The Night Before Movie Review

Far from a Christmas comedy classic nor a lump of coal, The Night Before gives us a drug fueled holiday happening from the team of Seth Rogen and Evan Goldberg. They’ve penned better work in the form of Superbad, Pineapple Express, and This is the End and this is more on the level (though not tone) of the hit or miss humor of The Interview.

Before centers on three friends who have a Christmas Eve tradition of spending their time together after Ethan’s (Joseph Gordon Levitt) parents died. His supportive buddies are Isaac (Rogen) and Chris (Anthony Mackie) and they’ve agreed that their 14th year of buddying up will be their last. Isaac is married and ready to become a first time dad and Chris is a famous NFL player. Their lives are moving on while Ethan remains aimless, especially after a recent breakup with the lovely Lizzy Caplan. The boys make sure their final excursion is hopefully a memorable one when Ethan scores tickets to the Nutcracker Ball, an NYC kick ass bash they’ve only heard about in mythological terms.

Getting there is a challenge for many reasons. Isaac’s wife (Jillian Bell, who stole scenes in 22 Jump Street and does here) gives him a night to let his freak flag fly and that means lots of narcotics. Chris gets caught up with the wrong woman and is preoccupied with impressing his newer celebrity friends. Ethan is struggling with the knowledge that life’s traditions are changing.

While The Night Before is centered on these sometimes not so wise men, some supporting players shine. This holds especially true for Michael Shannon’s drug dealer character, who seems to possess powers even more potent than his weed. Mindy Kaling amusingly turns up and there’s some fairly effective (if obvious) celebrity cameos sprinkled in.

The proceedings don’t really pick up steam until close to the hour mark and what comes before it is often ho (ho) hum. Ethan and Chris’s storylines are just OK and the biggest guffaws come from Isaac on his pharmaceutically fueled journey. One wonders how good this could’ve been if it focused solely on him. The Night Before has its laughs to be sure, but it’s on the lower end of what these writers have accomplished before.

**1/2 (out of four)

Oscar History: 2010

In my ongoing series of Oscar History posts, we arrive at what happened during the year 2010. This was quite a strong year for movies and, unlike other years, I can’t really quibble with the ten pictures that were nominated.

I can, however, differ with what won: Tom Hooper’s The King’s Speech. While this was a very solid and entertaining picture, I would have definitely put at least three of the other nominees above it: Black Swan, Inception, and my favorite of the year, The Social Network. Other nominees were 127 Hours, The Fighter, The Kids Are All Right, Toy Story 3, True Grit, and Winter’s Bone.

Picture/Director matched up as Tom Hooper’s work in King’s Speech would win over Darren Aronofsky (Black Swan), Joel and Ethan Coen (True Grit), David Fincher (The Social Network), and David O. Russell (The Fighter). I may have found a spot for Christopher Nolan’s visually striking work in Inception.

The love for The King’s Speech continued in Best Actor as Colin Firth was honored for his portrayal as King George VI. He triumphed over Javier Bardem (Biutiful), Jeff Bridges (True Grit), Jesse Eisenberg (The Social Network), and James Franco (127 Hours). It’s worth noting that Franco co-hosted the Oscars that year with Anne Hathaway. It wasn’t too memorable.

While his supporting players were showered with love, Mark Wahlberg was snubbed for his anchoring performance in The Fighter. Others worthy of mention: Leonardo DiCaprio in either Inception or Shutter Island and Robert Duvall for Get Low.

Natalie Portman was a bit of a no-brainer pick for her tour de force work in Black Swan in the Actress race, beating out Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence (Winter’s Bone), and Michelle Williams (Blue Valentine).

I was a little surprised to see Bening’s Kids lead costar Julianne Moore left out. Franco’s co-host Anne Hathaway would’ve been a solid choice for her fine work in Love and Other Drugs. The Oscar voters rarely honor comedy, but they could have here with Emma Stone in her hit Easy A, as well.

Supporting Actor honored Christian Bale as Mark Wahlberg’s drug addicted brother in The Fighter. The other nominees were John Hawkes (Winter’s Bone), Jeremy Renner (The Town), Mark Ruffalo (The Kids Are All Right), and Geoffrey Rush (The King’s Speech).

I might have found room for either Andrew Garfield or Justin Timberlake in The Social Network. And keeping the snubbed comedy theme going, here’s an outside the box mention: Rob Corddry for his hilarious work in Hot Tub Time Machine.

The Fighter also won in Supporting Actress with Melissa Leo, who edged out her co-star Amy Adams. The other nominees: Helena Bonham Carter in The King’s Speech, Hailee Steinfeld in True Grit, and Jacki Weaver in Animal Kingdom. The voters could have certainly nominated either Mila Kunis or Barbara Hershey for their roles in Black Swan.

And that’s your Oscar History of 2010, my friends. We’ll get to 2011 soon…

The Interview Movie Review

It was a movie that never expected to lead breaking news updates on CNN, but by now we all know the fascinating journey that caused The Interview to debut in limited release and not its planned wide release Christmas Day. It meant this blogger viewed it on YouTube and not a large chain theater. And now I can finally strip away all the hype and controversy and simply let you know my feelings on the picture itself.

The verdict? Mixed. Quite mixed. The Interview is director Seth Rogen and Evan Goldberg’s follow-up to their very successful (and better) first effort This is the End. As you’ve perhaps heard, it involves a plot to assassinate North Korean leader Kim Jong-un (Randall Park). The plan? Take little respected entertainment interviewer Dave Skylark (James Franco) and his producer Aaron (Rogen) to the homeland of Jong-un for a fluff interview and use the situation to take him out. The CIA is involved, including Lizzy Caplan (from Showtime’s Masters of Sex) as an operative.

Of course, not all goes as planned. Aaron develops a crush on Sook (Diana Bang), one of Kim’s top communications officials. Dave begins to bond with Kim over sex, drugs, Katy Perry (yep, you read it right), and their mutual perceived lack of respectability. In essence, Dave receives the real life Dennis Rodman treatment from the Supreme Leader which leads him to question whether Kim is really that bad of a guy.

Since this is a work from Rogen and his head collaborator Goldberg, we have an abundance of gross out gags. If you guessed Rogen has to shove a top secret device up his rectum at one point – take a shot! Some of the gags work while many others are all too familiar and fall flat. Rogen is his typical self, but he brings his teddy bear charm to a satisfactory level. Franco is another story. He’s a talented performer who is hit or miss in comedies. Here, his character’s smarmy demeanor comes off more off putting than humorous.

The Interview is ultimately not overly concerned with making grand political statements and more focused on hard R rated sight gags. The character of Kim, played with gusto by Park, is chock full of Daddy issues and an inferiority complex. There’s funny moments with him (his obsession with the aforementioned Perry is good for some belly laughs), but there’s nothing here that Team America: World Police didn’t handle on a more highly elevated satirical level. Early snippets of Skylark’s interviews with Eminem and Rob Lowe actually provide the biggest guffaws and they have nothing to do with the eventual plot.

There’s little doubt The Interview will be remembered more for its generated headlines with the Sony hack and North Korean government reaction that what is up on the screen. For fans of Rogen and Goldberg’s brand of humor, there’s just enough worthwhile to watch. However, they’ve done better work and while nothing they’ve made before or since is likely to capture worldwide media attention – The Interview seems bound to be regarded as a so-so entry in their filmography.

**1/2 (out of four)

The Interview Box Office Prediction

Well, whaddya know??

On this Christmas morning, it turns out my present to you on the blog is something I didn’t get to think I’d write this week: a box office prediction for The Interview.

At this point, everyone movie blogger and critic has written about the debacle that involved hacking and North Korea and Sony Pictures and the controversial decision to not release the Seth Rogen/James Franco comedy in theaters. I wrote my own post when it looked like the picture may not see the light of day and if you missed it, you can find it here:

https://toddmthatcher.com/2014/12/18/a-canceled-interview/

And now – Sony has reversed course, to an extent. The Interview, in which Rogen and Franco play entertainment journalists sent on a mission to take out North Korean leader Kim Jong Un, will premiere today in 331 independently owned theaters across the nation. The big movie chains are still not screening it. It is also debuting on numerous digital formats, including YouTube, Google Play, and Xbox which may divert some curious eyes from the theaters and to their laptops.

So what does that mean as far as its box office prospects? Well, that’s a tricky proposition but I’ll try my best. First, 331 screens isn’t many considering the average wannabe blockbuster comes to at least 2000 and often 3000 plus venues. In other words, think low. On the other hand, its per screen average should outdo the other holiday newbies that are rolling out.

With all the hype surrounding the movie (even with its less than stellar reviews – 5o% on Rotten Tomatoes), it should manage to bring out viewers who may not have even intended on watching it right away in the first place. Whether they do so at a theater they might not be used to going to or at home is a mystery that won’t be resolved until the numbers are released early next week. I’ll predict its limited release yields an average of over $10,000 per screen for an impressive haul.

The Interview opening weekend prediction: $3.1 million (Friday to Sunday), $4.4 million (Thursday to Sunday)

For my Unbroken prediction, click here:

https://toddmthatcher.com/2014/12/20/unbroken-box-office-prediction/

For my Into the Woods prediction, click here:

https://toddmthatcher.com/2014/12/20/into-the-woods-box-office-prediction/

For my prediction on The Gambler, click here:

https://toddmthatcher.com/2014/12/22/the-gambler-box-office-prediction/

For my Big Eyes prediction, click here:

https://toddmthatcher.com/2014/12/24/big-eyes-box-office-prediction/

For my prediction on The Imitation Game, click here:

https://toddmthatcher.com/2014/12/24/the-imitation-game-box-office-prediction/

A Canceled Interview

This Saturday, one of my blog posts would have been a box office prediction for The Interview, the Seth Rogen/James Franco comedy in which they play journalists tasked by the U.S. government to take out North Korean leader Kim Jong-un.

So… that’s not going to happen. You may have heard of this movie in the last 24 hours or so. The recent Sony Pictures cyber attack that’s been garnering headlines all over the world has led to threats against any movie theaters screening the picture, which was scheduled to premiere on Christmas Day.

Sony Pictures made the unprecedented decision to pull The Interview from theaters after several large theater chains chose not to show it, due to safety concerns. I’ll leave it to smarter folks than I to pontificate on all the ramifications here. The best I can do is offer my brief insights.

First thought: we are truly in uncharted waters here. There have been plenty of controversial movies, but we’ve never seen anything like this. Here we have a major studio offering that will likely never see the light of day in major theaters. And it’s mainly due to the fact that a fascist dictator can’t take a joke.

The irony is thick, to say the least. The Interview purportedly deals with the issues of Jong-un’s reign in North Korea, albeit in humorous and low brow comedy fashion. It probably deals with his lack of allowing free speech in that territory.

And yet the actions of these hackers (allegedly stemming from the country he controls) has eliminated the free speech rights that our country was founded upon. It’s hard for me to come up with any other argument than this: the hackers won and they’ve set a precedent that is dangerous.

Threats against this nation are nothing new. Threats against movie theaters that dare to show Seth Rogen and James Franco satirizing North Korea… well, that is a new one. It begs the once ridiculous sounding question: what if a group of cyber terrorists decide they don’t want to see Fifty Shades of Grey in February? What if a dangerous faction somewhere in the world makes claims of action if we go see Star Wars: The Force Awakens a year from now?

Trust me, I’m no expert on security issues. However, I’m rather sure our government and financial centers of institutions are threatened on a very regular basis. We don’t stop going to them. And yes – our movie theaters are our entertainment centers of institution.

I have no idea whether The Interview is any good (early reviews indicate not, but there’s a lot of talent involved). The action taken yesterday guarantees one thing (security and political arguments aside) – the picture will be seen by a lot of folks who might not have intended to watch it originally. The term all publicity is good publicity should apply here. My guess is a VOD or Netflix type premiere will happen relatively soon and it will be massively successful.

The decision that faced the owners of theater chains and Sony Pictures forced them into an incredibly unenviable position. Still, my reaction is similar to many I’ve seen in the media. This just doesn’t feel right. We have a right to free speech in this nation. This covers everything from key political speech to the words written in a screenplay and filmed for a sophomoric Seth Rogen Christmas holiday release. And we should never feel compelled to surrender those rights to those who wish us harm.

Oscar History: 2008

The 2008 Oscars will likely go down as the final year when only five films would compete in the granddaddy category of them all, Best Picture. The following year, the Academy would change it to ten and a couple years after that, developed a formula where anywhere from 5-10 movies could be recognized.

Many believe the reason is 2008’s exclusion of the critically lauded superhero sequel The Dark Knight, which had become the year’s highest grossing feature and was considered a major milestone in the burgeoning genre. Yet with the exception of its acclaimed Joker, Knight was shut out in the major categories.

Best Picture instead went to a true “little movie that could” – Danny Boyle’s out of nowhere critical and audience pleaser Slumdog Millionaire.

It would win out over David Fincher’s The Curious Case of Benjamin Button, Ron Howard’s Frost/Nixon, Gus Van Sant’s Milk, and Stephen Daldry’s The Reader. It is a bit surprising that Oscar voters left out Knight and I would put forth that a decent argument could also be made for Jon Favreau’s Iron Man, which also stands as a creative high point in the comic book canon of movies.

In the Best Director category, it was a rare example of the five nominated auteurs matching the Picture nominees and Boyle would take home the gold over Fincher, Daldry, Van Sant, and Howard. Once again, Christopher Nolan would be on the outside looking in for his Knight direction.

Sean Penn would win his second Best Actor statue (2003’s Mystic River being the first) for playing gay activist Harvey Milk in Milk.

Other nominees: Richard Jenkins in The Visitor, Frank Langella in Frost/Nixon, Brad Pitt in Benjamin Button, and Mickey Rourke in a career comeback role as The Wrestler.

Certainly Christian Bale as Bruce Wayne/Batman and Robert Downey, Jr. as Tony Stark/Iron Man could have been considered along with Leonardo DiCaprio in Revolutionary Road, Clint Eastwood in Gran Torino, and the Slumdog Millionaire himself Dev Patel.

After a number of nominations with no victories, Kate Winslet would win Best Actress for The Reader, beating out Anne Hathaway (Rachel Getting Married). Angelina Jolie (Changeling), Melissa Leo (Frozen River), and the omnipresent Meryl Streep (Doubt).

It was a bit surprising to see Cate Blanchett’s work in Benjamin Button go unrecognized.

The Dark Knight would win its Oscar with the late Heath Ledger taking Supporting Actor as the Joker. Other nominees: Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), and Michael Shannon (Revolutionary Road).

While it was refreshing to see the Academy nominate a comedic performance like Downey’s in Tropic Thunder, an equally good argument could have been made for Tom Cruise’s role in that picture. Same goes for James Franco’s exemplary work as a stoner in Pineapple Express.

Woody Allen has directed several actresses to Supporting Actress wins and he did it again with Penelope Cruz in Vicky Christina Barcelona.

She would be victorious over Amy Adams in Doubt, Viola Davis – also for Doubt, Taraji P. Henson in Benjamin Button, and Marisa Tomei for The Wrestler.

I might’ve found room for Frances McDormand in the Coen Brothers Burn After Reading.

And that’s all for now on the Oscar History front! I’ll be back with 2009 in the near future…

Todd’s Top Ten Most Eagerly Awaited Fall 2014 Movies

The summer of 2014 is heading towards its closure and that means school, football, and the Fall Movie Season is ahead of us! As many know, the months of September through December is when studios typically save up their major Oscar contenders and that is certainly the case this year. As for what’s been released pre-fall, Richard Linklater’s Boyhood is the only shoo-in for a Best Picture nomination (it could win too) while Wes Anderson’s The Grand Budapest Hotel currently has a decent shot.

This brings us to my personal top ten most anticipated films being released in the final four months of the year. Some of my choices are Oscar hopefuls while others are not. I’ll get to my first round of inappropriately early Academy Award nomination predictions very soon on the blog. In the meantime, here’s the pics that this blogger is most looking forward to:

10. St. Vincent

Release Date: October 24

This comedy/drama had me at the actor headlining the cast: Bill Murray. He plays an irresponsible war veteran who befriends a young boy. Melissa McCarthy and Naomi Watts costar. If it’s good, expect Oscar buzz for Mr. Murray and Ms. Watts in the Supporting Actress race.

9. The Interview

Release Date: December 25

When Seth Rogen and James Franco have teamed up, it’s led to two hilarious comedies: Pineapple Express and This is the End. Here’s hoping the trend continues where they play two journalists given the task of assassinating Kim Jong-Un.

8. Big Eyes

Release Date: December 25

Tim Burton has seemed to be on autopilot lately with lackluster pics like Alice in Wonderland and Dark Shadows. This could change that in the true life tale of a man (Christoph Waltz) who fraudulently claims credit for his wife’s (Amy Adams) bestselling paintings. Oscar buzz could follow if this one if it delivers.

**No trailer released at press time

7. Birdman

Release Date: October 17

Not a biography of the tattooed Miami Heat player – rather Birdman stars Michael Keaton in what could be a huge comeback role. He plays an actor most known for playing an iconic superhero, which shouldn’t be much of a stretch. Edward Norton, Naomi Watts, Emma Stone, and Zach Galifinakis round out the ensemble and it’s directed by Alejandro Gonzalez Inarritu, who brought us 21 Grams and Babel.

6. Dumb and Dumber To

Release Date: November 14

Whether or not the return of Harry (Jeff Daniels) and Lloyd (Jim Carrey) nearly 20 years after the iconic original works is an open question, but you can be damn sure I’ll be in the theater to find out.

5. The Hunger Games: Mockingjay, Part 1

Release Date: November 21

Catching Fire improved upon an already first-rate original in the franchise so I’m pumped to see the series continue. It also serves as one of our final opportunities to see the great Philip Seymour Hoffman.

4. Inherent Vice

Release Date: December 12

Anytime Paul Thomas Anderson makes a film, it’s noteworthy given his filmography includes Boogie Nights, Magnolia, There Will Be Blood, and The Master. This private detective tale stars Joaquin Phoenix, Josh Brolin, Owen Wilson, and Reese Witherspoon.

**No trailer released at press time

3. Foxcatcher

Release Date: November 14

Director Bennett Miller has seen both his features, Capote and Moneyball, earn Best Picture nominations. Advance word is that this will as well. The true story of John du Pont’s (Steve Carell) obsession with a pair of wrestlers (Channing Tatum and Mark Ruffalo) is generating Academy Award chatter for all three actors.

2. Gone Girl

Release Date: October 3

One of the very best directors working today David Fincher adapts Gillian Flynn’s bestselling murder mystery novel. Ben Affleck, Rosamund Pike (in a role likely to earn Oscar buzz), Tyler Perry, and Neil Patrick Harris star.

1. Interstellar

Christopher Nolan has given us the acclaimed Dark Knight trilogy and Inception. In his latest, recent Oscar winner Matthew McConaughey is tasked with no less than saving the world. Anne Hathaway, Jessica Chastain, and (of course) Michael Caine costar. Expect amazing visuals at the very least.

And that’s my top ten, folks. See you at the movies!

2013: The Year of James Franco

James Franco seemed to be the Waldo of 2013 in film – the man was everywhere. No season of the year passed without a Franco appearance in something. And his omnipresence extended beyond the silver screen and branched out to video parodies and cable TV events.

It started off in March with the release of his most high-profile project, Oz the Great and Powerful. Disney’s prequel to 1939’s The Wizard of Oz from Sam Raimi may not have been well regarded by critics (or, for that matter, this blogger) but it earned a very impressive $234 million domestically.

Just a couple of weeks later came Spring Breakers from director Harmony Korine which cast Franco as Alien, a gangsta rapper. The role earned Franco raves from critics and the pic is already on its way to becoming a cult classic.

Summer brought us This is The End, the post apocalyptic R-rated comedy in which Franco, Seth Rogen, Jonah Hill, Danny McBride, and other played themselves. It was a winner with critics and audiences alike and was a comedic high point this year, earning over $100 million domestically.

Last month was Homefront, in which the actor played a meth kingpin battling Jason Statham. This movie has failed to connect with audiences.=, but maybe Mr. Franco just wanted to appear in a flick written by Sylvester Stallone.

Here’s what I love about Franco and here’s why he earns a final spot in this blog series: the dude is unpredictable. He could have easily coasted on his handsome looks and probably headlined rom coms and the occasional action pic for the rest of his career. It’s damn clear he isn’t down with that. You’re just as likely to see Franco pop up in a supporting role in an indie flick as you are in a comedy or drama or anything else for that matter. He gets an Oscar nomination for 127 Hours and then stars in a blockbuster pic Rise of the Planet of the Apes and then costars in stoner comedy Your Highness.

While Franco was everywhere on screen this year, this applied to the small screen and computer screen as well. He got the good sport award by subjecting himself to a Comedy Central Roast.

And even more hilariously, Franco and Pineapple Express buddy Rogen did a shot for shot parody of Kanye West’s ridiculous “Bound” video that is one of the funniest things I saw all year. Check the side by side comparison if you don’t believe me.

Franco is showing no signs of slowing down. So far it looks like 2014 will bring Good People, a thriller with Kate Hudson, True Story, a drama with Jonah Hill, and a cameo appearance in the Veronica Mars movie.

This concludes my six-part series on performers who had a major impact on cinema this year. So thank you to Jennifer Lawrence, Tom Hanks, Sandra Bullock, Matthew McConaughey, Melissa McCarthy, and James Franco for the memories!

Box Office Predictions: Thanksgiving 2013

It’s going to be a busy Turkey Day weekend at the box office as six new titles find their way into the multiplex. Disney’s Frozen, the action pic Homefront with Jason Statham and James Franco, and the musical ensemble Black Nativity open wide while The Book Thief expands to around 1000 theaters and Spike Lee’s Oldboy and the Judi Dench drama Philomena play to around 500 screens. Whew.

You can my individual prediction posts on each new picture here:

https://toddmthatcher.com/2013/11/24/frozen-box-office-prediction/

https://toddmthatcher.com/2013/11/24/black-nativity-box-office-prediction/

https://toddmthatcher.com/2013/11/24/homefront-box-office-prediction/

https://toddmthatcher.com/2013/11/24/the-book-thief-box-office-prediction/

https://toddmthatcher.com/2013/11/24/oldboy-box-office-prediction/

https://toddmthatcher.com/2013/11/24/philomena-box-office-prediction/

Typically, during Thanksgiving the leftovers have very small drops because audiences like to catch up during the holidays. The one exception should be The Hunger Games: Catching Fire. In its second weekend, the pic should easily lose more than half the crowd of its debut weekend. The last two Twilight flicks opened the same pre-Thanksgiving weekend and saw second week falls in the 70% range. I don’t have Games falling quite that far.

Since there are so many newbies this weekend, I’ll change my normal Top Five predictions to Top Ten. Here they are:

1. The Hunger Games: Catching Fire

Predicted Gross: $56.8 million (representing a drop of 64%)

2. Frozen

Predicted Gross: $48.3 million ($69.1 million for five-day opening)

3. Black Nativity

Predicted Gross: $19.3 million ($26.8 million for five-day opening)

4. Thor: The Dark World

Predicted Gross: $9.5 million (representing a drop of 32%)

5. Homefront

Predicted Gross: $8.7 million ($12.8 million for five-day opening)

6. The Best Man Holiday

Predicted Gross: $7.1 million (representing a drop of 42%)

7. The Book Thief

Predicted Gross: $5.6 million ($7.2 million for five-day opening)

8. Delivery Man

Predicted Gross: $5.5 million (representing a drop of 30%)

9. Free Birds

Predicted Gross: $4.7 million (representing a drop of 12%)

10. Philomena

Predicted Gross: $3.9 million ($5.1 million for five-day opening)

This means I am predicting Oldboy opens outside of the top ten with a $2.4 million Friday-to-Sunday opening tally and $3.5 million from Wednesday-to-Sunday.

I’ll have final results Sunday on the blog… have Turkey Day friends!

Homefront Box Office Prediction

The omnipresent James Franco is back in theaters again over the Thanksgiving weekend with Homefront, in which he plays a meth dealer dueling with a DEA agent played by Jason Statham. The film costars Winona Ryder and Kate Bosworth. Franco has been a busy man in 2013 with Oz the Great and Powerful, Spring Breakers, and This is the End. This is likely to be his least talked about picture.

While TV ads have been showing frequently for Homefront, I don’t see this doing a whole lotta business over the holiday frame. Recent Statham flicks have been met with lukewarm openings: 2011’s Killer Elite at $9.3M, 2012’s Safe with $7.8M, and this year’s Parker with $7 million. The screenplay is actually written by Sylvester Stallone, who once envisioned this as a starring vehicle for him. Reviews have been mostly negative so far.

The Thanksgiving time frame may allow Homefront slightly higher numbers than the last couple of Statham pics. Not much higher, though.

Homefront opening weekend prediction: $8.7 million (Friday-to-Sunday), $12.8 million (Wednesday-to-Sunday)

For my prediction on Disney’s Frozen, click here:

https://toddmthatcher.com/2013/11/24/frozen-box-office-prediction/

For my Black Nativity prediction, click here:

https://toddmthatcher.com/2013/11/24/black-nativity-box-office-prediction/

For my prediction on The Book Thief, click here:

https://toddmthatcher.com/2013/11/24/the-book-thief-box-office-prediction/

For my Oldboy prediction, click here:

https://toddmthatcher.com/2013/11/24/oldboy-box-office-prediction/

For my Philomena prediction, click here:

https://toddmthatcher.com/2013/11/24/philomena-box-office-prediction/