After a weekend where The Suicide Squad majorly performed under expectations, there are three titles opening Friday and the studios are hoping this isn’t a trend. Ryan Reynolds stars in the video game inspired sci-fi comedy Free Guy and it should manage to top the charts. We also have horror sequel Don’t Breathe 2 and the Aretha Franklin biopic Respect with Jennifer Hudson. You can peruse my detailed prediction posts on the trio here:
With Free Guy pegged in the low to mid 20s, there shouldn’t be much question that it kicks off in first. I have Breathe achieving less than half of what its 2016 predecessor accomplished and that should be good enough for second place.
The real battle could be for third. As mentioned, The Suicide Squad was a dud (more on that below). I’m assuming it drops about 60% which puts it just over $10 million. The third weekend of Jungle Cruise and premiere of Respect could be right behind that, but it could be close.
Here’s how I foresee the top five shaking out:
1. Free Guy
Predicted Gross: $21.3 million
2. Don’t Breathe 2
Predicted Gross: $11.2 million
3. The Suicide Squad
Predicted Gross: $10.1 million
4. Jungle Cruise
Predicted Gross: $8.9 million
5. Respect
Predicted Gross: $8.5 million
Box Office Results (August 6-8)
The underperformance of The Suicide Squad generated plenty of attention this weekend. The reboot of the DCEU franchise earned just $26.2 million and that’s well below my projection of $40.8 million. I could go on, but I already did a separate blog post on it. You can find it here:
Disney’s Jungle Cruise didn’t fall quite as much as other pics in their sophomore frames in recent weeks. The Dwayne Johnson/Emily Blunt family adventure made $15.8 million (in line with my $15.5 million prediction) for a $65 million ten day take.
M. Night Shyamalan’s Old was third with $4.1 million in its third frame -a bit more than my $3.5 million projection for $38 million total.
Black Widow was fourth with $3.9 million (I said $3.7 million) as it stands at a COVID era best $174 million.
Stillwater rounded out the top five in its second outing with $2.8 million. I incorrectly had it outside the high five. It’s at a mere $9 million.
Finally, The Green Knight was sixth with $2.5 million (I went with $2.7 million) for $12 million overall.
Jungle Cruise, based on the at this point ancient Disney theme park ride, is stocked with bad puns, over plotting, and elaborate adventure set pieces that includes inexplicable Metallica infused orchestral cues. This is a big budget fantasy with two megawatt movie stars and animals that absolutely look CG. There are occasions where the screenwriters don’t feel the need to convince us that the two leads have fallen for each other. That’s just what happens in these thrill rides. That said, I found the picture to be an energetic ball of fun that kids will probably dig on several occasions. It comes close at times to matching the joyfulness of the first Pirates of the Caribbean and mostly avoids the tedium that cursed the sequels to varying degrees.
The film takes place in 1916, two years into World War I or The Great War at the time since the protagonists didn’t know a sequel was coming. Dr. Lily (Emily Blunt) is a botanist who believe she’s found the locale for the Tears of the Moon. That tree is said to break curses and offer healing powers for the ill. She wants to find it to advance medicine, but she lets her haughty yet stylish brother MacGregor (Jack Whitehall) try to sell potential funders. This is not a female friendly era after all. German royal Prince Joachim (Jesse Plemons) wants the Tears for more nefarious purposes. It involves using the Tears for fears and everybody wants to rule the world, don’t they? I can do bad puns too, folks!
Doc Lily and her brother need to find the Tree that is located deep in the Amazon River. Through a series of bumblings, her captain is Frank Wolff (Dwayne Johnson). He arrives with his rinky dink boat, his Jaguar avatar assistant Proxima, and a cast of supporting characters tasked with making the jungle seem more dangerous than it is. The real danger involves obtaining the life force that is the Tree with its magical petals. Not only is the deranged Prince pining for it, but so is the cursed and undead Pirates like Aguirre (Edgar Ramirez) and his minions.
By the time our two leads have been bitten by the love bug, Jungle Cruise gives us numerous action sequences on a majestic scale. Jaume Collet-Serra, best known for directing mid to low budget Liam Neeson genre exercises or horror flicks like The Shallows, accustoms himself well to the Mouse Factory machine. As mentioned, Frank and Lily’s romance might come off a bit shallow and forced. Yet the grand entertainment offered up by their surroundings makes up for it. And Johnson and Blunt certainly have the charisma to carry us on the journey. You could even say that we’re far from the shallow now (bad pun for the win!).
One could nitpick or pay admission to the notion that this mostly delivers on the rendering of its ride translated to the big screen (or wherever you may roam while viewing on Disney Plus). I found it fairly easy to go with the latter.
While we wait to see whether or not most of the Best Picture contenders truly are viable, the Animated Feature race is already packed with contenders. Vivo is available on Netflix today. The Sony Pictures effort comes from director Kirk DeMicco (best known for making The Croods) and features original songs written by Lin-Manuel Miranda. The voice cast includes Ynairaly Simo, Zoe Saldana, Juan de Marcos Gonzalez, Michael Rooker, Brian Tyree Henry, Nicole Byer, and Gloria Estefan.
The film’s reviews are solid with an 89% Rotten Tomatoes rating. In a lighter year, that might automatically warrant inclusion in the final five. Not so fast in 2021. The list of other hopefuls already released includes Raya and the Last Dragon, Luca, Belle and The Mitchells vs. the Machines (another Netflix title that they should campaign heavily for). Additionally, Miranda has Mouse Factory effort Encanto this autumn which is another likely player. Add to the list the critically acclaimed animated doc Flee and Henry Selick’s Wendell and Wild and Richard Linklater’s Apollo 10 1/2 (also both upcoming from Netflix). So, yeah, it’s crowded.
If Vivo doesn’t make the cut, it could still make a play in Original Song. Estefan has the track “Inside Your Heart”. That particular competition is also expected to have plenty of tracks competing against each other.
Bottom line: there’s a lot of pics and songs in the mix, but Vivo is at least on the radar for attention. My Oscar Watch posts will continue…
James Gunn’s version of The Suicide Squad hits theaters and HBO Max streaming this Friday and it’s got surprisingly terrific reviews as a bonus feature to bring viewers out. You can peruse my detailed prediction post on it here:
The first Squad from 2016 (the one without the THE in front of the title) landed just a 26% Rotten Tomatoes score while THE reboot is perched at an unexpectedly lofty 96%. However, with the Delta variant in play and the availability to HBO subscribers, I have this Squad achieving a low to possibly mid 40s start.
Margot Robbie and her devious friends represent the only newcomer. Jungle Cruise opened a bit above most projections (including mine). The question is whether its Disney Plus simultaneous debut will cause it to drop precipitously like Black Widow and other recent titles. I suspect the sophomore frame dip may not be quite as severe and mid 50s is my forecast.
The holdover battle for the #3 spot could be close between M. Night Shyamalan’s Old, critical favorite The Green Knight, and Black Widow. I actually think Widow could rise from 4th to 3rd with the smallest drop (assuming Old falls about 50%). Knight, despite the laudatory reviews and a larger than expected debut, only nabbed a C+ Cinemascore grade and that could mean a 60% range dip is in the cards.
And with that, my top 5 take on the frame ahead:
1. The Suicide Squad
Predicted Gross: $40.8 million
2. Jungle Cruise
Predicted Gross: $15.5 million
3. Black Widow
Predicted Gross: $3.7 million
4. Old
Predicted Gross: $3.5 million
5. The Green Knight
Predicted Gross: $2.7 million
Box Office Results (July 30-August 1)
Disney had reason to celebrate over the weekend as Jungle Cruise with Dwayne Johnson and Emily Blunt opened at the high end of projections. The theme ride based adventure, sporting mostly positive reviews, landed with $35 million (ahead of my $28.4 million estimate). Additionally, the studio’s streamer Disney Plus reported $30 million in rental action. That’s about as rosy as scenario possible given the continuing complications for theaters.
Old dropped to second with a near 60% plummet at $6.8 million, in line with my $6.6 million take. It’s earned $30 million so far and that’s decent considering the small budget.
The Mouse Factory wasn’t the only studio that exceeded projections as The Green Knight was third with $6.7 million – well beyond my meager $3.4 million guesstimate. As mentioned above, the middling audience reaction could halt its momentum in weekend #2, but that’s certainly a better start than anticipated.
Black Widow was fourth with $6.4 million (I said $5.6 million) to bring its tally to $167 million.
Matt Damon’s Stillwater premiered in fifth with a muted $5.1 million. That’s right in line with my $5.2 million estimate as mostly solid reviews couldn’t bring adult moviegoers out in substantial fashion.
Space Jam: A New Legacy was sixth with $4.2 million (I was close with $4.5 million) for a three week $60 million total.
Lastly, Snake Eyes nosedived in its second outing after a disastrous opening with $4 million (I said $4.7 million). The ill-fated G.I. Joe reboot has amassed just $22 million.
Debuting in multiplexes and on Disney Plus, Jungle Cruise sails into theaters and couches on Friday hoping for smooth box office returns. Based on the longtime attraction at the Mouse Factory’s theme parks, Dwayne Johnson and Emily Blunt headline the fantasy adventure from director Jaume Collet-Serra.
The studio has, of course, made a boatload of cash with similar fare. The Pirates of the Caribbean franchise stands at over $4 billion worldwide. That series also earned some Oscar love. In addition to Johnny Depp’s nominated performance in the 2003 original, part 1 nabbed four tech nods in the sound races (when they were divided into categories), Makeup, and Visual Effects. Sequel Dead Men’s Chest earned four mentions in the two sound contests, Art Direction (now Production Design), and Visual Effects (where it won). Threequel At World’s End also won Visual Effects and was nominated in Makeup. The fourth and fifth editions garnered no Academy attention.
The early chatter for Jungle Cruise compares it to more to The Mummy (as in the Brendan Fraser one) and not Pirates. That adventure earned a lone Sound nod in 1999.
So where does Jungle Cruise stand? Reviews are decent with a 69% Rotten Tomatoes rating. Sound and Visual Effects are certainly possible. That said, even some of the positive critical reaction isn’t overly kind to the CG effects. I wouldn’t be surprised to see this make the shortlist for VE and not make the final five while Sound is a bit iffy as well. My Oscar Watch posts will continue…
Dwayne Johnson and Emily Blunt’s theme ride based Disney adventure Jungle Cruise should have no trouble topping the charts as July rolls to August at the box office. It opens alongside the Matt Damon drama Stillwater and David Lowery’s medieval tale The Green Knight with Dev Patel and Alicia Vikander. You can peruse my detailed prediction posts on all of them here:
After a rather sluggish weekend where no newcomer topped $20 million, Jungle should easily cruise to that and more. Whether it tops $30 million is more of a question mark (especially with the Delta variant complicating matters). I’m putting it just under $30M while no other title should hit $10 million.
The jockeying for slots 2-5 could be interesting. Let’s get The Green Knight out of the way. While Lowery is an acclaimed indie filmmaker, I don’t see this having much initial crossover appeal. I have yet to see a theater count and my estimate of $3.4 million puts it well outside the top 5 (my estimate could change based on number of screens). **Blogger’s Update (07/28): the 2500 estimated screen count has revised my estimate for this up from $2.2M to $3.4M
Stillwater is a bit more of a head scratcher. It has solid reviews yet I can’t shake the feeling that this might have been better positioned for an autumn release. It could certainly open higher than my $5.2 million projection, but I also wouldn’t shocked if it went lower.
The position of Stillwater in the top 5 will be determined by the sophomore drops of Old and Snake Eyes and the fourth weekend performance of Black Widow.
Widow and Space Jam: A New Legacy have experienced hefty declines in their second frames. With mixed to negative reviews, I see no reason why Old and Snake Eyes won’t suffer the same fate. Both could see their fortunes fall in the mid 50s (that could be best case) or 60% or more. I’m thinking the latter. There’s a chance that Space Jam could stay in the high five if Snake Eyes dips in the mid 60s (I think it’ll be awfully close)
Here’s how I have all the action playing out:
1. Jungle Cruise
Predicted Gross: $28.4 million
2. Old
Predicted Gross: $6.6 million
3. Black Widow
Predicted Gross: $5.6 million
4. Stillwater
Predicted Gross: $5.2 million
5. Snake Eyes
Predicted Gross: $4.7 million
6. Space Jam: A New Legacy
Predicted Gross: $4.5 million
Box Office Results (July 23-25)
Considering its low budget, the performance of M. Night Shyamalan’s Old isn’t necessarily bad news for Universal. However, it definitely came in on the low end of expectations with $16.8 million for a gold medal showing. I was more generous at $19.8 million. Word-of-mouth doesn’t seem very encouraging and I anticipate a sophomore drop in the 60% range.
There’s really no way to spin the Snake Eyes gross in a positive way for Paramount with its disappointing silver medal. The hoped for G.I. Joe reboot tanked with just $13.3 million compared to my $17.2 million projection. You could say it was a real American no show with audiences. With a budget in the reported $100 million range, this should easily put this franchise on the skids for some time.
Black Widow took the bronze in weekend #3 with $11.6 million (I went a little higher at $12.9 million). The MCU stand-alone feature has made $154 million thus far and will be one of the lowest performers of the MCU library.
Space Jam: A New Legacy plummeted from its #1 perch to fourth with a near 70 percent fall. The $9.5 million gross was way under my take of $15.8 million and the two-week tally is $51 million. There’s no chance the LeBron and Looney Tunes sequel will make $100 million stateside.
F9 was fifth with $4.8 million (I said $5.1 million) to bring its total to $163 million.
Escape Room: Tournament of Champions was sixth in its second outing with only $3.5 million (I went with $4.5 million) for $16 million overall.
Disney has certainly had luck basing movies on their theme park quantities before and they hope it continues on July 30th with the release of Jungle Cruise. The adventure pic (with a reported budget north of $200 million) pairs Dwayne “The Rock” Johnson and Emily Blunt (fresh off her hit sequel A Quiet Place Part II) in the early 20th Century set tale. Costars include Jack Whitehall, Edgar Ramirez, Jesse Plemons, and Paul Giamatti. Jaume Collet-Serra, best known for Liam Neeson action flicks such as Unknown and Non-Stop or horror fare like The Shallows, directs.
As the studio has in 2021 with recent projects like Cruella and Black Widow, this will simultaneously premiere on Disney Plus for an extra viewing fee of $30. That strategy has been called into question in recent days considering the precipitous sophomore drop for Widow. Truth be told, the $30 doesn’t seem so high when factoring in families watching and that could negatively impact theatrical earnings.
The Pirates of the Caribbean franchise (and The Haunted Mansion to a lesser degree) has shown an appetite for these Mouse Factory ride based attractions turned films. The star power of Johnson and Blunt doesn’t hurt either and I wouldn’t be too surprised to see this swing to over $30 million. However, the streaming competition could easily prevent that and I’ll estimate high 20s as it sets sail at multiplexes and at home.
Jungle Cruise opening weekend prediction: $28.4 million
We have arrived at part III of my recaps of the summer seasons that came 30, 20, and 10 years ago. That means 2011 is upon us. If you missed my sizzling throwbacks to 1991 and 2001, you can find them here:
As is tradition, I will recount the top 10 hits as well as other notable features and some flops in a season where moviegoers bid a fond farewell to their iconic wizard:
Let’s get to it, yes?
10. Bridesmaids
Domestic Gross: $169 million
Kristin Wiig made one of the most successful jumps from SNL to movie stardom in this critically hailed pic that also earned Melissa McCarthy her silver screen breakout and even an Oscar nomination. It might not be the highest grossing comedy on here, but it’s definitely still the most talked about.
9. The Help
Domestic Gross: $169 million
Based on Kathryn Stockett’s bestseller, the 1960s set period piece from Tate Taylor brought the book’s readers and many others to the multiplex. Four Oscar nods followed including Best Picture and a Supporting Actress victory for Octavia Spencer.
8. Captain America: The First Avenger
Domestic Gross: $176 million
The Marvel Cinematic Universe’s first big branch out occurred during this summer where we would get our first glimpse at this OG avenger in the form of Chris Evans and another one who sits at the throne of spot #6. The sequels actually improved on what we see here, but the Captain gets rolling with this.
7. Rise of the Planet of the Apes
Domestic Gross: $176 million
Rupert Wyatt’s reboot of the franchise is deservedly better regarded than Tim Burton’s re-imagining that transpired in 2001. Debuting the fantastic motion capture work of Andy Serkis, this would spawn two follow-ups that also pleased audiences and critics and did considerable monkey business.
6. Thor
Domestic Gross: $181 million
Chris Hemsworth’s Asgardian heartthrob hammered into the public consciousness alongside Natalie Portman and Anthony Hopkins and managed $5 million more box office bucks than the Captain. The third sequel is currently in production.
5. Cars 2
Domestic Gross: $191 million
Despite grossing nearly $200 million, this Pixar sequel is not one of the studio’s most fondly remembered vehicles with just a 40% Rotten Tomatoes rating. A third Cars did zoom into theaters six years later.
4. Pirates of the Caribbean: On Stranger Tides
Domestic Gross: $241 million
With a reported budget of $379 million, Johnny Depp’s fourth headlining of the franchise still sports the largest price tag of all time. The actor’s final participation in the series would come in 2017 with Disney still looking to reboot it without their signature player.
3. The Hangover Part II
Domestic Gross: $254 million
Crowds were still clamoring for the drunken exploits of Bradley Copper, Ed Helms, and Zach Galifianakis. Critics weren’t near as kind to part II, but audiences didn’t begin to tire of the hijinks until part III two years later.
2. Transformers: Dark of the Moon
Domestic Gross: $352 million
Michael Bay’s third saga of the Autobots and Decepticons marks Shia LaBeouf’s last appearance in the franchise and includes drop-ins from acting heavyweights John Malkovich and Frances McDormand. Mark Wahlberg would take over starring duties three years later.
1. Harry Potter and the Deathly Hallows – Part 2
Domestic Gross: $381 million
After nearly a decade of enchanting kids and their parents alike, the franchise stemming from J.K. Rowling’s beloved novels received a fittingly massive send-off with this billion dollar plus worldwide earner.
Now for other noteworthy titles from the summer:
X-Men: First Class
Domestic Gross: $146 million
Bryan Singer’s handed over directorial reigns to Matthew Vaughn for this reinvigorating reboot of the series that introduced the younger versions of Charles Xavier, Magneto, and Mystique in the bodies of James McAvoy, Michael Fassbender, and Jennifer Lawrence. Numerous sequels of varying quality followed.
The Smurfs
Domestic Gross: $142 million
Sony Pictures wasn’t blue about the financial returns for this half live-action/half animated adaptation of the popular comics and animated series. A sequel came in 2013.
Super 8
Domestic Gross: $127 million
In between Star Trek pics and before rebooting Star Wars, J.J. Abrams helmed this sci-fi original which paid tribute to the Spielberg efforts of the 1980s. Critics gave it their stamp of approval and it’s notable for one heckuva train crash sequence.
Horrible Bosses
Domestic Gross: $117 million
This raunchy comedy about workers exacting revenge on their wretched superiors showed us a whole different side to Jennifer Aniston and spawned a 2014 sequel.
Crazy, Stupid, Love
Domestic Gross: $84 million
Before their collaboration on La La Land earned lots of Oscar nods five years later, Emma Stone and Ryan Gosling teamed up for this rom com with Steve Carell and Julianne Moore that exceeded expectations with audiences and many critics.
Midnight in Paris
Domestic Gross: $56 million
It was a different time 10 years ago for Woody Allen, who scored his last big hit with this fantastical comedy starring Owen Wilson. Woody would win the Oscar for Original Screenplay and it landed three additional nominations including Picture and Director.
The Tree of Life
Domestic Gross: $13 million
Terrence Malick’s epic philosophical drama won the Palme d’Or at the Cannes Film Festival and was nominated for Best Picture, Director, and Cinematography at the Academy Awards. Not your typical summer fare, but it certainly had reviews on its side.
And now for some titles that didn’t meet expectations commercially, critically, or both:
Green Lantern
Domestic Gross: $116 million
Five years before he entered the comic book flick pantheon with Deadpool, Ryan Reynolds didn’t have as much luck with this critically drubbed flop. Even the star himself has taken to calling it a waste of time for viewers.
Cowboys & Aliens
Domestic Gross: $100 million
Coming off the huge Iron Man pics, Jon Favreau cast James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) in this space western that didn’t impress crowds or critics and earned considerably less than its budget domestically.
Mr. Popper’s Penguins
Domestic Gross: $68 million
Audiences were mostly cool to Jim Carrey’s treatment of the popular late 30s children’s book though it did manage to top its $55 million budget. It probably would have made far more during the star’s box office heyday.
Spy Kids 4-D: All the Time in the World
Domestic Gross: $38 million
A decade after Robert Rodriguez kicked the kiddie franchise off to great results, part 4 marked a low mark for the series.
Larry Crowne
Domestic Gross: $35 million
The star power of Tom Hanks (who also directed) and Julia Roberts couldn’t elevate this rom com from a subpar showing (critics weren’t kind either). This is largely a forgotten entity on both actor’s filmographies.
Conan the Barbarian
Domestic Gross: $21 million
Before becoming known to the masses as Aquaman, Jason Momoa couldn’t fill the shoes of Arnold Schwarzenegger in this bomb that couldn’t swim close to its $90 million budget.
And that does it, folks! I’ll have recaps of the summers of 1992, 2002, and 2012 up for your enjoyment next season!
Three years ago, Mamoru Hosoda’s Mirai scored a nomination in the Best Animated Feature category at the Oscars (ultimately losing to Spider-Man: Into the Spider-Verse). The Japanese director has unveiled his follow-up effort Belle at the Cannes Film Festival (receiving a 14 minute standing ovation) and this looks to be another contender in an already bustling 2021 field.
Critics are praising the visuals of Hosoda’s latest creation and it’s even drawing references to The Matrix for its style. It opens in Japan today with North American distribution anticipated for the fall. As mentioned, we have already seen a handful of serious hopefuls for the Academy to consider. This includes Netflix’s The Mitchells vs. the Machines, Disney’s Raya and the Last Dragon and Luca, and another Cannes selection with Where Is Anne Frank. The Mouse Factory also has Encanto later in 2021 while Netflix has Wendell and Wild and Richard Linklater’s Apollo 10 1/2 on deck.
Bottom line: add Belle as one more legit contestant for inclusion. My Oscar Watch posts will continue…
My annual recounting of the cinematic seasons that preceded 30, 20, and 10 years prior continues on the blog today with the summer of 2001! It was a frame dominated by an animated jolly green giant that kicked off a massive franchise for its studio.
As is tradition, I’ll run through the top 10 domestic grossers as well as other notables pics and some flops. If you missed my post covering 1991’s May-August output, you can find it here:
Eddie Murphy returned as the doc who talks to animals in this sequel that managed to cross the century mark, but failed to approach the $144 million earned by its 1998 predecessor. This would mark the end of Eddie’s involvement in the franchise, but a direct to DVD third helping came in 2006.
9. Lara Croft: Tomb Raider
Domestic Gross: $131 million
Angelina Jolie (fresh off an Oscar for Girl, Interrupted) headlined the video game adaptation that, despite weak reviews, spawned a sequel and an eventual reboot with Alicia Vikander that will soon get its own follow-up.
8. The Fast and the Furious
Domestic Gross: $144 million
We first saw Vin Diesel and Paul Walker and those souped up whips 20 years ago. Unless you’ve been living under a rock (or haven’t heard of The Rock), this begat a franchise which is still running strong today. F9 is currently the #1 movie in America in this series that has topped a billion bucks.
7. American Pie 2
Domestic Gross: $145 million
Universal quickly green lighted this sequel to 1999’s smash hit comedy. The gross out gags in part 2 (which resulted in another theatrical effort in 2003 and numerous direct to DVD entries) stands as the largest worldwide earner of the bunch.
6. Planet of the Apes
Domestic Gross: $180 million
Tim Burton’s reimagining of the 1968 classic didn’t result in the new franchise that 20th Century Fox hoped for. Critics had their knives out for Mark Wahlberg’s lead performance and the surprise ending that didn’t pack the wallop of Charlton Heston’s encounter with the Statue of Liberty. The studio would get their successful trilogy a decade later beginning with Rise of the Planet of the Apes (which will be covered in 2011’s blog post).
5. Jurassic Park III
Domestic Gross: $181 million
Joe Johnston took over directorial duties from Steven Spielberg is this threequel. Sam Neill was back in this dino-tale that (while profitable) failed to reach the heights of the first two commercially. A reboot 14 years later would get the series back in billion dollar good standing.
4. Pearl Harbor
Domestic Gross: $198 million
Michael Bay’s romantic war epic failed with reviewers but still approached $200 million domestically and $450 million worldwide. Its six Golden Raspberry nominations topped its four Oscar nods.
3. The Mummy Returns
Domestic Gross: $202 million
Brendan Fraser and Rachel Weisz returned for this adventure sequel to the 1999 hit that topped part 1 domestically by nearly $50 million. Dwayne “The Rock” Johnson would join the fun here and was rewarded with his spin-off (The Scorpion King) the next year. A third Mummy landed with disappointing results in 2008.
2. Rush Hour 2
Domestic Gross: $226 million
It was the best of times for director Brett Ratner and stars Chris Tucker and Jackie Chan as this action comedy built upon the grosses of the 1998 original. A third would follow six years later.
1. Shrek
Mike Myers as the title character ogre, Eddie Murphy stealing scenes with his voice work as Donkey, and Cameron Diaz as Princess Fiona proved that Disney wasn’t the only animation game in town. Shrek even competed for the Palme d’Or at the Cannes Film Festival in this DreamWorks game changer that resulted in three sequels and a stage musical.
And now for some other notables flicks from the summer that was:
The Princess Diaries
Domestic Gross: $108 million
Disney’s live-action fairy tale served as a breakout role for Anne Hathaway and a return to the studio for Julie Andrews for the first time since Mary Poppins. A 2004 sequel followed.
The Others
Domestic Gross: $96 million
With its own Sixth Sense style twist ending, this gothic horror pic with Nicole Kidman earned solid reviews and got genre fans to turn out.
Legally Blonde
Domestic Gross: $96 million
Shrek isn’t the only feature to spawn a Broadway treatment. So did this Reese Witherspoon hit which also resulted in a sequel and a third Blonde that is slated for May 2022.
Cats & Dogs
Domestic Gross: $93 million
Dr. Dolittle wasn’t the only animal game in town. This kiddie pic featuring featuring talking creatures also began a franchise.
A.I.: Artificial Intelligence
Domestic Gross: $78 million
Long planned as a project for Stanley Kubrick (who passed away in 1999), Steven Spielberg directed this sci-fi visual feast with Haley Joel Osment. The film elicited strong reactions from critics and crowds (both positively and negatively). It may not have reached $100 million domestic, but it’s still a picture people like to debate about today and that’s more that can be said for most titles on this list.
Swordfish
Domestic Gross: $69 million
Hugh Jackman and John Travolta headlined this action pic which somewhat underperformed expectations. This is mostly known as the film that paid Halle Berry an extra $500,000 to go topless during a few seconds of screen time.
Moulin Rouge!
Domestic Gross: $57 million
Baz Luhrmann’s postmodern musical with Nicole Kidman and Ewan McGregor scored 8 Oscar nominations and has its legions of fans that have endured over the past two decades.
Sexy Beast
Domestic Gross: $6 million
This crime drama is mostly known for its menacing supporting turn from Sir Ben Kingsley, who was rewarded with an Oscar nod.
Ghost World
Domestic Gross: $6 million
Terry Zwigoff’s dark comedy (based on a late 90s comic book) earned raves for its screenplay and for costars Thora Birch, Scarlett Johansson, and Steve Buscemi.
And now for some pictures that did not meet expectations:
America’s Sweethearts
Domestic Gross: $93 million
Yes, it may have approached $100 million, but this rom com starring Julia Roberts and featuring John Cusack, Billy Crystal (who cowrote), and Catherine Zeta-Jones didn’t come near what her previous blockbusters like My Best Friend’s Wedding, Notting Hill, and Runaway Bride managed.
Atlantis: The Lost Empire
Domestic Gross: $84 million
Disney’s animated sci-fi adventure was a letdown that didn’t recoup its reported $100 million budget domestically. A hoped for franchise with TV spin-offs and Disneyland ride attraction never rose to the surface.
Scary Movie 2
Domestic Gross: $71 million
This rushed horror spoof follow-up to the 2000 surprise smash couldn’t get close to the $157 million of the original. However, this didn’t stop several sequels from following that achieved greater success.
Evolution
Domestic Gross: $38 million
Director Ivan Reitman and supernatural comedy sure worked well in 1984 with Ghostbusters. Not so much here in this DreamWorks flop with David Duchovny which earned less than half its budget in North America.
Final Fantasy: The Spirits Within
Domestic Gross: $32 million
Tomb Raider was an example of a video game adaptation that made money. Not so here with this rendering of the popular role playing fantasy series that didn’t score with audiences.
Ghosts of Mars
Domestic Gross: $8 million
It wasn’t a good day at the box office for this science fiction flop from director John Carpenter and Ice Cube.
Pootie Tang
Domestic Gross: $3 million
Moviegoers didn’t turn out for this comedy written and directed by Louis C.K. that originated from a sketch on The Chris Rock Show (who costars). Despite the failed run at the box office, it has since become a cult hit.
And that does it for 2001, folks! Look for my post about summer 2011 in the coming days…
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