Tag: Frances McDormand

98th Academy Awards Predictions: November 23rd Edition

The five Best Picture winners from this decade have all seen at least one of their cast members win an acting Oscar: Frances McDormand was Best Actress for 2020’s Nomadland, Troy Kotsur took Supporting Actor for 2021’s CODA, 2022’s Everything Everywhere All at Once boasted victories in Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), and Supporting Actor (Ke Huy Quan), Cillian Murphy and Robert Downey Jr. were the lead and supporting actor winners for Oppenheimer in 2023, and Mikey Madison was last year’s Actress recipient for Anora.

That’s why it felt strange not having any of the thespians from One Battle for Another listed at #1 in my possibilities. I’ve had the acclaimed Paul Thomas Anderson effort on top of my Best Picture projections for several weeks. Yet I’ve had Leonardo DiCaprio (Best Actor), Sean Penn (Supporting Actor), and Teyana Taylor (Supporting Actress) each listed 2nd behind my current frontrunners in those races.

Excellent arguments can be made for all three to be 1st in their fields. I wouldn’t be the least bit surprised to see at least two Battle ensemble members take gold. Today I am elevating one of them to the top position and that’s Teyana Taylor. She takes the spot with Ariana Grande (Wicked: For Good) slipping to second. Frankly, this is less about Taylor and more about Wicked‘s so-so critical reaction when the embargo lifted on Monday.

I still have Wicked clinging to a BP nom and Cynthia Erivo managing an Actress nod – though I am less convinced that either will happen. You will see dips in other categories below and it appears unlikely to match the 10 nominations that its predecessor achieved. To be clear, Grande is still a threat to win. She was probably runner-up to Zoe Saldaña (Emilia Pérez) last time and there could be enough goodwill for the Good Witch to prevail.

In other developments, I am putting two performers in the supporting fields in for the first time! Amy Madigan’s costume inspiring Weapons work makes the quintet in Supporting Actress. This is partly due to confusion as to which Marty Supreme costar (Gwyneth Paltrow or Odessa A’Zion) is more viable. I basically have them canceling each other out to Madigan’s benefit.

Jacob Elordi’s monstrous performance in Frankenstein is also elevated with Battle‘s Benicio del Toro now on the outside looking in. I nearly dropped Adam Sandler (Jay Kelly) but I hesitate to drop him with his costar George Clooney still in my Actor five.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. One Battle After Another (Previous Ranking: 1) (Even)

2. Hamnet (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. Marty Supreme (PR: 4) (E)

5. Sentimental Value (PR: 5) (E)

6. It Was Just an Accident (PR: 6) (E)

7. Frankenstein (PR: 7) (E)

8. Jay Kelly (PR: 10) (+2)

9. Wicked: For Good (PR: 8) (-1)

10. Avatar: Fire and Ash (PR: 9) (-1)

Other Possibilities:

11. Bugonia (PR: 11) (E)

12. The Secret Agent (PR: 12) (E)

13. Train Dreams (PR: 14) (+1)

14. The Testament of Ann Lee (PR: 15) (+1)

15. No Other Choice (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Paul Thomas Anderson, One Battle After Another (PR: 1) (E)

2. Chloé Zhao, Hamnet (PR: 2) (E)

3. Ryan Coogler, Sinners (PR: 3) (E)

4. Josh Safdie, Marty Supreme (PR: 4) (E)

5. Jafar Panahi, It Was Just an Accident (PR: 5) (E)

Other Possibilities:

6. Joachim Trier, Sentimental Value (PR: 6) (E)

7. Guillermo del Toro, Frankenstein (PR: 7) (E)

8. Kieber Mendonça Filho, The Secret Agent (PR: 8) (E)

9. Clint Bentley, Train Dreams (PR: Not Ranked)

10. Yorgos Lanthimos, Bugonia (PR: Not Ranked)

Dropped Out:

Park Chan-wook, No Other Choice (PR: 9) (-1)

Jon M. Chu, Wicked: For Good

Best Actress

Predicted Nominees:

1. Jessie Buckley, Hamnet (PR: 1) (E)

2. Renate Reinsve, Sentimental Value (PR: 2) (E)

3. Amanda Seyfried, The Testament of Ann Lee (PR: 4) (+1)

4. Chase Infiniti, One Battle After Another (PR: 5) (+1)

5. Cynthia Erivo, Wicked: For Good (PR: 3) (-2)

Other Possibilities:

6. Emma Stone, Bugonia (PR: 6) (E)

7. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (E)

8. Jennifer Lawrence, Die, My Love (PR: 8) (E)

9. Kate Hudson, Song Sung Blue (PR: 9) (E)

10. Tessa Thompson, Hedda (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. Leonardo DiCaprio, One Battle After Another (PR: 2) (E)

3. Wagner Moura, The Secret Agent (PR: 3) (E)

4. Ethan Hawke, Blue Moon (PR: 4) (E)

5. George Clooney, Jay Kelly (PR: 5) (E)

Other Possibilities:

6. Michael B. Jordan, Sinners (PR: 6) (E)

7. Joel Edgerton, Train Dreams (PR: 8) (+1)

8. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 7) (-1)

9. Jesse Plemons, Bugonia (PR: 9) (E)

10. Daniel Day-Lewis, Anemone (PR: 10) (E)

Best Supporting Actress

Predicted Nominees:

1. Teyana Taylor, One Battle After Another (PR: 2) (+1)

2. Ariana Grande, Wicked: For Good (PR: 1) (-1)

3. Elle Fanning, Sentimental Value (PR: 3) (E)

4. Inga Ibsdotter Lilleass, Sentimental Value (PR: 4) (E)

5. Amy Madigan, Weapons (PR: 7) (+2)

Other Possibilities:

6. Gwyneth Paltrow, Marty Supreme (PR: 5) (-1)

7. Odessa A’Zion, Marty Supreme (PR: 6) (-1)

8. Regina Hall, One Battle After Another (PR: 8) (E)

9. Wunmi Mosaku, Sinners (PR: 10) (+1)

10. Jennifer Lopez, Kiss of the Spider Woman (PR: 9) (-1)

Best Supporting Actor

Predicted Nominees:

1. Stellan Skarsgård, Sentimental Value (PR: 1) (E)

2. Sean Penn, One Battle After Another (PR: 2) (E)

3. Paul Mescal, Hamnet (PR: 3) (E)

4. Adam Sandler, Jay Kelly (PR: 5) (+1)

5. Jacob Elordi, Frankenstein (PR: 6) (+1)

Other Possibilities:

6. Benicio del Toro, One Battle After Another (PR: 4) (-2)

7. Delroy Lindo, Sinners (PR: 7) (E)

8. Andrew Scott, Blue Moon (PR: 8) (E)

9. William H. Macy, Train Dreams (PR: Not Ranked)

10. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 9) (-1)

Dropped Out:

Jonathan Bailey, Wicked: For Good

Best Original Screenplay

Predicted Nominees:

1. Sentimental Value (PR: 1) (E)

2. Sinners (PR: 2) (E)

3. Marty Supreme (PR: 4) (+1)

4. It Was Just an Accident (PR: 3) (-1)

5. Jay Kelly (PR: 5) (E)

Other Possibilities:

6. The Secret Agent (PR: 6) (E)

7. Blue Moon (PR: 7) (E)

8. Is This Thing On? (PR: 9) (+1)

9. The Testament of Ann Lee (PR: 10) (+1)

10. Sorry, Baby (PR: 8) (-2)

Best Adapted Screenplay

Predicted Nominees:

1. One Battle After Another (PR: 1) (E)

2. Hamnet (PR: 2) (E)

3. Bugonia (PR: 3) (E)

4. Train Dreams (PR: 5) (+1)

5. No Other Choice (PR: 4) (-1)

Other Possibilities:

6. Frankenstein (PR: 7) (+1)

7. Wake Up Dead Man: A Knives Out Mystery (PR: 6) (-1)

8. The Life of Chuck (PR: Not Ranked)

9. Hedda (PR: 10) (+1)

10. Nuremberg (PR: Not Ranked)

Dropped Out:

Wicked: For Good

Springsteen: Deliver Me from Nowhere

Best International Feature Film

Predicted Nominees:

1. Sentimental Value (PR: 1) (E)

2. It Was Just an Accident (PR: 2) (E)

3. The Secret Agent (PR: 3) (E)

4. No Other Choice (PR: 4) (E)

5. Left-Handed Girl (PR: 7) (+2)

Other Possibilities:

6. The Voice of Hind Rajab (PR: 5) (-1)

7. Sirât (PR: 6) (-1)

8. The President’s Cake (PR: 8) (E)

9. Sound of Falling (PR: 10) (+1)

10. The Love That Remains (PR: 9) (-1)

Best Animated Feature

Predicted Nominees:

1. KPop Demon Hunters (PR: 1) (E)

2. Zootopia 2 (PR: 2) (E)

3. Arco (PR: 3) (E)

4. Little Amélie or the Character of Rain (PR: 4) (E)

5. Elio (PR: 5) (E)

Other Possibilities:

6. Scarlet (PR: 6) (E)

7. In Your Dreams (PR: 8) (+1)

8. A Magnificent Life (PR: 7) (-1)

9. Boys Go to Jupiter (PR: Not Ranked)

10. Lost in Starlight (PR: Not Ranked)

Dropped Out:

Ne Zha 2

Animal Farm

Best Documentary Feature

Predicted Nominees:

1. The Perfect Neighbor (PR: 1) (E)

2. 2000 Meters to Andrivka (PR: 2) (E)

3. Cover-Up (PR: 3) (E)

4. Put Your Soul on Your Hand and Walk (PR: 5) (+1)

5. Apocalypse in the Tropics (PR: 4) (-1)

Other Possibilities:

6. Mr. Nobody Against Putin (PR: 7) (+1)

7. Seeds (PR: 8) (+1)

8. The Alabama Solution (PR: 6) (-2)

9. Dead President Now! (PR: 10) (+1)

10. Cutting Through Rocks (PR: Not Ranked)

Dropped Out:

The Tale of Silyan

Best Casting

Predicted Nominees:

1. One Battle After Another (PR: 1) (E)

2. Sinners (PR: 2) (E)

3. Marty Supreme (PR: 3) (E)

4. Jay Kelly (PR: 5) (+1)

5. Hamnet (PR: 7) (+2)

Other Possibilities:

6. Wicked: For Good (PR: 4) (-2)

7. Wake Up Dead Man: A Knives Out Mystery (PR: 6) (-1)

8. Sentimental Value (PR: 8) (E)

9. Frankenstein (PR: 9) (E)

10. Rental Family (PR: 10) (E)

Best Cinematography

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. One Battle After Another (PR: 2) (E)

3. Frankenstein (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Train Dreams (PR: 5) (E)

Other Possibilities:

6. Marty Supreme (PR: 6) (E)

7. The Testament of Ann Lee (PR: 7) (E)

8. Jay Kelly (PR: 8) (E)

9. Avatar: Fire and Ash (PR: 10) (+1)

10. Bugonia (PR: Not Ranked)

Dropped Out:

F1

Best Costume Design

Predicted Nominees:

1. Frankenstein (PR: 2) (+1)

2. Wicked: For Good (PR: 1) (-1)

3. Sinners (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Kiss of the Spider Woman (PR: 6) (+1)

Other Possibilities:

6. Marty Supreme (PR: 5) (-1)

7. One Battle After Another (PR: 8) (+1)

8. The Testament of Ann Lee (PR: 6) (-1)

9. Hedda (PR: 9) (E)

10. Snow White (PR: 10) (E)

Best Film Editing

Predicted Nominees:

1. One Battle After Another (PR: 1) (E)

2. Sinners (PR: 2) (E)

3. Marty Supreme (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Sentimental Value (PR: 6) (+1)

Other Possibilities:

6. F1 (PR: 7) (+1)

7. Jay Kelly (PR: 8) (+1)

8. Wicked: For Good (PR: 5) (-3)

9. Avatar: Fire and Ash (PR: 10) (+1)

10. No Other Choice (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Frankenstein (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. The Smashing Machine (PR: 4) (E)

5. 28 Years Later (PR: 5) (E)

Other Possibilities:

6. Wolf Man (PR: 7) (+1)

7. One Battle After Another (PR: 6) (-1)

8. Bugonia (PR: 10) (+2)

9. Kiss of the Spider Woman (PR: 9) (E)

10. Weapons (PR: 8) (-2)

Best Original Score

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. One Battle After Another (PR: 2) (E)

3. Marty Supreme (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Jay Kelly (PR: 5) (E)

Other Possibilities:

6. Frankenstein (PR: 6) (E)

7. The Testament of Ann Lee (PR: 8) (+1)

8. Sentimental Value (PR: Not Ranked)

9. Wicked: For Good (PR: 7) (-2)

10. Hedda (PR: 10) (E)

Dropped Out:

Bugonia

Best Original Song

Predicted Nominees:

1. “Golden” from KPop Demon Hunters (PR: 1) (E)

2. “I Lied to You” from Sinners (PR: 2) (E)

3. “The Girl in the Bubble” from Wicked: For Good (PR: 3) (E)

4. “Dear Me” from Diane Warren: Relentless (PR: 4) (E)

5. “Clothed by the Sun” from The Testament of Ann Lee (PR: 6) (+1)

Other Possibilities:

6. “Train Dreams” from Train Dreams (PR: 7) (+1)

7. “No Place Like Home” from Wicked: For Good (PR: 5) (-2)

8. “Last Time (I Seen the Sun)” from Sinners (PR: 9) (+1)

9. “Highest 2 Lowest” from Highest 2 Lowest (PR: 10) (+1)

10. “Dream As One” from Avatar: Fire and Ash (PR: Not Ranked)

Dropped Out:

“Salt Then Sour Then Sweet” from Come See Me in the Good Light

Best Production Design

Predicted Nominees:

1. Frankenstein (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Hamnet (PR: 4) (+1)

4. Sinners (PR: 3) (-1)

5. Marty Supreme (PR: 6) (+1)

Other Possibilities:

6. Avatar: Fire and Ash (PR: 5) (-1)

7. One Battle After Another (PR: 7) (E)

8. The Testament of Ann Lee (PR: 8) (E)

9. Kiss of the Spider Woman (PR: Not Ranked)

10. Bugonia (PR: 9) (-1)

Dropped Out:

The Phoenician Scheme

Best Sound

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. Avatar: Fire and Ash (PR: 3) (+1)

3. F1 (PR: 2) (-1)

4. One Battle After Another (PR: 4) (E)

5. Mission: Impossible – The Final Reckoning (PR: 5) (E)

Other Possibilities:

6. Wicked: For Good (PR: 6) (E)

7. Springsteen: Deliver Me from Nowhere (PR: 9) (+2)

8. Frankenstein (PR: 7) (-1)

9. Warfare (PR: 8) (-1)

10. Marty Supreme (PR: Not Ranked)

Dropped Out:

The Testament of Ann Lee

Best Visual Effects

Predicted Nominees:

1. Avatar: Fire and Ash (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Superman (PR: 3) (E)

4. F1 (PR: 4) (E)

5. Frankenstein (PR: 5) (E)

Other Possibilities:

6. Mission: Impossible – The Final Reckoning (PR: 6) (E)

7. The Fantastic Four: First Steps (PR: 7) (E)

8. Mickey 17 (PR: 9) (+1)

9. Tron: Ares (PR: 8) (-1)

10. How to Train Your Dragon (PR: 10) (E)

That equates to these movies generating these numbers of nominations:

12 Nominations

One Battle After Another, Sinners

11 Nominations

Hamnet

8 Nominations

Marty Supreme, Sentimental Value, Wicked: For Good

7 Nominations

Frankenstein

6 Nominations

Jay Kelly

4 Nominations

It Was Just an Accident

3 Nominations

Avatar: Fire and Ash

2 Nominations

F1, KPop Demon Hunters, No Other Choice, The Secret Agent, The Testament of Ann Lee, Train Dreams

1 Nomination

28 Years Later, 2000 Meters to Andrivka, Apocalypse in the Tropics, Arco, Blue Moon, Bugonia, Cover-Up, Diane Warren: Relentless, Elio, Kiss of the Spider Woman, Left-Handed Girl, Little Amélie or the Character of Rain, Mission: Impossible – The Final Reckoning, The Perfect Neighbor, Put Your Soul on Your Hand and Walk, The Smashing Machine, Superman, Weapons, Zootopia 2

98th Academy Awards: The State of the Supporting Actress Race (October Edition)

Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:

98th Academy Awards: The State of the Supporting Actor Race (October Edition)

I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:

Ayo Edebiri, After the Hunt

Ariana Grande, Wicked: For Good

Angelina LookingGlass, The Rivals of Amziah King

Gwyneth Paltrow, Marty Supreme

Teyana Taylor, One Battle After Another

Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.

After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.

The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.

Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.

Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.

My 10 other possibilities that I listed back in April are:

Emily Blunt, The Smashing Machine

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Laura Dern, Jay Kelly

Elle Fanning, Sentimental Value

America Ferrera, The Lost Bus

Regina Hall, One Battle After Another

Greta Lee, Late Fame

Nia Long, Michael

Jennifer Lopez, Kiss of the Spider Woman

Emily Watson, Hamnet

Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:

2000: Frances McDormand and Kate Hudson, Almost Famous

2001: Helen Mirren and Maggie Smith, Gosford Park

2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago

2006: Adriana Barraza and Rinko Kikuchi, Babel

2008: Amy Adams and Viola Davis, Doubt

2009: Vera Farmiga and Anna Kendrick, Up in the Air

2010: Melissa Leo (winner) and Amy Adams, The Fighter

2011: Octavia Spencer (winner) and Jessica Chastain, The Help

2018: Emma Stone and Rachel Weisz, The Favourite

Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.

A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.

Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.

Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.

Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.

One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.

So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!

Wolfs Review

Despite their effortless chemistry, George Clooney and Brad Pitt have yet to find their winning vehicle. I know many of you are now saying what about Ocean’s Eleven?!? Or Thirteen?… though probably not that Jan Brady of a franchise entry Twelve. I found the whole trio a little disappointing actually. The finest Clooney/Pitt collaboration is easily Burn After Reading from the Coen Brothers. However, the duo share mere seconds onscreen together. They are violently hilarious ones.

Wolfs is not funny or action packed enough. It encounters chop simply attempting to coast on the charms of its headliners. They play roles that might only exist in the movies – fixers. Well at least there’s a lot more of them on the silver screen like hitmen. Clooney is known only as Margaret’s Man in the credits. Margaret (Amy Ryan) is running for district attorney when she picks up a much younger man known as Kid (Austin Abrams) at a hotel. Their planned one night stand folds when Kid collapses and is presumed dead. VIPs like Margaret get a special phone number to clean up these messes and Clooney is dispatched to fix it.

So is Pitt and he’s known as Pam’s Man. Pam (voiced by Frances McDormand) runs the hotel and Pitt is their in-house problem solver. Two men whose survival hinges on working solo is disrupted when they both report for duty. Margaret goes back to campaigning as Ryan’s participation is a glorified cameo. Kid, it turns out, is not DOA as the trio must deal with bricks of heroin, Albanian gangsters, safari themed hotel rooms and back problems.

Written and directed by Jon Watts (whose become best known for the three Tom Holland Spider-Man flicks), Wolfs is not afraid to point out that its hunky leads are getting up in years. We’ve certainly seen the aging criminal story before and this struggles to find any new angles.

There’s limited pleasures. The Kid flirts with being a delightfully bizarre character here and there. I did appreciate how you’re not sure for awhile whether he’s smarter than he lets on or truly as dumb as Clooney and Pitt suspect. Or for that matter, if he’s mortal. No one makes faces of befuddled bemusement better than Pitt.

The leading men, though, still haven’t made their Butch Cassidy and the Sundance Kid or The Sting no matter how hard Ocean’s and Wolfs try. Finally, there’s the matter of cinematic “fixers”. My favorite is Harvey Keitel in Pulp Fiction. He basically showed up to tell Samuel L. Jackson and John Travolta to clean up the car after the latter had accidentally blown Marvin’s head off. There was no real fixing needed and Quentin Tarantino seemed in on the joke. Clooney and Pitt’s rapport doesn’t need a fix, but Wolfs is ripe for plenty of improvement.

** (out of four)

Oscars: The Case of Carey Mulligan in Maestro

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actress and that’s Carey Mulligan in Maestro. Let’s get to it!

Previous Oscar Acting Nominations:

An Education (2009, Actress); Promising Young Woman (2020, Actress)

The Case for Carey Mulligan:

After likely coming up just a little short to Frances McDormand (Nomadland) in 2020 for Promising Young Woman, Mulligan has made the cut at key precursors with the Golden Globes, Critics Choice, BAFTA, and SAG. As Leonard Bernstein’s spouse Felicia, she has a number of Oscar clips to choose from alongside costar Bradley Cooper.

The Case Against Carey Mulligan:

So do Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon) and they’ve taken the hardware in ceremonies that have already occurred.

The Verdict:

The third time won’t be the charm for Mulligan.

My Case Of posts will continue with Cillian Murphy in Oppenheimer…

Oscars: The Case of Women Talking

Women Talking is the final Case Of post for the Best Picture nominees at the 95th Academy Awards. Will we be talking about Women gathering Oscars come March 12th? Let’s get into it.

The Case for Women Talking:

Sarah Polley’s adaptation of the 2018 Miriam Toews novel generated awards buzz out of the gate when it premiered at Toronto. At the Critics Choice Awards, it had a respectable showing with six mentions including BP and Director with a victory in Adapted Screenplay.

The Case Against Women Talking:

There’s a lot. For starters, its total of two nominations is the lowest of the candidates (it’s rare for a BP contender to have only one other nom). Women was ignored in Director, Original Score, and for any of its performances and it was once thought to be in contention for all. BAFTA totally ignored it. The Golden Globes only put it up in two races (Screenplay and Score) and it lost both. Its SAG count is one category. That was in Ensemble with individual players like Jessie Buckley, Claire Foy, and Ben Whishaw left out. Box office grosses have been subpar.

Other Nominations:

Adapted Screenplay

The Verdict:

Women Talking does stand a chance of becoming the Adapted Screenplay recipient. Perhaps this can cling to the hope that CODA took BP last year and it tied for the least numbers of nominations among the ten. Realistically there is just about zero chance of this becoming Best Picture.

While my Case Of posts for BP have concluded, I will now move to the filmmakers and thespians in Director and the four acting derbies. That will begin with the Daniels and their direction of Everything Everywhere All at Once!

If you missed my Case Of posts for the other BP nominees, you can access them here:

Oscars: The Case of All Quiet on the Western Front
Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness

Best Picture 2017: The Final Five

We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.

There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).

Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.

Call Me by Your Name

Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.

Does It Make the Final Five?

No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.

Darkest Hour

Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.

Does It Make the Final Five?

No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.

Dunkirk

Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.

Does It Make the Final Five?

Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.

Get Out

Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.

Does It Make the Final Five?

Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.

Lady Bird

Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.

Does It Make the Final Five?

Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.

Phantom Thread

Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).

Does It Make the Final Five?

No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.

The Post

Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.

Does It Make the Final Five?

No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.

Three Billboards Outside Ebbing, Missouri

A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.

Does It Make the Final Five?

Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.

If you weren’t keeping score, here’s my projected 2017 five:

Dunkirk

Get Out

Lady Bird

The Shape of Water

Three Billboards Outside Ebbing, Missouri

I’ll have my thoughts on 2018 up soon!

Previous Posts:

Best Picture 2009: The Final Five
Best Picture 2010: The Final Five
Best Picture 2011: The Final Five
Best Picture 2012: The Final Five
Best Picture 2013: The Final Five
Best Picture 2014: The Final Five
Best Picture 2015: The Final Five
Best Picture 2016: The Final Five

2022 Oscar Predictions: The State of the Best Actress Race

We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:

2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.

So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.

Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.

While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.

There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.

Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.

Here’s my state of this race!

Best Actress

Predicted Nominees:

1 . Cate Blanchett, Tár (Previous Ranking: 1) (Even)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Danielle Deadwyler, Till (PR: 3) (E)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: 5) (E)

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Jennifer Lawrence, Causeway (PR: 9) (E)

10. Rooney Mara, Women Talking (PR: 10) (E)

Best Director is up next!

2022 Oscar Predictions: September 5th Edition

As I always say at the beginning of September on this blog – what a difference a few days makes as Venice is at its midpoint and Telluride occurred over the holiday weekend. The Toronto Film Festival begins Thursday. For the first time, I am thrilled to announce that I will be in attendance and have screenings scheduled for several potential heavy hitters! They include The Fabelmans, The Son, The Whale, Women Talking, The Banshees of Inisherin, Triangle of Sadness, Empire of Light, The Menu, The Wonder, Bros, The Greatest Beer Run Ever, and The Good Nurse. 

The fall festivals always cause the fortunes of certain pictures to rise and fall. Alejandro Gonzalez Inarritu’s Bardo received mixed reviews out of Lido and it has dropped out of my predictions in Picture, Director, Actor (Daniel Gimenez Cacho), and Supporting Actress (Griselda Sicillani). On the other hand, Sarah Polley’s Women Talking looks to have solidified its position as a BP hopeful while Claire Foy and Jessie Buckley appear to be the two likeliest nominees from its ensemble. Cate Blanchett (Tar) and Brendan Fraser (The Whale) have positioned themselves as surefire nominees and potential winners in the lead acting derbies. Tar itself improved its standing in Picture, Director, and Original Screenplay. Empire of Light is no slam dunk for BP, but it’s in the mix and Olivia Colman seems solid in Actress. The Banshees of Inisherin may be Fox Searchlight’s better hope over Empire. It drew a rapturous Venice reaction today and has vaulted into Picture, Actor, Supporting Actor, and Original Screenplay on my chart. Bones and All, despite some gushing reviews, could face challenges to fit into the BP race. Don’t Worry Darling, due to some middling write-ups, is probably toast.

Of course, we know that festivals are not the end all and be all for final verdicts. For example, Armageddon Time from James Gray seemed DOA after a so-so Cannes bow in the summer. Yet when it played Telluride over the weekend, the buzz was stronger. It’s awards heart is beating again – even if faintly.

This will probably be my last update for two weeks as I’ll be a Canadian for a few days. You can bet you’ll see lots of other individual Oscar prediction posts as well as reviews of the aforementioned pictures. When I update in a couple of weeks, I’m anticipating branching out to all races covering feature films. Until then, you can peruse all the movement (and there is definitely a lot of it) below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Ranking: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 6) (+2)

5. The Son (PR: 5) (E)

6. Top Gun: Maverick (PR: 10) (+4)

7. The Whale (PR: 8) (+1)

8. Tar (PR: 11) (+3)

9. The Banshees of Inisherin (PR: 18) (+9)

10. Triangle of Sadness (PR: 9) (-1)

Other Possibilities:

11. Empire of Light (PR: 7) (-4)

12. Decision to Leave (PR: 12) (E)

13. She Said (PR: 14) (+1)

14. Avatar: The Way of Water (PR: 16) (+2)

15. Elvis (PR: 15) (E)

16. White Noise (PR: 13) (-3)

17. Bones and All (PR: 22) (+5)

18. Armageddon Time (PR: Not Ranked)

19. Till (PR: 20) (+1)

20. Glass Onion: A Knives Out Mystery (PR: 23) (+3)

21. Broker (PR: 17) (-4)

22. Black Panther: Wakanda Forever (PR: 19) (-3)

23. Living (PR: 25) (+2)

24. Bardo (PR: 4) (-20)

25. The Greatest Beer Run Ever (PR: 24) (-1)

Dropped Out:

The Menu

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 6) (+2)

5. Ruben Ostlund, Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. Todd Field, Tar (PR: 11) (+5)

7. Park Chan-wook, Decision to Leave (PR: 8) (+1)

8. Florian Zeller, The Son (PR: 9) (+1)

9. James Cameron, Avatar: The Way of Water (PR: 12) (+3)

10. Darren Aronofsky, The Whale (PR: 10) (E)

11. Sam Mendes, Empire of Light (PR: 7) (-4)

12. Martin McDonagh, The Banshees of Inisherin (PR: Not Ranked)

13. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)

14. Noah Baumbach, White Noise (PR: 13) (-1)

15. Baz Luhrmann, Elvis (PR: 14) (-1)

Dropped Out:

Alejandro Gonzalez Inarritu, Bardo

Maria Schrader, She Said 

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Margot Robbie, Babylon (PR: 3) (E)

4. Olivia Colman, Empire of Light (PR: 4) (E)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities:

6. Ana de Armas, Blonde (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Florence Pugh, The Wonder (PR: 12) (+3)

10. Carey Mulligan, She Said (PR: 10) (E)

11. Emma Thompson, Good Luck to You, Leo Grande (PR: Not Ranked)

12. Jennifer Lawrence, Causeway (PR: Not Ranked)

13. Taylor Russell, Bones and All (PR: Not Ranked)

14. Tang Wei, Decision to Leave (PR: 12) (-2)

15. Jessica Chastain, The Good Nurse (PR: 15) (E)

Dropped Out:

Regina King, Shirley (moved to 2023)

Frances McDormand, Women Talking (role not large enough)

Florence Pugh, Don’t Worry Darling 

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 2) (+1)

2. Hugh Jackman, The Son (PR: 1) (-1)

3. Austin Butler, Elvis (PR: 3) (E)

4. Colin Farrell, The Banshees of Inisherin (PR: 10) (+6)

5. Bill Nighy, Living (PR: 6) (+1)

Other Possibilities:

6. Diego Calva, Babylon (PR: 8) (+2)

7. Song Kang-ho, Broker (PR: 7) (E)

8. Micheal Ward, Empire of Light (PR: 5) (-3)

9. Adam Driver, White Noise (PR: 9) (E)

10. Tom Cruise, Top Gun: Maverick (PR: 11) (+1)

11. Paul Mescal, Aftersun (PR: 12) (+1)

12. Gabriel LaBelle, The Fabelmans (PR: 14) (+2)

13. Timothee Chalamet, Bones and All (PR: Not Ranked)

14. Kelvin Harrison, Jr., Chevalier (PR: 13) (-1)

15. Park Hae-il, Decision to Leave (PR: 15) (E)

Dropped Out:

Daniel Gimenez Cacho, Bardo 

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 3) (+1)

3. Vanessa Kirby, The Son (PR: 2) (-1)

4. Claire Foy, Women Talking (PR: 14) (+10)

5. Hong Chau, The Whale (PR: 7) (+2)

Other Possibilities:

6. Laura Dern, The Son (PR: 6) (E)

7. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (-3)

8. Jean Smart, Babylon (PR: 8) (E)

9. Kerry Condon, The Banshees of Inisherin (PR: Not Ranked)

10. Samantha Morton, She Said (PR: 11) (+1)

11. Zoe Kazan, She Said (PR: 12) (+1)

12. Sadie Sink, The Whale (PR: 9) (-3)

13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)

14. Dolly De Leon, Triangle of Sadness (PR: 10) (-4)

15. Nina Hoss, Tar (PR: 15) (E)

Dropped Out:

Griselda Sicillani, Bardo

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR 2) (E)

3. Zen McGrath, The Son (PR: 3) (E)

4. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+4)

5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. Brad Pitt, Babylon (PR: 4) (-2)

7. Ben Whishaw, Women Talking (PR: 7) (E)

8. Anthony Hopkins, Armageddon Time (PR: Not Ranked)

9. Judd Hirsch, The Fabelmans (PR: 9) (E)

10. Anthony Hopkins, The Son (PR: 11) (+1)

11. Tom Hanks, Elvis (PR: 12) (+1)

12. Mark Strong, Tar (PR: Not Ranked)

13. Seth Rogen, The Fabelmans (PR: 13) (E)

14. Ralph Fiennes, The Menu (PR: 14) (E)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)

Dropped Out:

Colin Firth, Empire of Light

Toby Jones, Empire of Light

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. The Banshees of Inisherin (PR: 7) (+4)

4. Triangle of Sadness (PR: 3) (-1)

5. Babylon (PR: 4) (-1)

Other Possibilities:

6. Tar (PR: 8) (+2)

7. Empire of Light (PR: 6) (-1)

8. Decision to Leave (PR: 9) (+1)

9. Armageddon Time (PR: Not Ranked)

10. Broker (PR: 11) (+1)

11. Bros (PR: 12) (+1)

12. Aftersun (PR: Not Ranked)

13. Cha Cha Real Smooth (PR: 13) (E)

14. Bardo (PR: 5) (-9)

15. The Menu (PR: 10) (-5)

Dropped Out:

Don’t Worry Darling

Chevalier

Best Adapted Screenplay

Predicted Nominees:

1. The Son (PR: 1) (E)

2. Women Talking (PR: 2) (E)

3. The Whale (PR: 3) (E)

4. She Said (PR: 4) (E)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. Top Gun: Maverick (PR: 7) (+1)

7. Bones and All (PR: 8) (+1)

8. Living (PR: 6) (-2)

9. Glass Onion: A Knives Out Mystery (PR: 9) (E)

10. Till (PR: 10) (E)

11. The Lost King (PR: 11) (E)

12. The Greatest Beer Run Ever (PR: 12) (E)

13. The Wonder (PR: Not Ranked)

14. Elvis (PR: 13) (-1)

15. The Good Nurse (PR: 14) (-1)

Dropped Out:

The Woman King 

Oscar Predictions: The Banshees of Inisherin

Officially, The Banshees of Inisherin is Martin McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri. Five years ago, that pic nabbed 6 Oscar nods including Picture and the playwright/filmmaker’s original screenplay while winning acting trophies for Frances McDormand and Sam Rockwell. Yet Banshees, thematically and personnel wise, may feel more like a follow-up to 2008’s In Bruges. That pitch black comedy earned critical raves and a Golden Globe for Colin Farrell in the Musical/Comedy Best Actor race. Mr. Farrell reunites with Brudges costar Brendan Gleeson in this 1920s set tale of Irish feuding friends. Barry Keoghan and Kerry Condon are among the supporting cast.

Early reviews are quite encouraging with some critics already claiming it’s McDonagh’s finest work to date. If that narrative holds, Banshees could be a bigger Oscar player than I had been assuming. It could even be Fox Searchlight’s strongest contender over Empire of Light, which has its ardent admirers but also drew some mixed Venice reaction. I certainly believe Farrell and Gleeson could be in line for their first nominations (I would think in Actor and Supporting Actor respectively). Condon is generating solid ink and could factor into Supporting Actress (though that category is looking increasingly stuffed). Original Screenplay seems a given while the Carter Burwell score could also make the cut.

If much of the above pans out, we could have another legit BP hopeful in Banshees. My Oscar Prediction posts will continue…

Oscar Predictions: Women Talking

After its debut at Telluride, Sarah Polley’s Women Talking has awards pundits talking about its solid reception. Based on a 2018 novel by Miriam Toews, it focuses on a group of Mennonite women who are subject to sexual abuse. The powerhouse cast includes Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand.

Based on a small number of reviews, critics are positive across the board with a Rotten Tomatoes score of 100%. There wasn’t much doubt that Women could be a contender at the Oscars. A better question was which performers would stand out. First things first. McDormand (who serves as a producer) apparently has a small role so she will not vie for a fourth acting statue. If any of the cast goes lead, it sounds like Mara would be the choice and her inclusion in Best Actress could come down to competition. A likelier scenario is Buckley or Foy (or both) in Supporting Actress and Whishaw in Supporting Actor. That would mark the second nomination for Buckley after last year’s The Lost Daughter and the first for Foy (who was surprisingly snubbed in 2018 for First Man). This would also be Whishaw’s first trip to the dance. Early chatter has praised Judith Ivey and Sheila McCarthy as well, but I wouldn’t be surprised if United Artists focuses on the higher profile thespians.

I’ve had Women Talking in my ten BP hopefuls for weeks and Telluride confirms its placement there. Polley could make the final five for her direction and her inclusion for Adapted Screenplay seems assured. Hildur Guðnadóttir’s score (she’s a past winner for Joker) and Cinematography are tech possibilities.

Bottom line: Women. Talking is showing itself to be worthy of chatter in the months to come. My Oscar Prediction posts will continue…