Blumhouse Productions hopes to have a sleeper hit on their hands over Labor Day weekend with Don’tLetGo. The supernatural thriller finds David Oyelowo attempting to retroactively prevent the death of loved ones. Jacob Aaron Estes directs with a supporting cast including Storm Reid, Bryon Mann, Mykelti Williamson, Alfred Molina, and Brian Tyree Henry.
The pic premiered eight months ago at the Sundance Film Festival to mixed reaction. Its Rotten Tomatoes score is at 47%. That’s not a great number to generate buzz and Go appears to be lacking it. While it’s a little risky to underestimate Blumhouse, the Labor Day release date isn’t exactly a vote of confidence.
I’ll say this doesn’t manage to achieve double digits over the four day holiday weekend. Mid single digits is possibly where this goes.
Don’tLetGo opening weekend prediction: $4.5 million (Friday to Monday estimate)
Gringo is action comedy laced with marijuana humor and it hits theaters next weekend. The film marks the directorial debut of Nash Edgerton (previously known for being a stunt coordinator). The cast includes David Oyelowo, Charlize Theron, Nash’s brother Joel Edgerton, Thandie Newton, Amanda Seyfried, Sharlto Copley, and the King of Pop’s daughter Paris Jackson.
Distributed by Amazon Studios and STX Entertainment, I’m having trouble envisioning much of an audience for it. The cast probably isn’t enough to get moviegoers too interested (save for maybe Theron) and the trailers and TV spots might not do enough to keep this from being a home viewing experience.
Gringo is rolling out on approximately 2400 screens (higher than I would have anticipated), but I’ll predict it struggles mightily to break through to American audiences.
JC Chandor’s AMostViolentYear finds our central character succeeding and struggling to achieve the American dream. It is a journey hampered by time, place, and competition. It is one helped by his own drive and tireless ambition and a genuine belief that he is always attempting to do the right thing.
That person is Abel Morales (Oscar Isaac) circa New York City 1981. He owns Standard Heating Oil Company and he’s already taken it from a small operation to a growing one. The time and place troubles he faces is a metropolis plagued by high crime rates. His trucks are frequently being hijacked. The competition troubles comes from his suspicions that his rivals are responsible. And that attempting to always do the right thing business doesn’t mean an ambitious District Attorney (David Oyelowo) isn’t breathing down his neck.
Abel’s professional endeavors are assisted by two key individuals: his wife Anna (Jessica Chastain) and his attorney (Albert Brooks) who seems to rarely give him good news. Anna is a fascinating character and Chastain’s performance only accentuates her. We are told she comes from a known family with a Brooklyn gangster father. We see flashes of ruthlessness in her that likely came from that upbringing. There are times when you wonder if Abel’s burgeoning yet troubled enterprise would run more smoothly (and probably with more bloodshed involved) if she were CEO.
We’ve seen plenty of crime dramas where our subject is a bad guy attempting to go good. Abel is more of a protagonist trying not to turn antagonist. Isaac is terrific. There are absolutely times where his acting reminds us of Pacino in the first Godfather. He’s a man surrounded by corruption, but with a moral compass that allows him to sleep at night.
For a movie called AMostViolentYear, we see little of it. A subplot involving one of Abel’s drivers (Elyes Gabel) provides some suspenseful and unexpected moments. There is thematically nothing very new here, but I welcomed this Sidney Lumet influenced character study and the first rate acting. Its early 80s NYC vibe doesn’t feel retro. More pleasingly, Year just feels like it could have made in 1981 when we would have watched it in old school VHS glory.
Most biographical sports films focus on football or boxing in recent years, but Disney changes it up next weekend with The Queen of Katwe. The pic tells the true-life tale of Ugandan chess master Phiona Mutesi (Madina Nalwanga). Mira Nair directs with a cast including David Oyelowo and recent Oscar winner Lupita Nyong’o.
Katwe screened at the Toronto Film Festival to positive critical reaction (it’s at 88% currently on Rotten Tomatoes). At one time, this was looked at as a potential awards hopeful yet that has been tampered down a bit (Nyong’o could be a factor in Supporting Actress, but probably not). The film comes with a rather minor $15 million budget.
Disney’s best hope is for a decent opening followed by long legs if audiences love what they see. Opening on a relatively small 1252 screens, expectations aren’t too high and I’ll predict this manages to reach $5 million for its start.
Queen of Katwe opening weekend prediction: $5 million
Amma Asante’s interracial romantic drama AUnitedKingdom has screened at the Toronto Film Festival over the weekend. The pic tells the true life story of the relationship between an African prince (David Oyelowo) and a London woman (Rosamund Pike) some seven decades ago.
Initial critical reaction has mostly been positive, but not to the level where Academy attention seems realistic. The lead performers have been on the radar screen of Oscar voters just two years ago when Pike nabbed a nomination for GoneGirl and Oyelowo surprisingly missed out on a nod for Selma.
If Kingdom somehow breaks through at the box office, the dynamic could change. However, that looks doubtful at this juncture. In fact, awards voters are far more likely to turn their attention to Jeff Nichols’ Loving, another mixed race drama that has received more buzz.
My Oscar Watch posts will continue as more Toronto hopefuls screen…
Day #4 of my first 2016 Oscar predictions brings us to Best Actor and in the past two years, even these incredibly early predictions yielded positive results. My 2014 late August/early September Actor predictions gave us four of the five nominees and in 2015 – three.
We start with Michael Keaton. He just missed out on a win in 2014 for Birdman and has had the distinction of appearing in the last two Best Picture winners (Birdman, Spotlight). It’s likely he’ll receive buzz for this December’s The Founder, in which he plays Ray Kroc – inventor of the McDonald’s franchise.
Denzel Washington both stars and directs in Fences, based on an acclaimed play. It’s been 15 years since he won for Training Day and it could be time to hear his name called again.
Casey Affleck has received raves for Manchester by the Sea. Same goes for Joel Edgerton in Jeff Nichols’ Loving. Readers of the previous posts in the Supporting races know that Moonlight looks to make some noise this season and that could extend to its star Trevante Rhodes.
Same goes for La La Land, which could mean a second nomination (ten years after Half Nelson) for Ryan Gosling. There’s Joe Alwyn in the title role of Billy Lynn’s Long Halftime Walk, the latest from double Oscar winner Ang Lee. Woody Harrelson plays the 36th President in LBJ. Double Oscar winner Tom Hanks is Sully. And so on and so on (I’ve even listed Ryan Reynolds in Deadpool as a possibility… even though it’s extremely unlikely).
This finally brings us to Nate Parker, director, writer, and star of The Birth of a Nation, which received raves on the festival circuit earlier this year. It is impossible to know right now how his recent publicity due to a years old rape charge (in which he acquitted) and the suicide of the alleged victim plays out in the minds of voters. For now, I do not have him being nominated. Whether that’s because of the serious competition or other reasons is a factor that is sure to be discussed as the nominations draw closer.
Here’s how I have this initial round shaking out:
TODD’S EARLY OSCAR PREDICTIONS – BEST ACTOR
Casey Affleck, Manchester by the Sea
Joe Alwyn, Billy Lynn’s Long Halftime Walk
Joel Edgerton, Loving
Michael Keaton, The Founder
Denzel Washington, Fences
Other Possibilities:
Ben Affleck, Live by Night
Bryan Cranston, Wakefield
Colin Farrell, The Lobster
Andrew Garfield, Silence
Ryan Gosling, La La Land
Jake Gyllenhaal, Nocturnal Animals
Tom Hanks, Sully
Woody Harrelson, LBJ
Dave Johns, I, Daniel Blake
Joseph Gordon Levitt, Snowden
Matthew McConaughey, Gold
David Oyelowo, A United Kingdom
Nate Parker, The Birth of a Nation
Dev Patel, Lion
Brad Pitt, Allied
Chris Pratt, Passengers
Ryan Reynolds, Deadpool
Trevante Rhodes, Moonlight
Michael Shannon, Midnight Special
Will Smith, Collateral Beauty
Miles Teller, Bleed for This
We’ll hit Best Director tomorrow and then Best Picture!
This coming Friday, the true life hostage drama Captive enters theaters on a reported screen count of a relatively low 800. The film stars David Oyelowo and Kate Mara (fresh off summer flop Fantastic Four). Captive is centered on the 2005 Atlanta case of Brian Nichols (Oyelowo) and his kidnapping of a young woman (Mara).
I suspect that adult moviegoers will be far more preoccupied with Johnny Depp’s Black Mass for this to gain any momentum at the box office. The low theater count doesn’t bode well either.
As I see it, Captive is likely to struggle to even reach $5 million and might fail to reach half that number. It should be available for VOD viewing in no time.
Like Spielberg’s Lincoln that preceded it two years prior, Ana DuVernay’s Selma sidesteps the idea of a biopic and rather focuses on a short but integral passage of time in its subject’s life. The focus is on Martin Luther King Jr. and the 1965 Voting Rights marches in Selma, Alabama. The film provides a history lesson that takes strides to not portray its central figure purely as a saint – nor does its perspective shy away from criticism of President Lyndon B. Johnson, while also acknowledging his achievements.
The film opens with King (David Oyelowo) and wife Coretta (Carmen Ejojo) in Norway circa 1964 to accept his Nobel Peace Prize. They speak of an alternative lifestyle in the opening scene that doesn’t involve the constant threat of death and his constant search for equal rights and justice. The couple seems to know that this is only talk and it is not what he’s destined for. Back home, the recent signing of the Civil Rights Act by President Johnson (Tom Wilkinson) has done little in the South to allow African Americans the right to vote. And this sets off a decision by King to organize a march in Selma that is met with Johnson’s objections, though not near to the level of Alabama Governor George Wallace (Tim Roth).
Director DuVernay and screenwriter Paul Webb do not shy away from showing us the brutality that took place in this era in the South. We also witness the goodness of people of many faiths and races who come to lend their support to Dr. King in his efforts. It is not one march on Selma – it’s three. The first ends in violent resistance from the police. The second time it’s halted is due to a more surprising manner of resistance. The third is history. The filmmakers also tackle the Kings marital status, including Dr. King’s infidelities.
His political skills are shown as well and they are often as powerful as his oratory abilities. The scenes with King and LBJ have been challenged by some for inaccuracy, but this is not a documentary and I won’t judge it as such. My only drawback to these sequences are Wilkinson, a fine actor that’s simply not the right choice for the 36th POTUS.
The flaws don’t stop there. The complex relationship between King and Malcolm X is touched upon so briefly that it begs for further fleshing out. Adding familiar faces like Martin Sheen and Cuba Gooding Jr. for cameos threaten to take you out of the story than involve you more.
Where it delivers is its willingness to tell this important story as a real one. A human one. King is a great man, but is written as experiencing the doubts and insecurities that he must have had. Oyelowo nails the role and he excels at embodying MLK’s mannerisms and spirit.
Selma tells the story of imperfect men fighting for a more perfect union. The film is imperfect as well but it’s worthy of its important subject matter that might have occurred a half century ago, but still resonates on many levels today.
JC Chandor’s A Most Violent Year was once looked at as a potential awards contender, but it didn’t quite pan out. The crime thriller set in early 1980s New York City has been a hit with critics (it boasts a 91% rating on Rotten Tomatoes). Yet it received exactly zero Oscar nominations.
The cast is filled with familiar faces including Oscar Isaac, Jessica Chastain, David Oyelowo, and Albert Brooks. The picture has performed decently in limited release and expands nationwide tomorrow on a fairly low 818 screens. It’s difficult to see this breaking through and certainly Academy Awards nods would’ve assisted. The studio should feel great if this manages $5 million out of the gate, but I don’t see it happening.
A Most Violent Year opening weekend prediction: $3.4 million
The Oscar nominations for the 2014 movie year were released this morning. As readers of the blog know, I made my final predictions yesterday evening in the eight major categories. So how did I do?
Well… not too shabby as I see it. Of the 44 nominations predicted, I correctly got 38 which equates to 86% overall and perfect scores in three of the races. Let’s take a look at the categories one by one and, for the first time, I’ll offer my initial thoughts on what and who will win:
BEST PICTURE
As mentioned last night, I finally got on the Nightcrawler bandwagon. Frankly, I should have been thinking more about the American Sniper bandwagon. It’s the only movie that received a nod that I didn’t predict. There were eight nominees instead of my estimated nine, which meant my Foxcatcher and Nightcrawler calls were left off. So overall – 7 out of 9 on Best Picture.
Nominees
American Sniper
Birdman
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash
This appears to be a three film race between Boyhood, Birdman, and The Imitation Game with Boyhood appearing to have the edge. Selma was once thought to be in that mix, but today’s lack of nods in other categories render its chances virtually non-existent.
Current Predicted Winner: Boyhood
BEST DIRECTOR
Went 4 out of 5 here. Bennett Miller’s nomination for Foxcatcher was only surprising because the picture itself wasn’t recognized. I included Ana DuVernay for Selma yet her exclusion isn’t that shocking since Selma has been losing steam.
Nominees
Wes Anderson, The Grand Budapest Hotel
Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
Morten Tyldum, The Imitation Game
For the last two years, Oscar has split their Picture and Director winners. I could easily see a scenario where Boyhood takes top prize with Inarritu’s virtuoso work in Birdman victorious in this category. This is a tough call, but for now I’ll go with Linklater’s heralded and long gestating accomplishment in Boyhood.
Predicted Winner: Linklater
BEST ACTOR
4 for 5 again. This race had turned into a seven man showdown and two were going to be left out. They were David Oyelowo in Selma (who I predicted wouldn’t be nominated) and Jake Gyllenhall in Nightcrawler (I predicted he would). The Sniper love meant Bradley Cooper picked up his third consecutive nomination and he’s the one I left out.
Nominees
Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything
We’ll keep this short and sweet. Cumberbatch or Redmayne could spoil, but this is Keaton’s race to lose.
Predicted Winner: Keaton
BEST ACTRESS
5 for 5 here! I’ll pat myself on the back for including Marion Cotillard’s “surprise” nom for Two Days One Night. Some were surprised at Jennifer Aniston’s exclusion for Cake, but the film was so small and reviews so not solid that I wasn’t.
Nominees
Marion Cotillard, Two Days One Night
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Like the Best Actor race, we have a big front runner here and it’s Moore (a celebrated and often nominated actress who’s never won). It’s simply hard to imagine any of the other four topping her.
Predicted Winner: Moore
BEST SUPPORTING ACTOR
5 for 5 again!! Not much to add here as these five actors were the expected nominees and that’s how it panned out.
Nominees
Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash
I’m starting to sound like a broken record, but again there’s a major front runner. J.K. Simmons has won most of the precursors. Only an extremely good night for Birdman and a Norton upset seems plausible… but not that plausible.
Predicted Winner: Simmons
BEST SUPPORTING ACTRESS
4 for 5 here as Laura Dern’s work in Wild (which I’d predicted previously but took her off) was included and Jessica Chastain’s in A Most Violent Year was excluded.
Nominees
Patricia Arquette, Boyhood
Laura Dern, Wild
Keira Knightley, The Imitation Game
Emma Stone, Birdman
Meryl Streep, Into the Woods
The broken record continues as Stone could reap the benefit of a Birdman love fest. However, Arquette seems to be in a solid position for gold.
Predicted Winner: Arquette
Best Original Screenplay
Perfection again – 5 for 5!!! ‘Nuff said…
Nominees
Birdman
Boyhood
Foxcatcher
The Grand Budapest Hotel
Nightcrawler
This would appear to be the race where Birdman has an ever so slight edge over Boyhood. If there’s a spoiler, it could be Grand Budapest.
Predicted Winner: Birdman
Best Adapted Screenplay
4 for 5. The American Sniper props continued as I didn’t include it. That meant Gillian Flynn’s adaptation of her book Gone Girl was left off… which was a bit of a surprise.
Nominees
American Sniper
The Imitation Game
Inherent Vice
The Theory of Everything
Whiplash
Here, The Imitation Game seems the most likely to win and it’ll likely represent its only victory in the main races.
Predicted Winner: The Imitation Game
As for surprises in the down ticket categories, there were a couple of big ones. In the Animated Feature category, The LEGO Movie was seen to many as a potential winner and it wasn’t even nominated. In the Documentary race, the Roger Ebert pic Life Itself was shockingly left out.
Please note that my current winner predictions are not my final ones and I will have a post up the weekend before the ceremony to make those picks in all categories.
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