On November 1, 2020 – my forecasted five contenders yielded just two of the eventual nominees: Sacha Baron Cohen in The Trial of the Chicago 7 and Leslie Odom, Jr. for One Night in Miami. I still had the winner (Daniel Kaluuya in Judas and the Black Messiah) listed for the lead Actor competition. Both Lakeith Stanfield (Judas) and Paul Raci (Sound of Metal) were not yet mentioned in Other Possibilities.
With that context, we arrive in 2021. And I would say this year looks more like the previous one as opposed to 2019. There has been one constant since I began projecting the race back in the summer: Bradley Cooper for Licorice Pizza (known as Soggy Bottom just a couple of months ago). I’ve had him listed at #1 the whole way and it’s a prediction based mostly on gut since no one has seen the picture (that’ll change shortly). Cooper is a four-time acting nominee (Silver Linings Playbook, American Hustle, American Sniper, A Star is Born). He’s yet to take the gold. Pizza looks like it should be a juicy role for him. On the other hand, we do not yet known just how big (or small) his role is. When reviews come out, he could solidify himself as the frontrunner or drop out altogether. There’s also the possibility that one of the other supporting players (Sean Penn or Benny Safdie) could rise. For now, I’m still hangin’ with Mr. Cooper until the word-of-mouth tells me otherwise.
Shifting gears – here’s a fun fact. In three out of the last four years, we’ve seen two actors from the same movie recognized here. In 2017, it was Sam Rockwell (who won) and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. For 2019 – you had Pacino and Pesci in The Irishman. Last year, it was the victorious Kaluuya and Stanfield for Judas.
Could that happen again? Absolutely and the best chance for that right now appears to be Belfast. A strong contender to win Best Picture, we could also see Jamie Dornan and Ciaran Hinds punch their tickets here. I wouldn’t be at all surprised to see it happen. Dornan seems likelier to make it in, but Hinds is getting plenty of laudatory chatter as well.
There are other scenarios to make it four out of five years and some lie with pictures still not screened. Don’t Look Up has Jonah Hill, Rob Morgan, and Mark Rylance. Willem Dafoe and David Strathairn are viable for Nightmare Alley. And then there’s Jared Leto and Al Pacino in House of Gucci. The latest trailer features the latter more than the former. That disrupts the consensus that Leto has a better shot. I’m still going with Leto above Pacino, but when Gucci screens that dynamic may shift.
The double nominee situations don’t end there. Yet they both have actors that I believe have a significantly better chance than the other. For Mass, Jason Isaacs has been in my five while Reed Birney hasn’t made the top ten in some time. After The Power of the Dog was unveiled on the festival circuit, the narrative unexpectedly shifted to Kodi Smit-McPhee having a clearer path than Jesse Plemons. The Tragedy of Macbeth buzz solidified Corey Hawkins over Brendan Gleeson (though I’m skeptical either get in).
Now is a good time to point out that it’s been ten years since a Supporting Actor winner didn’t come from a Best Picture nominee (Christopher Plummer in Beginners). That’s why I find it a stretch that Ben Affleck (The Tender Bar), Idris Elba (The Harder They Fall), or Troy Kotsur (CODA) will be making trips to the podium. They could still get in, but their paths are tougher and they will all need heavy critics awards love to make the dance. There’s been some mentions for Jeffrey Wright in The French Dispatch, but (somewhat surprisingly) no Wes Anderson directed performance has been Academy nominated and I don’t see this being the first.
One actor where an exception could occur is Richard Jenkins in The Humans. I doubt it will land a Pic nod, but Jenkins is drawing raves for his work. Twice nominated before for The Visitor and The Shape of Water, I could see the veteran becoming a threat to win if Cooper falls.
Others worthy of mention include Jon Bernthal in King Richard. The attention could be so focused on Will Smith (who appears to be in the driver’s seat to take Actor) that his supporting cast fails to get in (that logic also applies to Supporting Actress hopeful Aunjanue Ellis). It’s also totally feasible that Richard is so popular with the Academy that it sweeps them all in. Andrew Garfield picked up solid notices for The Eyes of Tammy Faye. He might stand a better shot in lead for the upcoming and yet to be screened Tick, Tick… Boom! Timothy Spall for Spencer is doable, but Kristen Stewart is just as likely to be the sole nominee (and maybe the winner in Actress). The work of David Alvarez (West Side Story) and Javier Bardem (Being the Ricardos) has yet to be seen and is worth keeping an eye on.
So how does that all shake out? Truth be told, the five predicted performers listed below could look quite different a couple months from now. Here’s my best guesstimate for the moment:
The Best International Feature Film derby for 2021’s Academy Awards looks to be a tough competition. There’s a quintet of selections that, at the moment, stand as the probable nominees: Denmark’s Flee (which could also make history by garnering mentions in Animated and Documentary Feature and even Best Picture), The Hand of God out of Italy, Iran’s A Hero (which may be the soft frontrunner), France’s much discussed Titane, and The Worst Person in the World from Norway (which certainly has its ardent admirers).
Yet as we know with Oscar voters, there are often surprises that upset the general consensus. Following its premiere at the Cannes this summer, Ryusuke Hamaguchi’s three hour Japanese drama Drive My Car was up for the Palme d’Or and took home the festival’s Best Screenplay award. Some critics have pointed out the lengthy runtime, but the reviews still resulted in a 100% Rotten Tomatoes score.
Two weeks ago, I had Car parked in the five spot over The Hand of God in my Oscar projections. On Wednesday, I had it just on the outside looking in at the #6 position after putting God back in. If any picture manages to disrupt the favored five, this might be the one to do it. I don’t foresee it having a chance to actually take the trophy. My Oscar Prediction posts for the films of 2021 will continue…
Following its summertime premiere at the Tribeca Film Festival, Jessica Kingdon’s documentary Ascension has opened in limited release this month. Focused on economic conditions in China, the pic has received acclaim and stands at 95% on Rotten Tomatoes.
Picked up by MTV Films for distribution, Ascension was recently among the 12 nominees for the Critics’ Choice Documentary Awards. Of course, there’s only five features selected by the Academy next year. The Rescue and Flee are two nominees that seem likely to make the cut (though this branch of voters has often been unpredictable). Assuming there’s three spots for the taking, there will be a multitude of contenders. I currently have Summer of Soul, Attica, and The Lost Leonardo taking them. All 5 of my predicted nominees were also named in the Critics’ Choice selections.
However, the critical reaction for Ascension is strong enough that it certainly stands a shot at inclusion. My Oscar Prediction posts for the films of 2021 will continue…
The Marvel Cinematic Universe has been unleashing product at a furious pace following COVID delays and that continues November 5th with Eternals. Arriving four months after Black Widow, two months following Shang-Chi and the Legend of the Ten Rings and a month a half before Spider-Man: No Way Home, this is the 26th MCU superhero tale in the massive series. Chloe Zhao, fresh off a Best Picture and Director win for Nomadland, directs with a cast featuring Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Don Lee, Kit Harington, Salma Hayek, and Angelina Jolie.
Originally scheduled for November 2020 before the pandemic altered Disney’s plans, this is the long anticipated adaptation of Jack Kirby’s comics that debuted over half a century ago. Surprisingly, initial buzz is mixed in a way Marvel rarely sees. The Rotten Tomatoes meter currently sits at 63%. That’s the lowest score of any MCU offering to date (just below Thor: The Dark World‘s 66%).
If there’s any franchise that’s teflon, it would be this one. Reviews shouldn’t matter too much, but the word-of-mouth could keep Eternals from reaching COVID era records. Venom: Let There Be Carnage has the best three day start of the period with $90 million. In July, Black Widow took in $80 million out of the gate. Over Labor Day weekend, Shang-Chi surpassed projections with $75 million from Friday to Sunday and $94 million when adding the Monday haul.
Had Eternals achieved the glowing chatter of Shang-Chi, I might be discussing an opening weekend of over $100 million. Now I’m skeptical. I believe it’s more likely that Eternals could debut on pace with what its MCU predecessor did during the first three days. That’s just fine, but it’s an adjustment down from what I would’ve figured even a week or so ago.
Eternals opening weekend prediction: $77.8 million
Denis Villeneuve’s Dune hit box office expectations this past weekend and I’m more confident than ever that it makes the Best Picture ten. Belfast still maintains the #1 slot in Picture and I nearly put its maker Kenneth Branagh in the same spot in Director. Jane Campion (The Power of the Dog) is hanging on by a thread as I also believe Villeneuve could be rewarded for his technical bravura behind the camera.
Per usual, I’ve made a change in the #5 rank in Actor – swapping out Andrew Garfield (Tick, Tick… Boom!) for Joaquin Phoenix (C’Mon C’Mon). It was a good week for the upcoming Phoenix comedic drama as it reenters Original Screenplay over Spencer.
You can read all the latest activity below!
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. King Richard (PR: 4) (+1)
4. Dune (PR: 5) (+1)
5. Nightmare Alley (PR: 3) (-2)
6. Licorice Pizza (PR: 6) (E)
7. West Side Story (PR: 7) (E)
8. House of Gucci (PR: 8) (E)
9. Spencer (PR: 9) (E)
10. The Tragedy of Macbeth (PR: 10) (E)
Other Possibilities:
11. Don’t Look Up (PR: 12) (+1)
12. Mass (PR: 11) (-1)
13. Flee (PR: 14) (+1)
14. CODA (PR: 15) (+1)
15. Tick, Tick… Boom! (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Kenneth Branagh, Belfast (PR: 2) (E)
3. Denis Villeneuve, Dune (PR: 4) (+1)
4. Guillermo del Toro, Nightmare Alley (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Pablo Larrain, Spencer (PR: 6) (E)
7. Steven Spielberg, West Side Story (PR: 7) (E)
8. Joel Coen, The Tragedy of Macbeth (PR: 9) (+1)
9. Reinaldo Marcus Green, King Richard (PR: Not Ranked)
10. Julia Ducournau, Titane (PR: 10) (E)
Dropped Out: Ridley Scott, House of Gucci
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)
3. Lady Gaga, House of Gucci (PR: 2) (-1)
4. Olivia Colman, The Lost Daughter (PR: 4) (E)
5. Jennifer Hudson, Respect (PR: 5) (E)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: 6)
7. Penelope Cruz, Parallel Mothers (PR: 8) (+1)
8. Jodie Comer, The Last Duel (PR: 7) (-1)
9. Rachel Zegler, West Side Story (PR: 9) (E)
10. Nicole Kidman, Being the Ricardos (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)
4. Peter Dinklage, Cyrano (PR: 4) (E)
5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Andrew Garfield, Tick, Tick… Boom! (PR: 5) (-1)
7. Nicolas Cage, Pig (PR: 8) (+1)
8. Bradley Cooper, Nightmare Alley (PR: 7) (-1)
9. Adam Driver, House of Gucci (PR: 9) (E)
10. Leonardo DiCaprio, Don’t Look Up (PR: Not Ranked)
Dropped Out:
Clifton Collins, Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Caitriona Balfe, Belfast (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 3) (+1)
3. Ann Dowd, Mass (PR: 2) (-1)
4. Aunjanue Ellis, King Richard (PR: 4) (E)
5. Ariana DeBose, West Side Story (PR: 5) (E)
Other Possibilities:
6. Ruth Negga, Passing (PR: 7) (+1)
7. Judi Dench, Belfast (PR: 6) (-1)
8. Rooney Mara, Nightmare Alley (PR: Not Ranked)
9. Marlee Matlin, CODA (PR: 8) (-1)
10. Jayne Houdyshell, The Humans (PR: 9) (-1)
Dropped Out:
Martha Plimpton, Mass
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1) (E)
2. Jamie Dornan, Belfast (PR: 2) (E)
3. Richard Jenkins, The Humans (PR: 3) (E)
4. Jason Isaacs, Mass (PR: 4) (E)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Jon Bernthal, King Richard (PR: 8) (+2)
7. Kodi Smit-McPhee, The Power of the Dog (PR: 6) (-1)
8. Ciaran Hinds, Belfast (PR: 7) (-1)
9. Ben Affleck, The Tender Bar (PR: 9) (E)
10. Troy Kotsur, CODA (PR: Not Ranked)
Dropped Out:
Andrew Garfield, The Eyes of Tammy Faye
Best Original Screenplay
Predicted Nominees:
1. Belfast (PR: 1) (E)
2. Licorice Pizza (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Mass (PR: 4) (E)
5. C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Don’t Look Up (PR: 7) (E)
8. The Worst Person in the World (PR: 9) (+1)
9. Parallel Mothers (PR: 9) (E)
10. A Hero (PR: 8) (-2)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. The Humans (PR: 3) (E)
4. The Lost Daughter (PR: 5) (+1)
5. The Tragedy of Macbeth (PR: 6) (+1)
Other Possibilities:
6. House of Gucci (PR: 4) (-2)
7. Dune (PR: 8) (+1)
8. West Side Story (PR: 7) (-1)
9. Passing (PR: 9) (E)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. Encanto (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 2) (E)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 6) (E)
7. The Summit of the Gods (PR: Not Ranked)
8. Where Is Anne Frank (PR: 7) (-1)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 10) (E)
Dropped Out:
Marcel the Shell With Shoes On
Best International Feature Film
Predicted Nominees:
1. A Hero (PR: 1) (E)
2. The Worst Person in the World (PR: 2) (E)
3. Flee (PR: 3) (E)
4. The Hand of God (PR: 4) (+2)
5. Titane (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 5) (-1)
7. I’m Your Man (PR: 7) (E)
8. Compartment No. 6 (PR: 9) (+1)
9. Great Freedom (PR: Not Ranked)
10. Memoria (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. The Rescue (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Summer of Soul (PR: 5) (+2)
4. Attica (PR: 3) (-1)
5. The Lost Leonardo (PR: 7) (+2)
Other Possibilities:
6. President (PR: 4) (-2)
7. Becoming Cousteau (PR: 8) (+1)
8. Ascension (PR: Not Ranked)
9. The First Wave (PR: 6) (-3)
10. The Velvet Underground (PR: 9) (-1)
Dropped Out:
Ailey
Best Cinematography
Predicted Nominees:
1. Dune (PR: 2) (+1)
2. The Tragedy of Macbeth (PR: 1) (-1)
3. Belfast (PR: 5) (+2)
4. Nightmare Alley (PR: 3) (-1)
5. The Power of the Dog (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 6) (E)
7. Spencer (PR: 7) (E)
8. The French Dispatch (PR: Not Ranked)
9. Licorice Pizza (PR: 9) (E)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
Cyrano
C’Mon C’Mon
Best Costume Design
Predicted Nominees:
1. Spencer (PR: 1) (E)
2. Cruella (PR: 3) (+1)
3. House of Gucci (PR: 2) (-1)
4. Dune (PR: 6) (+2)
5. The French Dispatch (PR: 5) (E)
Other Possibilities:
6. West Side Story (PR: 4) (-2)
7. Nightmare Alley (PR: 7) (E)
8. Cyrano (PR: 9) (+1)
9. Licorice Pizza (PR: 8) (-1)
10. The Tragedy of Macbeth (PR: 10) (E)
Dropped Out:
The Last Duel
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. The Power of the Dog (PR: 6) (+3)
4. Licorice Pizza (PR: 5) (+1)
5. West Side Story (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 3) (-3)
7. Don’t Look Up (PR: 8) (+1)
8. King Richard (PR: 7) (-1)
9. House of Gucci (PR: 9) (E)
10. Spencer (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. House of Gucci (PR: 1) (E)
2. Dune (PR: 2) (E)
3. Spencer (PR: 3) (E)
4. Cruella (PR: 5) (+1)
5. The Eyes of Tammy Faye (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. The Suicide Squad (PR: 7) (E)
8. The Green Knight (PR: 8) (E)
9. The Last Duel (PR: 10) (+1)
10. Licorice Pizza (PR: Not Ranked)
Dropped Out:
Cyrano
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 3) (+1)
3. Spencer (PR: 2) (-1)
4. The Tragedy of Macbeth (PR: 5) (-1)
5. The French Dispatch (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 4) (-2)
7. Belfast (PR: 7) (E)
8. King Richard (PR: 10) (-2)
9. Licorice Pizza (PR: 9) (E)
10. Cyrano (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Colombia, Mi Encanto” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Here I Am” from Respect (PR: 6) (+1)
Other Possibilities:
6. “So May We Start” from Annette (PR: 8) (+2)
7. “Believe” from The Rescue (PR: 7) (E)
8. “Every Letter” from Cyrano (PR: 5) (-3)
9. “Somehow You Do” from Four Good Days (PR: 9) (E)
10. “Guns Go Bang” from The Harder They Fall (PR: Not Ranked)
Dropped Out:
“Beyond the Shore” from CODA
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Cyrano (PR: 6) (+1)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 7) (+1)
7. Belfast (PR: 9) (+2)
8. Spencer (PR: 5) (-3)
9. Licorice Pizza (PR: 10) (+1)
10. The Power of the Dog (PR: 8) (-2)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 4) (+1)
4. Nightmare Alley (PR: 5) (+1)
5. No Time to Die (PR: 3) (-2)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 6) (E)
7. The Last Duel (PR: 9) (+2)
8. The Matrix Resurrections (PR: 7) (-1)
9. A Quiet Place Part II (PR: 8) (-1)
10. Cyrano (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 3) (+1)
3. Godzilla vs. Kong (PR: 4) (+1)
4. Shang-Chi and the Legend of the Ten Rings (PR: 6) (+2)
5. Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Eternals (PR: 2) (-4)
7. Free Guy (PR: 7) (E)
8. Spider-Man: No Way Home (PR: 8) (E)
9. The Green Knight (PR: Not Ranked)
10. The Suicide Squad (PR: 9) (-1)
Dropped Out:
Finch
This adds up to these pictures nabbing the following numbers in terms of nominations:
10 Nominations
Dune
9 Nominations
Belfast
8 Nominations
The Power of the Dog
6 Nominations
Nightmare Alley
5 Nominations
House of Gucci, King Richard, Licorice Pizza, Spencer, The Tragedy of Macbeth, West Side Story
3 Nominations
Flee, The French Dispatch, Mass
2 Nominations
C’Mon C’Mon, Cruella, Cyrano, Encanto, The Eyes of Tammy Faye, The Humans, No Time to Die, Respect
1 Nomination
Attica, Belle, Don’t Look Up, Godzilla vs. Kong, The Hand of God, A Hero, The Lost Leonardo, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, The Rescue Shang-Chi and the Legend of the Ten Rings, Summer of Soul, Titane, The Worst Person in the World
Edgar Wright’s Last Night in Soho is about romanticism and the death (often the grisly variety) of it. In this ghost story, the filmmaker pays homage to a far gone thrilling and swinging era in mid 1960s London while maintaining that the nostalgia of those who didn’t live through it might be displaced.
Eloise Turner (Thomasin McKenzie) looks at the period from her starry eyes and an ear tuned to its luscious record. She’s only been to present era London as a young girl having grown up in the countryside with her grandmother (Rita Tushingham). Her mother is departed in tragic circumstances that hint she mentally couldn’t handle the glitzy big city life. Her father is as much an apparition as others she encounters.
A college student attending fashion school, Eloise is swiftly out of her element with her snooty dorm mates. Relocating to an upstairs room in a home run by the strict Ms Collins (the late Diana Rigg), her clairvoyance that often includes matriarchal visions moves right along with her. They involve Sandie (Anya Taylor-Joy), an aspiring singer in 1966 whose ambition introduces her to agent Jack (Matt Smith). He’s all charm at first, but darkness lurks with him and many other not so English gentlemen.
As Eloise begins to experience nightly visions of Sandie’s struggles, her own behavior rightfully begins to alarm those in her orbit. That includes John (Michael Ajao), a classmate and potential love interest who’s often the only Londoner that’s kind to her. On the not so nice list is a customer (Terence Stamp) at the local watering hole, a hub of both glamour and glumness 60 years ago, where Eloise works. He might be the key to Sandie’s backstory.
Whether in zombie comedies like Shaun of the Dead or Baby Driver (where he figured out a way to make car chases cool again), Wright is a filmmaker with style to spare. Soho is a glorious visual spectacle that shows its work in explaining how Eloise is so taken with the period. And he may be second only to Tarantino nowadays when it comes to killer needle drops in the soundtrack.
Last Night in Soho may not significantly alter the mix in the spirits genre, but Wright certainly has a flair for it. He cheekily employs some British legends like Rigg and Stamp in this ferocious happening. For the former especially, it’s a delicious final role. McKenzie and Taylor-Joy mirror each other in the quality of their performances that grow more terror struck as the clock ticks. Sandie’s London journey begins with hope and ends with her bridge to stardom falling down. Eloise is there to witness it while gasping in horror. We are there to witness Wright at the top of his game.
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