Todd’s Weekly Oscar Predictions: December 11 Edition

And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.

For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.

And here we go, my friends:

Best Picture

Spotlight
The Revenant
Room
Carol
Mad Max: Fury Road
The Martian
Brooklyn
Bridge of Spies
The Hateful Eight

Other Possibilities:

10. Inside Out

11. The Big Short

12. Creed

13. Steve Jobs

14. Beasts of No Nation

15. Straight Outta Compton

16. The Danish Girl

17. Son of Saul

18. Anomalisa

19. Trumbo

20. Joy

21. Sicario

22. Love and Mercy

23. Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out

Best Director

Tom McCarthy, Spotlight
Alejandro Gonzalez Inarritu, The Revenant
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Todd Haynes, Carol

Other Possibilities:

6. Lenny Abrahamson, Room

7. Steven Spielberg, Bridge of Spies

8. Quentin Tarantino, The Hateful Eight

9. John Crowley, Brooklyn

10. Ryan Coogler, Creed

11. Cary Fukanaga, Beasts of No Nation

12. Adam McKay, The Big Short

13. Laszlo Nemes, Son of Saul

14. Danny Boyle, Steve Jobs

15. David O. Russell, Joy

16. Tom Hooper, The Danish Girl

17. J.J. Abrams, Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson

Best Actor

Leonardo DiCaprio, The Revenant
Eddie Redmayne, The Danish Girl
Michael Fassbender, Steve Jobs
Johnny Depp, Black Mass
Bryan Cranston, Trumbo

Other Possibilities:

6. Matt Damon, The Martian

7. Will Smith, Concussion

8. Michael B. Jordan, Creed

9. Ian McKellen, Mr. Holmes

10. Tom Hanks, Bridge of Spies

11. Michael Caine, Youth

12. Steve Carell, The Big Short

13. Geza Rohrig, Son of Saul

What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon

Best Actress

Brie Larson, Room
Saoirse Ronan, Brooklyn
Cate Blanchett, Carol
Charlotte Rampling, 45 Years
Jennifer Lawrence, Joy

Other Possibilities:

6. Blythe Danner, I’ll See You in My Dreams

7. Charlize Theron, Mad Max: Fury Road

8. Sarah Silverman, I Smile Back

9. Helen Mirren, Woman in Gold

10. Maggie Smith, The Lady in the Van

11. Lily Tomlin, Grandma

12. Carey Mulligan, Suffragette

What’s Changed Since Last Week – NO CHANGES

Best Supporting Actor

Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Michael Keaton, Spotlight
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation

Other Possibilities:

6. Mark Ruffalo, Spotlight

7. Christian Bale, The Big Short

8. Tom Hardy, The Revenant

9. Benicio del Toro, Sicario

10. Michael Shannon, 99 Homes

11. Jacob Tremblay, Room

What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo

Best Supporting Actress

Alicia Vikander, The Danish Girl
Rooney Mara, Carol
Jennifer Jason Leigh, The Hateful Eight
Kate Winslet, Steve Jobs
Jane Fonda, Youth

Other Possibilities:

6. Kristen Stewart, Clouds of Sils Maria

7. Helen Mirren, Trumbo

8. Joan Allen, Room

9. Elizabeth Banks, Love and Mercy

10. Rachel McAdams, Spotlight

11. Alicia Vikander, Ex Machina

What’s Changed Since Last Week: NO CHANGES

Best Original Screenplay

Spotlight
The Hateful Eight
Inside Out
Bridge of Spies
Son of Saul

Other Possibilities:

6. Love and Mercy

7. Straight Outta Compton

8. 99 Homes

9. Joy

10. Sicario

11. Ex Machina

12. Trainwreck

What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy

Best Adapted Screenplay

Carol
Steve Jobs
Room
Brooklyn
The Big Short

Other Possibilities:

6. The Revenant

7. The Martian

8. Anomalisa

9. Beasts of No Nation

10. Trumbo

11. Creed

12. The Danish Girl

What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa.

And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…

Todd’s Weekly Oscar Predictions: December 4 Edition

We are a bit over a month away from Oscar nominations coming out (January 14th) and it’s time to ramp up my predictions for what and whom will be nominated in the eight top races. I’m adding the two Screenplay categories (Original and Adapted) for the first time and the plan is to make weekly Oscar predictions each weekend until nominations come out. With each race, I’ll inform you what’s changed since the previous predictions post.

And with that, let’s get to predicting, shall we?

Best Picture

Bridge of Spies

Brooklyn

Carol

The Hateful Eight

Inside Out

The Martian

The Revenant

Room

Spotlight

Other Possibilities:

Beasts of No Nation

The Big Short

Creed

The Danish Girl

Joy

Mad Max: Fury Road

Star Wars: The Force Awakens

Steve Jobs

Straight Outta Compton

Changes Since Last Predictions: Bridge of Spies, Inside Out (IN), Joy, Steve Jobs (OUT)

Best Director

Lenny Abrahamson, Room

Alejandro Gonzalez Inarritu, The Revenant

Tom McCarthy, Spotlight

George Miller, Mad Max: Fury Road

Ridley Scott, The Martian

Other Possibilities:

Danny Boyle, Steve Jobs

Ryan Coogler, Creed

John Crowley, Brooklyn

Cary Fukanaga, Beasts of No Nation

Todd Haynes, Carol

Tom Hooper, The Danish Girl

David O. Russell, Joy

Steven Spielberg, Bridge of Spies

Quentin Tarantino, The Hateful Eight

Changes Since Last Predictions: George Miller (IN), David O. Russell (OUT)

Best Actor

Matt Damon, The Martian

Johnny Depp, Black Mass

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Other Possibilities:

Michael Caine, Youth

Bryan Cranston, Trumbo

Tom Hanks, Bridge of Spies

Michael B. Jordan, Creed

Ian McKellen, Mr. Holmes

Will Smith, Concussion

Changes Since Last Predictions: NONE

Best Actress

Cate Blanchett, Carol

Brie Larson, Room

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse Ronan, Brooklyn

Other Possibilities:

Emily Blunt, Sicario

Blythe Danner, I’ll See You in My Dreams

Carey Mulligan, Suffragette

Maggie Smith, The Lady in the Van

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

Changes Since Last Predictions: Charlotte Rampling (IN), Blythe Danner (OUT)

Best Supporting Actor

Tom Hardy, The Revenant

Michael Keaton, Spotlight

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

Other Possibilities:

Christian Bale, The Big Short

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Joel Edgerton, Black Mass

Idris Elba, Beasts of No Nation

Harvey Keitel, Youth

Jacob Tremblay, Room

Changes Since Last Predictions: Tom Hardy (IN), Idris Elba (OUT)

Best Supporting Actress

Jane Fonda, Youth

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Joan Allen, Room

Elizabeth Banks, Love and Mercy

Rachel McAdams, Spotlight

Kristin Stewart, Clouds of Sils Maria

Julie Walters, Brooklyn

Changes Since Last Predictions: Jane Fonda (IN), Joan Allen (OUT)

Best Original Screenplay (first prediction in category)

Bridge of Spies

The Hateful Eight

Inside Out

Love and Mercy

Spotlight

Other Possibilities:

Joy

Sicario

Straight Outta Compton

Youth

Best Adapted Screenplay (first prediction in category)

Anomalisa

Brooklyn

Carol

Room

Steve Jobs

Other Possibilities:

The Big Short

Creed

The Martian

The Revenant

And there you have it – folks! The next update will come next weekend…

A Lovely Day for Mad Max

A summertime thrill ride that has served as a resurgence for a thirty year old action franchise got a big Oscar boost today when Mad Max: Fury Road won the National Board of Review (NBR) award for Best Picture. This was an upset. While George Miller’s return to kinetic and wild adventure set pieces earned universal critical acclaim, it’s not really been looked at as a given for a Picture nod at the Academy Awards. The NBR attention does nothing but help.

Over this century, the NBR’s Picture winner has been nominated for the big race at the Oscars 14 out of 16 times (the exceptions were 2000’s Quills and last year’s A Most Violent Year). On the other hand, only two of the past 16 NBR honorees have won the Academy’s honor (2007’s No Country for Old Men and 2008’s Slumdog Millionaire).

I would still say that Fury Road is no shoo in for a nomination, but its chances no doubt increased with the announcement this afternoon. I also believe a scenario (and maybe a stronger one) exists where Miller gets a directing nomination with the film being left off of the Best Picture group come announcement time.

The NBR also names an additional nine favorite movies of the year. They were: Bridge of Spies, Creed, The Hateful Eight, Inside Out, The Martian, Room, Sicario, Spotlight, and Straight Outta Compton. Of these films, Sicario and Compton are seen as least likely to receive Oscar attention. Both are still possible and Creed‘s stock keeps rising.

High profile Oscar contenders left off? The Revenant, Steve Jobs, Joy, Anomalisa, Brooklyn, and Carol. However, the NBR list and the Academy list never match and expect some of these titles to be included in the big race.

Besides Max, the other pic to get a huge NBR boost is The Martian, where Ridley Scott won Best Director and Matt Damon won Best Actor. Again, neither are shoo ins for Oscar nods but their inclusion is seeming more and more probable.

As for the other acting categories, Brie Larson’s work in Room marked her first win in what could be several and her Oscar nod seems assured. Sylvester Stallone was victorious in Supporting Actor for Creed and it would now be a surprise if Oscar doesn’t call his name among the five nominees. The same is likely for Jennifer Jason Leigh in The Hateful Eight, who won Supporting Actress.

This day really marked the official beginning of the awards season and there’ll be much more to chew on (other critics group, Golden Globes, SAG Awards) before the Academy reveals their choices. And this blog will be following and keeping you up to date all the way. Stay tuned!

Todd’s Oscar Predictions: November Edition

We have arrived at my third round of Oscar predictions for the month of November. Some has changed, some has stayed the same. We’ll go through each of the six major categories one by one…

Let’s go!

BEST SUPPORTING ACTRESS

This is the one category where I’ve made no changes, though any of the others listed as possibilities could find their way in. Most have Jane Fonda in the mix already, but I’m not quite there yet.

TODD’S PREDICTIONS in SUPPORTING ACTRESS

Joan Allen, Room

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Elizabeth Banks, Love and Mercy

Jane Fonda, Youth

Diane Ladd, Joy

Rachel McAdams, Spotlight

Isabella Rossellini, Joy

Julie Walters, Brooklyn

BEST SUPPORTING ACTOR

And here we have the most changes of any category! Coming out of nowhere last week was Sylvester Stallone’s acclaimed performance in Creed and as of now, here appears to be a strong contender for a nod and maybe even the win. I’m also including Mark Ruffalo and re-including Idris Elba. Falling out are Benicio del Toro, Robert De Niro, and Tom Hardy, though they all remain possibles. This category has a whole lot of potential nominees, but only five slots available.

TODD’S PREDICTIONS for SUPPORTING ACTOR

Idris Elba, Beasts of No Nation

Michael Keaton, Spotlight

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

Other Possibilities:

Christian Bale, The Big Short

Bradley Cooper, Joy

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Robert De Niro, Joy

Joel Edgerton, Black Mass

Harrison Ford, Star Wars: The Force Awakens

Tom Hardy, The Revenant

Samuel L. Jackson, The Hateful Eight

Harvey Keitel, Youth

Jason Mitchell, Straight Outta Compton

Kurt Russell, The Hateful Eight

Jacob Tremblay, Room

BEST ACTRESS

Four slots seem to be rather safe and have been for awhile: Cate Blanchett, Brie Larson, Jennifer Lawrence, and Saoirse Ronan. The fifth slot could legitimately be any of the others listed, but for now I’ve removed Carey Mulligan and replaced her with Blythe Danner.

TODD’S PREDICTIONS for ACTRESS

Cate Blanchett, Carol

Blythe Danner, I’ll See You in My Dreams

Brie Larson, Room

Jennifer Lawrence, Joy

Saoirse Ronan, Brooklyn

Other Possibilities:

Emily Blunt, Sicario

Carey Mulligan, Suffragette

Charlotte Rampling, 45 Years

Maggie Smith, The Lady in the Van

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

BEST ACTOR

Only one change here as I currently feel the massive box office success of The Martian will get Matt Damon in. That takes Michael Caine out. Watch out for Will Smith, though, even though I don’t yet have him in the final cut.

TODD’S PREDICTIONS for ACTOR

Matt Damon, The Martian

Johnny Depp, Black Mass

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Other Possibilities:

Michael Caine, Youth

Bryan Cranston, Trumbo

Tom Hanks, Bridge of Spies

Michael B. Jordan, Creed

Will Smith, Concussion

BEST DIRECTOR

Two changes here as I believe Danny Boyle may miss out and George Miller won’t be the wild card pick I predicted in October. This puts David O. Russell and Ridley Scott in.

TODD’S PREDICTIONS for DIRECTOR

Lenny Abrahamson, Room

Alejandro Gonzalez Inarritu, The Revenant

Tom McCarthy, Spotlight

David O. Russell, Joy

Ridley Scott, The Martian

Other Possibilities:

Danny Boyle, Steve Jobs

Ryan Coogler, Creed

John Crowley, Brooklyn

Cary Fukanaga, Beasts of No Nation

Todd Haynes, Carol

Tom Hooper, The Danish Girl

George Miller, Mad Max: Fury Road

Steven Spielberg, Bridge of Spies

Quentin Tarantino, The Hateful Eight

BEST PICTURE

I am still predicting nine nominees out of the possible five-ten and I’ve made two changes. I’m putting Carol back in the mix and The Martian in for the first time. That leaves out Bridge of Spies and The Danish Girl, though both remain major contenders. It’s worth noting that Steve Jobs, due to its disastrous box office performance, is not even close to a shoo in and it could fall off.

TODD’s PREDICTIONS for PICTURE

Brooklyn

Carol

The Hateful Eight

Joy

The Martian

The Revenant

Room

Spotlight

Steve Jobs

Other Possibilities:

Beasts of No Nation

The Big Short

Bridge of Spies

Creed

The Danish Girl

Inside Out

In the Heart of the Sea

Mad Max: Fury Road

Sicario

Star Wars: The Force Awakens

Straight Outta Comption

And that does it for my November Oscar predictions, folks! I’ll have the December predictions up shortly before Christmas…

Todd’s October Oscar Predictions: Best Actress

It’s onto part 3 of my second round of Oscar predictions and Best Actress is on the docket. Between my previous posts covering the Supporting Actor and Actress races, I changed half of those ten predictions from my initial round in late August and early September.

For Actress, only one prediction has changed and that was because Alicia Vikander’s role in The Danish Girl (predicted here weeks ago) has been switched by its studio to Supporting. The four previous predicted women – Cate Blanchett in Carol, Jennifer Lawrence in Joy, Carey Mulligan for Suffragette and Saoirse Ronan in Brooklyn remain.

The newcomer could also be the current front runner. Brie Larson’s performance in Room has been earning raves and her nomination is virtually assured. Blanchett is actually competing with herself as her lead role in Truth could get in instead of her work in Carol.

More than any other race, this one has remained the most consistent and we shall see if that remains when my third round of predictions is revealed in November. Tomorrow: Best Actor.

TODD’S BEST ACTRESS PREDICTIONS (ROUND TWO)

Cate Blanchett, Carol

Brie Larson, Room

Jennifer Lawrence, Joy

Carey Mulligan, Suffragette

Saoirse Ronan, Brooklyn

Other Possibilities:

Cate Blanchett, Truth

Blythe Danner, I’ll See You in My Dreams

Charlotte Rampling, 45 Years

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

Oscar Watch: Room

There have been Oscar years in the recent past where it could be said that the Best Actress category was fairly weak. As the film festival circuit rolls along, it’s becoming increasingly clear this will not be the case in 2015. Already there is strong momentum going for Carey Mulligan in Suffragette, Cate Blanchett in Carol, Saoirse Ronan for Brooklyn, and Lily Tomlin in Grandma. It remains to be seen whether Alicia Vikander will be campaigned for in the Actress or Supporting Actress race, but her work in The Danish Girl looks to be recognized either way. And there’s still Jennifer Lawrence’s work in David O. Russell’s Joy to be seen, among others.

We have another contender brought forth by the Telluride and Toronto Film Festivals with Brie Larson’s performance in the indie pic Room. Based on Emma Donoghue’s bestseller, the film casts Larson as a mom who’s trapped with her 5 year old son in a garden shed for a seven year period. Sounds like heady stuff and reviews coming out of the festivals have highlighted Larson’s work as award worthy. The real question is whether the picture is seen and released widely enough to vault the actress into real contention. It certainly seems possible and some critics have noted that Room could break through to audiences.

While reviews are positive and it sits at 100% on Rotten Tomatoes, they’re probably not quite strong enough to put this into the Best Picture race. Some reviewers have taken notice of Joan Allen’s role and she could find herself in the mix for Supporting Actress. There’s even a slight possibility that the young man playing the son, Jacob Tambley, could be a long shot in Supporting Actor (I wouldn’t count on it though).

The real story is Larson. Two years ago, she was the subject of awards buzz for her indie flick Short Term 12, but it never panned out. She’s been highly visible over the years in supporting parts in hits like 21 Jump Street and Trainwreck and Room is beginning to look like her first legit shot at Academy attention.

Trainwreck Movie Review

In the past decade, we’ve witnessed Judd Apatow bring the best out of his comedic performers and vault them into big screen stardom. This has occurred in films he’s directed and produced. Steve Carell in The 40-Year-Old Virgin. Seth Rogen in Knocked Up. Kristin Wiig and Melissa McCarthy in Bridesmaids. It happens again in a major way with Trainwreck, which announces stand up comedian and star of her acclaimed Comedy Central program Amy Schumer as a force onscreen.

Simply out, Amy’s got the It Factor. The film (which she wrote, marking the first time Apatow isn’t directing his own material) allows her to showcase her already known comedy skills but also a surprising amount of depth with dramatic material. Trainwreck is both an anti romantic comedy and a very real one. Amy plays Amy, a writer for a trashy men’s magazine who grew with up a philandering and alcoholic dad (Colin Quinn) who preached his dislike for monogamy to Amy at an early age. Her younger sister (Brie Larson) didn’t get the memo and she’s living a suburban life with her sweater clad husband and stepson with a baby on the way. It’s an alien existence to Amy, who relishes her sexual freedom. She’s Daddy’s girl for certain.

An unwanted writing assignment gives her the task of profiling sports doctor Aaron (Bill Hader), medic to superstar athletes including his best bud Lebron James. Amy knows little about his field but soon does what she normally does and her one night stand with Aaron turns into something more. The two enter into a couple territory which petrifies her. He’s ready for it.

What follows is a pic that reverses the typical roles we’re used to seeing in the genre. Amy is more like the dude in this situation. Before her interaction with Aaron turns steady, this allows for some raunchy humor that we expect from the star and the director. A scene of dirty talk gone wrong with a Hulk like beau played by John Cena is a prime example.

Trainwreck, however, is often more serious than the trailers suggest. The subplots involving Amy’s family are treated with some somber undertones. A scene involving our central character at a funeral is wonderfully written and provides that aforementioned evidence of Schumer’s acting skills beyond her ability to make us laugh.

The pic also provides more proof that Hader is a truly gifted performer and his chemistry with his costar is on point. Their union seems wholly believable and that’s a factor that’s sunk plenty of rom coms that fail. Not here at all.

Tilda Swinton is nearly unrecognizable as Amy’s shallow boss and she is given some amusing material to work with. The casting of Lebron could’ve felt purely like a gimmick, but his exaggerated version of playing himself (as a caring and sensitive cheapskate) is a trip.

This is ultimately Amy’s show though. Her screenplay’s mix of bawdiness with emotional substance usually plays well. There are times when the flaws of Apatow’s filmography creep in. Mainly, it could have certainly been about 20 minutes shorter (a staple with Judd). There’s also a bizarre film within a film displayed a couple times with Daniel Radcliffe and Marisa Tomei that adds nothing.

Where Trainwreck so often works is showcasing the real talent (in front of the camera and on the page) of its star. Schumer is satirizing the genre and also celebrating it, especially as it nears its conclusion. Like her relationship with Aaron, Trainwreck is a little bit messy. Like the character she plays, Trainwreck lacks a little bit of focus. It’s worth it in the end I must say. That applies to the union of our two lead cast members and the movie itself.

*** (out of four)

Trainwreck Box Office Prediction

Comedies from Spy to Entourage to Ted 2 have yet to become the breakout entry in the genre this summer and next Friday, Judd Apatow’s Trainwreck will throw its hat in the ring. The prospects for it are rather promising as the director has had a sterling track record in helping kick start the film careers of Steve Carell, Seth Rogen, and Kristin Wiig.

Trainwreck is the first major starring role for Amy Schumer, the popular standup who’s enjoyed critical acclaim with her Comedy Central show “Inside Amy Schumer”. The pic has an eclectic supporting cast that includes Bill Hader, Tilda Swinton, Brie Larson, John Cena, and, in his first movie role, NBA superstar Lebron James.

The early word is extremely positive and Trainwreck currently stands at 100% on Rotten Tomatoes. Looking over Apatow’s directorial resume, it would seem to stand a shot at earning his all-time record opening. In order to accomplish that, it’d need to surpass the $30.6 million made by Knocked Up eight summers ago. This is one comedy that could succeed in bringing in a male and female audience (on the male side, it probably doesn’t hurt that the pic was advertised heavily during the NBA Finals, when Mr. James was playing).

Ultimately, I think it will fall a bit short of Apatow’s best debut and open more in line with the Judd produced Bridesmaids, which took in $26.2M in the summer of 2011. Like that, this should do for Schumer what Bridesmaids did for Wiig – herald the announcement of a new comedic force on the silver screen.

Trainwreck opening weekend prediction: $27.8 million

For my Ant-Man prediction, click here:

Ant-Man Box Office Prediction

The Gambler Box Office Prediction

Paramount Pictures goes for a little Christmas counter programming with the crime drama The Gambler, a remake of a 1974 James Caan flick. Rupert Wyatt (who did Rise of the Planet of the Apes) directs with Mark Wahlberg headlining. John Goodman, Jessica Lange, and Brie Larson costar. Reviews have been mostly positive with a current ranking of 65% on Rotten Tomatoes.

The majority of holiday pictures out there are not catering directly to an adult audience (Unbroken is a notable exception) and it could allow The Gambler to post a decent debut. Wahlberg is hit or miss at the box office, however and I’m not sure the marketing campaign has been effective enough to bring older moviegoers out in droves.

It may be a wager that doesn’t quite work for the studio. I believe The Gambler could get somewhat lost in the shuffle among the higher profile releases. It could struggle to reach $15 million over the four day extended holiday frame and I’ll estimate that it will not.

The Gambler opening weekend prediction: $9.1 million (Friday to Sunday), $12.2 million (Thursday to Sunday)