Tag: Disney

June 9-11 Box Office Predictions

Transformers: Rise of the Beasts will attempt to topple Spider-Man: Across the Spider-Verse, but that could be a tall order. Beasts is the sole wide release this weekend and you can peruse my detailed prediction post on it here:

Transformers: Rise of the Beasts Box Office Prediction

The seventh entry in the franchise based on the Hasbro toy line will not have the lowest start of the bunch. That belongs and will continue to belong to Bumblebee which started with $21 million over the holidays in 2018. It may, however, have the second smallest if it fails to exceed the $44 million three-day premiere that Transformers: The Last Knight had in the summer of 2017. I am projecting it will fall under that mark.

That should leave Across the Spider-Verse in first position after an amazing rollout this past weekend (more on that below). While I think the sophomore frame dip will be more than 50%, I believe a high 50s gross will comfortably leave it atop the charts.

Holdovers will fill slots 3-5. The Little Mermaid, after an expectedly hefty second weekend fall, should level off and get above $20 million in weekend 3. Guardians of the Galaxy Vol. 3 may remain fourth since it shouldn’t see a percentage drop as large as The Boogeyman‘s in its second outing.

And with that, here’s how I envision the top five:

1. Spider-Man: Across the Spider-Verse

Predicted Gross: $58.4 million

2. Transformers: Rise of the Beasts

Predicted Gross: $42.2 million

3. The Little Mermaid

Predicted Gross: $22.5 million

4. Guardians of the Galaxy Vol. 3

Predicted Gross: $6.6 million

5. The Boogeyman

Predicted Gross: $5.8 million

Box Office Results (June 2-4)

Swinging the #2 best premiere of 2023 behind The Super Mario Bros. Movie was Spider-Man: Across the Spider-Verse. That’s also the seventh highest animated opening ever. It built upon the goodwill from its 2018 Oscar-winning predecessor and made off with $120.6 million. That’s well beyond my projection of $96.4 million. Look for it to play well throughout the season (and it’s certainly the frontrunner to win Best Animated Feature next year).

The Little Mermaid slipped to second with $41.3 million in its sophomore frame, on track with my $40.5 million take. The ten-day gross for the live-action Disney remake is $186 million. That’s pretty decent, but its overseas earnings are underwhelming.

PG-13 horror flick The Boogeyman, based on a Stephen King short story, couldn’t pick up buzz as Spidey sucked up all the oxygen. It made $12.3 million for third, falling below my $17.7 million prediction.

Guardians of the Galaxy Vol. 3 was fourth with $10.6 million (I said $9.6 million) as the MCU threequel is up to $323 million after five weeks.

Fast X rounded out the top five with $9.5 million compared to my $10.1 million forecast. It’s doing better internationally, but the three-week $128 million domestic haul is unimpressive.

And that does it for now, folks! Until next time…

June 2-4 Box Office Predictions

Spider-Man: Across the Spider-Verse swings into multiplexes for a highly likely first place debut while The Boogeyman lurks for a start in third position. You can peruse my detailed prediction posts on the newcomers here:

Spider-Man: Across the Spider-Verse Box Office Prediction
The Boogeyman Box Office Prediction

Spidey is the follow-up to 2018’s Oscar-winning animated adventure Spider-Man: Into the Spider-Verse. In addition to plenty of awards, it had an A+ Cinemascore grade and nearly $200 million in domestic sales. Anticipation should be elevated for the sequel (with part 3 coming next year). That’s why some estimates have this as lofty as $100 million. I’m a tad more conservative, but I’ll say it clears $90 million.

The Boogeyman should take advantage of its PG-13 rating, the connection to Stephen King for the source material, and that there’s been a slight lull between horror flicks. Heck – it probably helps that it’s called The Boogeyman. I could see this opening similarly to The Black Phone and Smile. That would mean high teens or low 20s for a solid third place showing.

Memorial Day weekend champ The Little Mermaid should drop to second after a mixed bag of a debut (more on that below). A mid 50s dip (similar to the live-action Aladdin four years ago) would mean a number slightly north of $40 million.

The 4-5 slots should belong to sequel holdovers Fast X and Guardians of the Galaxy Vol. 3. It could be a close race between the two as they each may earn a tad over $10 million.

Here’s how I see it looking:

1. Spider-Man: Across the Spider-Verse

Predicted Gross: $96.4 million

2. The Little Mermaid

Predicted Gross: $40.5 million

3. The Boogeyman

Predicted Gross: $17.7 million

4. Fast X

Predicted Gross: $10.1 million

5. Guardians of the Galaxy Vol. 3

Predicted Gross: $9.6 million

Box Office Results (May 26-29)

As expected, Disney’s The Little Mermaid (updating the 1989 classic) swam to the top of the charts. It did so on the lower end of its expected range. Over the four-day holiday, the total was $118.8 million. That’s below my take of $132.1 million. While nowhere near the starts of Beauty and the Beast or The Lion King from 2017 and 2019, it is on pace with what Aladdin accomplished over Memorial Day four years back.

Fast X slipped to second with $28.5 million and that managed to exceed my $25.4 million estimate. Vin Diesel and company have seen the beginning to the end of their two-decade long franchise earn $113 million thus far.

Guardians of the Galaxy Vol. 3 was third with $26.8 million, on target with my $26 million call. The MCU threequel stands at $306 million.

The Super Mario Bros. Movie took fourth place with $8.2 million (I said $7.6 million) to bring its massive haul to $560 million.

Spots 5-7, as anticipated, went to three newcomers. I didn’t correctly call their placements. The Machine with popular standup and podcaster Bert Kreischer was fifth with $5.8 million, ahead of my $3.7 million forecast. While not spectacular, it’s on the better end of its predicted range.

About My Father, featuring another popular standup Sebastian Maniscalco alongside Robert De Niro, was on the lesser end of the range. The family comedy was sixth with $5.3 million. I said a touch more at $6.2 million.

Finally, Gerard Butler’s action pic Kandahar bombed in seventh with only $2.8 million. I was more generous at $4.2 million.

And that does it for now, folks! Catch my podcast where I discuss all things box office by searching Movies at the Speed of Speculation wherever you like to stream. Until next time…

Oscar Predictions: Elemental

At the 91st Academy Awards, Disney/Pixar (a frequent winner in the Best Animated Feature derby at the Oscars) had Incredibles 2 in contention. Yet it came up short to Spider-Man: Into the Spider-Verse. At last year’s ceremony, the studio’s Turning Red was never much of a threat to win and their summer release Lightyear received mixed reactions and didn’t make the cut. Similar elements could be in play for the 96th Oscars and Pixar’s 27th picture Elemental.

Out stateside on June 16, the computer-animated dramedy closed out the Cannes Film Festival. Buzz from France is fairly troubling. The Rotten Tomatoes meter, based on a handful of reviews, is 60%. Peter Sohn directs. He’s best known for 2015’s The Good Dinosaur, which underperformed at the box office and failed to register with the Academy. Voiceover artists include Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O’Hara, Joe Pera, and Matt Yang King.

This is Pixar’s one at bat for 2023 and prospects look iffy. We may have a frontrunner emerging with Spider-Man: Across the Spider-Verse opening this weekend. Look for my Oscar Predictions post on it shortly. Even if Elemental manages to make the quintet vying for gold, the chances of a victory look non-existent. If it doesn’t catch on at the box office like Lightyear (and that’s certainly possible), it could get left out altogether. My Oscar Prediction posts will continue…

May 26-29 Box Office Predictions

Blogger’s Note (05/24): I am revising my Kandahar prediction from $7.9 million to $4.2 million

Disney is hoping for a memorable holiday weekend as The Little Mermaid surfaces over the long frame. We have three other newcomers with Gerard Butler’s action thriller Kandahar, the father/son comedy About My Father with standup comic Sebastian Maniscalco and icon Robert De Niro, and the father/son comedy The Machine featuring standup comic Bert Kreischer and icon Mark Hamill. My detailed prediction posts on the quartet of newcomers can be accessed here:

The Little Mermaid Box Office Prediction
Kandahar Box Office Prediction
About My Father Box Office Prediction
The Machine Box Office Prediction

There’s no doubt that Mermaid will bubble up to the #1 spot. The mystery is the number. While I don’t think it reaches the heights of other Mouse Factory live-action remakes like Beauty and the Beast and The Lion King, I do think it exceed the 2019 Memorial Day take of Aladdin. That said – there’s a wide range of possibility and my estimate is admittedly on the higher end compared to some others.

The real battle might be for the runner-up position. Fast X came in below its predecessor F9 (more on that below). It also received the same so-so B+ Cinemascore grade. A drop to the mid or high 20s could put it slightly behind the fourth weekend of Guardians of the Galaxy Vol. 3, which held impressively in the second and third outings. I’m going to give Star-Lord and company the slight edge over Vin Diesel and his cinematic family.

Butler has shown the ability to get his action flicks past $10 million and into the teens, but I’m not seeing much buzz for Kandahar. I’ll say it just reaches fourth place over The Super Mario Bros. Movie.

As you can tell from the descriptions, About My Father and The Machine have a lot in common. Both are tests for their leading men Maniscalco and Kreischer in their first headlining roles. Comedies have struggled at multiplexes lately and I believe these will. I think Father has a bit more broad appeal and I’ll give it sixth with The Machine trailing behind.

And with that, here’s how I envision the Friday to Monday Memorial weekend:

1. The Little Mermaid

Predicted Gross: $132.1 million

2. Guardians of the Galaxy Vol. 3

Predicted Gross: $26 million

3. Fast X

Predicted Gross: $25.4 million

4. The Super Mario Bros. Movie

Predicted Gross: $7.6 million

5. About My Father

Predicted Gross: $6.2 million

6. Kandahar

Predicted Gross: $4.2 million

7. The Machine

Predicted Gross: $3.7 million

Box Office Results (May 19-21)

Fast X continued the diminishing returns of the franchise though its dip wasn’t too far off from F9. The tenth pic in the 22-year-old series made $67 million (F9 did $70M) and that’s right in line with my $67.8 million prediction. As mentioned, I look for a hefty fall coming up. Luckily for Universal, the overseas grosses are solid (they need to be considering the reported $340 million sticker price).

Guardians of the Galaxy Vol. 3 was second after two weeks on top with $32.4 million, on pace my with $33.5 million take. The three-week total is $266 million and, per above, I think it could stay parked in the runner-up position over the holiday.

The Super Mario Bros. Movie made $9.6 million for third compared to my $8.3 million forecast. The remarkable seven-week earnings are $549 million.

Book Club: The Next Chapter, after a poor debut, tumbled 55% in fourth with $3 million (I said $3.2 million). The rom com sequel has made a mere $13 million in ten days.

Finally, Evil Dead Rise was fifth with $2.4 million. My projection? $2.4 million! The horror pic has amassed $64 million in five weeks.

And that does it for now, folks! Catch my podcast… or Toddcast as I call it… by searching Movies at the Speed of Speculation on your favorite streaming platform. Until next time…

Oscar Predictions: The Little Mermaid

Disney’s The Little Mermaid surfaces in theaters over this Memorial weekend and it hopes to dominate the box office like the Beauty and the Beast and The Lion King live-action versions did. Rob Marshall, Oscar-winning director of Chicago who recently helmed Mary Poppins Returns, is behind the camera. Halle Bailey stars as Ariel with Melissa McCarthy, Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem among the supporting players.

The musical fantasy is, of course, a remake of 1989’s classic that won Oscars for Score and Original Song (“Under the Sea”). Another tune (“Kiss the Girl”) was also in contention. 34 years ago, Best Animated Feature didn’t exist at the Academy Awards. If it had, Mermaid almost certainly would’ve won (unless you think All Dogs Go to Heaven might have managed a shocking upset).

Could this Mermaid swim into contention for the 96th ceremony? Over the past decade, several efforts in this sub-genre have been nominated in different races. 2015’s Cinderella was up for its Costume Design. 2016’s The Jungle Book won Visual Effects. The following year it was Beauty and the Beast mentioned in Costume Design and Production Design. The Lion King in 2019 received a Visual Effects nod and 2021’s Cruella won Costume Design and contended in Makeup and Hairstyling.

Reviews for Mermaid are mixed with a 69% Rotten Tomatoes score. That’s better than The Lion King (52%) for example but nowhere near Jungle Book (94%). Some of the criticism is for its visual look and I’m skeptical it places among the final five. I’m also not feeling the love in the other aforementioned categories.

Original Song could be the saving grace. There are three new ditties in the remake with Bailey performing the ballad “For the First Time”. I would think it would be the track that the Mouse Factory campaigns for.

A lot of critics are praising Bailey herself. I highly doubt she is a possibility for Best Actress at the Oscars. However, a nom in Musical/Comedy at the Golden Globes is doable depending on the competition in the next few months. My Oscar Prediction posts will continue…

Oscar Predictions: Indiana Jones and the Dial of Destiny

At last year’s Cannes Film Festival, Top Gun: Maverick screened at Cannes and that premiere kicked off its soaring buzz. The eventual result was box office nearing $1.5 billion and six Oscar nominations (including Picture). Disney would love for a similar result with Indiana Jones and the Dial of Destiny, the fifth adventure in a franchise that began with an iconic 80s classic.

Harrison Ford dons the fedora once again (and for the final time) 42 years after Raiders of the Lost Ark. Steven Spielberg has handed over directorial duties to James Mangold. Costars for the reported $300 million production include Phoebe Waller-Bridge, Mads Mikkelsen, Antonio Banderas, John Rhys-Davies (as series favorite Sallah), Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, and Ethann Isidore.

It’s been 15 years since previous entry Indiana Jones and the Kingdom of the Crystal Skull (which was also unveiled in the south of France). Let’s catch up on the Academy’s history and their love for Dr. Jones (or lack thereof). Raiders, back in 1981, nabbed 8 nominations (including Picture and Director though not Actor for Ford). The win total was four (Art Direction, Film Editing, Score, Visual Effects). Three years later, Temple of Doom managed two mentions in Score and Visual Effects (winning the latter). 1989’s Last Crusade received three nods and took the now defunct Special Effects Editing race. In 2008, Skull was derided by many critics and filmgoers. It was blanked at the Oscars.

We are obviously very early when it comes to reviews for Destiny. However, signs are troubling. The Rotten Tomatoes score (based on 7 write-ups) is 43%. Social media reaction from those in attendance overseas is also quite mixed. A safe assumption is this won’t be the next Maverick. I suppose John Williams in Score or Sound or Visual Effects (though there are gripes about this digitization) is feasible. Another likely result is this ends up contending in the same number of competitions as its predecessor. My Oscar Prediction posts will continue…

The Little Mermaid Box Office Prediction

Back in 1989, Disney’s animated underwater musical fantasy The Little Mermaid helped usher in a new golden era for the studio. Over the past few years, the Mouse Factory has made a habit out of releasing live-action renderings of those classics. This includes the pics that immediately followed Mermaid in Beauty and the Beast, Aladdin, and The Lion King.

It’s Ariel’s turn this Memorial Day weekend with Halle Bailey in the title role. Melissa McCarthy is Ursula and other supporting players include Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem. Rob Marshall, Oscar winning maker of Chicago as well as Mary Poppins Returns, directs.

Disney has mostly seen boffo results with this subgenre. This include four premieres over nine figures: 2016’s The Jungle Book ($103M), 2017’s Beauty and the Beast ($174M) and Aladdin ($116M) and The Lion King ($191M) from 2019. For Aladdin, that number represents the four-day Memorial weekend haul. Mermaid looks to swim in a similar financial pool as that effort. Anything below $100M would be a letdown.

I figure Mermaid will easily accomplish that goal. The original is beloved enough that the grown-ups who saw it 30 plus years ago should eagerly take their young ones. I’ll say the extended Friday to Monday gross may get beyond $130M.

The Little Mermaid opening weekend prediction: $132.1 million (Friday to Monday estimate)

For my About My Father prediction, click here:

About My Father Box Office Prediction

For my The Machine prediction, click here:

The Machine Box Office Prediction

For my Kandahar prediction, click here:

Kandahar Box Office Prediction

May 12-14 Box Office Predictions

Blogger’s Update (05/10): With reports that Knights of the Zodiac is only opening on 750 screens, I’m revising my prediction from $2.2M to $1.2M.

Book Club: The Next Chapter hopes to blossom on Mother’s Day weekend while Knights of the Zodiac (based on a Japanese manga) also touches down. You can peruse my detailed prediction posts on the newcomers here:

Book Club: The Next Chapter Box Office Prediction
Knights of the Zodiac Box Office Prediction

There’s no doubt that Guardians of the Galaxy Vol. 3 will hold the #1 spot. Yet it will do so after a disappointing start (more on that below). The big question is how far it falls in the sophomore frame. Vol. 2 in 2017 eased a reasonable 55% after a strong $146 million start. With an A Cinemascore grade, the third iteration could see a similar drop. A low to mid 50s decline would put it in the mid 50s.

Book Club: The Next Chapter, a sequel to the 2018 rom com, looks to reach $12-14 million. That would be in range with its predecessor and the recent 80 for Brady. This particular holiday could it get there, but I’ll go a tad under. That could put it in a photo finish with the sixth weekend of The Super Mario Bros. Movie.

As for Zodiac, it’ll hope to make some coin overseas and it’ll need to with a reported $60 million budget. The domestic prospects appear dim and it may not even reach the top 5.

**A quick note about the sci-fi thriller Hypnotic with Ben Affleck. Apparently it’s out this weekend and there’s been approximately zero promotion or buzz. This appears to be getting dumped. I haven’t done an official prediction and it might be fortunate to make $1 million (I’m curious to see a screen count).

Here’s how I see it playing out:

1 . Guardians of the Galaxy Vol. 3

Predicted Gross: $54.8 million

2. The Super Mario Bros. Movie

Predicted Gross: $11.7 million

3. Book Club: The Next Chapter

Predicted Gross: $10.8 million

4. Evil Dead Rise

Predicted Gross: $3.2 million

5. Are You There God? It’s Me, Margaret

Predicted Gross: $2.4 million

Box Office Results (May 5-7)

It wasn’t exactly a festive start to summer for Disney as Guardians of the Galaxy Vol. 3 got off to a shaky start. With $118.4 million, it came in a bit under my $125.3 million take and significantly below the $146 million from Vol. 2. This is the second under performer of 2023 as Ant-Man and the Wasp: Quantumania also failed to match overall expectations.

After spending April in the top spot, The Super Mario Bros. Movie finally dropped to second with $18.5 million, a steeper plunge than my projection of $23.8 million. Nevertheless its five-week total is an astonishing $518 million.

Evil Dead Rise was third in weekend 3 with $5.8 million, in line with my $6.2 million forecast. It’s up to a solid $54 million.

Are You There God? It’s Me, Margaret was fourth with $3.2 million (I said $4 million). Despite laudatory reviews, the coming-of-age dramedy isn’t reaching audiences and the ten-day tally is a mere $12 million.

Rom com fans tuned out Love Again which began with only $2.3 million, not even matching my $3.2 million call.

Finally, John Wick: Chapter 4 was sixth in its seventh frame with $2.3 million. I said $3.5 million and the fourth shoot-em-up saga has amassed $180 million.

That does it for now, folks! You can listen to me talk all things box office via Movies at the Speed of Speculation wherever you catch your podcasts. Until next time…

March 3-5 Box Office Predictions

Creed III looks to KO all competitors as the Japanese animated episodic effort Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village and Guy Ritchie’s action comedy Operation Fortune: Ruse de Guerre also debut. You can peruse my detailed prediction posts on the trio here:

Creed III Box Office Prediction
Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village Box Office Prediction
Operation Fortune: Ruse de Guerre Box Office Prediction

Michael B. Jordan makes his directorial debut in the third feature in the Creed franchise and ninth in the Rocky cinematic universe. It is the first not to feature Rocky himself Sylvester Stallone. However, reviews are strong and I see no reason why this wouldn’t continue the muscular grosses. The first two Creed flicks opened over long Thanksgiving frames. Part III could manage the highest three-day start at just under $40 million.

Swordsmith is a head scratcher. In 2021, Demon Slayer – Kimetsu No Yaiba the Movie: Mugen Train astonished forecasters with $21 million in its first weekend. Swordsmith is not a sequel. Instead it combines episodes from a TV show related to the franchise. I’ve yet to see a theater count so that could alter my take. If it manages close to half of what Train accomplished, it would place in the top five.

Operation Fortune: Ruse de Guerre, the latest collaboration between Ritchie and Jason Statham, seems like it is being dumped into multiplexes and my meager $4 million projection leaves it in sixth.

As for holdovers, Ant-Man and the Wasp: Quantumania experienced a massive second weekend dip (more on that below). The third frame drop-off shouldn’t be as disastrous (perhaps a bit over 50%). Cocaine Bear and Jesus Revolution both over performed in their premieres. The Revolution sophomore decline may only be in the high 20s with Cocaine being cut in the low to mid 40s.

Here’s how I envision the top six looking:

1. Creed III

Predicted Gross: $39.2 million

2. Ant-Man and the Wasp: Quantumania

Predicted Gross: $14.6 million

3. Cocaine Bear

Predicted Gross: $13.2 million

4. Jesus Revolution

Predicted Gross: $11.3 million

5. Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village

Predicted Gross: $9.8 million

6. Operation Fortune: Ruse de Guerre

Predicted Gross: $4 million

Box Office Results (February 24-26)

The #1 spot came without bragging rights as Ant-Man and the Wasp: Quantumania suffered the largest second frame fall of all the 31 MCU entries. At 70%, the Paul Rudd threequel made $31.9 million. I was slightly more generous at $34.2 million. The ten-day tally is $167 million and it will be the best earner of the Ant-Man trilogy. It still scored a record that Disney/MCU can’t be thrilled about.

Universal, on the other hand, can celebrate their marketing campaign for Cocaine Bear as it paid off with $23.2 million for second place. That’s well above the rosiest predictions and considerably beyond my call of $14.3 million.

Faith-based drama Jesus Revolution continued over performances for the genre at $15.8 million in third. I was more skeptical with only $8.7 million. With an A+ Cinemascore, this could be blessed with smallish declines in the coming weeks.

Avatar: The Way of Water was fourth with $4.8 million (I said $5.4 million) to bring the eleven week gross to $665 million.

Puss in Boots: The Last Wish rounded out the top five with $4.1 million. I went with $4.6 million and the animated sequel has amassed $173 million.

That does it for now, folks! Until next time…

February 17-20 Box Office Predictions

Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.

The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:

Ant-Man and the Wasp: Quantumania Box Office Prediction
Winnie-the-Pooh: Blood and Honey Box Office Prediction

Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.

The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.

Here’s how I envision the top 5 playing out:

1. Ant-Man and the Wasp: Quantumania

Predicted Gross: $109.1 million

2. Avatar: The Way of Water

Predicted Gross: $6.1 million

3. Puss in Boots: The Last Wish

Predicted Gross: $5.8 million

4. Magic Mike’s Last Dance

Predicted Gross: $5.5 million

5. 80 for Brady

Predicted Gross: $4.2 million

Box Office Results (February 10-12)

Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.

Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.

Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.

The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.

80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.

Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.

Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.

And that does it for now, folks! Until next time…