As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The fourth entrant in Best Supporting Actor is Sean Penn as the villainous Colonel Steven J. Lockjaw in Paul Thomas Anderson’s One Battle After Another. If you missed my posts covering the first three thespians in the race, they can be accessed here:
1995 – Actor (Dead Man Walking) – lost to Nicolas Cage for Leaving Las Vegas; 1999 – Actor (Sweet and Lowdown) – lost to Kevin Spacey for American Beauty; 2001 – Actor (I Am Sam) – lost to Denzel Washington for Training Day; 2003 – Actor (Mystic River) – WON; 2008 – Actor (Milk) – WON
The Case for Sean Penn:
The six-time nominee and two-time winner is peaking at the right time. Penn has taken the previous major precursors via BAFTA and SAG Actor. While he’s been a mainstay at the Oscars, it’s been 17 years between nominations and this is seen as his meatiest role in quite some time. He would entered rarified territory as only the 8th actor to have more than two gold statues joining Katherine Hepburn with four and the following performers with three – Ingrid Bergman, Walter Brennan, Daniel Day-Lewis, Frances McDormand, Jack Nicholson, and Meryl Streep.
The Case Against Sean Penn:
As you can see above, it’s no easy task to get a trio of Oscars. He could vote split with his costar Benicio del Toro. The early precursors did not go his way with Jacob Elordi (Frankenstein) taking Critics Choice and the Globes selecting Stellan Skarsgård (Sentimental Value). Unlike some his fellow nominees, he’s not big on campaigning.
The Verdict:
Momentum matters. A month ago, Penn looked like a long shot. Now he’s the favorite and hard to bet against.
My Case Of posts will continue with fourth director for consideration – Joachim Trier for Sentimental Value…
On March 6th, Hoppers looks to jumpstart Disney/Pixar’s fortunes after the underwhelming Elio and before the anticipated summer juggernaut Toy Story 5. The animated sci-fi comedy marks the feature-length directorial debut from Daniel Chong. Voiceover contributors include Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, Dave Franco, Eduardo Franco, Aparna Nancherla, Sam Richardson, Melissa Villaseñor, Isiah Whitlock Jr., Ego Nwodim, Vanessa Bayer, and Meryl Streep.
Two of the last three Pixar big screen offerings failed to reach $30 million in their opening weekends. While 2024’s Inside Out 2 surpassed $150 million in its premiere, original material struggled. 2023’s Elemental kicked off with $29 million though it legged out impressively with $154 million domestically overall. That was not the case with last summer’s Elio. It only earned $20 million initially and $72 million when all was said and done stateside.
Projections for Hoopers are all over the place. Depending on who you read, it could fail to launch in the low 20s or get to $50 million. With decent word-of-mouth, I am forecasting it gets to mid 40s.
They’re not all former cast members on my Top 50 SNL Cast Members of All Time list as #49 is Chloe Fineman, who just began her sixth season on the iconic sketch show. She’s proven herself to be one of the program’s strongest impressionists including Meryl Streep, Scarlett Johansson, and Drew Barrymore. That’s in addition to dancing alongside Julia Stiles in a Save the Last Dance inspired Update bit and uproariously understudying fellow cast members in a digital short. Her take on con artist Anna Delvey is another example of her versatility as Fineman is one of SNL’s current bright spots.
We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.
As for the other nine, let’s take a deeper dive:
Belfast
Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.
Does It Make the Final Five?
Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.
Don’t Look Up
Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).
Does It Make the Final Five?
No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.
Drive My Car
Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.
Does It Make the Final Five?
No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.
Dune
Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.
Does It Make the Final Five?
Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.
King Richard
Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.
Does It Make the Final Five?
No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.
Licorice Pizza
Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.
Does It Make the Final Five?
No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.
Nightmare Alley
Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.
Does It Make the Final Five?
No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.
The Power of the Dog
Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.
Does It Make the Final Five?
Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.
West Side Story
Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.
Does It Make the Final Five?
Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.
That means my final 2021 five is:
Belfast
CODA
Dune
The Power of the Dog
West Side Story
2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.
If you missed my entries for 2009-20, have no fear! They’re here:
We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
Four actresses have won three or more acting Oscars. Katherine Hepburn leads the pack with four while Ingrid Bergman, Frances McDormand, and Meryl Streep are the trio boasting three. Could Cate Blanchett join that elite club with Tár, which has premiered at the Venice Film Festival ahead of its October 7th bow? Based on early reviews, it’s very possible.
The psychological drama, which clocks in at over two and a half hours, is the third feature from Todd Field and his first in 16 years. His previous psychological dramas In the Bedroom (2001) and Little Children (2006) scored a combined 8 Academy nods (five of them for their respective casts). Playing a conductor whose drive borders on insanity, critics are heaping praise on Blanchett and the film itself. The Rotten Tomatoes meter is at a clean 100%.
In 2004, Blanchett won her first statue in Supporting Actress for The Aviator in which she played the aforementioned Hepburn. Nine years later, she took Best Actress for Woody Allen’s Blue Jasmine. With Tár, a third Oscar could follow nine years after that. Initial reaction is saying this is one of her greatest performances. This would be her 8th nomination overall and first since 2015’s Carol. I would go as far to say that her inclusion in the Actress final five is already close to assured.
What of its other prospects? It’s worth noting that Bedroom and Children both received adapted screenplays nods. This is Field’s first original screenplay in a category that could be jam packed. He helped his cause today with the Venice buzz (and that could include a directing mention as well). That said, even some of the gushing write-ups warn that Tár may not be accessible to mainstream audiences. This could potentially complicate its viability in Best Picture, but it certainly announced itself as a possibility.
I can’t help but think of 2010’s Black Swan from Darren Aronofsky as a comp. The two pics seem to share similar plot themes. It premiered in Italy 12 years ago and eventually received 5 Oscar nods including a win for its star Natalie Portman. Tár would love to follow that trajectory considering Picture and Director were among the quintet of Swan nominations.
Besides Blanchett, supporting actresses Nina Hoss and Noemie Merchant are picking up laudatory ink. I’m guessing Focus Features will mount a campaign for the former yet that remains to be seen. Cinematography and Score are among the chances for tech nods.
Bottom line: it’s hard to imagine Blanchett not being a major force in the Actress field for 2022. How far Tár goes beyond that is more in question. I do think its chances of being in my ten BP picks is better today than it was yesterday. My Oscar Prediction posts will continue…
1989 was unquestionably the Summer of the Bat as Tim Burton’s take on the Caped Crusader broke records. For 1992, it’s a bit more murky but we could call it The Summer of the Cat based on the sequel being the season’s biggest blockbuster.
As I have every season on the blog, I’m recounting the top 10 hits as well as some notable pics and failures from the summers of 30, 20, and 10 years ago. For 1992, it was a time of no crying in baseball, a Best Picture winner being discovered, and audiences refusing a biopic about a discoverer of America.
We begin with the moneymakers from #10 on up before moving to additional hits, misses, and those somewhere in between.
10. Housesitter
Domestic Gross: $58 million
While not the blockbuster he’d had just six months prior with Father of the Bride, Steve Martin had a midsize performer with this rom com costarring Goldie Hawn.
9. Honey, I Blew Up the Kid
Domestic Gross: $58 million
The return of Rick Moranis and plenty of special effects had shrunken grosses compared to the predecessor. The $58 million tally is less than half of what Honey, I Shrunk the Kids made. Nevertheless a direct to video sequel and TV series followed.
8. Far and Away
Domestic Gross: $58 million
Tom Cruise is ruling summer 2022 with Top Gun: Maverick. It was a different story 30 years ago with this rare misfire. Ron Howard directed the epic Western costarring Tom’s ex Nicole Kidman. The domestic take was less than the reported $60 million budget. Cruise would quickly get back in the good graces of moviegoers later in 1992 with A Few Good Men.
7. Boomerang
Domestic Gross: $70 million
While not approaching the earnings of his largest hits, Eddie Murphy’s first foray into romantic leading man territory did decent business. A string of flops would follow before a plus sized comeback four years later in The Nutty Professor.
6. Patriot Games
Domestic Gross: $83 million
Harrison Ford stepped into the role of Jack Ryan after Alec Baldwin (who played the role in The Hunt for Red October) didn’t return. The result didn’t quite reach the financial or critical levels of its predecessor, but it easily made enough to warrant Clear and Present Danger two summers later.
5. Unforgiven
Domestic Gross: $101 million
Clint Eastwood’s tale of an aging cowboy out for revenge took the August box office by storm and eventually was an awards favorite – winning Picture, Director, and Supporting Actor for the villainous Gene Hackman. Unforgiven is the rare BP winner to release in the summer season and kickstarted an impressive second act for the legendary filmmaker.
4. A League of Their Own
Domestic Gross: $107 million
Penny Marshall’s World War II era baseball comedy was celebrated for its interplay between players like Geena Davis, Madonna, and Rosie O’Donnell in addition to one of cinema’s longest urination sequences from Tom Hanks.
3. Sister Act
Domestic Gross: $139 million
Coming on the heels of her Ghost Oscar, Whoopi Goldberg hit the jackpot with this fish out of water pic putting the comedienne in a convent. A less regarded sequel would follow in December 1993 as well as a Broadway musical.
2. Lethal Weapon 3
Domestic Gross: $144 million
Mel Gibson and Danny Glover’s third go-round in their buddy cop franchise didn’t generate the reviews of its two predecessors, but it had no trouble raking in the bucks. Rene Russo joined the party this time as Gibson’s love interest and fellow officer. Part 4 would come six years later and a fifth is in development right now.
1. Batman Returns
Domestic Gross: $162 million
Breathlessly anticipated and then received with mixed reaction due to its dark tone, Batman Returns is now seen by many as an improvement over the 1989 original. One thing that’s generally agreed upon is Michelle Pfeiffer nailing the role of Catwoman. This would be Burton’s last time helming the series with Joel Schumacher taking the franchise in a far more cartoonish direction for 1995’s Batman Forever.
And now for some other noteworthy selections outside of the top ten:
Unlawful Entry
Domestic Gross: $57 million
Coming on the heels of the Rodney King verdict and the L.A. Riots, this thriller starring the late Ray Liotta as a dirty cop tormenting Kurt Russell felt timely.
Single White Female
Domestic Gross: $48 million
Liotta was the Cop From Hell while Jennifer Jason Leigh was the Roommate From Hell terrorizing Bridget Fonda in this memorable psychological thriller.
Encino Man
Domestic Gross: $40 million
The cinematic era of MTV personality Pauly Shore (as well as Brendan Fraser) began with this caveman comedy that grossed several times its meager $7 million budget.
Universal Soldier
Domestic Gross: $36 million
Action lunkheads Jean-Claude Van Damme and Dolph Lundgren teamed up for this futuristic sci-fi pic that turned a nifty profit and spawned numerous sequels. Four summers later, director Roland Emmerich would dominate the season with Independence Day.
Honeymoon in Vegas
Domestic Gross: $35 million
With a plot similar to Indecent Proposal that would follow a few months later, Honeymoon in Vegas took the more comedic route and earned decent grosses in the cast led by Nicolas Cage, Sarah Jessica Parker, and the just departed James Caan. Plus… Flying Elvis impersonators!
Buffy the Vampire Slayer
Domestic Gross: $16 million
It did manage to double its meager budget, but this vampire comedy likely wouldn’t be remembered had it not led to a critically acclaimed WB series starring Sarah Michelle Gellar. The title role in the film version belonged to Kristy Swanson with a supporting cast including Luke Perry, Paul Reubens (aka Pee-Wee Herman), and pre double Oscar winner Hilary Swank.
My final section of the summer 1992 recap gets to the under performers and downright flops…
Death Becomes Her
Domestic Gross: $58 million
This star studded satire from Robert Zemeckis boasted Meryl Streep, Goldie Hawn, and Bruce Willis above the title and some innovative special effects. While it just missed the top ten, the $58 million take barely surpassed the $55 million budget. Audiences and critics were mixed though Death has become a cult favorite in subsequent years.
Alien 3
Domestic Gross: $55 million
Despite marking the directorial debut of David Fincher and featuring a memorably bald Sigourney Weaver, Alien 3 is considered to be a step-down from its iconic predecessors Alien and Aliens. In spite of the backlash, the franchise has continued and, of course, Fincher went onto brighter (albeit even darker) pastures.
Cool World
Domestic Gross: $14 million
Animator Ralph Bakshi is best known for his X-rated 1972 feature Fritz the Cat. After Cool World, he was still mostly known for Fritz the Cat. This hybrid of live-action and cartoon fantasy starred Kim Basinger and Brad Pitt. Yet it bombed with reviewers and crowds alike and only earned half its budget back stateside.
Christopher Columbus: The Discovery
Domestic Gross: $8 million
No one had interest in discovering this critically drubbed Columbus biopic that had Marlon Brando and Tom Selleck in the cast. Later in the fall, Ridley Scott’s 1492: Conquest of Paradise about the title character would also bomb.
Twin Peaks: Fire Walk with Me
Domestic Gross: $4 million
In 1990, David Lynch’s bizarre TV series was a cultural phenomenon… at least for a season. The movie version arrived after the second and final season and audiences had tuned out.
And that’s your look at the cinematic summer from 30 years ago! My recap of 2002 will be available in short order…
My first 2022 predictions for the 2021 Oscar season comes on the eve of the Golden Globes and four days before SAG announces their nominees. By my next update, we will have those useful bits of information to consider.
If you missed my predictions for the Globe winners, you can find them here:
I’ll have my forecast for the SAG nominees up on the blog tomorrow so stay tuned! In the meantime, there are numerous changes to point out:
I keep going back and forth on whether momentum for Japan’s Drive My Car is still revving up or perhaps stalling. I’ve taken it out of my ten predicted BP contenders and put The Tragedy of Macbeth back in.
While I continue to struggle with all 5 Best Actress hopefuls representing non BP nominees, I’m back to that lineup. That means Lady Gaga (House of Gucci) returns with Alana Haim (Licorice Pizza) falling out.
For many weeks, I’ve held to same Best Actor five. That changes today with Leonardo DiCaprio (Don’t Look Up) joining the quintet and Peter Dinklage (Cyrano) dropping.
In Supporting Actor, both Belfast boys are in so Jamie Dornan is back in the mix. That takes out Jesse Plemons (The Power of the Dog).
Drive My Car is also out for Adapted Screenplay with Dune in.
The Beyonce vs. Billie battle in Original Song switches places. Beyonce’s track “Be Alive” from King Richard has been my #1 for months, but I’ve now vaulted Billie’s “No Time to Die” to top position.
You can read all the movement below and keep an eye out for a Globes recap and SAG prognostications.
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 5) (+1)
5. Licorice Pizza (PR: 4) (-1)
6. King Richard (PR: 6) (E)
7. Don’t Look Up (PR: 9) (+2)
8. CODA (PR: 7) (-1)
9. Tick, Tick… Boom! (PR: 8) (-1)
10. The Tragedy of Macbeth (PR: 11) (+1)
Other Possibilities:
11. Drive My Car (PR: 10) (-1)
12. The Lost Daughter (PR: 14) (+2)
13. Nightmare Alley (PR: 13) (E)
14. Being the Ricardos (PR: 12) (-2)
15. Spider-Man: No Way Home (PR: 15) (E)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 3) (E)
4. Kenneth Branagh, Belfast (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 6) (E)
7. Adam McKay, Don’t Look Up (PR: 10) (+3)
8. Joel Coen, The Tragedy of Macbeth (PR: 7) (-1)
9. Guillermo del Toro, Nightmare Alley (PR: 8) (-1)
10. Sian Heder, CODA (PR: Not Ranked)
Dropped Out:
Asghar Farhadi, A Hero
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Nicole Kidman, Being the Ricardos (PR: 3) (E)
4. Olivia Colman, The Lost Daughter (PR: 4) (E)
5. Lady Gaga, House of Gucci (PR: 6) (+1)
Other Possibilities:
6. Alana Haim, Licorice Pizza (PR: 5) (-1)
7. Rachel Zegler, West Side Story (PR: 7) (E)
8. Penelope Cruz, Parallel Mothers (PR: 8) (E)
9. Jennifer Hudson, Respect (PR: 9) (E)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Leonardo DiCaprio, Don’t Look Up (PR: 6) (+1)
Other Possibilities:
6. Peter Dinklage, Cyrano (PR: 5) (-1)
7. Nicolas Cage, Pig (PR: 7) (E)
8. Joaquin Phoenix, C’Mon C’Mon (PR: 8) (E)
9. Javier Bardem, Being the Ricardos (PR: 10) (+1)
10. Clifton Collins, Jr., Jockey (PR: 9) (-1)
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Aunjanue Ellis, King Richard (PR: 4) (+1)
4. Caitriona Balfe, Belfast (PR: 3) (-1)
5. Ruth Negga, Passing (PR: 5) (E)
Other Possibilities:
6. Ann Dowd, Mass (PR: 8) (+2)
7. Marlee Matlin, CODA (PR: 6) (-1)
8. Rita Moreno, West Side Story (PR: 7) (-1)
9. Jessie Buckley, The Lost Daughter (PR: Not Ranked)
10. Judi Dench, Belfast (PR: Not Ranked)
Dropped Out:
Meryl Streep, Don’t Look Up
Cate Blanchett, Nightmare Alley
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 3) (+1)
3. Ciaran Hinds, Belfast (PR: 2) (-1)
4. Jamie Dornan, Belfast (PR: 6) (+2)
5. Bradley Cooper, Licorice Pizza (PR: 4) (-1)
Other Possibilities:
6. Jesse Plemons, The Power of the Dog (PR: 5) (-1)
7. Jared Leto, House of Gucci (PR: 7) (E)
8. Mike Faist, West Side Story (PR: 8) (E)
9. J.K. Simmons, Being the Ricardos (PR: 10) (+1)
10. Ben Affleck, The Tender Bar (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 4) (+1)
4. King Richard (PR: 3) (-1)
5. Being the Ricardos (PR: 5) (E)
Other Possibilities:
6. Mass (PR: 6) (E)
7. C’Mon C’Mon (PR: 7) (E)
8. Parallel Mothers (PR: 9) (+1)
9. A Hero (PR: 8) (-1)
10. The French Dispatch (PR: 10) (E)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 4) (E)
5. Dune (PR: 6) (+1)
Other Possibilities:
6. Drive My Car (PR: 5) (-1)
7. Tick, Tick… Boom! (PR: 7) (E)
8. The Tragedy of Macbeth (PR: 9) (+1)
9. Passing (PR: 8) (-1)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Luca (PR: 4) (+1)
4. The Mitchells vs. the Machines (PR: 3) (-1)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. Vivo (PR: 8) (E)
9. Ron’s Gone Wrong (PR: 9) (E)
10. My Sunny Maad (PR: Not Ranked)
Dropped Out:
Sing 2
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 6) (E)
7. Compartment No. 6 (PR: 7) (E)
8. Great Freedom (PR: 9) (+1)
9. Prayers for the Stolen (PR: 8) (-1)
10. The Good Boss (PR: Not Ranked)
Dropped Out:
Lamb
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. Summer of Soul (PR: 3) (+1)
3. The Rescue (PR: 2) (-1)
4. Procession (PR: 4) (E)
5. Ascension (PR: 7) (+2)
Other Possibilities:
6. Attica (PR: 5) (-1)
7. The First Wave (PR: 6) (-1)
8. President (PR: 9) (+1)
9. Faya Dayi (PR: 8) (-1)
10. In the Same Breath (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. The Tragedy of Macbeth (PR: 4) (E)
5. Belfast (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The French Dispatch (PR: 8) (E)
9. No Time to Die (PR: Not Ranked)
10. C’Mon C’Mon (PR: 9) (-1)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. Spencer (PR: 5) (+2)
4. West Side Story (PR: 3) (-1)
5. House of Gucci (PR: 4) (-1)
Other Possibilities:
6. Cyrano (PR: 7) (+1)
7. Nightmare Alley (PR: 6) (-1)
8. The French Dispatch (PR: Not Ranked)
9. Licorice Pizza (PR: 9) (E)
10. Last Night in Soho (PR: 8) (-2)
Dropped Out:
The Tragedy of Macbeth
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. The Power of the Dog (PR: 6) (+2)
5. Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Don’t Look Up (PR: 4) (-2)
7. Nightmare Alley (PR: Not Ranked)
8. Tick, Tick… Boom! (PR: 8) (E)
9. King Richard (PR: 7) (-2)
10. The French Dispatch (PR: Not Ranked)
Dropped Out:
Being the Ricardos
Last Night in Soho
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Nightmare Alley (PR: 6) (+1)
Other Possibilities:
6. Coming 2 America (PR: 5) (-1)
7. West Side Story (PR: 9) (+2)
8. Cyrano (PR: 8) (E)
9. The Suicide Squad (PR: 7) (-2)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. Spencer (PR: 5) (+1)
5. Parallel Mothers (PR: 7) (+2)
Other Possibilities:
6. The French Dispatch (PR: 4) (-2)
7. The Tragedy of Macbeth (PR: 6) (-1)
8. King Richard (PR: 8) (E)
9. Encanto (PR: 9) (E)
10. Being the Ricardos (PR: Not Ranked)
Dropped Out:
The Green Knight
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 2) (+1)
2. “Be Alive” from King Richard (PR: 1) (-1)
3. “Dos Oruguitas” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Just Look Up” from Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. “Beyond the Shore” from CODA (PR: 6) (E)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “Here I Am” from Respect (PR: 9) (+1)
9. “So May We Start” from Annette (PR: 8) (-1)
10. “Right Where I Belong” from Brian Wilson: Long Promised Road (PR: Not Ranked)
Dropped Out:
“Somehow You Do” from Four Good Days
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 6) (+1)
Other Possibilities:
6. Belfast (PR: 5) (-1)
7. Cyrano (PR: 7) (E)
8. Spencer (PR: 9) (+1)
9. The Power of the Dog (PR: 8) (-1)
10. Cruella (PR: Not Ranked)
Best Sound
Predicted Nominees
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. Spider-Man: No Way Home (PR: 6) (E)
7. A Quiet Place Part II (PR: 7) (E)
8. The Power of the Dog (PR: 9) (+1)
9. The Matrix Resurrections (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Spider-Man: No Way Home (PR: 2) (E)
3. Godzilla vs. Kong (PR: 4) (+1)
4. The Matrix Resurrections (PR: 3) (-1)
5. Free Guy (PR: 6) (+1)
Other Possibilities:
6. Shang-Chi and the Legend of the Ten Rings (PR: 5) (-1)
7. No Time to Die (PR: 9) (+2)
8. Eternals (PR: 8) (E)
9. Ghostbusters: Afterlife (PR: 7) (-2)
10. Black Widow (PR: 10) (E)
And that boils down to these pictures garnering these numbers for nominations:
11 Nominations
Dune
10 Nominations
Belfast
9 Nominations
The Power of the Dog, West Side Story
5 Nominations
Don’t Look Up, King Richard, Licorice Pizza
4 Nominations
The Tragedy of Macbeth
3 Nominations
CODA, Flee, House of Gucci, Spencer, Tick, Tick… Boom!
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The Lost Daughter, Nightmare Alley, No Time to Die
1 Nomination
Ascension, Drive My Car, Free Guy, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Parallel Mothers, Passing, Procession, Raya and the Last Dragon, The Rescue, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World
My final Oscar predictions of the calendar year brings changes in three major categories:
Ryusuke Hamaguchi’s Drive My Car, in addition to spending its second week at #1 in International Feature Film, pulls into the top ten for Best Picture. That’s at the expense of The Tragedy of Macbeth. I toyed with the idea of removing Don’t Look Up (which has drawn wildly mixed reactions from audiences and critics). I’m keeping it in as its most vocal supporters could keep Adam McKay’s satire in the mix.
In Best Actress, I’ve had a nagging suspicion that the quintet of Kristen Stewart, Jessica Chastain, Nicole Kidman, Olivia Colman, and Lady Gaga may not be the final five. Why? Mainly because I don’t have any of their movies getting BP nods. Since the Academy expanded to 5-10 nominees in that big race, there hasn’t been a year where the acting nominees didn’t represent at least one Best Picture nominee. That was in 2009. If you still went with the previously mentioned five, it might be wise to consider Spencer or Being the Ricardos or The Lost Daughter making the 10 BP contenders. I’m not prepared to put any of that trio in at the moment. Therefore – I’m dropping Gaga and elevating Alana Haim (Licorice Pizza). It could also be Rachel Zegler (West Side Story).
I’m going with a somewhat surprise nominee (perhaps two) in Supporting Actor. I still have Bradley Cooper (Pizza) making the cut and now I’m putting in Jesse Plemons (The Power of the Dog). This knocks out Jamie Dornan for Belfast. Last year, we saw a shocker when Lakeith Stanfield (Judas and the Black Messiah) made the supporting five. Power‘s potency (I have it as the favorite to take BP) could sweep Plemons in along with his costar Kodi Smit-McPhee (my #1). That could be a repeat of 2020 when Daniel Kaluuya won for Judas and Stanfield was in the race.
You can read all the movement below and my predictions will continue into the new year!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 4) (+1)
4. Licorice Pizza (PR: 5) (+1)
5. Dune (PR: 3) (-2)
6. King Richard (PR: 6) (E)
7. CODA (PR: 7) (E)
8. Tick, Tick… Boom! (PR: 8) (E)
9. Don’t Look Up (PR: 10) (+1)
10. Drive My Car (PR: 12) (+2)
Other Possibilities:
11. The Tragedy of Macbeth (PR: 9) (-2)
12. Being the Ricardos (PR: 13) (+1)
13. Nightmare Alley (PR: 11) (-2)
14. The Lost Daughter (PR: 14) (E)
15. Spider-Man: No Way Home (PR: Not Ranked)
Dropped Out:
A Hero
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 4) (+1)
4. Kenneth Branagh, Belfast (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 8) (+2)
7. Joel Coen, The Tragedy of Macbeth (PR: 7) (E)
8. Guillermo del Toro, Nightmare Alley (PR: 6) (-2)
9. Asghar Farhadi, A Hero (PR: 9) (E)
10. Adam McKay, Don’t Look Up (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Nicole Kidman, Being the Ricardos (PR: 3) (E)
4. Olivia Colman, The Lost Daughter (PR: 5) (+1)
5. Alana Haim, Licorice Pizza (PR: 8) (+3)
Other Possibilities:
6. Lady Gaga, House of Gucci (PR: 5) (-1)
7. Rachel Zegler, West Side Story (PR: 7) (E)
8. Penelope Cruz, Parallel Mothers (PR: 9) (+1)
9. Jennifer Hudson, Respect (PR: 6) (-3)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Peter Dinklage, Cyrano (PR: 5) (E)
Other Possibilities:
6. Leonardo DiCaprio, Don’t Look Up (PR: 8) (+2)
7. Nicolas Cage, Pig (PR: 6) (-1)
8. Joaquin Phoenix, C’Mon C’Mon (PR: 7) (-1)
9. Clifton Collins, Jr., Jockey (PR: Not Ranked)
10. Javier Bardem, Being the Ricardos (PR: 10) (E)
Dropped Out:
Bradley Cooper, Nightmare Alley
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 3) (E)
4. Aunjanue Ellis, King Richard (PR: 4) (E)
5. Ruth Negga, Passing (PR: 5) (E)
Other Possibilities:
6. Marlee Matlin, CODA (PR: 7) (+1)
7. Rita Moreno, West Side Story (PR: 8) (+1)
8. Ann Dowd, Mass (PR: 6) (-2)
9. Meryl Streep, Don’t Look Up (PR: 10) (+1)
10. Cate Blanchett, Nightmare Alley (PR: 9) (-1)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Ciaran Hinds, Belfast (PR: 2) (E)
3. Troy Kotsur, CODA (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 5) (+1)
5. Jesse Plemons, The Power of the Dog (PR: 9) (+4)
Other Possibilities:
6. Jamie Dornan, Belfast (PR: 4) (-2)
7. Jared Leto, House of Gucci (PR: 6) (-1)
8. Mike Faist, West Side Story (PR: 8) (E)
9. Ben Affleck, The Tender Bar (PR: 7) (-2)
10. J.K. Simmons, Being the Ricardos (PR: Not Ranked)
Dropped Out:
Jason Isaacs, Mass
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Don’t Look Up (PR: 4) (E)
5. Being the Ricardos (PR: 5) (E)
Other Possibilities:
6. Mass (PR: 8) (+2)
7. C’Mon C’Mon (PR: 7) (E)
8. A Hero (PR: 6) (-2)
9. Parallel Mothers (PR: 10) (+1)
10. The French Dispatch (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 4) (E)
5. Drive My Car (PR: 5) (E)
Other Possibilities:
6. Dune (PR: 6) (E)
7. Tick, Tick… Boom! (PR: 8) (+1)
8. Passing (PR: 9) (+1)
9. The Tragedy of Macbeth (PR: 7) (-2)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
Nightmare Alley
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 4) (+1)
4. Luca (PR: 3) (-1)
5. Raya and the Last Dragon (PR: 6) (+1)
Other Possibilities:
6. Belle (PR: 5) (-1)
7. The Summit of the Gods (PR: 7) (E)
8. Vivo (PR: 8) (E)
9. Ron’s Gone Wrong (PR: 9) (E)
10. Sing 2 (PR: Not Ranked)
Dropped Out:
Where Is Anne Frank
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 7) (+1)
7. Compartment No. 6 (PR: 6) (-1)
8. Prayers for the Stolen (PR: 9) (+1)
9. Great Freedom (PR: 8) (-1)
10. Lamb (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 3) (E)
4. Procession (PR: 4) (E)
5. Attica (PR: 5) (E)
Other Possibilities:
6. The First Wave (PR: 6) (E)
7. Ascension (PR: 9) (+2)
8. Faya Dayi (PR: 8) (E)
9. President (PR: 7) (-2)
10. In the Same Breath (PR: Not Ranked)
Dropped Out:
The Velvet Underground
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. West Side Story (PR: 4) (+1)
4. The Tragedy of Macbeth (PR: 3) (-1)
5. Belfast (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The French Dispatch (PR: 9) (+1)
9. C’Mon C’Mon (PR: 10) (+1)
10. Spencer (PR: 8) (-2)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. House of Gucci (PR: 4) (E)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 5) (-1)
7. Cyrano (PR: Not Ranked)
8. Last Night in Soho (PR: 9) (+1)
9. Licorice Pizza (PR: 7) (-2)
10. The Tragedy of Macbeth (PR: 10) (E)
Dropped Out:
The French Dispatch
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. Don’t Look Up (PR: 6) (+2)
5. Licorice Pizza (PR: 4) (-1)
Other Possibilities:
6. The Power of the Dog (PR: 5) (-1)
7. King Richard (PR: 7) (E)
8. Tick, Tick… Boom! (PR: 8) (E)
9. Being the Ricardos (PR: 9) (E)
10. Last Night in Soho (PR: Not Ranked)
Dropped Out:
Nightmare Alley
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Coming 2 America (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 5) (-1)
7. The Suicide Squad (PR: 8) (+1)
8. Cyrano (PR: 7) (-1)
9. West Side Story (PR: 9) (E)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 4) (+1)
4. The French Dispatch (PR: 6) (+2)
5. Spencer (PR: 3) (-2)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 5) (-1)
7. Parallel Mothers (PR: 7) (E)
8. King Richard (PR: 8) (E)
9. Encanto (PR: 9) (E)
10. The Green Knight (PR: Not Ranked)
Dropped Out:
The Harder They Fall
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Dos Oruguitas” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Just Look Up” from Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. “Beyond the Shore” from CODA (PR: 6) (E)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “So May We Start” from Annette (PR: 9) (+1)
9. “Here I Am” from Respect (PR: 8) (-1)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Nightmare Alley (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. Belfast (PR: 6) (+1)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 5) (-1)
7. Cyrano (PR: 10) (+3)
8. The Power of the Dog (PR: 8) (E)
9. Spencer (PR: 7) (-2)
10. Cruella (PR: Not Ranked)
Dropped Out:
Being the Ricardos
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. Spider-Man: No Way Home (PR: 6) (E)
7. A Quiet Place Part II (PR: 9) (+2)
8. The Matrix Resurrections (PR: 7) (-1)
9. The Power of the Dog (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Spider-Man: No Way Home (PR: 3) (+1)
3. The Matrix Resurrections (PR: 2) (-1)
4. Godzilla vs. Kong (PR: 4) (E)
5. Shang-Chi and the Legend of the Ten Rings (PR: 5) (E)
Other Possibilities:
6. Free Guy (PR: 6) (E)
7. Ghostbusters: Afterlife (PR: 9) (+2)
8. Eternals (PR: 8) (E)
9. No Time to Die (PR: 7) (-2)
10. Black Widow (PR: 10) (E)
And this all equates to these numbers of nominations for said movies:
10 Nominations
Belfast, Dune
9 Nominations
The Power of the Dog, West Side Story
6 Nominations
Licorice Pizza
5 Nominations
Don’t Look Up, King Richard
3 Nominations
CODA, Drive My Car, Flee, Spencer, Tick, Tick… Boom!
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, House of Gucci, The Lost Daughter, No Time to Die, The Tragedy of Macbeth
1 Nomination
Attica, Coming 2 America, Cyrano, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Nightmare Alley, Passing, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World
The forecast in Adam McKay’s Don’t Look Up is a planet killing comet mixed with a heavy dose of condescension. This is an all-star experience about our home star being decimated. The writer/director is a Saturday Night Live veteran scribe who mastered the art of penning sketches with exaggerated characters. Even with all the talent involved (there’s lots of Oscar nods and wins among the cast), hardly any rise above caricature status. The nerdy but hot scientist, the clueless government officials, the spoiled pop princess, the pompous and feeble brained news anchors, the empathy devoid and weird billionaire…
These one-note types may fit a mold in a cleverly developed bit that runs five minutes. Not so much in this two and a half hour countdown. They’re mostly tiresome in McKay’s latest politically charged tale. In The Big Short, the filmmaker mixed a cast of familiar faces, complicated financial talk, and humor to rewarding payoffs. McKay’s comedies with Will Ferrell (particularly Anchorman: The Legend of Ron Burgundy) are already classics. The issue presented here isn’t complex… a scientific discovery (doubling as a metaphor for climate change) is on its way. McKay’s treatment of the subject matter isn’t subtle. And the screenplay often fails to be funny when showcasing its righteous indignation. Anger and laughter can be a potent combo if handled properly. It’s a test that isn’t met here.
Michigan St. Kate Dibiasky (Jennifer Lawrence) discovers said object hurtling toward Earth with a delivery date about six months out. Her professor, Dr. Randall Mindy (Leonardo DiCaprio) teams with her along with the head of the Planetary Defense Coordination Office (Rob Morgan) to warn a White House filled with scandal and nepotism. The President is Janie Orlean (Meryl Streep), whose Supreme Court nominee may be a porn star and her lover. Her Chief of Staff is her intellectually challenged but supremely confident son (Jonah Hill).
The 100% certainty of a deep impact causing armageddon is not music to the ears of the flailing administration. In fact, Kate and Dr. Mindy are booked in the back segment of a “news” hour hosted by a duo played by Cate Blanchett and Tyler Perry. The segment preceding them is about the romantic entanglements of a famous singer (Ariana Grande). Some of the country takes the threat seriously while another segment pretends it doesn’t exist (and yes it’s easy to draw comparisons to the pandemic era).
President Orlean and her bumbling bubble get more involved when eccentric tech mogul Peter Isherwell (Mark Rylance) figures out a way to monetize the materials from the potential Earth shatterer. And while Dr. Mindy becomes distracted with his new fame and social media status, Kate’s stern warnings make her an enemy of the state.
I won’t get to Kate’s two boyfriends or Dr. Mindy’s wife and kids or whether the snacks in the White House are free or not (actually a gag that’s pretty solid). There’s a whole lot of players in Don’t Look Up and I’m challenged to name a performance that sticks with me for the right reasons. DiCaprio and Lawrence are adequate, but we know they can be so much better. Others are outright annoying and that includes Hill, Rylance, and even Streep. That’s because McKay never writes them above the level of cartoonish morons.
Will your political viewpoints determine whether you dig this? I don’t think so. The frequent struggles to develop the principals and the jarring tone shifts (a late pivot to sentimentality falls flat) should offend both sides and those in between. I’ve watched McKay skewer his targets with far more precision that achieved more lasting results. He’s clear that we’re all doomed in Don’t Look Up. With the characters inhabiting his screenplay, you might find yourself pulling for the comet.
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