The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.
The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:
Avatar: The Way of Water
Elvis
Everything Everywhere All at Once
The Fabelmans
Nope
She Said
Tár
Top Gun: Maverick
The Woman King
Women Talking
It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.
I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).
Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.
In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.
If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.
In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.
What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.
If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.
I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:
The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.
Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.
So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.
It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out,Star Wars: The Force Awakens, and Straight Outta Compton.
Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.
We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.
I’ll have a recap up tomorrow with commentary and how I did!
The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.
For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.
The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.
The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).
Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.
Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.
Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).
Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.
Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.
From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.
All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.
After a couple years of major controversy, the Hollywood Foreign Press Association’s big shindig is back on your television screens with the 80th Golden Globe Awards. The ceremony honoring the year’s best in film and TV returns to NBC on January 10th and the nominations are out on Monday, December 12th.
Readers of my blog are aware that I update my Oscar predictions every week to two weeks. With the Globes, it’s just one shot. As an aside, I don’t forecast the small screen races.
There are 14 categories to consider. As you may recall, the Globes split Drama and Comedy/Musical for Picture and the lead acting derbies. This is not the case with director or supporting. Furthermore, this ceremony has a sole Screenplay race while the Academy differentiates between original and adapted works.
Let’s get to it! For each competition, I’m also giving you my alternate. On Monday, I’ll have a recap up with my thoughts on the nominations and how I performed.
Best Motion Picture – Drama
Elvis
The Fabelmans
Tár
Top Gun: Maverick
Women Talking
Alternate: Avatar: The Way of Water
Best Motion Picture – Musical or Comedy
Babylon
The Banshees of Inisherin
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Menu
Alternate: Triangle of Sadness
Best Director
Daniels, Everything Everywhere All at Once
Baz Luhrmann, Elvis
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans
Alternate: Todd Field, Tár
Best Actress – Drama
Cate Blanchett, Tár
Olivia Colman, Empire of Light
Viola Davis, The Woman King
Danielle Deadwyler, Till
Michelle Williams, The Fabelmans
Alternate: Jennifer Lawrence, Causeway
Best Actor – Drama
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Brendan Fraser, The Whale
Paul Mescal, Aftersun
Bill Nighy, Living
Alternate: Hugh Jackman, The Son
Best Actress – Musical/Comedy
Lesley Manville, Mrs. Harris Goes to Paris
Margot Robbie, Babylon
Anya Taylor-Joy, The Menu
Emma Thompson, Good Luck to You, Leo Grande
Michelle Yeoh, Everything Everywhere All at Once
Alternate: Julia Roberts, Ticket to Paradise
Best Actor – Musical or Comedy
Diego Calva, Babylon
Daniel Craig, Glass Onion: A Knives Out Mystery
Colin Farrell, The Banshees of Inisherin
Ralph Fiennes, The Menu
Tom Hanks, A Man Called Otto
Alternate: Adam Driver, White Noise
Best Supporting Actress
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Claire Foy, Women Talking
Janelle Monae, Glass Onion: A Knives Out Mystery
Alternate: Jessie Buckley, Women Talking
Best Supporting Actor
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Tom Hanks, Elvis
Brad Pitt, Babylon
Ke Huy Quan, Everything Everywhere All at Once
Alternate: Ben Whishaw, Women Talking
Best Screenplay
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Women Talking
Alternate: Glass Onion: A Knives Out Mystery
Best Animated Motion Picture
The Bad Guys
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Alternate: My Father’s Dragon
Best Foreign Language Motion Picture
All Quiet on the Western Front
Argentina, 1985
Bardo
Decision to Leave
RRR
Alternate: Saint Omer
Best Original Score
Avatar: The Way of Water
Babylon
The Fabelmans
Guillermo del Toro’s Pinocchio
Women Talking
Alternate: The Banshees of Inisherin
Best Original Song
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Hold My Hand” from Top Gun: Maverick
“Lift Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“Nobody Like U” from Turning Red
Alternate: “Carolina” from Where the Crawdads Sing
And that means I’m projecting the following number of mentions for these pictures:
6 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
5 Nominations
Babylon, Women Talking
4 Nominations
Elvis
3 Nominations
Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, The Menu, Tár
2 Nominations
RRR, Turning Red, The Whale
1 Nomination
Aftersun, All Quiet on the Western Front, Argentina, 1985, Avatar: The Way of Water, The Bad Guys, Bardo, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, Living, A Man Called Otto, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, Till, The Woman King
Hollywood looks to be awoken from its box office slumber when Avatar: The Way of Water surfaces on December 16th. After plenty of delays in the release date, James Cameron’s sequel to his 2009 record breaking phenomenon comes with a reported budget in the neighborhood of $400 million. Clocking in at 3 hours and 12 minutes, the 3D sci-fi epic is the only newcomer on the pre-Christmas weekend and it should dominate the marketplace. Sam Worthington, Zoe Saldana, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, and Matt Gerald reprise their roles from part 1. Joining the Pandora universe for the first time are Kate Winslet, Cliff Curtis, Edie Falco, Jermaine Clement, and Brandon Cowell. Sigourney Weaver appears in a different part from 13 years ago.
It’s dangerous to underestimate Cameron. This is only his third feature in a quarter century. 1997’s Titanic withstood shaky buzz during its filming and became the highest grossing film of all time. That record stood for 12 years until it was broken by (you guessed it) Avatar, which also had troubling word-of-mouth until it didn’t. With $785 million domestically (which includes a September re-release which did impressive business), Avatar still ranks fourth all-time stateside behind Star Wars: The Force Awakens, Avengers: Endgame, and Spider-Man: No Way Home. The international tally is $2.1 billion and that ranks as #1.
There are legitimate questions as to the sequel’s potency. 13 years is a long time between entries. Are younger viewers excited for a trip back to the planet with all the blue people? Disney and 20th Century Studios need this to make a splash as a third Avatar arrives in two years with fourth and fifth (and possibly more) editions planned.
One number is easy to know. The Way of Water will have no problem dwarfing the $77 million that Avatar made for its debut before it became the must-see picture for months. It was #1 for 7 weeks. The sequel is expected to take in double that figure with $160 million generally being considered the floor. The ceiling could be $200 million (and perhaps higher) though its length could hinder that possibility. There’s also some older moviegoers who may not feel the need to rush out opening weekend to view it.
I believe $175-185 million is likely for the Sully family as they land in theaters once again. My projection gives it the 14th biggest domestic premiere of all time between Iron Man 3 and Harry Potter and the Deathly Hallows Part 2. That’s also the 3rd largest opening haul of 2022 behind Doctor Strange in the Multiverse of Madness and Black Panther: WakandaForever.
Avatar: The Way of Water opening weekend prediction: $173.1 million
Audiences weren’t digging the leftovers in the first frame of December and it’ll get even worse this weekend. The top 5 could look awfully familiar with Black Panther: Wakanda Forever on top for a fifth time before Avatar: The Way of Water looks to liven up multiplexes beginning December 16th.
There are only two semi-wide newcomers to speak of and I didn’t do individual prediction posts on either. Father Stu: Reborn is a recut version of this spring’s true life drama with Mark Wahlberg and Mel Gibson. It earned a not so heavenly but not terrible $20 million a few months back. This version is PG-13 and not R. I don’t believe it’ll clear $1 million and that puts it outside the top five.
Spoiler Alert, another true life drama and this one featuring Jim Parsons, expands to approximately 600 venues after opening in six theaters this past weekend. It might be lucky to hit a million and that would leave it outside the top five too.
There’s a small chance that Violent Night, the Santa shoot-em-up with David Harbour, could elevate to 1st place after a decent debut (more on that below). However, Black Panther : Wakanda Forever should manage to make it five in a row before James Cameron’s sequel hits.
Meanwhile the battle for third could be close between the third weekend of Disney dud Strange World and the fourth helping of The Menu.
Here’s how I see the top 6 playing out:
1. Black Panther: Wakanda Forever
Predicted Gross: $10.6 million
2. Violent Night
Predicted Gross: $8.5 million
3. Strange World
Predicted Gross: $3.1 million
4. The Menu
Predicted Gross: $2.8 million
5. Devotion
Predicted Gross: $1.7 million
Box Office Results (December 2-4)
MCU sequel Black Panther: Wakanda Forever made it four in a row with $17.5 million. That’s under my projection of $21.3 million as the 62% fall was rather steep considering the lack of competition. The total did rise to $393 million.
Violent Night dropped at the higher end of its range with $13.4 million, outpacing my $9.4 million take. The grisly Yuletide tale could manage to play well over the coming holidays.
Strange World continued the embarrassing returns for the Mouse Factory with only $5 million in its sophomore weekend. I was close with $5.2 million. That’s a mere $25 million in its first 12 days.
The Menu was fourth with $3.4 million (I said $3.1 million) as it’s made $24 million thus far.
Devotion had a turbulent 54% plummet in weekend #2 with $2.7 million. I estimated a bit more at $3.3 million. Overall gross is $13 million.
Return to Seoul centers on a young woman’s journey to her native South Korea about being raised in France. Danny Chou’s drama is actually Cambodia’s submission for International Feature Film at the Oscars. MUBI and Sony Pictures Classics picked up distribution rights following its Cannes premiere over the summer. It came out in limited release domestically over the weekend. The cast includes Ji-Min Park, Oh Kwang-rok, Guka Han, and Kim Sun-young.
Reviews out of the French Riviera and in recent days are quite glowing. The Rotten Tomatoes score is 97% with some critics claiming it’s among the best of 2022.
I’m a little surprised this isn’t generating more Oscar buzz, but there’s still time. Part of that could be Cambodia’s track record at the ceremony. Out of 10 previous hopefuls, only one (2013’s The Missing Picture) made the cut of five. I haven’t had Return to Seoul in my top 10 contenders yet. Let’s see if the chatter picks up and I wouldn’t be shocked if it does. If so, it’s not outside the realm of possibility that Cambodia could have a second picture that doesn’t miss. My Oscar Prediction posts will continue…
Elvis vaults 6 spots from 15th to 9th in Best Picture for my first Oscar predictions in two weeks and we have changes in Best Director and three of the four acting derbies. Baz Luhrmann’s biopic could be an example (like Top Gun: Maverick and potentially Avatar: The Way of Water) of the Academy showing love to the blockbusters keeping patrons in the theaters. My inclusion of Elvis excludes Triangle of Sadness from the estimated ten.
While Babylon is still in BP, Damien Chazelle drops with Martin McDonagh (The Banshees of Inisherin) in for the directing quintet.
That fifth slot in Best Actor remains constantly changing. It’s Hugh Jackman (The Son) back in the mix over Tom Cruise (Top Gun: Maverick). In Supporting Actress, Stephanie Hsu from Everything Everywhere All at Once falls out in favor of costar Jamie Lee Curtis. Barry Keoghan from Banshees returns to the Supporting Actor fold over Judd Hirsch in The Fabelmans.
Finally, Everything Everywhere is the new leader in terms of overall nominations with Babylon and The Fabelmans each losing a bit of ground.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 4) (+1)
4. The Banshees of Inisherin (PR: 3) (-1)
5. Top Gun: Maverick (PR: 6) (+1)
6. Tár (PR: 7) (+1)
7. Babylon (PR: 5) (-2)
8. The Whale (PR: 8) (E)
9. Elvis (PR: 15) (+6)
10. Avatar: The Way of Water (PR: 10) (E)
Other Possibilities:
11. Triangle of Sadness (PR: 9) (-2)
12. She Said (PR: 11) (-1)
13. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
14. Guillermo del Toro’s Pinocchio (PR: 12) (-2)
15. Decision to Leave (PR: 13) (-2)
Dropped Out:
All Quiet on the Western Front
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 4) (+1)
4. Todd Field, Tár (PR: 5) (+1)
5. Martin McDonagh, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Damien Chazelle, Babylon (PR: 3) (-3)
7. James Cameron, Avatar: The Way of Water (PR: 9) (+2)
8. Park Chan-wook, Decision to Leave (PR: 7) (-1)
9. Edward Berger, All Quiet on the Western Front (PR: 8) (-1)
10. S.S. Rajamouli, RRR (PR: Not Ranked)
Dropped Out:
Joseph Kosinski, Top Gun: Maverick
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 8) (+1)
8. Jennifer Lawrence, Causeway (PR: 7) (-1)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 7) (+2)
Other Possibilities:
6. Tom Cruise, Top Gun: Maverick (PR: 5) (-1)
7. Diego Calva, Babylon (PR: 6) (-1)
8. Paul Mescal, Aftersun (PR: 8) (E)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Daniel Gimenez Cacho, Bardo (PR: Not Ranked)
Dropped Out:
Will Smith, Emancipation
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-2)
8. Dolly De Leon, Triangle of Sadness (PR: 8) (E)
9. Nina Hoss, Tár (PR: 9) (E)
10. Keke Palmer, Nope (PR: Not Ranked)
Dropped Out:
Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Barry Keoghan, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Judd Hirsch, The Fabelmans (PR: 5) (-1)
7. Brian Tyree Henry, Causeway (PR: Not Ranked)
8. Brad Pitt, Babylon (PR: 7) (-1)
9. Tom Hanks, Elvis (PR: Not Ranked)
10. Eddie Redmayne, The Good Nurse (PR: 9) (-1)
Dropped Out:
Mark Rylance, Bones and All
Woody Harrelson, Triangle of Sadness
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 5) (+1)
5. Triangle of Sadness (PR: 4) (-1)
Other Possibilities:
6. Aftersun (PR: 8) (+2)
7. Babylon (PR: 6) (-1)
8. The Menu (PR: 7) (-1)
9. Decision to Leave (PR: 9) (E)
10. Bardo (PR: 10) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. White Noise (PR: 6) (+1)
Other Possibilities:
6. Living (PR: 5) (-1)
7. Top Gun: Maverick (PR: 8) (+1)
8. Guillermo del Toro’s Pinocchio (PR: 9) (+1)
9. Bones and All (PR: 7) (-2)
10. The Son (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 3) (E)
4. The Bad Guys (PR: 5) (+1)
5. My Father’s Dragon (PR: 4) (-1)
Other Possibilities:
6. Puss in Boots: The Last Wish (PR: Not Ranked)
7. Wendell and Wild (PR: 6) (-1)
8. The Sea Beast (PR: 8) (E)
9. Strange World (PR: 7) (-2)
10. Lightyear (PR: 9) (-1)
Dropped Out:
Minions: The Rise of Gru
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Saint Omer (PR: 4) (+1)
4. Holy Spider (PR: 5) (+1)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Close (PR: 3) (-3)
7. EO (PR: 9) (+2)
8. Argentina, 1985 (PR: 7) (-1)
9. Joyland (PR: Not Ranked)
10. Alcarras (PR: 10) (E)
Dropped Out:
The Quiet Girl
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. All That Breathes (PR: 4) (+2)
3. Navalny (PR: 3) (E)
4. Descendant (PR: 2) (-2)
5. Fire of Love (PR: 5) (E)
Other Possibilities:
6. Moonage Daydream (PR: 7) (+1)
7. The Territory (PR: 6) (-1)
8. Good Night Oppy (PR: 8) (E)
9. Sr. (PR: 10) (+1)
10. Retrograde (PR: Not Ranked)
Dropped Out:
Last Flight Home
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Top Gun: Maverick (PR: 6) (+4)
3. Avatar: The Way of Water (PR: 2) (-1)
4. The Fabelmans (PR: 3) (-1)
5. Empire of Light (PR: 4) (-1)
Other Possibilities:
6. The Banshees of Inisherin (PR: 8) (+2)
7. Bardo (PR: 5) (-2)
8. All Quiet on the Western Front (PR: 7) (-1)
9. Everything Everywhere All at Once (PR: 9) (E)
10. The Batman (PR: Not Ranked)
Dropped Out:
Emancipation
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Fabelmans (PR: 6) (+2)
5. The Woman King (PR: 4) (-1)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 5) (-1)
7. Living (PR: 7) (E)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Women Talking (PR: Not Ranked)
10. Three Thousand Years of Longing (PR: 10) (E)
Dropped Out:
Corsage
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Elvis (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 5) (E)
Other Possibilities:
6. Women Talking (PR: 6) (E)
7. Babylon (PR: 4) (-3)
8. All Quiet on the Western Front (PR: 9) (+1)
9. The Banshees of Inisherin (PR: 8) (-1)
10. Tár (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. X (PR: 8) (+1)
8. The Woman King (PR: 7) (-1)
9. Amsterdam (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Corsage
Best Original Score
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Empire of Light (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 5) (-2)
8. The Batman (PR: 10) (+2)
9. Living (PR: Not Ranked)
10. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
She Said
White Noise
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Applause” from Tell It Like a Woman (PR: 5) (+1)
5. “This Is A Life” from Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. “Nobody Like U” from Turning Red (PR: 4) (-2)
7. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. “New Body Rhumba” from White Noise (PR: 9) (+1)
9. “Carolina” from Where the Crawdads Sing (PR: 8) (-1)
10. “Song Chord” from Avatar: The Way of Water (PR: Not Ranked)
Dropped Out:
“Stand Up” from Till
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. The Fabelmans (PR: 5) (+1)
5. Guillermo del Toro’s Pinocchio (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Glass Onion: A Knives Out Mystery (PR: 10) (+2)
9. Empire of Light (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 8) (-2)
Dropped Out:
The Woman King
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Batman (PR: 4) (+1)
4. Everything Everywhere All at Once (PR: 6) (+1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 3) (-3)
7. Babylon (PR: 7) (E)
8. The Fabelmans (PR: 9) (+1)
9. Nope (PR: 10) (+1)
10. Black Panther: Wakanda Forever (PR: 8) (-2)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. Doctor Strange in the Multiverse of Madness (PR: 7) (+2)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 5) (-2)
8. RRR (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
And that equates to these movies garnering these numbers in terms of nods:
11 Nominations
Everything Everywhere All at Once
10 Nominations
The Fabelmans
8 Nominations
The Banshees of Inisherin
7 Nominations
Babylon, Women Talking
6 Nominations
Avatar: The Way of Water, Elvis, Top Gun: Maverick
5 Nominations
The Whale
4 Nominations
Guillermo del Toro’s Pinocchio, Tár
2 Nominations
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Glass Onion: A Knives Out Mystery, Holy Spider, Living, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Triangle of Sadness, Turning Red, White Noise, The Woman King
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
Every place other than home is where our demented dreamer wants to be in Pearl, Ti West’s prequel to X. Whereas the predecessor was set in 1979 and paid loving homage to the grime of 1974’s The Texas Chainsaw Massacre, this basks in the glow of The Wizard of Oz and other Golden Age works. Shot in New Zealand back to back, X and Pearl are vastly different experiences. They do share a setting where unspeakable gore occurs.
They also share Mia Goth. Unlike in X, she inhabits the screen from open to close. You will recall her from X as the elderly tormentor of a porn flick crew shooting on her property (Goth also played a drug addled starlet from the one day shoot that ends prematurely). As just Pearl here, we see her in 1918. The Great War is raging and that’s where her husband Howard is. She’s young, vibrant, and fantasizes of being a starlet herself. Pearl resides at the farm with her no nonsense German speaking mom (Tandi Wright) and sickly father (Matthew Sunderland). Her dreams of becoming a chorus girl are played out in the barn in front of the animals and their little bleating hearts.
We know from X that Pearl’s psychological issues are likely to kick into high gear. West and Goth (who cowrote the screenplay) still manage to take us in unexpected and stimulating directions. When Pearl meets a bohemian projectionist (David Corenswet) working at the local cinema, it arouses her desire to not be in Kansas anymore. **Side note: I don’t believe this is actually set in Kansas, but it could be with all those cornrows.
While Mom vehemently disapproves, Pearl hears of an audition opportunity to join a traveling troupe. We arrive there following family squabbles that lead our title character to see her dance tryout as her only means of escape. X was an ensemble piece. Pearl is a Goth show and she wows. From that aforementioned audition to a dinner table confession with her sister-in-law (Emma Jenkins-Purro, looking as petrified as the audience), this is perhaps the trippiest lead horror performance since Toni Collette’s in fellow A24 fright fest Hereditary. You don’t wanna take your eyes off her, including during the closing credits.
While X and Pearl do indeed share that farmland, I found the latter to be more rewarding overall. The director and lead are having a ball as they inject some darkness into the Technicolor brightness. It usually feels like they are giving the best of what they have.
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