Based on a 2011 French feature, Sleepless will attempt to bring audiences in when it debuts next weekend. The action thriller stars Jamie Foxx as a crooked cop embroiled in a kidnapping case. Michelle Monaghan (pulling double duty over MLK weekend with Patriots Day as well), T.I., Dermot Mulroney, David Harbour, and Gabrielle Union costar.
The Open Roads Films product could face a tough road attracting attention. For starters, competition is fierce with the aforementioned Patriots and Ben Affleck’s Live by Night looking to lure similar viewers. If it weren’t for that level of competition, my estimate here would probably be higher. There’s little doubt Sleepless will come in third among them.
Just how far in third is the real question. I don’t believe trailers and TV spots have done much to indicate this is anything more than a wait for On Demand experience. Foxx has his fans, but I suspect that will not be enough for anything other than a low double digits roll out.
Sleepless opening weekend prediction: $10.3 million
This Sunday, I will see one of the most controversial and lauded and loved and hated artists of the 21st century in concert – Kanye West. As a music lover and hip hop fan, there are few rappers and producers that have been more influential, exciting and sometimes frustrating. Musically, I agree with his own assessment that he’s a genius.
In honor of Sunday’s concert, here are my personal top 25 Kanye tracks from his eight album discography that began in 2004 with The College Dropout and currently ends with this year’s The Life of Pablo.
Here goes:
25. “Everything I Am” from Graduation (2007)
24. “Fade” from The Life of Pablo (2016)
23. “Two Words” from The College Dropout” (2004)
22. “New Slaves” from Yeezus (2013)
21. “Last Call” from The College Dropout” (2004)
20. “Amazing” from 808s & Heartbreak (2008)
19. “All Falls Down” from The College Dropout (2004)
18. “Blood on the Leaves” from Yeezus (2013)
17. “We Major” from Late Registration” (2005)
16. “Stronger” from Graduation (2007)
15. “Famous” from The Life of Pablo (2016)
14. “Power” from My Beautiful Dark Twisted Fantasy (2010)
13. “Heard ‘Em Say” from Late Registration (2005)
12. “Can’t Tell Me Nothing” from Graduation (2007)
11. “Gone” from Late Registration (2005)
10. “Roses” from Late Registration (2005)
9. “Monster” from My Beautiful Dark Twisted Fantasy (2010)
8. “Flashing Lights” from Graduation (2007)
7. “Black Skinhead” from Yeezus (2013)
6. “Through the Wire” from The College Dropout (2004)
5. “N****s in Paris” from Watch the Throne (2011)
4. “Gold Digger” from Late Registration (2005)
3. “Runaway” from My Beautiful Dark Twisted Fantasy (2010)
2. “Jesus Walks” from The College Dropout (2004)
1. “All of the Lights” from My Beautiful Dark Twisted Fantasy (2010)
2011’s Horrible Bosses was a better than average raunchy comedy that will most be remembered for showing a whole new side to Jennifer Aniston, which assisted in achieving some shock value. It helped that it was headlined by three highly talented comedic leads – Jason’s Bateman and Sudeikis and Charlie Day. When it turned into a surprise blockbuster with a $117 million domestic gross, the bosses at Warner Bros decided we needed a sequel.
We didn’t.
Horrible Bosses 2 contains only hints of what the original a reasonable success. The sequel pines to remind us of what we dug about its predecessor. Kevin Spacey and Jamie Foxx reprise their roles but their parts aren’t as humorous as the first go round. Aniston is back, but that aforementioned shock value is long gone. The three leads have an undeniable chemistry which again isn’t as strong as when they were dealing with their original nefarious employers.
It’s actually Chris Pine who turns in the most unexpectedly winning performance. Captain Kirk hasn’t had much opportunity to show his comedy skills and he has them. He plays the spoiled son of a rich investor (a totally wasted Christoph Waltz) who bilks our trio out of their new business venture called The Shower Buddy (not really worth explaining). He is really the only new and worthy addition to the proceedings. The rest is primarily stale sex jokes. Lots of them.
The contrived plot (you can bet a sequel for this was never planned) involves the leads setting up a scheme to kidnap Pine. Their plans necessitate conspiring with their old foes Spacey and Foxx and Aniston because star power is key. Yet those three contributed a lot to the 2011 pic and the same cannot be said now.
Even a less than desirable follow up is bound to have laugh inducing moments with this cast. The ratio isn’t horrible, but it’s not impressive either.
There’s a whole lot of talent involved with the Annie remake opening this Friday. Will Smith and Jay-Z are among the producers with Easy A and Friends with Benefits director Will Gluck behind the camera. Quevenzhane Wallis (who won critical acclaim for Beasts of the Southern Wild) plays the title role with Jamie Foxx, Cameron Diaz, Rose Byrne, and Bobby Cannavale rounding out the cast.
There’s a real question as to whether those big names will translate to big holiday box office though. Based loosely on the Broadway play and 1982 picture, the film trades its Depression era setting for modern day NYC. So far, reviews have been far from kind. There’s also the matter of serious family competition in the form of Night at the Museum: Secret of the Tomb and The Hobbit: The Battle of the Five Armies.
Sony Pictures is hoping for a healthy debut to divert attention away from its considerable hacking scandal. It could be wishful thinking. I believe Annie won’t even reach $20 million out of the gate for a lackluster start.
Annie opening weekend prediction: $17.6 million
For my prediction on The Hobbit: The Battle of the Five Armies, click here:
The Turkey Day box office frame showcases a sequel to a well regarded comedy that came out three and a half years ago as Horrible Bosses 2 opens Wednesday. Jason Bateman, Jason Sudeikis, and Charlie Day are back along with returnees Jennifer Aniston, Jamie Foxx, and Kevin Spacey. Newbies Christoph Waltz and Chris Pine join the fray as well.
In the summer of 2011, the original Bosses debuted to a robust $28 million on its way to a $117M domestic take. Those grosses were strong enough to warrant this sequel. Reviews have not been on its side as it currently holds a tepid 11% on Rotten Tomatoes (compared to its predecessor’s 69% rating). However, its opening weekend should be somewhat critic proof before lackluster word of mouth could cause large drop-offs in future weekends. After all, bad reviews didn’t hurt Dumb and Dumber To one bit.
I’ll predict Horrible Bosses 2 opens with just about what the first did for its Friday to Sunday frame while inching close to $40M for the five-day frame.
Horrible Bosses 2 opening weekend prediction: $28.6 million (Friday to Sunday), $38.3 million (Wednesday to Sunday)
For my Penguins of Madagascar prediction, click here:
It’s a feeling that I simply couldn’t shake when I watched 2012’s reboot The Amazing Spider-Man: this movie isn’t necessary. Yet it was. If Sony Pictures wanted to keep the rights to the Spidey brand (and did they ever), a new pic had to be produced. Tobey Maguire and Kirsten Dunst weren’t interested in a fourth entry so the franchise was started over just ten years after it began.
However, that didn’t mean it felt necessary… Sony’s financial consideration aside. Too often The Amazing Spider-Man felt like a remake of 2002’s original and there was no reason to have one. There were silver linings. The chemistry between Andrew Garfield as Peter Parker/Spidey and Emma Stone as Gwen Stacy was stronger than the Maguire/Dunst dynamic. Come to think of it… that was about the only silver lining in director Andrew Webb’s playbook. The rest of the pic was reasonably entertaining but familiar… way too familiar.
This brings us to the inevitable sequel in which the filmmakers (Webb returns behind the camera) inexplicably make the same errors that sunk the original trilogy by the time the mediocre Spider-Man 3 entered multiplexes in 2007. Too many villains. Too many subplots you don’t care about. It’s the same problems that have hindered Batman and Iron Man flicks in their weakest entries, too.
New characters include Jamie Foxx as Electro/Max Dillon, an Oscorp employees who worships Spider-Man and then finds himself as his nemesis when an electrical accident turns him into a super villain. His character is not terribly interesting and Foxx’s performance is not among his strongest.
Dane Dehaan is Harry Osborn, who takes over his Dad’s corporation following his death. Harry finds out he’s terminally ill and believes he needs Spidey’s blood to keep him alive. He doesn’t know his best childhood friend Peter Parker is also… well, you know. Complications ensue and an iconic baddie from Spidey lore enters the picture. Dehaan gives the role his all, but by the time his metamorphosis occurs, you’re checking your watch.
There’s also Paul Giamatti in a curiously small role as a Russian mobster who you won’t care about and where the character’s incredibly talented and Oscar nominated actor hams it up pretty embarrassingly.
And Sally Field is back as Aunt May with Campbell Scott and Embeth Davidtz returning in flashback sequences as Peter’s parents. Denis Leary as Gwen’s late father is also seen, but not heard.
The picture’s only strength lies in the genuine chemistry of Garfield and Stone, just like in the first. It’s not enough. The Amazing Spider-Man 2 has that unmistakable whiff of needlessness that plagued its predecessor. There’s a sequence in the beginning when Gwen and Peter are having a quarrel and she sadly says, “You have done this again and again, Peter Parker! I can’t live like this.” We’ve seen that scene between Spidey and his girl again and again… and again… and again. We’ve seen the breakup of Peter and Gwen… and Peter and Mary Jane. And we’ve seen it too much in the past 12 years. Sony Pictures needs to keep the gravy train rolling, but I can live without this fading franchise.
This weekend the summer 2014 movie season officially gets underway and it’s mega-sequel The Amazing Spider-Man 2 leading the charge. You can read my detailed prediction post on its prospects here:
Week after week, we will see huge profile releases after another. As for weekend #1, Spidey should easily out gross the rest of the top five combined and then some. As for spring holdovers, I look for last weekend’s 1-4 (The Other Woman, Captain America: The Winter Soldier, Heaven Is for Real, Rio 2) to all drop in the high 30s-mid 40s range.
And with that, my estimates for the weekend’s top five:
1. The Amazing Spider-Man 2
Predicted Gross: $90.1 million
2. The Other Woman
Predicted Gross: $14.3 million (representing a drop of 42%)
3. Captain America: The Winter Soldier
Predicted Gross: $9 million (representing a drop of 44%)
4. Heaven Is for Real
Predicted Gross: $8.5 million (representing a drop of 41%)
5. Rio 2
Predicted Gross: $8.3 million (representing a drop of 39%)
Box Office Results (April 25-27)
As for the final weekend of spring, The Other Woman with Cameron Diaz debuted very solidly with $24.7 million, outshining my $18.1M estimate. The rom com clearly hit with its female target audience.
Holdovers occupied slots 2-4. Captain America: The Winter Soldier took second with $16.2 in its fourth weekend, above my $14.3M prediction. Heaven Is for Real held up well in its second weekend for third with $14.3 million, topping my $13M projection. Rio 2 was fourth with $13.8 million, just below my $14.5M prediction.
The Paul Walker action pic Brick Mansions opened in fifth with a weak $9.5 million – not reaching my $12.3M estimate. And the horror flick The Quiet Ones absolutely tanked with only $3.8 million for a seventh place showing, well below my generous $9.4M guess.
That’s all for now! I’ll be back soon as we see just how well Spidey does!
Two summers back, the Spidey franchise was rebooted with Andrew Garfield in the title role and summer 2014 kicks off with its sequel The Amazing Spider-Man 2 on Friday. Emma Stone is back as Gwen Stacy as is Sally Field as Aunt May, with a trio of villains joining the mix. They are Jamie Foxx as Electro, Paul Giamatti as Russian mobster Aleksei Sytsevich, and Dane DeHaan as Harry Osborn, who will likely become the Green Goblin at some point. Marc Webb, who helmed the original, is back behind the camera.
Interestingly, among the four current Spidey flicks, each has grossed less than the previous one. Here’s the stats:
Spider-Man (2002): $403 million
Spider-Man 2 (2004): $373 million
Spider-Man 3 (2007): $336 million
The Amazing Spider-Man (2012): $262 million
Judging the opening gross of this sequel based on its 2012 predecessor is a bit tricky because it opened over the Fourth of July weekend. While its Friday to Sunday gross was $62 million, it rolled out over a six-day period beginning on a Tuesday with $137 million.
I think the real question here is whether or not The Amazing Spider-Man 2 will have the biggest superhero opening so far this year. In other words – can it top the $95 million opening that Captain America: The Winter Soldier accomplished a month ago?
As I see it, the possibility of Spidey topping $100 million out of the gate is real. It pretty much has the weekend to itself and has the advantage of being the first high-profile summer 2014 blockbuster. On the other hand, the original wasn’t exactly beloved and the low end opening possibility to me would be around $75 million – which would be considered a bit of a letdown.
My spidey sense tells me this won’t quite reach what Captain America did, but it’ll come close.
The Amazing Spider-Man 2 opening weekend prediction: $90.1 million
20th Century Fox is putting out the animated sequel Rio 2 next Friday which will attempt to unseat the Captain America sequel for the #1 spot after its mammoth record setting premiere. This is the follow-up to the 2011 hit which took in a solid $143 million domestically after its $39 million opening.
Featuring the voices of Jesse Eisenberg, Anne Hathaway, will.i.am, and Jamie Foxx, among others, the big question is whether or not Rio 2 opens bigger than its predecessor. I’m uncertain. While Rio did respectable business, it didn’t exactly approach the levels of what Pixar or the Despicable Me series has been accomplishing.
Having said that, I’ll predict this sequel opens just slightly north of the original. My prediction will likely put at the #2 spot in a close fight with Captain America: The Winter Soldier.
In 1976, Martin Scorsese’s Taxi Driver was seen as a strong possibility to win Best Picture at the Oscars until a boxing movie unexpectedly captured audiences attention and took the prize. That would, of course, be Rocky. Fast forward to 2004 where Scorsese’s Howard Hughes biopic The Aviator seemed to be the odds-on favorite for Best Pic until, yet again, a pugilistic tale surprised moviegoers late in the awards season.
Clint Eastwood’s Million Dollar Baby wasn’t even talked about much as an awards contender during 2004’s calendar year. It was released very late in the year, but it turned out to be great timing.
Baby would win the top award over The Aviator, as well as Marc Forster’s Finding Neverland, Taylor Hackford’s Ray, and Alexander Payne’s Sideways.
As for other contenders not recognized, the Academy would ignore Quentin Tarantino’s fantastic Kill Bill and its Volume II after snubbing the first installment the year prior. It’s also worth noting that the greatest Harry Potter flick in the franchise (in my view) Prisoner of Azkaban could have been honored too. And there’s Michel Gondry’s highly original critical favorite Eternal Sunshine of the Spotless Mind. And a favorite of audiences – Mel Gibson’s mega-blockbuster Passion of the Christ. Any of one of these pics should have at least replaced Finding Neverland, which was decent but doesn’t belong in the category.
The Baby boom would extend to Eastwood, who won Best Director exactly a dozen years after winning the same award for Unforgiven. This prevented Scorsese from winning his first Oscar. Other nominees included Hackford, Payne, and Mike Leigh for Vera Drake.
Once again – Gondry, Tarantino, and Gibson are names worth mentioning that didn’t get in the mix.
Jamie Foxx would take Best Actor for his dead-on portrayal of the legendary singer Ray Charles in Ray, winning out over Leonardo DiCaprio in The Aviator, Don Cheadle in Hotel Rwanda, Eastwood in Million Dollar Baby, and Johnny Depp in Finding Neverland.
One major snub was Paul Giamatti for his fine work in Sideways. The Academy yet again snubbed Jim Carrey in Eternal Sunshine.
Hilary Swank won her second Best Actress award in five years for Baby (in 1999, she was victorious in Boys Don’t Cry). Other nominees: Annette Bening in Being Julia, Catalina Sandino Moreno in Maria Full of Grace, Imelda Staunton in Vera Drake, and Kate Winslet for Eternal Sunshine.
Once again, it was Uma Thurman left out for her work in the Kill Bill franchise.
Morgan Freeman would win his first Oscar in the Supporting Actor race for Million Dollar Baby over Alan Alda in The Aviator, Thomas Haden Church for Sideways, Jamie Foxx in Collateral, and Clive Owen in Closer.
Not to keep bringing up Kill Bill, but the late David Carradine should have been nominated.
The Aviator would finally receive some Academy recognition with Cate Blanchett winning Supporting Actress with her portrayal as Katherine Hepburn. Other nominees: Laura Linney in Kinsey, Virginia Madsen for Sideways, Sophie Okonedo in Hotel Rwanda, and Natalie Portman for Closer.
After all my mentions for Kill Bill and Eternal Sunshine receiving snubs, there’s one other 2004 pic that demonstrates the Academy’s constant ability to ignore comedies. So I give you the following snubs –
Best Actor – Will Ferrell, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – Steve Carell, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – Paul Rudd, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – David Koechner, Anchorman: The Legend of Ron Burgundy
Best Scene Involving a Cannonball – Anchorman: The Legend of Ron Burgundy
Best Scene With a Dog Being Punted – Anchorman: The Legend of Ron Burgundy
Best Rendition of “Afternoon Delight” In a Movie: Anchorman: The Legend of Ron Burgundy
I’ll be back with Oscar History: 2005 soon, my friends!
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