Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5
Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:
In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.
I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.
Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.
Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.
Here’s how I see the top 6 shaking out:
1. Toy Story 5
Predicted Gross: $166.8 million
2. Disclosure Day
Predicted Gross: $21.5 million
3. Obsession
Predicted Gross: $15.2 million
4. Backrooms
Predicted Gross: $6.6 million
5. Scary Movie
Predicted Gross: $6.1 million
Box Office Results (June 12-14)
In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.
Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.
Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.
Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.
Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.
It’s been two weeks since my last round of predictions in Best Picture, Director, and the four acting competitions. With mid-June upon us, I am now adding my first takes on the two screenplay derbies.
What’s changed in the last two weeks? In my estimation, Obsession has picked up considerable momentum with its astonishing box office performance. I am now vaulting the low-budget horror smash from #25 all the way into the BP lineup. Additionally, I am now thinking that Focus Features will slot Inde Navarrette and her buzzy performance to Supporting Actress and I’m placing her in my quintet all the way in second position.
While Obsession‘s fortunes have risen, I would say Disclosure Day from Steven Spielberg has taken a slight downturn. The sci-fi saga which debuted this weekend in line with financial expectations (though certainly not over them) will have to battle other blockbusters (Project Hail Mary, The Odyssey, Dune: Part Three) over the next several months for awards viability. It could still get in (and so could Emily Blunt in Actress). However, the non-gushing critical response and mixed audience reaction is a potential roadblock.
Trailers can be deceiving when evaluating a picture’s Oscar chances. Yet I have to admit that I found our first look at The Social Reckoning underwhelming and I dropped it from my BP lineup, putting it just on the outside looking in.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. The Black Ball (PR: 5) (+2)
4. Digger (PR: 3) (-1)
5. Wild Horse Nine (PR: 4) (-1)
6. Fjord (PR: 6) (E)
7. No One Cares (PR: 8) (+1)
8. Dune: Part Three (PR: 7) (-1)
9. Cry to Heaven (PR: 10) (+1)
10. Obsession (PR: 25) (+15)
Other Possibilities:
11. The Social Reckoning (PR: 9) (-2)
12. All of a Sudden (PR: 12) (E)
13. A Place in Hell (PR: 15) (+2)
14. Disclosure Day (PR: 11) (-2)
15. Sense and Sensibility (PR: 14) (-1)
16. Fatherland (PR: 13) (-3)
17. Behemoth! (PR: 19) (+2)
18. Werwulf (PR: 16) (-2)
19. Jack of Spades (PR: 18) (-1)
20. The Adventures of Cliff Booth (PR: 17) (-3)
21. Josephine (PR: 23) (+2)
22. Saturn Return (PR: 24) (+2)
23. Michael (PR: 22) (-1)
24. Being Heumann (PR: 20) (-4)
25. Club Kid (PR: Not Ranked)
Dropped Out:
The Entertainment System is Down
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 4) (+2)
3. Alejandro G. Iñárritu, Digger (PR: 2) (-1)
4. Martin McDonagh, Wild Horse Nine (PR: 3) (-1)
5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)
Other Possibilities:
6. Cristian Mingiu, Fjord (PR: 6) (E)
7. Tom Ford, Cry to Heaven (PR: 7) (E)
8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)
9. Curry Barker, Obsession (PR: Not Ranked)
10. Pawel Pawlikowski, Fatherland (PR: 9) (-1)
11. Jesse Eisenberg, No One Cares (PR: 12) (+1)
12. Ryusuke Hamaguchi, All of a Sudden (PR: 11) (-1)
13. Chloe Domont, A Place in Hell (PR: Not Ranked)
14. Georgia Oakley, Sense and Sensibility (PR: 14) (E)
15. Robert Eggers, Werwulf (PR: 15) (E)
Dropped Out:
Steven Spielberg, Disclosure Day
Aaron Sorkin, The Social Reckoning
Best Actress
Predicted Nominees:
1. Renate Reinsve, Fjord (PR: 1) (E)
2. Julianne Moore, No One Cares (PR: 2) (E)
3. Michelle Williams, A Place in Hell (PR: 4) (+1)
4. Virginie Efira, All of a Sudden (PR: 5) (+1)
5. Mikey Madison, The Social Reckoning (PR: 3) (-2)
Other Possibilities:
6. Sandra Hüller, Fatherland (PR: 6) (E)
7. Emily Blunt, Disclosure Day (PR: 7) (E)
8. Daisy Edgar-Jones, Sense and Sensibility (PR: 11) (+3)
9. Sandra Hüller, Rose (PR: 10) (+1)
10. Cynthia Erivo, Prima Facie (PR: 8) (-2)
11. Ruth Madeley, Being Heumann (PR: 12) (+1)
12. Mason Reeves, Josephine (PR: 14) (+2)
13. Sophie Okonedo, Clarissa (PR: 13) (E)
14. Penélope Cruz, Bunker (PR: Not Ranked)
15. Léa Seydoux, Gentle Monster (PR: Not Ranked)
Dropped Out:
Inde Navarrette, Obsession (moved to Supporting Actress)
Rachel Brosnahan, Saturn Return
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. Sebastian Stan, Fjord (PR: 3) (E)
4. John Malkovich, Wild Horse Nine (PR: 4) (E)
5. Matt Damon, The Odyssey (PR: 5) (E)
Other Possibilities:
6. John Turturro, The Only Living Pickpocket in New York (PR: 13) (+7)
7. Pedro Pascal, Behemoth! (PR: 9) (+2)
8. Nicholas Hoult, Cry to Heaven (PR: 6) (-2)
9. Jaafar Jackson, Michael (PR: 7) (-2)
10. Dominic Sessa, Tony (PR: 8) (-2)
11. Robert Pattinson, Primetime (PR: 11) (E)
12. Timothée Chalamet, Dune: Part Three (PR: 12) (E)
13. Hanns Zischler, Fatherland (PR: 14) (+1)
14. Rami Malek, The Man I Love (PR: 10 (-4)
15. Jordan Firstman, Club Kid (PR: Not Ranked)
Dropped Out:
Javier Bardem, The Beloved
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: Not Ranked – moved from lead Actress)
3. Sandra Hüller, Digger (PR: 2) (-1)
4. Penélope Cruz, The Black Ball (PR: 5) (+1)
5. Tao Okamoto, All of a Sudden (PR: 4) (-1)
Other Possibilities:
6. Anne Hathaway, The Odyssey (PR: 3) (-3)
7. Parker Posey, Wild Horse Nine (PR: 6) (-1)
8. Sandra Hüller, Project Hail Mary (PR: 7) (-1)
9. Daisy Edgar-Jones, A Place in Hell (PR: 8) (-1)
10. Esmé Creed-Miles, Sense and Sensibility (PR: 10) (E)
11. Penélope Cruz, The Invite (PR: 13) (+2)
12. Halle Bailey, No One Cares (PR: 9) (-3)
13. Scarlet Johansson, Paper Tiger (PR: 15) (+2)
14. Elizabeth Debicki, The Adventures of Cliff Booth (PR: 11) (-3)
15. Lesley Manville, Jack of Spades (PR: 14) (-1)
Dropped Out:
Adele, Cry to Heaven
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, No One Cares (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 4) (E)
5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)
Other Possibilities:
6. Jeremy Strong, The Social Reckoning (PR: 6) (E)
7. Jesse Plemons, Digger (PR: 8) (+1)
8. Colman Domingo, Michael (PR: 9) (+1)
9. Andrew Scott, A Place in Hell (PR: 13) (+4)
10. Riz Ahmed, Digger (PR: Not Ranked)
11. Channing Tatum, Josephine (PR: 12) (+1)
12. James Ortiz, Project Hail Mary (PR: Not Ranked)
13. Tom Holland, The Odyssey (PR: 10) (-3)
14. Aaron Taylor-Johnson, Cry to Heaven (PR: 7) (-7)
Disclosure Day, which returns Steven Spielberg to the extraterrestrial genre, marks the 34th feature from the iconic filmmaker. Of the previous 33, only five failed to receive at least Oscar nomination: 1974’s The Sugarland Express, 1989’s Always, 2004’s The Terminal, 2008’s Indiana Jones and the Kingdom of the Crystal Skull, and 2016’s The BFG. That’s one heckuva percentage with the Academy and it’s highly unlikely that Disclosure Day will become the sixth to blank with voters.
Out this weekend, the sci-fi tale reunites the director with his frequent screenwriter David Koepp. Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, Wyatt Russell, and Colman Domingo headline the cast. The review embargo is up with an encouraging 88% on Rotten Tomatoes and 74 on Metacritic.
Finding Spielberg back in the blockbuster territory for the first time since 2018’s Ready Player One, this is not as Oscar baity as his last two projects (West Side Story and The Fabelmans). As far as Disclosure‘s Best Picture prospects, the possibility is there under a best case scenario. However, other mass appeal pics like Project Hail Mary (which has probably punched its BP ticket) and the upcoming The Odyssey and Dune: Part Three loom. If it manages to get into BP, Spielberg could follow suit in director. Original Screenplay might be more of a challenge.
It’s no surprise that the film’s strongest chances lie below the line, particularly in Sound and Visual Effects. Then there’s John Williams. Spielberg’s most frequent collaborator could manage an Original Score mention. He would be 95 when the 99th ceremony airs and it would mark his 55th (!) nomination with five victories to his legendary name.
As far as the cast, Firth is getting good ink. Yet it’s Blunt who could make the cut in Best Actress. Competition will clearly be key, but she is being heralded in what some critics are calling career-best work. She is nowhere near as guaranteed to get in as her The Fall Guy costar Ryan Gosling is for Hail Mary, but Blunt definitely has a prayer. If so, it would mark only her second attempt at Academy gold after being up in Supporting Actress for 2023’s Oppenheimer.
Bottom line: Disclosure Day will keep its maker’s popularity with the Academy intact. The number of nominations is the real mystery. My Oscar Prediction posts will continue…
Steven Spielberg’s latest alien tale Disclosure Day looks to open impressively as the only new release in the top 5. You can peruse my detailed prediction post on the legendary filmmaker’s latest here:
With solid reviews and a robust marketing campaign, Spielberg’s return to the extraterrestrial genre will have no trouble topping the charts. I do not, however, think it’ll surpass the anticipated premiere range in the mid 40s to mid 50s. I’m putting it smack dab in the middle of those figures.
The last three Scary Movie flicks have all fallen in the high 50s during their sophomore outings. After a terrific opening (more on that below), I don’t see why the sixth installment wouldn’t do the same and it might even approach 60%.
That could mean Obsession, the little horror movie that could, rises from 4th to 2nd in its fifth weekend assuming it only drops around 10% with current champ Scary Movie dropping to third. I’m estimating that Masters of the Universe and Backrooms see declines in the mid 50s and place fourth and fifth.
Here’s how I see it shaking out:
1. Disclosure Day
Predicted Gross: $51.6 million
2. Obsession
Predicted Gross: $22.8 million
3. Scary Movie
Predicted Gross: $22 million
4. Masters of the Universe
Predicted Gross: $13.5 million
4. Backrooms
Predicted Gross: $12.4 million
Box Office Results (June 5-7)
Scary Movie reenergized a franchise that had been dormant for 13 years and set a series best start with $54.3 million, besting my $47.5 million projection. The spoof flicks that have been around since the beginning of the 21st century looks good to go for an eventual seventh entry and I doubt a decade plus wait will occur.
Masters of the Universe did not have the power of box office potency in second with $29.4 million, on target with my $29.8 million call. Considering the reported budget approaching $200 million, that’s a weak debut for the second big screen adaptation of the 80s Saturday morning animated show.
Backrooms was third with a considerable but understandable 68% sophomore slide. The low-budget horror hit took in $26.2 million compared to my $30.6 million forecast. The two-week tally is a fantastic $135 million.
Obsession continued its historic run in weekend #4 in fourth with $25.3 million, surpassing my $23.4 million estimate. The really low-budget horror hit grew to $151 million.
The Amazing Digital Circus: The Last Act, featuring episodes of the hit web series, rounded out the top five with $12.3 million, in line with my $13.1 million take. Since its Thursday start, the gross is $20.2 million.
The Mandalorian and Grogu, the summer’s most notable disappointment (more than He-Man), was sixth with $9.6 million (I said $11 million). The three-week earnings of $155 million is low for its storied franchise.
Finally, Power Ballad with Paul Rudd and Nick Jonas (despite decent critical reaction) bombed in 12th with only $1.2 million. I thought it might strike a higher chord at $4.2 million.
Steven Spielberg is back in familiar alien territory when Disclosure Day opens June 12th. The sci-fi saga centered on extraterrestrial revelations finds the Close Encounters of the Third, E.T.: The Extra-Terrestrial, and War of the Worlds maker in summer blockbuster mode for the first time in years. Emily Blunt and Josh O’Connor star with Colin Firth, Eve Hewson, Colman Domingo, and Wyatt Russell in support. David Koepp, a frequent collaborator of the director who penned Jurassic Park and War of the Worlds, scripts.
The trailers have done a decent job at keeping Spielberg’s wishes to not spoil the plot. The pic’s biggest selling point is indeed the man behind the camera. You can’t say that about many directors though Christopher Nolan certainly comes to mind recently. As mentioned, you have to go back to 2008’s Indiana Jones and the Kingdom of the Crystal Skull for Mr. Spielberg’s last proper popcorn flick in this season.
Forthcoming reviews could help or hinder the turnout and let’s see if I adjust my figure next week when the buzz is louder. Current estimates have this between $40-$50 million with the possibility of an uptick seeming likelier than the alternative. Considering that many movies are exceeding expectations, I’ll go with the slight over.
Disclosure Day opening weekend prediction: $51.6 million
It’s been over three weeks since I’ve updated my Oscar predictions in the six major categories of Picture, Director, and the four acting races. A little thing called the Cannes Film Festival happened in between. In the past few cycles, you can usually count on 2-3 films screened in the French Riviera to eventually make the Best Picture cut at the Academy Awards.
Some features like Na Hong-jin’s Hope and James Gray’s Paper Tiger saw their fortunes take a hit. I would say there are four titles that standing the best chance at finding themselves in the Oscar mix: Cristian Mingiu’s Fjord (which won the Palme d’Or), Ryusuke Hamaguchi’s All of a Sudden, Fatherland from Pawel Pawlkowski, and especially The Black Ball from Javier Calvo and Javier Ambrossi. You can read my detailed prediction posts on the those Cannes titles and more on the blog from the past few days. There’s others that could gain momentum including Minotaur, Coward, and Club Kid.
Steven Spielberg’s Disclosure Day didn’t screen at Cannes, but is readying release on June 12th. Influencers who’ve seen it are highly positive. That said, it is a wise practice to wait until the real review embargo lapses to get a clear picture of its awards viability. For now, I have the movie, Spielberg, and Emily Blunt just on the outside looking in.
The horror flick Obsession drew rave critical reactions and fantastic box office numbers that are continuing to grow. This has truly opened the door for Inde Navarrette to snag an acting nod and, in a best case scenario, BP inclusion (still seems like a long shot but you never know). It’s a legit question as to whether Navarrette competes in lead Actress or Supporting Actress. For now, I’m slotting her as a possibility (though not yet a nominee) in the former. Focus Features will clear it up as some point though it might be a while.
You can read all the movement below and I’ll have the next update available in mid-June!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Digger (PR: 4) (+1)
4. Wild Horse Nine (PR: 3) (-1)
5. The Black Ball (PR: Not Ranked)
6. Fjord (PR: 5) (-1)
7. Dune: Part Three (PR: 8) (+1)
8. No One Cares (PR: 6) (-2)
9. The Social Reckoning (PR: 9) (E)
10. Cry to Heaven (PR: 12) (+2)
Other Possibilities:
11. Disclosure Day (PR: Not Ranked)
12. All of a Sudden (PR: 10) (-2)
13. Fatherland (PR: 7) (-6)
14. Sense and Sensibility (PR: 17) (+2)
15. A Place in Hell (PR: 13) (-2)
16. Werwulf (PR: 15) (-1)
17. The Adventures of Cliff Booth (PR: 25) (+8)
18. Jack of Spades (PR: 20) (+2)
19. Behemoth! (PR: 23) (+4)
20. Being Heumann (PR: 21) (+1)
21. The Entertainment System is Down (PR: 19) (-2)
22. Michael (PR: 24) (+2)
23. Josephine (PR: 17) (-6)
24. Saturn Return (PR: 18) (-6)
25. Obsession (PR: Not Ranked)
Dropped Out:
Hope
Paper Tiger
A Long Winter
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Alejandro G. Iñárritu, Digger (PR: 2) (E)
3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)
4. Javier Calva and Javier Ambrossi, The Black Ball (PR: Not Ranked)
5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)
Other Possibilities:
6. Cristian Mingiu, Fjord (PR: 4) (-2)
7. Tom Ford, Cry to Heaven (PR: 11) (+4)
8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)
9. Pawel Pawlikowski, Fatherland (PR: 6) (-3)
10. Steven Spielberg, Disclosure Day (PR: Not Ranked)
11. Ryusuke Hamaguchi, All of a Sudden (PR: 7) (-4)
12. Jesse Eisenberg, No One Cares (PR: 9) (-3)
13. Aaron Sorkin, The Social Reckoning (PR: 12) (-1)
14. Georgia Oakley, Sense and Sensibility (PR: Not Ranked)
15. Robert Eggers, Werwulf (PR: 13) (-2)
Dropped Out:
Na Hong-jin, Hope
James Gray, Paper Tiger
Greg Kwedar, Saturn Return
Best Actress
Predicted Nominees:
1. Renate Reinsve, Fjord (PR: 1) (E)
2. Julianne Moore, No One Cares (PR: 3) (+1)
3. Mikey Madison, The Social Reckoning (PR: 4) (+1)
4. Michelle Williams, A Place in Hell (PR: 5) (+1)
5. Virginie Efira, All of a Sudden (PR: 6) (+1)
Other Possibilities:
6. Sandra Hüller, Fatherland (PR: 2) (-4)
7. Emily Blunt, Disclosure Day (PR: Not Raked)
8. Cynthia Erivo, Prima Facie (PR: 7) (-1)
9. Inde Navarrette, Obsession (PR: Not Ranked)
10. Sandra Hüller, Rose (PR: 8) (-2)
11. Daisy Edgar-Jones, Sense and Sensibility (PR: 12) (+1)
12. Ruth Madeley, Being Heumann (PR: 9) (-3)
13. Sophie Okonedo, Clarissa (PR: 10) (-3)
14. Mason Reeves, Josephine (PR: 11) (-3)
15. Rachel Brosnahan, Saturn Return (PR: 13) (-2)
Dropped Out:
Penélope Cruz, Bunker
Lily Gladstone, The Memory Police
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. Sebastian Stan, Fjord (PR: 3) (E)
4. John Malkovich, Wild Horse Nine (PR: 4) (E)
5. Matt Damon, The Odyssey (PR: 6) (+1)
Other Possibilities:
6. Nicholas Hoult, Cry to Heaven (PR: 9) (+3)
7. Jaafar Jackson, Michael (PR: 8) (+1)
8. Dominic Sessa, Tony (PR: 7) (-1)
9. Pedro Pascal, Behemoth! (PR: Not Ranked)
10. Rami Malek, The Man I Love (PR: 14) (+4)
11. Robert Pattinson, Primetime (PR: Not Ranked)
12. Timothée Chalamet, Dune: Part Three (PR: 15) (+3)
13. John Turturro, The Only Living Pickpocket in New York City (PR: 10) (-3)
14. Hanns Zischler, Fatherland (PR: 5) (-9)
15. Javier Bardem, The Beloved (PR: Not Ranked)
Dropped Out:
Jeremy Allen White, The Social Reckoning
Adam Driver, Paper Tiger
Josh O’Connor, Jack of Spades
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Sandra Hüller, Digger (PR: 2) (E)
3. Anne Hathaway, The Odyssey (PR: 7) (+4)
4. Tao Okamoto, All of a Sudden (PR: 6) (+2)
5. Penélope Cruz, The Black Ball (PR: Not Ranked)
Other Possibilities:
6. Parker Posey, Wild Horse Nine (PR: 3) (-3)
7. Sandra Hüller, Project Hail Mary (PR: 8) (+1)
8. Daisy Edgar-Jones, A Place in Hell (PR: 5) (-3)
9. Halle Bailey, No One Cares (PR: 4) (-5)
10. Esmé Creed-Miles, Sense and Sensibility (PR: 11) (+1)
11. Elizabeth Debicki, The Adventures of Cliff Booth (PR: Not Ranked)
12. Adele, Cry to Heaven (PR: Not Ranked)
13. Penélope Cruz, The Invite (PR: 14) (+1)
14. Lesley Manville, Jack of Spades (PR: 10) (-4)
15. Scarlett Johansson, Paper Tiger (PR: 9) (-6)
Dropped Out:
Kirsten Dunst, The Entertainment System is Down
Caitriona Balfe, A Long Winter
Gemma Chan, Josephine
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, No One Cares (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 5) (+1)
5. Steve Buscemi, Wild Horse Nine (PR: 4) (-1)
Other Possibilities:
6. Jeremy Strong, The Social Reckoning (PR: 6) (E)
7. Aaron Taylor-Johnson, Cry to Heaven (PR: 15) (+8)
All My Life... I Wanted To Be A Blogster 