Tag: Marvel Cinematic Universe

February 14-17 Box Office Predictions

For this upcoming Valentine’s/Presidents Day weekend, Captain America: Brave New World hopes for the love from MCU fans while Paddington in Peru looks for a commanding runner-up start. You can peruse my detailed prediction posts on the newcomers here:

Captain America: Brave New World Box Office Prediction
Paddington in Peru Box Office Prediction

Obviously America, with Anthony Mackie donning the shield in place of Chris Evans, will easily reach first. I don’t expect it to reach anywhere near the heights of other MCU predecessors including 2016’s Captain America: Civil War. A four-day gross around $90 million seems feasible.

Paddington in Peru has already done impressive business overseas. My Friday to Monday estimate puts it in the high teens. That’s in range with the 2015 original and stronger than the 2018 sequel.

It is common for holdovers to experience small declines during this February four-day frame. Sometimes there’s even increases. I anticipate current champ Dog Man to post similar grosses to its sophomore outing (more on that below) while Mufasa may also have a minor bump. Heart Eyes could see its second weekend fortunes fall in the 25% range.

And with that, here’s my outlook on the weekend ahead and keep in mind that my figures for returning titles are for Friday-Monday:

1. Captain America: Brave New World

Predicted Gross: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)

2. Paddington in Peru

Predicted Gross: $14.8 million (Friday to Sunday); $17 million (Friday to Monday)

3. Dog Man

Predicted Gross: $14.1 million

4. Heart Eyes

Predicted Gross: $5.8 million

5. Mufasa: The Lion King

Predicted Gross: $5 million

Box Office Results (February 7-9)

Multiplexes got defeated about as bad as the Kansas City Chiefs with the Super Bowl and a lack of enticing newcomers causing moviegoers to stay home. Dog Man from DreamWorks Animation remained in 1st with $13.8 million, but the 62% plummet was far more than I figured. I called it at $19.4 million and it’s made $54 million thus far.

Horror rom com Heart Eyes didn’t impress in 2nd with $8.3 million, below my $10.8 million take. Despite solid reviews, audiences didn’t bite.

Same goes for critically reviled action comedy Love Hurts with Ke Huy Quan. It stalled with $5.8 million compared to my $7.1 million forecast.

Mufasa: The Lion King was fourth with $4 million (I said $4.6 million) for an eight-week haul of $235 million.

Companion, another scary pic with impressive critical reaction, nevertheless nosedived 68% in its sophomore weekend for fifth. The $3 million gross was well under my $4.9 million prediction as its ten-day take is $15 million.

Finally, buddy comedy One of Them Days was sixth at $2.8 million. I was more generous at $4.4 million and the four-week total is $39 million.

That does it for now, folks! Until next time…

Captain America: Brave New World Box Office Prediction

Disney hopes that audiences will love Captain America: Brave New World enough to give it a commanding start during the long weekend beginning with Valentine’s Day and concluding on Presidents’ Day. The 35th feature in the Marvel Cinematic Universe has Anthony Mackie, once the Falcon, donning the shield as the title character and replacing Chris Evans. Julius Onah directs with a supporting cast including Danny Ramirez, Shira Haas, Carl Lumbly, Xosha Roquemore, Jóhannes Haukur Jóhannesson, Giancarlo Esposito, Tim Blake Nelson, and Harrison Ford. That last cast member takes over the role of Thaddeus Ross (now the President of the United States) played in earlier MCU entries by the late William Hurt.

The fifth feature in Phase Five of this massive franchise, World finds the MCU in a unique place. Last year’s Deadpool & Wolverine was a massive blockbuster that took in $1.3 billion worldwide. On the flip side, there’s been recent under performers such as Eternals, Ant-Man and the Wasp: Quantumania, and The Marvels.

Earlier Captain America sagas with Evans were critically appreciated and made significant bucks. 2016’s Captain America: Civil War, the previous flick with the C.A. moniker, topped a billion globally. It didn’t hurt that it was essentially another Avengers tale. It made nearly $180 million on its opening weekend domestically.

Expectations are not as high nearly a decade later. The four-day tally should hover around $90 million. That’s where estimates are at and I don’t really see this significantly outdoing the anticipated range. In fact, falling slightly under wouldn’t shock me.

Captain America: Brave New World opening weekend prediction: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)

For my Paddington in Peru prediction, click here:

Paddington in Peru Box Office Prediction

Ranking the MCU

We are 37 films deep into the Marvel Cinematic Universe with The Fantastic Four: First Steps as the latest entry. This is my space to give you my personal listing of the MCU sagas that began in 2008 with Iron Man.

This list will be updated as new comic book based adventures come our way.

37. The Marvels (2023)

36. Ant-Man and the Wasp: Quantumania (2023)

35. Thor: Love and Thunder (2022)

34. Captain America: Brave New World (2025)

33. Eternals (2022)

32. Black Panther: Wakanda Forever (2022)

31. Iron Man 2 (2010)

30. Doctor Strange in the Multiverse of Madness (2022)

29. Thor: The Dark World (2013)

28. Ant-Man (2015)

27. Thor (2011)

26. Captain Marvel (2019)

25. The Incredible Hulk (2008)

24. Ant-Man and the Wasp (2018)

23. Black Widow (2021)

22. Captain America: First Avenger (2011)

21. Avengers: Age of Ultron (2015)

20. Spider-Man: Far from Home (2019)

19. Shang-Chi and the Legend of the Ten Rings (2021)

18. Thunderbolts* (2025)

17. Guardians of the Galaxy Vol. 3 (2023)

16. Deadpool and Wolverine (2024)

15. Guardians of the Galaxy Vol. 2 (2017)

14. Fantastic Four: First Steps (2025)

13. Iron Man 3 (2013)

12. Doctor Strange (2016)

11. Spider-Man: Homecoming (2017)

10. Spider-Man: No Way Home (2021)

9. Black Panther (2018)

8. Thor: Ragnarok (2017)

7. Captain America: The Winter Soldier (2014)

6. Avengers: Endgame (2019)

5. Iron Man (2008)

4. Avengers: Infinity War (2018)

3. Captain America: Civil War (2016)

2. Guardians of the Galaxy (2014)

1. The Avengers (2012)

Deadpool & Wolverine Review

There’s plenty of belly laughs amidst the bullets in Deadpool & Wolverine and some fleeting emotional moments as well. That’s no shocker as this sub-franchise from Ryan Reynolds has mixed with the bawdy with the blubbery since 2016. Dropping Wolverine into the equation is an example of corporate synergy thanks to Disney’s acquisition of Fox five years ago. You’ll recall that Hugh Jackman’s signature clawed character met a bloody yet dignified end in 2017’s Logan. For those who believe his chapter closed appropriately (and it did), the multiverse machinations of the MCU may seem cash grab inappropriate. I didn’t mind so much because it’s Jackman’s chemistry with Reynolds that provide the high points.

Deadpool’s life is kinda dead in the water in 2024. He’s living full-time as Wade Wilson having retired the mask after being rejected during a job interview for The Avengers. He wants to make a difference on a Tony Stark/Captain America sized scale, but the universe seems to feel otherwise. Broken up with Vanessa (Morena Baccarin) and rooming with Blind Al (Leslie Uggams), his mundane existence in the used car biz is jolted by the Time Variance Authority (TVA).

As exposited by one of their agents Mr. Paradox (a game Matthew MacFadyen), Wade’s “Sacred Timeline” is at risk of crumbling. That’s due to Logan’s aforementioned fate from years earlier since he served as the Timeline’s stalwart anchor. The TVA offers Mr. Pool a way out while his small group of loved ones will perish. His solution is to find another Logan across the multiverses to save the world as he knows it. Naturally he ends up with a boozy, guilt ridden, and reluctant hero version of the once proud X-Man.

The duo end up in the Void which houses outcast varieties of familiar and more unfamiliar superheroes. This wasteland is ruled by Cassandra Nova (Emma Corrin), as X-Men adjacent telepathic with designs on dominating all the dimensions. The Void concept allows for plenty of cameos from the preeminent genre of the 21st century. I wouldn’t dare spoil them, but I’d recommend seeing this quick before X gives it to you. The appearances of these known quantities is good for a few chuckles. Yet I would argue that the dependence on them (especially during the middle section) dulls the sharp humor for a stretch.

D & W could have used more of the two leads just marinating in their beloved personas. With Shawn Levy handling the direction after teaming with Reynolds on Free Guy and The Adam Project, the pic occasionally seems too busy and eager to please. One quibble is that when Pool and Wolvie fight each other, the screenplay (from five writers including Reynolds and Levy) tells us just how awesome it’s about to be!! The truth is that the action sequences are your typical Marvel level mayhem, no more or less. Speaking of eager to please, I do have to shoutout the hideous and simultaneously adorable Mary Puppins aka Dogpool character.

Due to the demerits listed above, I’d rank this third among the three Deadpool movies. I cannot deny that it still manages to the tickle the funny bone with some precision targets uproariously skewered. That includes Disney’s recent misfortunes in its not always marvelous franchise. This won’t be looked at as one of them courtesy of the headliners.

*** (out of four)

Oscar Predictions: Deadpool & Wolverine

The super matchup of Ryan Reynolds and Hugh Jackman as their most iconic characters hits theaters on Friday with Deadpool & Wolverine. The third pic in the Deadpool series also marks Jackman’s 10th go-round as the clawed mutant. Shawn Levy directs with Emma Corrin, Matthew Macfadyen, Morena Baccarin, Rob Delaney, Leslie Uggams, and Karan Soni among the supporting players.

Reviews for the Deadpool trilogy have some consistency. The 2016 original has an 85% RT score while the 2018 sequel sports 84%. With the embargo up today, D & W sits at 79%. 2017’s Logan, Jackman’s previous appearance in the role, was more acclaimed at 93% and it landed an Adapted Screenplay nomination from the Academy.

The Deadpool movies have garnered zero Oscar nods. Part one was up at Golden Globes for Best Musical/Comedy and Reynolds for Actor in a Musical/Comedy (losing to La La Land and its lead Ryan Gosling, respectively). Part two was blanked by the Hollywood Foreign Press Association. I wouldn’t anticipate part three getting noticed by the Academy or the HFPA. While several MCU titles have managed Visual Effects mentions, Mr. Pool has not and I do not believe it’ll start here. My Oscar Prediction posts will continue…

Deadpool & Wolverine Box Office Prediction

On July 26th, Ryan Reynolds and Hugh Jackman are back in their signature roles and for the first time together in the aptly titled Deadpool & Wolverine. The superhero mashup is the 34th title in the Marvel Cinematic Universe and the second sequel to 2016’s smash Deadpool. Shawn Levy directs with a supporting cast including Emma Corrin, Matthew Macfadyen, Morena Baccarin, Rob Delaney, Leslie Uggams, Brianna Hildebrand, Karan Soni, Shioli Kutsana, Lewis Tan, Aaron Stanford, Tyler Mane, Jon Favreau (back as Happy Hogan), and apparently Jennifer Garner reprising her Elektra role.

This pairing has long been looked at as the likely contender for summer 2024’s biggest blockbuster. That’s a position that might be unattainable domestically due to the Inside Out 2 phenomenon. However, it is expected to achieve the highest premiere of the season and the year.

Jackman hasn’t donned the claws since 2017’s Logan and that return helps feed the buzz. This should have no trouble giving Wolverine his largest start which is currently held by 2006’s X-Men: The Last Stand ($102 million).

The same logic applies to Mr. Pool. The original made $132 million out of the gate and $363 million overall eight years ago. 2018’s follow-up took in $125 million with $318 million total stateside.

Tracking has this at around $165 million, but I’ll uptick it closer to $180 million. My exact call gives it the 16th strongest opening ever between Star Wars: The Rise of Skywalker and Beauty and the Beast.

Deadpool & Wolverine opening weekend prediction: $176.1 million

For my The Fabulous Four prediction, click here:

The Fabulous Four Box Office Prediction

May 3-5 Box Office Predictions

The summer box office season officially rises with Ryan Gosling and Emily Blunt in The Fall Guy as horror pic Tarot is also on deck. You can peruse my detailed prediction posts on the newcomers here:

The Fall Guy Box Office Prediction
Tarot Box Office Prediction

Blogger’s Update (04/30): A couple hours after posting, per the comments below, I realized the large theatrical output that The Phantom Menance re-release is getting this weekend. My $6.8M projection puts it in third.

Star Wars: Episode 1 – The Phantom Menace Re-Release Box Office Prediction

Loosely based on the 1980s action show, the supporting Oscar nominees from Barbenheimer should dominate the charts with The Fall Guy. This is the rare year in the past decade and a half that the MCU is sitting the first frame of May out. Fall won’t climb anywhere near as high as that franchise does to kick off the season. A best case scenario might be $50 million, but I’ve got it in the high 30s. This should leg out impressively over the coming weeks.

As for Tarot, a mid single digits take should place it fourth behind the second weekend of current champ Challengers and Phantom. Scary movies have struggled lately with recent genre titles failing to reach $10 million out of the box.

The sophomore drop for Challengers could have a somewhat wide range. A low to mid 40s decline would be considered a win. I suspect it might see a fall in the high 40s or low 50s region.

Another question mark is the percentage reduction for faith-based drama Unsung Hero in weekend #2. With an A+ Cinemascore grade, audiences are liking what they see and should be recommending to friends and, in this case, fellow parishioners. It might only witness a 25-35% decrease and has a decent shot at being fourth if Tarot comes in under my meager projection.

Godzilla x Kong: The New Empire should round out the high six and here’s how I see it playing out:

1. The Fall Guy

Predicted Gross: $38.3 million

2. Challengers

Predicted Gross: $7.9 million

3. Star Wars: Episode 1 – The Phantom Menace re-release

Predicted Gross: $6.8 million

4. Tarot

Predicted Gross: $5.6 million

5. Unsung Hero

Predicted Gross: $5.4 million

6. Godzilla x Kong: The New Empire

Predicted Gross: $4.7 million

Box Office Results (April 26-28)

Zendaya and company fought off all competitors as Challengers served up $15 million in its opening. The well-reviewed love triangle didn’t quite match my $16.2 million forecast. It ended up right in its anticipated range.

Unsung Hero was runner-up with a solid $7.7 million, besting my $5.9 million call. In its first weekend it made back its tiny $6 million price tag and, as mentioned, should hold up well in the near future.

Godzilla x Kong: The New Empire was third in weekend #5 at $7.2 million compared to my $6 million prediction. The overall take is a roaring $181 million.

Civil War plummeted from 1st to 4th with $7 million while still topping my $6.3 million projection. The three-week tally is $56 million.

Abigail rounded out the top five in its sophomore go-round at $5.2 million (I was close at $5.4 million). Total is $18 million.

Finally, The Ministry of Ungentlemanly Warfare was sixth with $3.8 million. I was higher at $5.2 million as it dove a hefty 57% in its second weekend.

And that’s all for now, folks! Until next time…

November 17-19 Box Office Predictions

A quartet of new titles enter the pre-Thanksgiving frame marketplace with prequel The Hunger Games: The Ballad of Songbirds & Snakes expected to lead the way and DreamWorks Animation’s threequel Trolls Band Together in the runner-up spot. We also have Eli Roth’s slasher flick Thanksgiving and Taika Waititi’s sports dramedy Next Goal Wins out. You can peruse my detailed prediction posts on them here:

The Hunger Games: The Ballad of Songbirds & Snakes Box Office Prediction
Trolls Band Together Box Office Prediction
Thanksgiving Box Office Prediction
Next Goal Wins Box Office Prediction

All four Hunger Games titles (released from 2012-15) debuted to over $100 million, but that streak is sure to end with Songbirds. It may only fly to around $50 million and I’ve got it achieving just a smidge under that.

Barring a significant Hunger underperformance, Trolls should settle for #2 in the mid 20s as it hopes to leg out impressively in future holiday weekends.

The Marvels experienced a historically low start for an MCU offering (more on that below). With a weak B Cinemascore grade, it could be headed for a catastrophic fall in the mid 60s or more in its sophomore frame (similar to The Flash this summer). That’s not the comparison it wanted and it likely means a third place showing.

I’ll say Thanksgiving carves up a little over $10 million and that would put it in fourth. The news is bleaker for the frequently delayed Next Goal Wins as it failed to generate awards buzz on the fest circuit and seems to have little heat attached to it. I’m putting it in sixth behind Five Nights at Freddy’s in weekend #4.

Here’s how I see it shaking out:

1. The Hunger Games: The Ballad of Songbirds & Snakes

Predicted Gross: $48.3 million

2. Trolls Band Together

Predicted Gross: $26.7 million

3. The Marvels

Predicted Gross: $15.6 million

4. Thanksgiving

Predicted Gross: $11.4 million

5. Five Nights at Freddy’s

Predicted Gross: $4.5 million

6. Next Goal Wins

Predicted Gross: $3.8 million

Box Office Results (November 10-12)

It was indeed the worst of times for the Marvel Cinematic Universe as The Marvels had the lowest debut of all 33 franchise entries dating back to the summer of 2008. Captain Marvel and team made off with a mere $46.1 million, right on pace with my $46.3 million (my projection kept dwindling in the week leading up to its premiere). That’s the worst MCU kickoff by a pretty wide margin as the previous record was held by 2008’s The Incredible Hulk at $55 million. A series that once seemed indestructible is no longer as comic book movies have had a tough 2023 in multiplexes. As mentioned, the B Cinemascore indicates crowds aren’t digging the product.

Five Nights at Freddy’s, after two weeks atop the charts, was second with $8.9 million (a bit ahead of my $7.4 million take). The three-week tally is up to $127 million.

Taylor Swift: The Eras Tour was third with $6 million as took a heftier drop (over 50%) that I figured in its fifth weekend. The record setting concert pic total is $172 million.

In a surprising development, Priscilla was fourth in its sophomore go-round. The biopic increased its theater count and fell only 5% to $4.7 million for $12 million overall. I incorrectly had it outside the top five.

Killers of the Flower Moon was fifth with $4.5 million in weekend four. My guess? $4.5 million for $59 million in the bank.

The Holdovers expanded to nearly 800 screens and the Oscar hopeful made $3.2 million for sixth (I said $3 million).

Finally, faith-based musical Journey to Bethlehem got off to a rougher journey than I forecasted. It was seventh with $2.4 million and I thought it would double that figure with $4.8 million.

And that does it for now, folks! Until next time…

Oscar Predictions: The Marvels

Marking the 33rd entry in the Marvel Cinematic Universe, The Marvels is out Friday amid mixed buzz and lower than normal box office projections. The review embargo that lifted today may explain why.

Nia DaCosta’s sci-fi adventure with Brie Larson reprising her Captain Marvel role currently sports a 58% Rotten Tomatoes score. That ranks 31st out of the 33 pics ahead of only Ant-Man and the Wasp: Quantumania and Eternals.

To be fair, some critics are calling it a fun if rather slight and forgettable superhero tale. Yet the most negative reviews are calling it one of the worst MCU flicks.

Visual Effects is the most prominent race where these movies get Academy attention. 13 of the previous 32 have. None have won. Unfortunately for The Marvels, even that aspect is being criticized. Lucky for the MCU, Guardians of the Galaxy Vol. 3 will probably nab a spot in the eventual quintet like its two predecessors did. My Oscar Prediction posts will continue…

November 10-12 Box Office Predictions

Blogger’s Update II (11/08): I am lowering my The Marvels prediction from $62.3 million to $46.3 million and that gives it the lowest MCU premiere ever.

**Blogger’s Update (11/07): It turns out Taylor Swift: The Eras Tour is indeed staying in theaters and I’m putting it in second with an anticipated drop in the mid 30s

The Marvel Cinematic Universe should have no trouble hitting #1 again with The Marvels, but the premiere is expected to be well on the low end of the now 33 pics in the franchise. We also have the faith-based musical Journey to Bethlehem and the wide expansion of Oscar hopeful The Holdovers out. You can peruse my detailed prediction posts on the trio here:

The Marvels Box Office Prediction
Journey to Bethlehem Box Office Prediction
The Holdovers Box Office Prediction

As of now, I have The Marvels having the third lowest MCU opening in its decade and a half run. It could possibly have the smallest of them all if it debuts below the $55 million that The Incredible Hulk (the second feature of the bunch) started with in 2008. **Keep an eye on this post through Thursday to see if my projection dwindles.

Five Nights at Freddy’s, after two weeks atop the charts, should slide to second. Its sophomore frame saw a gigantic plummet (more on that below). The third weekend shouldn’t be as dramatic a fall, but the 60-65% range is certainly possible.

Taylor Swift: The Eras Tour, per a previous announcement, is allegedly finished with its box office run after amassing $166 million domestically and easily setting concert pic records. That’s why you won’t find it in my projected five. If that dynamic changes, I’d place it in third or probably even second.

The 3-5 spots, therefore, should be a mix of Killers of the Flower Moon, Journey to Bethlehem, and The Holdovers and you could make decent arguments for the order. I’ve got it close.

Here’s how I see it shaking out:

1. The Marvels

Predicted Gross: $46.3 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $8.8 million

3. Five Nights at Freddy’s

Predicted Gross: $7.4 million

4. Journey to Bethlehem

Predicted Gross: $4.8 million

5. Killers of the Flower Moon

Predicted Gross: $4.5 million

6. The Holdovers

Predicted Gross: $3 million

Box Office Results (November 3-5)

November began with a whimper with the worst frame of 2023 thus far. As you may recall, this was the weekend Dune: Part Two was supposed to come out before its pushback to spring 2024.

That left Five Nights at Freddy’s in first place despite a gargantuan 76% drop to $19 million. I was more generous at $27.6 million. Even with its clearly front loaded business, the PG-13 horror flick (which is also available on Peacock) has delivered $113 million in its first ten days of release.

With scant competition in the marketplace, Taylor Swift: The Eras Tour eased just 12% for second place with $13.5 million. That remarkable hold placed it well above my $8.3 million take. As mentioned, it has finished (?) its run at $166 million as streamers mount a bidding war for the rights.

Killers of the Flower Moon also held better than I figured for third in its third weekend with $6.8 million. I went with $5.8 million. The Oscar contender has taken in $52 million.

Priscilla performed respectably in fourth with $5 million, besting my $3.9 million call. The biopic had a similar per theater average to Ms. Swift’s fourth frame gross. The performance represents earnings at the top end of its anticipated range.

I incorrectly didn’t make a call for Radical, the well-reviewed dramedy with Eugenio Derbez. It rounded out the top five with $2.6 million on just over 400 screens. That gave it the highest average of any movie in the top ten.

My #5 pick was After Death at $3.2 million. Yet it was all the way down in 8th (behind The Exorcist: Believer and PAW Patrol: The Mighty Movie) with $2 million after its 60% slide.

Finally, I had the Meg Ryan rom com What Happens Later (a phrase not used in many years) making $1.7 million. It came in slightly below that at $1.5 million for ninth position.

And that does it for now, folks! Until next time…