Sing 2 hopes to make a joyful noise in theaters when it debuts December 22nd. Illumination Entertainment’s animated sequel arrives five years after the original scored $270 million domestically. Garth Jennings returns to direct as do the vocal stylings of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. New to the proceedings are Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, Chelsea Peretti, and Bono.
So will Universal find what they’re looking for in terms of box office? In 2016, part 1 made a splash with a $55 million haul over its five-day Christmas rollout. That was good for second place behind Rogue One: A Star Wars Story. The best hope here is also a runner-up showing as Spider-Man: No Way Home will most certainly be #1 in its sophomore weekend. However, Sing 2 might place third behind the premiere of The Matrix Resurrections.
I think it’s going to be a close competition between this and Matrix for the two spot. This animated follow-up is bound to leg out more strongly than Neo and company. I’ll say high 20s to low 30s for the traditional weekend and mid 40s the five-day.
Sing 2 opening weekend prediction: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)
For my The Matrix Resurrections prediction, click here:
Blogger’s Update (12/21): On the eve of its premiere, I’m revising down Resurrections prediction from $30.7 million for the three-day and $47.2 million for the five-day to $26.7 million and $40.3 million for the five-day
The Matrix Resurrections won’t be The One when it opens December 22nd, giving itself a five-day Christmas rollout. That’s thanks to what should be a robust sophomore frame for Spider-Man: No Way Home. It might not even be The Two if Sing 2 manages to squeak by it for the runner-up position.
Arriving 18 years after The Matrix Reloaded and Revolutions hit screens in 2003, this is the fourth franchise entry that began in 1999 and changed how we look at action blockbusters. The original Matrix is a landmark. The sequels that followed were met with considerably more mixed reaction (especially part 3).
Lana Wachowski directs without her sister Lilly (they made the trilogy together). Returning are Keanu Reeves, Carrie-Anne Moss, Lambert Wilson, and Jada Pinkett Smith. New to the game are Yahya Abdul-Mateen (taking over for Laurence Fishburne as a more youthful Morpheus), Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, and Christina Ricci. Once slated for May, it was postponed for pandemic purposes.
There’s no doubt that Resurrections is an event picture that has many devotees of the series ready to rush out. That said, it’s a major question mark as to how high this gets. While this is certainly an experience many will want to catch on the biggest screen possible, there is the option to view it simultaneously on HBO Max. Plenty of viewers not of the die-hard persuasion could choose to watch from the comfort of the couch. And while I’m sure many younger viewers are familiar with parts I-III – they may not have the reverence for it that fans, say, 35 and up do. Furthermore there is that pesky Spider-Man hanging around gobbling up the Yuletide dollars.
Don’t get me wrong. Resurrections could have a huge opening and amass $70 million from Wednesday to Sunday. Reloaded took in over $90 million for its start and held the title of highest grossing R-rated pic for over a decade until Deadpool replaced it. On the other hand, Revolutions couldn’t keep up and petered out with $139 million total.
One rather obvious comp is Dune, another sci-fi spectacle that followed 2021’s Warner Bros pattern of premiering their theatrical fare on HBO’s subscription service. It made $40 million over the traditional opening weekend. I’m estimating that Resurrections won’t hit that number from Friday to Sunday, but that the extra two days could bring in $45-$50 million.
The Matrix Resurrections opening weekend prediction: $26.7 million (Friday to Sunday); $40.3 million (Wednesday to Sunday)
**Blogger’s Note (12/14): After elevating my Spidey prediction from $193.7M to $223.7M – I’m reverting down to $188.7M… (12/16) – Spidey revised to $213.7M and Alley down to $3.3M
Marvel’s Spider-Man: No Way Home looks to demolish pandemic era records and possibly double the opening weekend record of these COVID times and then some. We also have Guillermo del Toro’s noir thriller Nightmare Alley with Bradley Cooper, Cate Blanchett, and plenty of other Oscar winners and nominees out. You can peruse my detailed prediction posts on the newbies right here:
Spidey is poised for numbers not seen since 2019. Some prognostications have this as high as $250 million. I’m going with a $223.7 million haul, but I must say I do so with some trepidation due to these continuing uncertain times. If it achieves my mark, that would be good for the 4th largest domestic debut of all time (right behind Star Wars: The Force Awakens and just ahead of its sequel The Last Jedi).
There’s obviously no question as to what will be #1. Home will do that by outgrossing the rest of the top five combined with possibly $200 million to spare. What’s #2 is a legitimate question. West Side Story had a disappointing debut and will hope to leg out well over the coming holiday frames. It may have a soft sophomore dip due to being counter programming to Spidey. Yet I’ll peg it for a 40% drop as it hopes to rebound over Christmas and with ongoing awards buzz. That could put it in a fierce battle for the runner-up position with Encanto.
Or… Nightmare Alley could open in second. I’m skeptical. Despite an all-star cast and coming from an acclaimed director, Alley is starting out at a distinct disadvantage with the web slinger siphoning away much of its intended crowd. I’ll say it kicks off with a subdued 4th place start. Ghostbusters: Afterlife should round out the top five.
And with that, my take on what should be a record breaking weekend:
1. Spider-Man: No Way Home
Predicted Gross: $213.7 million
2. Encanto
Predicted Gross: $6 million
3. West Side Story
Predicted Gross: $5.5 million
4. Ghostbusters: Afterlife
Predicted Gross: $3.6 million
5. Nightmare Alley
Predicted Gross: $3.3 million
Box Office Results (December 10-12)
There likely wasn’t a whole lot of celebratory dancing at 20th Century Studios as West Side Story struggled out of the gate. Its $10.5 million barely managed a #1 showing and came in under my $14.8 million call. As mentioned, the story may not be over as audiences could find it over the holidays. Its studio is certainly hoping so.
Encanto slipped to second with $9.9 million, above my $8.5 million take for $71 million overall.
Ghostbusters: Afterlife was third at $7.1 million (ahead of my $5.8 million prediction) for $112 million total.
Fourth place was House of Gucci with $4.1 million. My projection was on the money at $4 million. Tally is $41 million.
Eternals was in the five spot with $3.1 million (I said $2.8 million) as it’s up to $161 million.
Last and least, the football drama National Champions fumbled terribly. I thought it might manage $1.6 million. Not so much. It was an unlucky 13th with $321,000. Oof.
The last time Guillermo del Toro was behind the camera, 13 Oscar nominations came his way with 2017’s The Shape of Water (including wins in Picture and Director). His follow-up is Nightmare Alley, a remake of a 1947 pic which was based on a 1946 William Lindsay Gresham novel. The noirish thriller boasts an impressive cast led by Bradley Coper (in his first starring role since 2018’s A Star Is Born). Costars include Rooney Mara, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Ron Perlman, Mary Steenburgen, and David Strathairn.
Long looked at as an Oscar contender, the recent review embargo lapse made the situation a bit murkier. The 83% Rotten Tomatoes score is decent, but some critics are griping that it’s a disappointment. Its standing in the Best Picture race is questionable.
Stronger awards buzz could have pushed this to higher numbers, but that’s not the only challenge. Plenty of moviegoers will be distracted with the release of Spider-Man: No Way Home, which looks to blow away pandemic era records. Alley is only opening on about 2000 screens (about half of Spidey’s). It’s normal for projects in the December time frame to open relatively small and hope to play well in subsequent frames. That is likely to be the case here and low to mid single digits is my forecast.
Nightmare Alley opening weekend prediction: $3.3 million
For my Spider-Man: No Way Home prediction, click here:
Bloggers Update (12/16): revising prediction up to $213.7M The Marvel Cinematic Universe is poised for the largest opening weekend of the pandemic era with Spider-Man: No Way Home out December 17th. In fact, it could debut higher than the current two record holders (Venom: Let There Be Carnage and Black Widow) combined. The 27th feature in the massive MCU franchise, this is officially the third entry in this Spider-Verse starring Tom Holland as the web-slinger (though he’s appeared in Avengers tales too). Jon Watts directs again and returning faces include Zendaya, Jacob Batalon, Jon Favreau, Marisa Tomei, and J.B. Smoove. That’s not all. Benedict Cumberbatch’s Doctor Strange is in on the action and villains of previous Spidey series come to the party. They include Alfred Molina, Willem Dafoe, Jamie Foxx, Thomas Haden Church, and Rhys Ifans. There’s also the possibility of other Spider-Men turning up.
This has led to No Way Home having the distinction of being the event film of the year with the most moneymaking potential. It might be the fourth MCU title in 2021 (after Widow, Shang-Chi, and Eternals), but it’s easily the most breathlessly anticipated. Early ticket sales indicate we’ll see grosses not witnessed since 2019. Two and a half years ago, Spider-Man: Far From Home kicked off during the long July 4th weekend and earned $185 million. 2017’s Homecoming made $117 million over a traditional Friday to Sunday rollout.
The pre-Christmas unveiling should prove to be shrewd timing. Some estimates having this going north of $200 million. That would be music to the ears of an industry that needs it after almost two long years. I’m not quite ready to declare $200 million and I’ll hedge with just under it.
Spider-Man: No Way Home opening weekend prediction: $213.7 million
**Blogger’s Note (12/09): National Champions is only being released on approximately 1100 screens. I am revising my projection from $3.2 million to $1.6 million. That puts it outside the top five. Eternals moves to the 5 spot.
After a sluggish post Thanksgiving weekend, theater owners are hoping that Steven Spielberg’s West Side Story provides pleasing numbers in the frame before Spider-Man: No Way Home looks to set pandemic era records. We also have the sports drama National Champions looking to make a play. You can peruse my detailed prediction posts on both newcomers here:
After a year long delay, the West Side remake has generated mostly glowing reviews and Oscar buzz. It should easily open in first place. That said, December pics (especially those with awards chatter) often start a little slow and hope to leg out during the holidays and January. A debut over $20 million would be fantastic, but I’ll project low to mid teens is more plausible.
As for Champions, I’m not anticipating much and it may find itself at the bottom of the top five.
Holdovers should fill the rest of the chart with Encanto, Ghostbusters: Afterlife and House of Gucci sliding down a spot.
Here’s how I see it:
1. West Side Story
Predicted Gross: $14.8 million
2. Encanto
Predicted Gross: $8.5 million
3. Ghostbusters: Afterlife
Predicted Gross: $5.8 million
4. House of Gucci
Predicted Gross: $4 million
5. Eternals
Predicted Gross: $2.8 million
Box Office Results (December 3-5)
Holiday leftovers filled with the top 3 slots as December kicked off. A pic I didn’t factor in nabbed the 4 position. Nearly all the returnees fell a tad short of my projections.
As expected, Disney’s Encanto stayed at #1 with $13.1 million, a shade below my $14.1 million take. Two-week total is $58 million with $100 million firmly in its sights.
Crossing the nine digit milestone was Ghostbusters: Afterlife in second with $10.3 million (I went with more at $12 million). After three weeks, the ‘Busters have crossed that milestone with $102 million.
House of Gucci was third in its sophomore frame with $7 million (I said $7.8 million). Tally is $33 million.
I had a blind spot in fourth courtesy of Christmas with the Chosen: The Messengers. The limited release event featuring inspirational holiday music released on 1700 screens and made $4.1 million. I simply didn’t have it on my Yuletide radar.
Eternals closed out the high five with $4 million. My prediction? $4 million!! It’s the second weekend in a row where I correctly called the MCU adventure and it’s made $156 million.
Back at it next week as Spider-Man and Nightmare Alley debut!
**Blogger’s Note (12/09): National Champions is only being released on approximately 1100 screens. I am revising my projection from $3.2 million to $1.6 million.
Director Ric Roman Waugh switches from Gerard Butler action flicks to an inspirational sports drama with National Champions on December 10th. The basketball tale stars Stephan James, J.K. Simmons, Alexander Ludwig, Lil Rel Howery, Tim Blake Nelson, Andrew Bachelor, Jeffrey Donovan, David Koechner, Kristin Chenoweth, Timothy Olyphant, and Uzo Aduba.
Mr. Waugh most recently was behind the camera for Butler fests Angel Has Fallen and Greenland. His latest comes with a meager budget (a reported $9 million) and minimal buzz surrounding it. Originally slated for Thanksgiving weekend, it was pushed back two weeks.
If something like King Richard couldn’t swing a victory at the box office, that probably doesn’t bode well for this. I’ll project Champions struggles to make half its budget back (or even a third) in the opening weekend.
National Champions opening weekend prediction: $1.6 million
Coming off screenings which indicate it should play in numerous Oscar categories, Steven Spielberg’s West Side Story sashays into theaters December 10th. Arriving a year later than anticipated due to COVID, the musical romance (based on the play from Arthur Laurents, Leonard Bernstein, and the late Stephen Sondheim) stars Ansel Elgort, Rachel Zegler (in her film debut), Ariana DeBose, David Alvarez, Mike Faist, Rita Moreno, Brian d’Arcy James, and Corey Stoll. The $100 million project follows up on the 1961 classic that generated 10 Academy wins including Picture and Ms. Moreno in Supporting Actress. DeBose takes over that role and it could nab her a nomination. Same goes for Moreno (and possibly Zegler and Alvarez or Faist).
The pandemic related delay means this is Spielberg’s first behind the camera effort in nearly four years behind Ready Player One. Musicals are always a tricky proposition at the box office, but familiarity with the source material and the encouraging buzz should help. Movies geared towards adults have faced a tough road in these times, but House of Gucci proved the right project can bring in an older (and female) crowd.
It’s pretty common to see December offerings premiere with non-gaudy numbers and then leg out nicely over the season. This might be the case here. A debut of $20 million or higher seems a tad unlikely and I’ll project low to mid teens as the awards chatter could eventually get this Story close to its budget domestically.
West Side Story opening weekend prediction: $14.8 million
While the COVID era has altered the release patterns of movies in significant ways, the first weekend of December is not that unique from what we’ve seen in pre pandemic times. It will be a quieter frame filled with the holiday leftovers and no newbies out in wide release. That could mean the top five will stay the same with one probable exception.
Disney has made a habit out of releasing their animated titles over the Thanksgiving frame and that resulted in Encanto topping the holiday charts. Looking at previous Mouse Factory premieres over the past several years, Coco dropped 46% in its second frame in 2017 while Moana fell 50% the year prior. I will basically split the difference with Encanto and that means a low teens gross.
That should be enough to keep it #1 over Ghostbusters: Afterlife, which may lose about half its audience in weekend #3. House of Gucci, after a solid start, might see a drop in the mid 40s and that should easily keep it in third. Eternals looks to hold the four spot.
The only change could be Clifford the Big Red Dog going back in the top five. While I have it experiencing a decline of over 50%, I suspect Resident Evil: Welcome to Raccoon City (after a disappointing debut) could plummet in the mid 60s and that would remove it from the high five.
Here’s how I see it going down:
1. Encanto
Predicted Gross: $14.1 million
2. Ghostbusters: Afterlife
Predicted Gross: $12 million
3. House of Gucci
Predicted Gross: $7.8 million
4. Eternals
Predicted Gross: $4 million
5. Clifford the Big Red Dog
Predicted Gross: $2.4 million
Box Office Results (November 26-28)
It wasn’t the bountiful harvest of Thanksgivings past, but audiences managed to turn up for two newcomers while mostly ignoring a third.
Encanto took in $27.2 million over the traditional Friday to Sunday portion of the weekend and $40.5 million since its Wednesday start. That didn’t reach my projections of $31.2 million and $46.5 million, respectively. The debut is only about half of what previous Disney animated features like the aforementioned Moana and Coco achieved. Yet it’s still the best animated opening in COVID times.
Ghostbusters: Afterlife held up well in second with $24.2 million, a bit shy of my $27 million prediction. The two-week total is $87 million as it looks to hit $100 million in the coming days.
Adult crowds finally turned up for something and they went gaga for House of Gucci. The Ridley Scott pic fashioned a third place showing with $14.2 million from Friday to Sunday and $22 million since Wednesday. That tops my estimates of $12.3 million and $19.8 million.
Eternals was fourth with $7.9 million. My guess? $7.9 million! The MCU adventure stands at $150 million.
The reboot Resident Evil: Welcome to Raccoon City was badgered at the box office with just $5.3 million for the weekend and $8.8 million for the five-day. That falls well under my takes of $7.7 million and $11.7 million.
Holdovers outside the top five also couldn’t match my projections. Clifford the Big Red Dog was sixth at $5 million (I said $6.9 million). Total is $43 million. Will Smith’s Oscar hopeful King Richard is a bonafide disappointment theatrically. I thought it might have a meager decline in its sophomore outing, but it earned $3.2 million for seventh place. I said $4.8 million and the ten-day tally is a mere $11 million.
Hollywood is hoping for a bountiful harvest over the long Turkey Day weekend. We have three newbies premiering: Disney’s animated Encanto, Ridley Scott’s murderous melodrama House of Gucci with Lady Gaga and Adam Driver, and franchise reboot Resident Evil: Welcome to Raccoon City. You can peruse my detailed prediction posts on them here:
The Mouse Factory, as it has over numerous Thanksgiving frames in recent years, should top the charts… should. While I don’t have Encanto nearing the grosses that titles like Moana and Coco have accomplished for the holiday, my low 30s Friday to Sunday estimate has it edging out the sophomore weekend of Ghostbusters: Afterlife.
The latter had a start at the higher end of projections (more on that below) and if it falls in the high 30s, it could challenge Encanto for box office supremacy.
Gucci is a big question mark. I have it comfortably in third with a lower double digits take for the traditional weekend and close to $20 million for the five-day (all newcomers hit theaters on Wednesday). Gaga’s fans in particular could vault it to better numbers. On the other hand, mixed buzz could put it lower.
Resident Evil is a series that experienced its smallest opening weekend with its previous sixth installment The Final Chapter in 2016. It made just shy of $14 million. I’m not optimistic with Raccoon and I believe it could find itself in a close battle with Eternals for the four spot.
As for leftovers, Clifford the Big Red Dog and King Richard (after a disappointing premiere) are likely to post minimal declines. Yet both could fall outside the top five.
And with that, let’s do a top 7 this time around:
1. Encanto
Predicted Gross: $31.2 million (Friday to Sunday); $46.5 million (Wednesday to Sunday)
2. Ghostbusters: Afterlife
Predicted Gross: $27 million
3. House of Gucci
Predicted Gross: $12.3 million (Friday to Sunday); $19.8 million (Wednesday to Sunday)
4. Eternals
Predicted Gross: $7.9 million
5. Resident Evil: Welcome to Raccoon City
Predicted Gross: $7.7 million (Friday to Sunday); $11.7 million (Wednesday to Sunday)
6. Clifford the Big Red Dog
Predicted Gross: $6.9 million
7. King Richard
Predicted Gross: $4.8 million
Box Office Results (November 19-21)
Ghostbustin’ made audiences feel good as the long in development sequel took in $44 million. As mentioned, that’s toward the top of prognostications and bodes well for a healthy run ahead. The sci-fi comedy drove past my $38.1 million estimate.
Eternals dropped to second after two weeks in first with $11 million (a touch below my $12.6 million take). The MCU fantasy stands at $136 million.
In third, Clifford the Big Red Dog slid a bit more than I figured in weekend #2 with $8.1 million (I went with $10.5 million). Total is $33 million.
I have to think Warner Bros. is questioning their choice to simultaneously release Will Smith’s sports drama King Richard on HBO Max. Serving up a weak fourth place debut, it made just $5.4 million. Not approaching my $9.2 million projection, it will hope for minimal declines ahead (and boffo HBO numbers).
Dune rounded out the top five with $3.1 million, below my $4.2 million prediction as it’s approaching the nine figure mark with $98 million.
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