97th Academy Awards Predictions: July 4th Edition

Hello America. As we celebrate our birthday today, perhaps the biggest awards news this week came from the Venice Film Festival. It kicks off in late August and the surprise announcement was that Tim Burton’s long in the works sequel Beetlejuice Beetlejuice will open the Italian competition prior to its September 6th domestic theatrical bow.

That caused some prognosticators’ to speculate whether the Warner Bros release will make a play for Oscar inclusion. I wouldn’t go that far. In the past decade and a half, some of the premiere gala pics at Venice have generated BP nods including Black Swan, Gravity, Birdman, and La La Land. There’s been more that haven’t such as The Ides of March, Everest, Downsizing, First Man, and White Noise. That’s why you won’t find Beetlejuice Beetlejuice in my 25 possibilities for BP though I would expect to see its name (twice) in races like Makeup and Hairstyling and Production Design when I expand the category predictions a few weeks from now.

The London Film Festival shared its own scheduling report that Steve McQueen’s WWII drama Blitz will kick off that event in October before its November 1st output on the big screen. It will then hit Apple TV on November 22nd. I am a little befuddled that it is skipping Venice and Toronto, but it still appears to be Apple’s most significant contender. The word is also out that Saoirse Ronan will contend in lead Actress and not supporting for Blitz. That may well put her in competition with herself considering the acclaimed The Outrun (which was first seen at Sundance) and should make its way to theaters later this fall. I’ve had Ronan’s performance in Blitz slotted in supporting, but she makes the move up and replaces her Outrun work in the lead quintet. The buzz also has Harris Dickinson as the main supporting play over costars like Stephen Graham and Leigh Gill. Same with Kathy Burke in Supporting Actress. We’ll see if that holds true when those Londoners get eyeballs on it.

Another note – you may notice that Sing Sing is still #1 in BP while its director Greg Kwedar is on the outside looking in at sixth. That may seem counterintuitive. While it is still rare for a potential BP recipient to not see its maker in the cut for Director, it’s happened twice very recently with 2018’s Green Book and 2021’s CODA. Kwedar’s picture seems like the type of emotional crowdpleaser that could go all the way with voters. However, Kwedar himself may not make the quintet for his behind the camera efforts. I do anticipate him being up for the Adapted Screenplay that he cowrote.

Nickel Boys is the most significant gainer this time around. It moves into the BP ten while Aunjanue Ellis-Taylor vaults to #1 in Supporting Actress. The pic also materializes for the first go-round in Adapted Screenplay.

Speaking of that writing competition, I’ve shifted Emilia Pérez from Original to Adapted though that has not been determined at press time. We also have a new #1 in Adapted with my aforementioned BP leader Sing Sing.

You can read all the movement below and I’ll have another update available in a couple of weeks!

Best Picture

Predicted Nominees:

1. Sing Sing (Previous Ranking: 1) (Even)

2. Blitz (PR: 3) (+1)

3. Dune: Part Two (PR: 2) (-1)

4. Conclave (PR: 4) (E)

5. Anora (PR: 5) (E)

6. Emilia Pérez (PR: 7) (+1)

7. Queer (PR: 6) (-1)

8. The Piano Lesson (PR: 9) (+1)

9. Nickel Boys (PR: 16) (+7)

10. The Seed of the Sacred Fig (PR: 8) (-2)

Other Possibilities:

11. Nightbitch (PR: 11) (E)

12. Joker: Folie à Deux (PR: 12) (E)

13. The End (PR: 10) (-3)

14. The Apprentice (PR: 13) (-1)

15. Gladiator II (PR: 24) (+9)

16. A Real Pain (PR: 14) (-2)

17. The Room Next Door (PR: 18) (+1)

18. Nosferatu (PR: 25) (+7)

19. Maria (PR: 19) (E)

20. All We Imagine as Light (PR: 21) (+1)

21. The Fire Inside (PR: 15) (-6)

22. His Three Daughters (PR: 17) (-5)

23. Dídi (PR: 23) (E)

24. We Live in Time (PR: Not Ranked)

25. Here (PR: 20) (-5)

Dropped Out:

Hit Man

Best Director

Predicted Nominees:

1. Denis Villeneuve, Dune: Part Two (PR: 1) (E)

2. Steve McQueen, Blitz (PR: 2) (E)

3. Edward Berger, Conclave (PR: 3) (E)

4. Jacques Audiard, Emilia Pérez (PR: 6) (+2)

5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)

Other Possibilities:

6. Greg Kwedar, Sing Sing (PR: 7) (+1)

7. Sean Baker, Anora (PR: 4) (-3)

8. Luca Guadagnino, Queer (PR: 8) (E)

9. RaMell Ross, Nickel Boys (PR: Not Ranked)

10. Marielle Heller, Nightbitch (PR: 10) (E)

11. Malcolm Washington, The Piano Lesson (PR: 12) (+1)

12. Ridley Scott, Gladiator II (PR: 15) (+3)

13. Payal Kapadia, All We Imagine as Light (PR: 13) (E)

14. Joshua Oppenheimer, The End (PR: 9) (-5)

15. Todd Phillips, Joker: Folie à Deux (PR: 11) (-4)

Dropped Out:

Pedro Almodóvar, The Room Next Door

Best Actress

Predicted Nominees:

1. Amy Adams, Nightbitch (PR: 1) (E)

2. Angelina Jolie, Maria (PR: 2) (E)

3. Mikey Madison, Anora (PR: 3) (E)

4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)

5. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Supporting

Other Possibilities:

6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)

7. Tilda Swinton, The Room Next Door (PR: 8) (+1)

8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)

9. Marianne Jean-Baptiste, Hard Truths (PR: 11) (+2)

10. Saoirse Ronan, The Outrun (PR: 5) (-5)

11. Ryan Destiny, The Fire Inside (PR: 9) (-2)

12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)

13. Lily Gladstone, Fancy Dance (PR: Not Ranked)

14. Zendaya, Challengers (PR: 14) (E)

15. Noémie Merlant, Emmanuelle (PR: Not Ranked)

Dropped Out:

Tilda Swinton, The End

Tessa Thompson, Hedda

Florence Pugh, We Live in Time

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 3) (E)

4. André Holland, The Actor (PR: 4) (E)

5. Sebastian Stan, The Apprentice (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie á Deux (PR: 6) (E)

7. John David Washington, The Piano Lesson (PR: 7) (E)

8. Sebastian Stan, A Different Man (PR: 11) (+3)

9. Paul Bettany, The Collaboration (PR: 9) (E)

10. Glen Powell, Hit Man (PR: 10) (E)

11. Jesse Plemons, Kinds of Kindness (PR: 8) (-3)

12. Ethan Herisse, Nickel Boys (PR: Not Ranked)

13. Paul Mescal, Gladiator II (PR: 14) (+1)

14. Tom Hanks, Here (PR: 12) (-2)

15. Andrew Garfield, We Live in Time (PR: 13) (-2)

Dropped Out:

Jesse Eisenberg, A Real Pain

Best Supporting Actress

Predicted Nominees:

1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (+3)

2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)

3. Danielle Deadwyler, The Piano Lesson (PR: 3) (E)

4. Isabella Rossellini, Conclave (PR: 1) (-3)

5. Carrie Coon, His Three Daughters (PR: 6) (+1)

Other Possibilities:

6. Kathy Burke, Blitz (PR: Not Ranked)

7. Julianne Moore, The Room Next Door (PR: 9) (+2)

8. Joan Chen, Dídi (PR: 10) (+2)

9. Toni Collette, Juror No. 2 (PR: 14) (+5)

10. Erin Kellyman, Blitz (PR: 13) (+3)

11. Selena Gomez, Emilia Pérez (PR: 12) (+1)

12. Lesley Manville, Queer (PR: 7) (-5)

13. Elizabeth Olsen, His Three Daughters (PR: 11) (-2)

14. Valeria Golino, Maria (PR: 8) (-6)

15. Emily Watson, Small Things like These (PR: Not Ranked)

Dropped Out:

Saoirse Ronan, Blitz – moved to lead Actress

Catherine Keener, Joker: Folie à Deux

Best Supporting Actor

Predicted Nominees:

1. Clarence Maclin, Sing Sing (PR: 1) (E)

2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)

3. Kieran Culkin, A Real Pain (PR: 4) (+1)

4. Stanley Tucci, Conclave (PR: 3) (-1)

5. Harris Dickinson, Blitz (PR: 12) (+7)

Other Possibilities:

6. Jeremy Strong, The Apprentice (PR: 6) (E)

7. Drew Starkey, Queer (PR: 8) (+1)

8. Denzel Washington, Gladiator II (PR: 11) (+3)

9. Adam Pearson, A Different Man (PR: 9) (E)

10. Brian Tyree Henry, The Fire Inside (PR: 5) (-5)

11. John Lithgow, Conclave (PR: 7) (-4)

12. Stephen Graham, Blitz (PR: 14) (+2)

13. Scoot McNairy, Nightbitch (PR: 13) (-1)

14. Elliot Heffernan, Blitz (PR: Not Ranked)

15. Mark Eidelstein, Anora (PR: Not Ranked)

Dropped Out:

Michael Shannon, The End

Barry Keoghan, Bird

Best Original Screenplay

Predicted Nominees:

1. Anora (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. A Real Pain (PR: 5) (+2)

4. The Seed of the Sacred Fig (PR: 4) (E)

5. His Three Daughters (PR: 7) (+2)

Other Possibilities:

6. Hard Truths (PR: 9) (+3)

7. The Room Next Door (PR: 8) (+1)

8. The End (PR: 3) (-5)

9. The Apprentice (PR: 11) (+2)

10. Dídi (PR: 12) (+2)

11. Kinds of Kindness (PR: 10) (-1)

12. Juror No. 2 (PR: Not Ranked)

13. All We Imagine as Light (PR: 15) (+2)

14. Maria (PR: 13) (-1)

15. Challengers (PR: 14) (-1)

Dropped Out:

Emilia Pérez – moved to Adapted Screenplay

Best Adapted Screenplay

Predicted Nominees:

1. Sing Sing (PR: 2) (+1)

2. Conclave (PR: 1) (-1)

3. The Piano Lesson (PR: 4) (+1)

4. Nickel Boys (PR: 7) (+3)

5. Nightbitch (PR: 5) (E)

Other Possibilities:

6. Queer (PR: 3) (-3)

7. Emilia Pérez (PR: Not Ranked) – moved from Original Screenplay

8. Dune: Part Two (PR: 6) (-2)

9. Hit Man (PR: 8) (-1)

10. Joker: Folie à Deux (PR: 9) (-1)

11. Inside Out 2 (PR: 13) (+2)

12. Gladiator II (PR: 14) (+2)

13. The Collaboration (PR: 11) (-2)

14. The Fire Inside (PR: 10) (-4)

15. Here (PR: 12) (-3)

Dropped Out:

The Actor

Oscar Predictions: Ghostlight

Ghostlight, co-directed by Kelly O’Sullivan and Alex Thompson, was a highlight of this year’s Sundance Film Festival according to numerous critics. The indie drama casts an actual family of aspiring actors as the central characters. Focused on a grieving father pulled into the world of community theater, the cast includes Keith Kupferer, Katherine May Kupferer, and Tara Mallen. They are, respectively, father, daughter, and mother in real life. Dolly De Leon (who likely came close to a Supporting Actress nom for Triangle of Sadness in 2022) is among the costars.

With a 100% Rotten Tomatoes score, IFC Films (who picked up distribution rights after the Utah fest in January) could make a play for awards attention. I don’t know if the film can break through in the way that Coda did back in 2021. Probably not, but you never know if critics groups put it in the conversation a few months down the line. My Oscar Prediction posts will continue…

30th SAG Awards Winner Predictions

The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.

On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.

Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.

Outstanding Performance by a Cast in a Motion Picture

Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer

You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.

Predicted Winner: Oppenheimer

Runner-Up: Barbie

Outstanding Performance by a Female Actor in a Leading Role

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)

This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.

Predicted Winner: Emma Stone, Poor Things

Runner-Up: Lily Gladstone, Killers of the Flower Moon

Outstanding Performance by a Male Actor in a Leading Role

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.

Predicted Winner: Paul Giamatti, The Holdovers

Runner-Up: Cillian Murphy, Oppenheimer

Outstanding Performance by a Female Actor in a Supporting Role

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.

Predicted Winner: Da’Vine Joy Randolph, The Holdovers

Runner-Up: Emily Blunt, Oppenheimer

Outstanding Performance by a Male Actor in a Supporting Role

Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)

Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.

Predicted Winner: Robert Downey Jr., Oppenheimer

Runner-Up: Ryan Gosling, Barbie

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning

The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.

Predicted Winner: Mission: Impossible – Dead Reckoning

Runner-Up: John Wick: Chapter 4

That means the tally goes like this:

2 Wins

The Holdovers, Oppenheimer

1 Win

Mission: Impossible – Dead Reckoning, Poor Things

I’ll have a recap up after the show this weekend!

Oscars: The Case of The Holdovers

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered our first three pics with American Fiction, Anatomy of a Fall, and Barbie. They are linked at the bottom of the post. Behind door #4 is Alexander Payne’s The Holdovers.

The Case for The Holdovers:

With a 97% rating, it is #1 on the Tomato-meter (just edging the 96% of Past Lives and Anatomy of a Fall). The 70s set Christmas dramedy is Payne’s fourth feature to nab a BP nod after Sideways, The Descendants, and Nebraska and this might be his most appreciated work yet. It has scored BP nods at the Globes, Critics Choice, and BAFTA. Paul Giamatti is a threat to win Best Actor and Da’Vine Joy Randolph is absolutely the frontrunner in Supporting Actress. The Holdovers may also take Original Screenplay. If it emerges in all 3 of those races, that’s a nice little formula for a BP victory.

The Case Against The Holdovers:

It hasn’t won any of the aforementioned BP derbies (Globes, Critics) and it’s unlikely to take BAFTA. Payne missed the quintet in Director. In the 21st century, only 3 movies (Argo, Green Book, CODA) have been named BP without their maker being nominated. And then there’s the fact that Oppenheimer is simply a heavy favorite.

The Verdict:

An argument can be made that The Holdovers is #2 in the BP sweepstakes. However, Payne’s omission in Director sticks out and topping Oppenheimer is a potentially insurmountable challenge.

My Case Of posts will continue with Killers of the Flower Moon…

Oscars: The Case of American Fiction

Oscars: The Case of Anatomy of a Fall

Oscars: The Case of Barbie

Oscar Predictions: Winner

Director Susanna Fogel and star Emilia Jones of CODA fame teamed up last year at Sundance with the thriller Cat Person. Any Oscar buzz petered out upon its unveiling with an eventual 46% RT rating and very limited theatrical release. They are back at Sundance ’24 with Winner, a black comedy costarring Kathryn Newton, Connie Britton, Zach Galifianakis, and Danny Ramirez.

Winner refers to Reality Winner, Jones’s real-life character who became known for leaking intelligence about Russian meddling in the 2016 Presidential election. Like Cat, the premiere of this title came and went without much fanfare. The RT score is 60% and there’s no indication that this will be in the awards mix. My Oscar Prediction posts will continue…

Gotham Honors Past Lives

The 33rd Annual Gotham Awards were held this evening and it was looking like a potential night of missed opportunities for Celine Song’s Past Lives… until the end. Of the five nominees for Best Feature, the acclaimed A24 romantic drama was really the only one with legit Best Picture aspirations at the Oscars. It did take the top prize over Passages, Reality, Showing Up, and A Thousand and One.

This was following its director Song surprisingly not being awarded Breakthrough Director. That instead went to A.V. Rockwell for A Thousand and One and made the announcement for the big race a bit suspenseful.

Of the 20 pictures that have taken Best Feature at the Oscars (this category has existed since 2004 and there was a tie one year), 12 have become Academy hopefuls for BP. Half of those (The Hurt Locker, Birdman, Spotlight, Moonlight, Nomadland, Everything Everywhere All at Once) won. As a reminder, until this year, contenders for the Gothams were typically lower budgeted titles. Even with the budgetary restrictions removed, some heavy hitters like Oppenheimer and Killers of the Flower Moon opted not to compete at this ceremony.

As far as Past Lives is concerned, the perception of it losing could’ve hindered its Oscar chances. So it helped itself tonight by doing what it was expected to do. That said, it missed another possible victory with Greta Lee coming up short in Outstanding Lead Performance. Lily Gladstone took the trophy… not for the non-contending Killers of the Flower Moon, but for The Unknown Country. Gladstone seems on her way to a Best Actress slot for Moon. This is another unexpected win for an awards body that frequently provides them.

Outstanding Supporting Performance went to Charles Melton in May December and he might’ve upped his Oscar stock more than anyone. This race saw potential victors like Ryan Gosling (Barbie) and Da’Vine Joy Randolph (The Holdovers) end up behind him. **Note that the Gothams recently switched to ten nominees in lead and supporting without a divide for gender**. I’ve had Melton in my projected quintet recently and am feeling more and more confident about that. While Melton is a long shot to win at the big show, it should be noted that the previous two recipients (Troy Kotsur in CODA and Ke Huy Quan for Everything Everywhere) took the Supporting Actor Oscar.

Justine Triet’s Anatomy of a Fall received the Screenplay and International Feature awards. France did not select it as their pick for International Feature Film at the Academy Awards (where it probably would’ve been locked in a fierce competition with The Zone of Interest). Fall is a coin toss for BP inclusion so every little bit helps.

Finally, Four Daughters is your Documentary Feature pick (over 20 Days in Mariupol) as it increases it exposure.

Keep an eye on the blog for an Oscar predictions update in the coming days!

Best Picture 2021: The Final Five

We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.

As for the other nine, let’s take a deeper dive:

Belfast

Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.