Blogger’s Update (12/20): I am revising my estimates down from $23.3 million to $18.3 million for the three-day and $37.4 million to $28.5 million for the five-day
Avatar: The Way of Water isn’t the only sequel that some critics say improves on the original during this holiday season. Puss in Boots: The Last Wish steps into theaters on December 21st eleven years after its predecessor. The DreamWorks Animation adventure finds Antonio Banderas reprising his voice work as the feline fugitive alongside Salma Hayek’s Kitty Softpaws. Other performers behind the mic include Harvey Guillén, Florence Pugh, Olivia Colman, Ray Winstone, Samson Kayo, John Mulaney, Wagner Moura, and Da’Vine Joy Randolph. Joel Crawford, who last helmed The Croods: A New Age, directs.
You may recall the first Boots arrived in 2011 as a spin-off for the massive Shrek franchise. The title character was introduced in 2004 with Shrek 2. Opening in October, Puss grossed with $34 million during its opening weekend with a $149 million eventual domestic haul.
If a decade plus seems like a long time between sequels, you’d be correct. That could be a demerit for its earnings potential. There was a Netflix animated series from 2015-2018 starring the character (without Banderas purring the lines). What will help its case is the word-of-mouth. Boots currently sports a 96% Rotten Tomatoes score and that tops part 1’s 86%. It has already nabbed a Best Animated Feature nomination at the Golden Globes. This is also the only feature not named Avatar catering to a family audience. Obviously this should also bring in very young viewers not looking to wade into Mr. Cameron’s pool.
A second place start behind Water is a given. I believe this could manage a five-day premiere in the mid to possibly high 30s. While that’s not hitting what the original accomplished in 3 days, Wish appears poised to hold up well in future weekends.
Puss in Boots: The Last Wish opening weekend prediction: $18.3 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.
Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.
In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.
Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.
Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.
You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.
Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…
The Hollywood Foreign Press Association, after a controversial couple of years which resulted in no aired telecast for the last ceremony, is moving forward with Jerrod Carmichael hosting the show on NBC in a month. The nominations for the 14 cinematic races were unveiled this morning.
I went 54 for 70 on my picks – an improvement over my previous 2021 performance of 49/70. The big winner: Martin McDonagh’s The Banshees of Inisherin. Its 8 nods led all pictures and landed mentions everywhere it was expected to.
On the flip side, it was a disappointing day for Women Talking. Sarah Polley’s expected Oscar contender managed two nods (Screenplay and Score) and missed out on several races where it was thought to be viable.
Let’s take the competitions one by one with my thoughts, shall we?
Best Motion Picture (Drama)
Nominees: Avatar: The Way of Water, Elvis, The Fabelmans, Tár, Top Gun: Maverick
How I Did: 4/5
Per above, the surprise here is Women Talking not making the cut. I had it in instead of Avatar (which is proving itself to be a highly likely hopeful for Oscar’s BP derby). While The Fabelmans could be considered a soft frontrunner, I would say everything but Tár has a shot to win.
Best Motion Picture (Musical/Comedy)
Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Triangle of Sadness
How I Did: 4/5
I went with The Menu over Triangle but the latter’s inclusion was not unexpected. This is almost certainly a battle between Banshees and Everything.
Best Director
Nominees: James Cameron (Avatar: The Way of Water), Daniels (Everything Everywhere All at Once), Baz Luhrmann (Elvis), Martin McDonagh (The Banshees of Inisherin), Steven Spielberg (The Fabelmans)
How I Did: 4/5
Like in Best Drama, I went with Women Talking and its maker Sarah Polley instead of James Cameron. Also like that race, Spielberg might be favored but the others could upset the legend.
Best Actress (Drama)
Nominees: Cate Blanchett (Tár), Olivia Colman (Empire of Light), Viola Davis (The Woman King), Ana de Armas (Blonde), Michelle Williams (The Fabelmans)
How I Did: 4/5
Danielle Deadwyler (Till) failing to make the quintet is unexpected as is de Armas’s nod in the Marilyn Monroe biopic (which garnered plenty of poor reviews). You’re going to want to bet on Blanchett in this one.
Best Actor (Drama)
Nominees: Austin Butler (Elvis), Brendan Fraser (The Whale), Hugh Jackman (The Son), Bill Nighy (Living), Jeremy Pope (The Inspection)
How I Did: 3/5
Jackman and Pope in over my selections of Tom Cruise (Top Gun: Maverick) and Paul Mescal (Aftersun). Mr. Cruise whiffing is noticeable. Perhaps the HFPA is still salty about him giving back his Globes during the height of their controversies. Elvis is the only picture in this group that received more than 1 nomination and Butler could certainly emerge victorious. So could Fraser.
Best Actress (Musical/Comedy)
Nominees: Lesley Manville (Mrs. Harris Goes to Paris), Margot Robbie (Babylon), Anya Taylor-Joy (The Menu), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywher All at Once)
How I Did: 5/5 (!)
This went as anticipated and should continue that way with Yeoh taking the trophy in January.
Best Actor (Musical/Comedy)
Nominees: Diego Calva (Babylon), Daniel Craig (Glass Onion: A Knives Out Mystery), Adam Driver (White Noise), Colin Farrell (The Banshees of Inisherin), Ralph Fiennes (The Menu)
How I Did: 4/5
I went with Tom Hanks (A Man Called Otto) instead of Driver. It doesn’t matter much who the other four gentlemen are. This is Farrell’s to lose.
Best Supporting Actress
Nominees: Angela Bassett (Black Panther: Wakanda Forever), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)
How I Did: 2/5 (ouch)
Supporting Actress has been a head scratcher all year as I’ve done Oscar projections. That proved true today with my poor performance. I went with Hong Chau (The Whale), Claire Foy (Women Talking), and Janelle Monae (Glass Onion) instead of Bassett, de Leon, and Mulligan. I’d say any of these contestants could win in this wide open field.
Best Supporting Actor
Nominees: Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
How I Did: 3/5
I had Paul Dano (The Fabelmans) and Tom Hanks (yet again for Elvis), but Koeghan and Redmayne made it. Quan is probably out front but I wouldn’t rule Gleeson out.
Best Screenplay
Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Women Talking
How I Did: 5/5 (!)
Finally we get something for Women Talking. Yet this race (like Musical/Comedy) is probably either Banshees or Everything.
Best Animated Feature
Nominees: Guillermo del Toro’s Pinocchio, Inu-Oh, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
How I Did: 4/5
Inu-Oh is the surprise (I said The Bad Guys instead). Pinocchio is favored but I wouldn’t discount Marcel (which is picking up critics prizes).
Best Foreign Language Film
Nominees: All Quiet on theWestern Front, Argentina, 1985, Close, Decision to Leave, RRR
How I Did: 4/5
This could be a fascinating one. I don’t see Argentina or Close winning (which I left out for Bardo). The other 3 could.
Best Original Score
Nominees: Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Women Talking
How I Did: 4/5
This is where I should’ve left Avatar out as Banshees got in instead. This could be a close one and I’m not ready to pick a leader.
Best Original Song
Nominees: “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR
How I Did: 4/5
Pop superstar Billie Eilish and “Nobody Like U” was left off for pop superstar Taylor Swift and “Carolina”. Don’t be shocked if this comes down to pop superstars Lady Gaga for “Hold My Hand” and Rihanna for “Lift Me Up”.
That means the following features nabbed these numbers in terms of nominations:
8 Nominations
The Banshees of Inisherin
6 Nominations
Everything Everywhere All at Once
5 Nominations
Babylon, The Fabelmans
3 Nominations
Elvis, Guillermo del Toro’s Pinocchio, Tár
2 Nominations
Avatar: The Way of Water, Black Panther Wakanda Forever, Glass Onion: A Knives Out Mystery, The Menu, RRR, Top Gun: Maverick, Triangle of Sadness, Women Talking
1 Nomination
All Quiet on the Western Front, Argentina, 1985, Blonde, Close, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, The Good Nurse, The Inspection, Inu-Oh, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, She Said, The Son, Turning Red, The Whale, Where the Crawdads Sing, White Noise, The Woman King
The 28th Critics Choice Awards airs January 13th and the nominations are out on Wednesday. Like the Oscars, there are 10 Best Picture contenders. That’s easy. Then it gets a little weird.
The number of nominees in the other races has fluctuated recently from 5-7. I’m basing my estimates on 2021’s allotment, but it could look different come Wednesday morning when the nominees are announced. That means 6 in Director, the acting derbies, Ensemble, Young Performer, and Cinematography and 5 for the rest.
I’ll have a recap up Wednesday evening with my thoughts and how I performed!
Best Picture
Predicted Nominees:
Avatar: The Way of Water
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
She Said
Tár
Top Gun: Maverick
The Whale
The Woman King
Women Talking
Alternate:
Elvis
Best Director
Predicted Nominees:
James Cameron, Avatar: The Way of Water
Daniels, Everything Everywhere All at Once
Todd Field, Tár
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans
Alternate:
Gina Prince-Bythewood, The Woman King
Best Actress
Predicted Nominees:
Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Margot Robbie, Babylon
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once
Alternate:
Olivia Colman, Empire of Light
Best Actor
Predicted Nominees:
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun
Bill Nighy, Living
Alternate:
Diego Calva, Babylon
Best Supporting Actress
Predicted Nominees:
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Dolly de Leon, Triangle of Sadness
Claire Foy, Women Talking
Stephanie Hsu, Everything Everywhere All at Once
Carey Mulligan, She Said
Alternate:
Jamie Lee Curtis, Everything Everywhere All at Once
Best Supporting Actor
Predicted Nominees:
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Judd Hirsch, The Fabelmans
Barry Keoghan, The Banshees of Inisherin
Ke Huy Quan, Everything Everywhere All at Once
Ben Whishaw, Women Talking
Alternate:
Eddie Redmayne, The Good Nurse
Best Original Screenplay
Predicted Nominees:
Aftersun
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Alternate:
Triangle of Sadness
Best Adapted Screenplay
Predicted Nominees:
Glass Onion: A Knives Out Mystery
She Said
Top Gun: Maverick
The Whale
Women Talking
Alternate:
Living
Best Acting Ensemble
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
She Said
The Woman King
Women Talking
Alternate:
The Banshees of Inisherin
Best Young Actor/Actress
Predicted Nominees:
Frankie Corio, Aftersun
Jalyn Hall, Till
Gabriel LaBelle, The Fabelmans
Madeleine McGraw, The Black Phone
Jenna Ortega, X
Sadie Sink, The Whale
Alternate:
Mason Thames, The Black Phone
Best Animated Feature
Predicted Nominees:
The Bad Guys
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Alternate:
Wendell and Wild
Best Foreign Language Film
Predicted Nominees:
All Quiet on the Western Front
Decision to Leave
EO
RRR
Saint Omer
Alternate:
Close
Best Comedy
Predicted Nominees:
Babylon
The Banshees of Inisherin
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
Triangle of Sadness
Alternate:
The Menu
Best Cinematography
Predicted Nominees:
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
Empire of Light
The Fabelmans
Top Gun: Maverick
Alternate:
The Banshees of Inisherin
Best Costume Design
Predicted Nominees:
Babylon
Black Panther: Wakanda Forever
Elvis
Mrs. Harris Goes to Paris
The Woman King
Alternate:
Living
Best Editing
Predicted Nominees:
Avatar: The Way of Water
Everything Everywhere All at Once
The Fabelmans
Top Gun: Maverick
Women Talking
Alternate:
Babylon
Best Hair and Makeup
Predicted Nominees:
Babylon
The Batman
Elvis
The Whale
X
Alternate:
The Woman King
Best Production Design
Predicted Nominees:
Avatar: The Way of Water
Babylon
Black Panther: Wakanda Forever
The Fabelmans
Glass Onion: A Knives Out Mystery
Alternate:
Elvis
Best Score
Predicted Nominees:
Babylon
The Banshees of Inisherin
Empire of Light
The Fabelmans
Women Talking
Alternate:
Guillermo del Toro’s Pinocchio
Best Song
Predicted Nominees:
“Carolina” from Where the Crawdads Sing
“Hold My Hand” from Top Gun: Maverick
“Life Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“This Is A Life” from Everything Everywhere All at Once
Alternate:
“Nobody Like U” from Turning Red
Best Visual Effects
Predicted Nominees:
Avatar: The Way of Water
Everything Everywhere All at Once
Nope
RRR
Top Gun: Maverick
Alternate:
The Batman
That equates to these movies getting these numbers for nominations:
12 Nominations
The Fabelmans
11 Nominations
Everything Everywhere All at Once
9 Nominations
The Banshees of Inisherin
8 Nominations
Women Talking
7 Nominations
Babylon, Top Gun: Maverick
6 Nominations
Avatar: The Way of Water, The Whale
4 Nominations
Glass Onion: A Knives Out Mystery, She Said, Tár, The Woman King
3 Nominations
Aftersun, Black Panther: Wakanda Forever, Elvis, RRR
2 Nominations
All Quiet on the Western Front, Empire of Light, Till, Triangle of Sadness, X
1 Nomination
The Bad Guys, The Batman, The Black Phone, Decision to Leave, EO, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Nope, Puss in Boots: The Last Wish, Saint Omer, Turning Red, Where the Crawdads Sing
After a couple years of major controversy, the Hollywood Foreign Press Association’s big shindig is back on your television screens with the 80th Golden Globe Awards. The ceremony honoring the year’s best in film and TV returns to NBC on January 10th and the nominations are out on Monday, December 12th.
Readers of my blog are aware that I update my Oscar predictions every week to two weeks. With the Globes, it’s just one shot. As an aside, I don’t forecast the small screen races.
There are 14 categories to consider. As you may recall, the Globes split Drama and Comedy/Musical for Picture and the lead acting derbies. This is not the case with director or supporting. Furthermore, this ceremony has a sole Screenplay race while the Academy differentiates between original and adapted works.
Let’s get to it! For each competition, I’m also giving you my alternate. On Monday, I’ll have a recap up with my thoughts on the nominations and how I performed.
Best Motion Picture – Drama
Elvis
The Fabelmans
Tár
Top Gun: Maverick
Women Talking
Alternate: Avatar: The Way of Water
Best Motion Picture – Musical or Comedy
Babylon
The Banshees of Inisherin
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Menu
Alternate: Triangle of Sadness
Best Director
Daniels, Everything Everywhere All at Once
Baz Luhrmann, Elvis
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans
Alternate: Todd Field, Tár
Best Actress – Drama
Cate Blanchett, Tár
Olivia Colman, Empire of Light
Viola Davis, The Woman King
Danielle Deadwyler, Till
Michelle Williams, The Fabelmans
Alternate: Jennifer Lawrence, Causeway
Best Actor – Drama
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Brendan Fraser, The Whale
Paul Mescal, Aftersun
Bill Nighy, Living
Alternate: Hugh Jackman, The Son
Best Actress – Musical/Comedy
Lesley Manville, Mrs. Harris Goes to Paris
Margot Robbie, Babylon
Anya Taylor-Joy, The Menu
Emma Thompson, Good Luck to You, Leo Grande
Michelle Yeoh, Everything Everywhere All at Once
Alternate: Julia Roberts, Ticket to Paradise
Best Actor – Musical or Comedy
Diego Calva, Babylon
Daniel Craig, Glass Onion: A Knives Out Mystery
Colin Farrell, The Banshees of Inisherin
Ralph Fiennes, The Menu
Tom Hanks, A Man Called Otto
Alternate: Adam Driver, White Noise
Best Supporting Actress
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Claire Foy, Women Talking
Janelle Monae, Glass Onion: A Knives Out Mystery
Alternate: Jessie Buckley, Women Talking
Best Supporting Actor
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Tom Hanks, Elvis
Brad Pitt, Babylon
Ke Huy Quan, Everything Everywhere All at Once
Alternate: Ben Whishaw, Women Talking
Best Screenplay
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Women Talking
Alternate: Glass Onion: A Knives Out Mystery
Best Animated Motion Picture
The Bad Guys
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Alternate: My Father’s Dragon
Best Foreign Language Motion Picture
All Quiet on the Western Front
Argentina, 1985
Bardo
Decision to Leave
RRR
Alternate: Saint Omer
Best Original Score
Avatar: The Way of Water
Babylon
The Fabelmans
Guillermo del Toro’s Pinocchio
Women Talking
Alternate: The Banshees of Inisherin
Best Original Song
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Hold My Hand” from Top Gun: Maverick
“Lift Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“Nobody Like U” from Turning Red
Alternate: “Carolina” from Where the Crawdads Sing
And that means I’m projecting the following number of mentions for these pictures:
6 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
5 Nominations
Babylon, Women Talking
4 Nominations
Elvis
3 Nominations
Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, The Menu, Tár
2 Nominations
RRR, Turning Red, The Whale
1 Nomination
Aftersun, All Quiet on the Western Front, Argentina, 1985, Avatar: The Way of Water, The Bad Guys, Bardo, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, Living, A Man Called Otto, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, Till, The Woman King
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
Documentarian Matthew Heineman is no stranger to tackling hot button issues and awards voters have rewarded his features in the past. 2015’s Cartel Land was an Oscar nominee for Documentary Feature. Additional acclaim was bestowed upon 2017’s City of Ghosts and last year’s The First Wave, which took us into a NYC hospital at the height of the COVID epidemic. Heineman’s lone fictional work was 2018’s A Private War, in which Rosamund Pike nabbed a Golden Globe Best Actress nod in the Drama competition.
His latest is the Nat Geo produced Retrograde, recounting America’s final nine months in the Afghanistan War. It’s out already on an awards qualifying run prior to a December 11th Hulu bow. Initial reviews are typical for the filmmaker at 96% on Rotten Tomatoes.
Both Ghosts and Wave didn’t make the Academy’s cut. If Retrograde can manage to make the shortlist, it could certainly vie for one of the five spots. Based on recent history, I’m not yet comfortable slotting it there. My Oscar Prediction posts will continue…
We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:
We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.
As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.
Arrival
Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.
Does It Make the Final Five?
No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.
Fences
Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.
Does It Make the Final Five?
No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.
Hacksaw Ridge
Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.
Does It Make the Final Five?
Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).
Hell or High Water
Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.
Does It Make the Final Five?
No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.
Hidden Figures
Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.
Does It Make the Final Five?
No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.
La La Land
Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.
Does It Make the Final Five?
A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.
Lion
Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.
Does It Make the Final Five?
Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.
Manchster by the Sea
Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.
Does It Make the Final Five?
Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.
Will Ferrell, Ryan Reynolds, and Octavia Spencer headline Spirited, a musical comedy take on A Christmas Carol. Slated for an Apple TV rollout on November 18th, it has a limited theatrical release this Friday. Sean Anders, who collaborated with Ferrell on both Daddy’s Home pics, directs.
The brief cinematic run leaves it Oscar eligible, but don’t expect this spin on the Dickens classic to garner much attention. It is worth discussing whether the Hollywood Foreign Press Association puts it on their radar for the Golden Globes. They have Musical/Comedy designations and seeing it nominated for Picture and Actor (Ferrell or Reynolds) is feasible.
However, the current 59% Rotten Tomatoes meter is not encouraging. There are certainly years where the Musical/Comedy acting lists allow for performances from films with mixed reviews. I wouldn’t totally discount Ferrell. He’s a two-time GG hopeful in Supporting Actor for 2005’s The Producers and lead actor for Musical/Comedy for 2006’s Stranger Than Fiction. I would say the competition would need to be pretty weak for his third nod. My Oscar (and Golden Globe) prediction posts will continue…
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