At last year’s Cannes Film Festival, Top Gun: Maverick screened at Cannes and that premiere kicked off its soaring buzz. The eventual result was box office nearing $1.5 billion and six Oscar nominations (including Picture). Disney would love for a similar result with Indiana Jones and the Dial of Destiny, the fifth adventure in a franchise that began with an iconic 80s classic.
Harrison Ford dons the fedora once again (and for the final time) 42 years after Raiders of the Lost Ark. Steven Spielberg has handed over directorial duties to James Mangold. Costars for the reported $300 million production include Phoebe Waller-Bridge, Mads Mikkelsen, Antonio Banderas, John Rhys-Davies (as series favorite Sallah), Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, and Ethann Isidore.
It’s been 15 years since previous entry Indiana Jones and the Kingdom of the Crystal Skull (which was also unveiled in the south of France). Let’s catch up on the Academy’s history and their love for Dr. Jones (or lack thereof). Raiders, back in 1981, nabbed 8 nominations (including Picture and Director though not Actor for Ford). The win total was four (Art Direction, Film Editing, Score, Visual Effects). Three years later, Temple of Doom managed two mentions in Score and Visual Effects (winning the latter). 1989’s Last Crusade received three nods and took the now defunct Special Effects Editing race. In 2008, Skull was derided by many critics and filmgoers. It was blanked at the Oscars.
We are obviously very early when it comes to reviews for Destiny. However, signs are troubling. The Rotten Tomatoes score (based on 7 write-ups) is 43%. Social media reaction from those in attendance overseas is also quite mixed. A safe assumption is this won’t be the next Maverick. I suppose John Williams in Score or Sound or Visual Effects (though there are gripes about this digitization) is feasible. Another likely result is this ends up contending in the same number of competitions as its predecessor. My Oscar Prediction posts will continue…
Back in 1989, Disney’s animated underwater musical fantasy The Little Mermaid helped usher in a new golden era for the studio. Over the past few years, the Mouse Factory has made a habit out of releasing live-action renderings of those classics. This includes the pics that immediately followed Mermaid in Beauty and the Beast, Aladdin, and The Lion King.
It’s Ariel’s turn this Memorial Day weekend with Halle Bailey in the title role. Melissa McCarthy is Ursula and other supporting players include Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem. Rob Marshall, Oscar winning maker of Chicago as well as Mary Poppins Returns, directs.
Disney has mostly seen boffo results with this subgenre. This include four premieres over nine figures: 2016’s The Jungle Book ($103M), 2017’s Beauty and the Beast ($174M) and Aladdin ($116M) and The Lion King ($191M) from 2019. For Aladdin, that number represents the four-day Memorial weekend haul. Mermaid looks to swim in a similar financial pool as that effort. Anything below $100M would be a letdown.
I figure Mermaid will easily accomplish that goal. The original is beloved enough that the grown-ups who saw it 30 plus years ago should eagerly take their young ones. I’ll say the extended Friday to Monday gross may get beyond $130M.
The Little Mermaid opening weekend prediction: $132.1 million (Friday to Monday estimate)
Blogger’s Update (05/10): With reports that Knights of the Zodiac is only opening on 750 screens, I’m revising my prediction from $2.2M to $1.2M.
Book Club: The Next Chapter hopes to blossom on Mother’s Day weekend while Knights of the Zodiac (based on a Japanese manga) also touches down. You can peruse my detailed prediction posts on the newcomers here:
There’s no doubt that Guardians of the Galaxy Vol. 3 will hold the #1 spot. Yet it will do so after a disappointing start (more on that below). The big question is how far it falls in the sophomore frame. Vol. 2 in 2017 eased a reasonable 55% after a strong $146 million start. With an A Cinemascore grade, the third iteration could see a similar drop. A low to mid 50s decline would put it in the mid 50s.
Book Club: The Next Chapter, a sequel to the 2018 rom com, looks to reach $12-14 million. That would be in range with its predecessor and the recent 80 for Brady. This particular holiday could it get there, but I’ll go a tad under. That could put it in a photo finish with the sixth weekend of The Super Mario Bros. Movie.
As for Zodiac, it’ll hope to make some coin overseas and it’ll need to with a reported $60 million budget. The domestic prospects appear dim and it may not even reach the top 5.
**A quick note about the sci-fi thriller Hypnotic with Ben Affleck. Apparently it’s out this weekend and there’s been approximately zero promotion or buzz. This appears to be getting dumped. I haven’t done an official prediction and it might be fortunate to make $1 million (I’m curious to see a screen count).
Here’s how I see it playing out:
1 . Guardians of the Galaxy Vol. 3
Predicted Gross: $54.8 million
2. The Super Mario Bros. Movie
Predicted Gross: $11.7 million
3. Book Club: The Next Chapter
Predicted Gross: $10.8 million
4. Evil Dead Rise
Predicted Gross: $3.2 million
5. Are You There God? It’s Me, Margaret
Predicted Gross: $2.4 million
Box Office Results (May 5-7)
It wasn’t exactly a festive start to summer for Disney as Guardians of the Galaxy Vol. 3 got off to a shaky start. With $118.4 million, it came in a bit under my $125.3 million take and significantly below the $146 million from Vol. 2. This is the second under performer of 2023 as Ant-Man and the Wasp: Quantumania also failed to match overall expectations.
After spending April in the top spot, The Super Mario Bros. Movie finally dropped to second with $18.5 million, a steeper plunge than my projection of $23.8 million. Nevertheless its five-week total is an astonishing $518 million.
Evil Dead Rise was third in weekend 3 with $5.8 million, in line with my $6.2 million forecast. It’s up to a solid $54 million.
Are You There God? It’s Me, Margaret was fourth with $3.2 million (I said $4 million). Despite laudatory reviews, the coming-of-age dramedy isn’t reaching audiences and the ten-day tally is a mere $12 million.
Rom com fans tuned out Love Again which began with only $2.3 million, not even matching my $3.2 million call.
Finally, John Wick: Chapter 4 was sixth in its seventh frame with $2.3 million. I said $3.5 million and the fourth shoot-em-up saga has amassed $180 million.
That does it for now, folks! You can listen to me talk all things box office via Movies at the Speed of Speculation wherever you catch your podcasts. Until next time…
Creed III looks to KO all competitors as the Japanese animated episodic effort Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village and Guy Ritchie’s action comedy Operation Fortune: Ruse de Guerre also debut. You can peruse my detailed prediction posts on the trio here:
Michael B. Jordan makes his directorial debut in the third feature in the Creed franchise and ninth in the Rocky cinematic universe. It is the first not to feature Rocky himself Sylvester Stallone. However, reviews are strong and I see no reason why this wouldn’t continue the muscular grosses. The first two Creed flicks opened over long Thanksgiving frames. Part III could manage the highest three-day start at just under $40 million.
Swordsmith is a head scratcher. In 2021, Demon Slayer – Kimetsu No Yaiba the Movie: Mugen Train astonished forecasters with $21 million in its first weekend. Swordsmith is not a sequel. Instead it combines episodes from a TV show related to the franchise. I’ve yet to see a theater count so that could alter my take. If it manages close to half of what Train accomplished, it would place in the top five.
Operation Fortune: Ruse de Guerre, the latest collaboration between Ritchie and Jason Statham, seems like it is being dumped into multiplexes and my meager $4 million projection leaves it in sixth.
As for holdovers, Ant-Man and the Wasp: Quantumania experienced a massive second weekend dip (more on that below). The third frame drop-off shouldn’t be as disastrous (perhaps a bit over 50%). Cocaine Bear and Jesus Revolution both over performed in their premieres. The Revolution sophomore decline may only be in the high 20s with Cocaine being cut in the low to mid 40s.
Here’s how I envision the top six looking:
1. Creed III
Predicted Gross: $39.2 million
2. Ant-Man and the Wasp: Quantumania
Predicted Gross: $14.6 million
3. Cocaine Bear
Predicted Gross: $13.2 million
4. Jesus Revolution
Predicted Gross: $11.3 million
5. Demon Slayer: Kimetsu No Yaiba– To the Swordsmith Village
Predicted Gross: $9.8 million
6. Operation Fortune: Ruse de Guerre
Predicted Gross: $4 million
Box Office Results (February 24-26)
The #1 spot came without bragging rights as Ant-Man and the Wasp: Quantumania suffered the largest second frame fall of all the 31 MCU entries. At 70%, the Paul Rudd threequel made $31.9 million. I was slightly more generous at $34.2 million. The ten-day tally is $167 million and it will be the best earner of the Ant-Man trilogy. It still scored a record that Disney/MCU can’t be thrilled about.
Universal, on the other hand, can celebrate their marketing campaign for Cocaine Bear as it paid off with $23.2 million for second place. That’s well above the rosiest predictions and considerably beyond my call of $14.3 million.
Faith-based drama Jesus Revolution continued over performances for the genre at $15.8 million in third. I was more skeptical with only $8.7 million. With an A+ Cinemascore, this could be blessed with smallish declines in the coming weeks.
Avatar: The Way of Water was fourth with $4.8 million (I said $5.4 million) to bring the eleven week gross to $665 million.
Puss in Boots: The Last Wish rounded out the top five with $4.1 million. I went with $4.6 million and the animated sequel has amassed $173 million.
Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.
The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:
Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.
The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.
Here’s how I envision the top 5 playing out:
1. Ant-Man and the Wasp: Quantumania
Predicted Gross: $109.1 million
2. Avatar: The Way of Water
Predicted Gross: $6.1 million
3. Puss in Boots: The Last Wish
Predicted Gross: $5.8 million
4. Magic Mike’s Last Dance
Predicted Gross: $5.5 million
5. 80 for Brady
Predicted Gross: $4.2 million
Box Office Results (February 10-12)
Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.
Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.
Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.
The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.
80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.
Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.
Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.
This ain’t your Disney bear coming to the big screen when Winnie-the-Pooh: Blood and Honey drops on February 15th. The low-budget British slasher film is the result of the 1926 book that introduced Winnie becoming public domain last year. That means the Mouse Factory no longer has exclusive rights to the title character, Christopher Robin, Piglet, and so forth.
Shot in 10 days for reportedly under $100k, Pooh garnered lots of free publicity due to its unique existence involving characters usually seen in G or PG circumstances. Rhys Frake-Waterfield directs a cast of unknowns that including Nikolai Leon, Craig David Dowsett, Chris Cordell, and Maria Taylor.
In late January, this premiered in Mexican cinemas and has taken in a robust $500k+ thus far. In the U.S. and Canada, it was originally slated for October 2022 as a one-night event through Fathom’s distribution. Pooh buzz changed that planned release pattern and it is rumored for approximately 1500 venues starting Wednesday.
Obviously many moviegoers will be preoccupied with Ant-Man and the Wasp: Quantumania. However, if that theater count holds, this should top its $100k price tag in the first six days (counting the Monday for the President’s Day longer frame) many times over.
Winnie-the-Pooh: Blood and Honey opening weekend prediction: $3.5 million (Friday to Monday); $4.7 million (Wednesday to Monday)
For my Ant-Man and the Wasp: Quantumania prediction, click here:
After a domestic debut that unquestionably fell on the lower end of expectations, Avatar: The Way of Water hopes for a strong sophomore outing and smoother sailing throughout the season. It will remain in first while three newcomers should populate the 2-4 slots.
They are DreamWorks Animation’s sequel Puss in Boots: The Last Wish, musical biopic Whitney Houston: I Wanna Dance with Somebody, and Damien Chazelle’s once upon a time in Hollywood dramedy Babylon with Margot Robbie and Brad Pitt. My detailed prediction posts on the trio can be accessed here:
The box office range of Yuletide releases can be tied to how the dates work out on the calendar. Christmas Eve is Saturday and it can be limited as potential moviegoers are preparing the big day. On the other hand, Christmas itself can be potent. Bottom line: it’s important to remember that weekdays at this time of year can be just as booming as weekends as people are taking time off.
Boots gets a jump on Wednesday while Babylon and Somebody drop Friday. Sporting impressive reviews, Puss is poised to be the runner-up to Water. The three-day might fall in the high teens to low 20s range with close to $30 million for the five-day.
Third place is going to one of the other openers. I’m forecasting that a solid African-American and female turnout could give the Whitney flick the edge. I expect Somebody to double digits while Babylon falls just under. The five spot should be close between holdovers Black Panther: Wakanda Forever and Violent Night.
Now we return to Avatar. There’s more chatter below on the lesser than anticipated start. Yet it’s also fair to say that future weekends will ultimately determine whether it’s a success or not. The A Cinemascore grade (same as part 1) should help. I’ll say a mid to high 40s decline happens over Christmas while the leveling off might be far less pronounced in the 3rd frame and beyond.
Here’s how I’m seeing the top 6 playing out:
1 . Avatar: The Way of Water
Predicted Gross: $73.4 million
2. Puss in Boots: The Last Wish
Predicted Gross: $18.3 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
3. Whitney Houston: I Wanna Dance with Somebody
Predicted Gross: $11.5 million
4. Babylon
Predicted Gross: $8.7 million
5. Violent Night
Predicted Gross: $3.3 million
6. Black Panther: Wakanda Forever
Predicted Gross: $3.2 million
Box Office Results (December 16-18)
The general consensus was that Avatar: The Way of Water, the long awaited sequel to James Cameron’s largest worldwide earner in history, would amass a stateside start of around $175 million. I projected $173.1 million. That didn’t happen. Water made $134.1 million and that’s the fifth highest debut of 2022 (a hair ahead of The Batman). As mentioned, success will not be judged here it if manages to develop sturdy legs in the next several weeks (as the filmmaker’s predecessors Titanic and Avatar certainly did). For now the jury is out while the expected mark wasn’t achieved domestically out of the gate. On a global basis – it brought in another $300 million. The $435 million tally is second only to May’s Doctor Strange in the Multiverse of Madness.
Unsurprisingly nothing else wanted to open opposite Avatar as the rest of the chart was stuffed with holdovers. Black Panther: Wakanda Forever, after five weeks on top, was second with $5.3 million. On pace with my $5.5 million call, the six-week total is $418 million.
Violent Night was right behind in third with $5 million, on target with my $4.9 million projection. The three-week gross is $35 million.
Disney dud Strange World was fourth with $2.2 million, a smidge below my $2.6 million take for a dull $33 million overall.
The Menu completed the top five at $1.6 million (I said $1.9 million) for $32 million it its coffers.
Theaters owners are counting on Avatar: The Way of Water to save them from drowning in red ink following the second lowest box office frame of 2022. James Cameron’s long in the making sequel is the only new release out and you can peruse my detailed prediction post on it here:
With Oscar buzz (like the 2009 original) and solid reviews, Water could potentially surface with the largest premiere of the year. To do so, it would need to surpass the $187 million that Doctor Strange in the Multiverse of Madness achieved in May. Considering the runtime of over three hours, it may fall a bit short of that. My projection has it behind Multiverse and Black Panther: Wakanda Forever for the third heftiest ’22 haul and the 18th highest debut of all time.
Speaking of Wakanda, it will finally fall to second after five weeks atop the charts. Fellow holdovers Violent Night, Strange World, and The Menu should all slide a spot as well. All of these returnees experienced small declines this weekend, but may dip a tad more due to Avatar overtaking multiplexes.
Here’s how I see the top 5 shaking out:
1. Avatar: The Way of Water
Predicted Gross: $173.1 million
2. Black Panther: Wakanda Forever
Predicted Gross: $5.5 million
3. Violent Night
Predicted Gross: $4.9 million
4. Strange World
Predicted Gross: $2.6 million
5. The Menu
Predicted Gross: $1.9 million
Box Office Results (December 9-11)
As mentioned, it was a sluggish time in theaters as Avatar is on deck to make a splash. Black Panther: Wakanda Forever made it a handful of weekends in first place with $11.2 million. That’s on pace with my $10.6 million prediction as the MCU sequel is up to $409 million.
Violent Night remained in second with a sturdy 35% drop at $8.7 million, in line with my $8.5 million take. The Yuletide shoot-em-up has grossed $26 million in ten days.
Disney’s flop Strange World was third with $3.7 million compared to my $3.1 million estimate. Overall tally is just $30 million.
The Menu was fourth with $2.7 million (I said $2.8 million) for $29 million total.
Devotion rounded out the top five with $2 million. I went with $1.7 million and the aviation drama is at $17 million.
Finally, there was a bit of good news in a bad weekend. A24’s The Whale, in which Brendan Fraser is expected to vie for the Best Actor Oscar, achieved 2022’s best per screen performance. In only six venues, it earned approximately $360k. That $60k average tops Everything Everywhere All at Once, which previously had the year’s strongest average at $50k. It expands across wider on December 21st.
Audiences weren’t digging the leftovers in the first frame of December and it’ll get even worse this weekend. The top 5 could look awfully familiar with Black Panther: Wakanda Forever on top for a fifth time before Avatar: The Way of Water looks to liven up multiplexes beginning December 16th.
There are only two semi-wide newcomers to speak of and I didn’t do individual prediction posts on either. Father Stu: Reborn is a recut version of this spring’s true life drama with Mark Wahlberg and Mel Gibson. It earned a not so heavenly but not terrible $20 million a few months back. This version is PG-13 and not R. I don’t believe it’ll clear $1 million and that puts it outside the top five.
Spoiler Alert, another true life drama and this one featuring Jim Parsons, expands to approximately 600 venues after opening in six theaters this past weekend. It might be lucky to hit a million and that would leave it outside the top five too.
There’s a small chance that Violent Night, the Santa shoot-em-up with David Harbour, could elevate to 1st place after a decent debut (more on that below). However, Black Panther : Wakanda Forever should manage to make it five in a row before James Cameron’s sequel hits.
Meanwhile the battle for third could be close between the third weekend of Disney dud Strange World and the fourth helping of The Menu.
Here’s how I see the top 6 playing out:
1. Black Panther: Wakanda Forever
Predicted Gross: $10.6 million
2. Violent Night
Predicted Gross: $8.5 million
3. Strange World
Predicted Gross: $3.1 million
4. The Menu
Predicted Gross: $2.8 million
5. Devotion
Predicted Gross: $1.7 million
Box Office Results (December 2-4)
MCU sequel Black Panther: Wakanda Forever made it four in a row with $17.5 million. That’s under my projection of $21.3 million as the 62% fall was rather steep considering the lack of competition. The total did rise to $393 million.
Violent Night dropped at the higher end of its range with $13.4 million, outpacing my $9.4 million take. The grisly Yuletide tale could manage to play well over the coming holidays.
Strange World continued the embarrassing returns for the Mouse Factory with only $5 million in its sophomore weekend. I was close with $5.2 million. That’s a mere $25 million in its first 12 days.
The Menu was fourth with $3.4 million (I said $3.1 million) as it’s made $24 million thus far.
Devotion had a turbulent 54% plummet in weekend #2 with $2.7 million. I estimated a bit more at $3.3 million. Overall gross is $13 million.
After a historically weak Thanksgiving frame that left moviegoers hungry for other options, the first weekend of December should be rather quiet at multiplexes as well. The lone wide release is Violent Night with David Harbour as a gun toting Santa. You can peruse my detailed prediction post on it here:
Night, even though I have it falling under $10 million, should slide into the runner-up position behind Black Panther: Wakanda Forever. The MCU sequel looks to four-peat and should have no trouble doing so. A low to mid 50s drop would put it over $20 million. It’s likely to be #1 for five weekends until Avatar: The Way of Water arrives on December 16th.
After a disastrous opening (more on that below), Strange World should fall to third. With a weak B Cinemascore grade, the Disney animated flop could experience a plummet in the mid to high 50s. Who knows? Maybe even higher.
The four and five spots could be close between the second and third frames of Devotion and The Menu. Both should see dips in the mid 40s.
Here’s how I see the top 5 looking:
1. Black Panther: Wakanda Forever
Predicted Gross: $21.3 million
2. Violent Night
Predicted Gross: $9.4 million
3. Strange World
Predicted Gross: $5.2 million
4. Devotion
Predicted Gross: $3.3 million
5. The Menu
Predicted Gross: $3.1 million
Box Office Results (Thanksgiving Weekend)
The Turkey Day holiday didn’t bring in the masses as the weekend fell under $100 million. That’s despite plenty of new releases for crowds to chew on.
Strangely enough, the biggest winner belonged to a streamer. Netflix doesn’t officially report numbers. They put Glass Onion: A Knives Out Mystery, the acclaimed sequel to 2019’s blockbuster, on just under 700 screens. Word is out that it did approximately $9.2 million from Friday to Sunday and $13.3 million since the Wednesday start. That per theater average of over $13k is easily the best of the bunch. Onion is scheduled to leave its venues tomorrow before it hits Netflix on December 23rd.
Now back to the movies that do report official tallies. Black Panther: Wakanda Forever easily stayed atop the charts with $45.5 million, besting my $37.9 million prediction in weekend #3. The 17-day total is $367 million.
The story of the holiday was the dismal Strange World performance. The Mouse Factory had a disappointing result over the summer with Lightyear. This made it look like a phenomenon. World took in an embarrassing $12.1 million from Friday to Sunday and $18.8 million in the five-day. I said it would manage $19.3 million and $26.7 million, respectively. Simply put, Disney animated efforts aren’t supposed to do those anemic figures.
I suppose technically Glass Onion was third, so the war saga Devotion was fourth. Despite mostly decent reviews, it was a flop considering the reported $90 million budget. The Friday to Sunday take was $5.9 million with $9 million when counting Wednesday and Thursday. I went higher with $7.2 million and $10.7 million.
The Menu rounded out the top five at $5.4 million (I said $6.4 million) to bring the two-week gross to $18 million.
Black Adam was sixth with $3.2 million, on target with my $3.3 million prediction. Total is $162 million.
Steven Spielberg’s awards hopeful The Fabelmans was on 638 screens and was seventh with $2.2 million ($3.1 million for the five-day). That’s under my guesstimates of $2.8 million and $4.1 million. While that’s easily the second best average of the newbies (after Onion), it’s still not too impressive. It will hope to develop legs during awards season.
The cannibalistic romance Bones and All wasn’t a recipe for success with an 8th place showing. The $2.2 million and $3.6 million three and five day earnings couldn’t match my $3.5 and $5.3 million projections.
Ticket to Paradise was ninth with $1.8 million (I went with $2.3 million) as the rom com is up to $65 million.
Fathom Event The Chosen Season 3: Episodes 1 and 2 was 10th as it dove 81% to $1.5 million. I was more giving at $2.4 million. In ten days, it’s made $13 million.
Finally, She Said was 11th after its poor premiere last weekend. With $1.1 million (I said $1.6 million), it’s at a lowly $4 million.
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