Tag: John Krasinski

Oscar Watch: A Quiet Place

Premiering this weekend at the South by Southwest Film Festival, John Krasinski’s horror pic A Quiet Place is making a considerable amount of noise. Described as a near silent genre exercise in which monsters attack you if you make a sound, Place is impressing fest goers and critics alike. The pic sits at 100% currently on Rotten Tomatoes. The director stars alongside his real life wife Emily Blunt and Noah Jupe and Millicent Simmonds playing their children.

Slated to open stateside on April 6, early reviews suggest Place could be a monster hit at the box office. By the way, 2018 is shaping up to be a banner year for Blunt with this and Mary Poppins Returns debuting on Christmas.

Horror movies generally don’t make their way to consideration for Oscar voters, but Get Out proved an exception in 2017. Could A Quiet Place follow suit? Even with the strong critical notices, it’s doubtful. Blunt is getting raves for her work here, but I suspect she may receive even more attention for Poppins. Two races where Quiet could factor in? The Sound Editing and Sound Mixing categories. Even though the picture is said to be set at library tone decibels, its intermittent use of sound might impress voters in those technical categories.

My Oscar Watch posts will continue…

Detroit Box Office Prediction

Blogger’s Note (08/03): My estimate has been revised down just a bit to $11.6M on eve of release.

Director Kathryn Bigelow and screenwriter Mark Boal team up for the third time next weekend with Detroit. Their first collaboration resulted in a Best Picture win and Bigelow being the first female to win a gold statue for direction with 2009’s The Hurt Locker, focused on the Iraq War. 2012 follow-up Zero Dark Thirty also received a Best Pic nod, among other nominations, as it zeroed in on the hunt for Osama Bin Laden.

Their third feature goes back 50 years in history to the Algiers Hotel Incident and race riots in the title city. John Boyega of Star Wars fame stars alongside Will Poulter, Algee Smith, Jason Mitchell, John Krasinski, and Anthony Mackie. Early critical reaction has been strong – it stands at 100% on Rotten Tomatoes currently. Oscar attention could potentially come its way as well.

Detroit seems like the kind of title where solid word of mouth could allow it to play well throughout the month of August , where competition isn’t overly fierce. The strong reviews could propel it to a high teens gross under a best scenario out of the gate. However, I think it’s more likely it will debut in the low double digits to low teens with hopes of smaller drop-offs in follow-up weekends.

Detroit opening weekend prediction: $11.6 million

For my The Dark Tower prediction, click here:

The Dark Tower Box Office Prediction

For my Kidnap prediction, click here:

Kidnap Box Office Prediction

Oscar Watch: Detroit

Detroit is one of those pictures that’s been earmarked for an Oscar Watch post ever since its announcement. After all, this is the third collaboration between director Kathryn Bigelow and screenwriter Mark Boal. The first was 2009’s The Hurt Locker and it won Best Picture and made history when Bigelow was the first female to win Best Director. Boal won Original Screenplay and the film received three other technical victories. Their follow-up, 2012’s Zero Dark Thirty, received Picture and another Screenplay nod for Boal, though Bigelow was surprisingly not nominated. It also won Sound Editing and was nominated for overall Editing. These collaborations also resulted in a Best Actor nod for Jeremy Renner for Locker and Best Actress nom for Jessica Chastain for Zero Dark.

So it goes without saying that their third teaming merits awards chatter. That picture is Detroit, which opens on August 4. The period drama recounts the Algiers Hotel incident during the city’s riots of 1967. The review embargo lifted today and early notices are positive (it’s at 100% at the moment on Rotten Tomatoes). For those who say the August release date could be problematic, don’t forget that Hurt Locker hit in the summer as well. That said, some critics have said it doesn’t quite measure up with the first two Bigelow/Boal efforts. If there’s any acting attention, perhaps John Boyega could here his name bandied about in Best Actor. There may be a better chance for costar Will Poulter in Supporting (he’s said to be a standout).

Based on very early reaction, the Picture itself, Bigelow, and Boal look to be in the mix for nominations. Yet it doesn’t seem as slam dunk as eight years ago and maybe not even five years ago.

My Oscar Watch posts will continue…

Born in China Box Office Prediction

The DisneyNature division of the Mouse Factory brings us the documentary Born in China next weekend. This is the seventh feature that the studio has timed to Earth Day focusing on nature and animals. Pandas and monkeys are the general subject in this case.

Narrated by John Krasinski, the Chinese version has already been released. The grosses of the six previous pictures have performed as follows:

Earth (2009) – $8.8 million debut

Oceans (2010) – $6 million

African Cats (2011) – $6 million

Chimpanzee (2012) – $10.6 million

Bears (2014) – $4.7 million

Monkey Kingdom (2015) – $4.5 million

As you can see, the opening weekends for the last pics have been the lowest of the bunch thus far. I suspect Born in China may fall in the same ballpark and I’ll put it just past $5M (people love pandas!).

Born in China opening weekend prediction: $5.2 million

For my Unforgettable prediction, click here:

https://toddmthatcher.com/2017/04/12/unforgettable-box-office-prediction/

For my The Promise prediction, click here:

https://toddmthatcher.com/2017/04/14/the-promise-box-office-prediction/

For my Phoenix Forgotten prediction, click here:

https://toddmthatcher.com/2017/04/17/phoenix-forgotten-box-office-prediction/

For my Free Fire prediction, click here:

https://toddmthatcher.com/2017/04/17/free-fire-box-office-prediction/

For my The Lost City of Z prediction, click here:

https://toddmthatcher.com/2017/04/17/the-lost-city-of-z-box-office-prediction/

13 Hours: The Secret Soldiers of Benghazi Box Office Prediction

Transformers director Michael Bay takes a robotic break next weekend with 13 Hours: The Secret Soldiers of Benghazi, which recounts the true story of the security team attempting to defend the diplomatic compound during Benghazi’s terrorist attack on September 11, 2012. The cast includes James Badge Dale and John Krasinski.

The film has generated plenty of publicity due its timely subject matter and that could lead to a stealthy gross out of the gate. Competition for male attention is strong, with Ride Along 2 premiering and the second weekend of The Revenant in its path.

That said, January has proven to be quite fruitful for military themed fare. Last year, Clint Eastwood’s American Sniper grossed an astonishing $89 million in its wide release opening weekend. In 2013, Lone Survivor with Mark Wahlberg earned nearly $38 million for its debut. In 2012, the February release of Act of Valor took in $24.4 million for its start.

I believe Benghazi‘s gross might fall somewhere between Survivor and Valor numbers (anything approaching Sniper‘s grosses seems out of reach). My prediction reflects a belief that 13 Hours could reach right near the $30M mark for a very solid opening.

13 Hours: The Secret Soldiers of Benghazi opening weekend prediction: $29.3 million

For my Ride Along 2 prediction, click here:

https://toddmthatcher.com/2016/01/07/ride-along-2-box-office-prediction/

For my Norm of the North prediction, click here:

https://toddmthatcher.com/2016/01/07/norm-of-the-north-box-office-prediction/

Aloha Movie Review

Cameron Crowe’s Aloha further marks a trip down mediocrity lane for a filmmaker that has graced us with Say Anything, Jerry Maguire and Almost Famous. For me, his last worthy effort was 2001’s Vanilla Sky, which occasionally lacked focus but its merits outweighed its demerits. The same cannot be said for everything in Crowe’s oeuvre that’s followed – Elizabethtown, We Bought a Zoo and now this. Aloha is a strange mix of romance, comedy, drama, Hawaiian mysticism and corporate and military industrialism that never feels cohesive. The various aspects of the screenplay never quite gel. The casting decisions, packed with top notch talent, are a mixed bag. There are moments that remind us of Crowe’s greatness, but not many.

Bradley Cooper stars as Brian, a defense contractor who travels to Hawaii to assist a billionaire business mogul (a subdued Bill Murray) on a shady deal. Emma Stone is Allison Ng, the Air Force pilot whose task it is to assist him and, of course, fall for him. Rachel McAdams is Brian’s “one that got away”, an old flame now married to John Krasinki’s strong and very silent service officer. We jump back and forth wondering which woman Brian will try to end up with. Crowe’s screenplay keeps us busy with not only the romance angle but our central character’s occupational hazards with Murray and Alec Baldwin and Danny McBride’s military personnel roles. There’s a lot of plot happening here coupled with many stories of Hawaiin lore. Simply put, it never really comes together in satisfactory fashion.

I appreciated Krasinski’s work and his non talking nature allows for some humorous moments. Yet there isn’t a performance here for any of the famous faces matching their best work. It’s when Crowe allows his performers to be quiet for a moment that shine, like Murray and Stone dancing to Hall and Oates in a nicely constructed sequence. As good as Stone can be and usually is, she’s miscast here and her part is not written well (her explained Chinese and Hawaiian heritage feels a bit stretched).

We get the family drama involved with Brian and the McAdams clan that we see from a mile away mixed with his involvement with Ng and then back to Murray’s increasingly nefarious corporate magnet. It switches so much that it never allows us to care much about any of it. Cameron Crowe’s lesser work still provides glimpses of his unique voice in cinema. Over the last decade, those moments are becoming more and more sparse and there’s not enough gorgeous scenery of our 49th state to make up for it.

** (out of four)

Aloha Box Office Prediction

In a career spanning over a quarter century, Cameron Crowe has given us critical darlings like Say Anything, Jerry Maguire and Almost Famous. Yet it’s been some disappointments in recent years from the director including Elizabethtown and We Bought a Zoo. Where will this Friday’s Aloha place?

That remains to be seen. With less than a week before its premiere, I’m a little surprised no reviews have yet to surface and it does create a bit of skepticism. The romantic comedy/drama will attempt to bring in a female audience and the all star cast won’t hurt. Bradley Cooper is hot off the biggest grosser of 2014, American Sniper. Emma Stone is fresh off Oscar attention for Birdman. And the supporting players consist of Rachel McAdams, Bill Murray, Alec Baldwin, John Krasinski and Danny McBride.

Aloha is a somewhat odd release for late May as it would appear to be more suited for a fall release. Still, the cast alone should get it close to $20 million for a decent debut.

Aloha opening weekend prediction: $18.2 million

For my San Andreas prediction, click here:

https://toddmthatcher.com/2015/05/22/san-andreas-box-office-prediction/