Will Gluck, a veteran of the rom com genre with Easy A and Anyone but You to his credit, directs One Night Only which hits multiplexes on August 7th. The high concept love story stars Monica Barbaro (best known for her Oscar nominated work in A Complete Unknown) and Callum Turner. The eclectic supporting cast includes Maya Hawke, Julia Fox, King Princess, Ben Marshall, Ziwe, Molly Ringwald, and LeVar Burton.
The Universal production seems to be flying under the radar though female audiences could turn out in unexpected numbers. Under no circumstances will this approach the earnings of sleeper hit Anyone but You ($88 million domestic). Night could manage a gross of $10 million plus and hope that word-of-mouth keeps it performing decently throughout August. In the worst case scenario, it could flop like Turner’s Eternity did last November. I’ll say mid to high single digits is where it starts.
One Night Only opening weekend prediction: $7.8 million
Nearly 25 years ago, Super Troopers from the Broken Lizard comedy troupe became a cult classic comedy. A 2018 sequel performed stronger out of the gate than anticipated and Super Trooper 3 rolls into multiplexes on August 6th. Jay Chandrasekhar returns to direct and star alongside Kevin Heffernan, Paul Soter, Steve Lemme, Erik Stolhanske, Brian Cox, Marisa Coughlan, Nat Faxon, Chace Crawford, Andrew Dismukes, and Hannah Simone.
Just over eight years ago, the first follow-up was estimated to take in under $10 million during its first outing. It managed $15.2 million before losing 75% of its audience during the sophomore frame. Part 2 ended up with $30 million domestically.
While ardent fans of Troopers should turn up, I suspect this one will earn under $10 million though this comedy team has beaten projections before.
Super Troopers 3 opening weekend prediction: $7.6 million
Blogger’s Note (07/29): Spidey prediction was raised from $251 million to $268 million. That’s means I’m projecting it gets the #2 all-time domestic debut.
After a year away from multiplexes, the Marvel Cinematic Universe swings back into theaters with Spider-Man: Brand New Day. The fourth entry in Tom Holland’s web slinger franchise seeks and is highly likely to achieve 2026’s largest domestic debut. My detailed prediction post for it can be accessed here:
The year’s biggest stateside premiere belongs to Toy Story 5 at $159 million and Spidey should have no trouble toppling that record. A better question is where it’ll rank all-time in the U.S. and Canada. Projections are rising among some prognosticators. While the $357 million hauled in by Avengers: Endgame appears safe, some believe #2 could be in danger. That’s held by Brand predecessor Spider-Man: No Way Home at $260 million. My number puts it in fourth (and fourth MCU overall) just behind Avengers: Infinity War ($257 million) and ahead of Star Wars: The Force Awakens ($247 million).
After two impressive stints in first, Christopher Nolan’s The Odyssey will fall to second. While its sophomore weekend hold was dynamite (more on that below), I’ll project a mid-40s decline this time around due to Mr. Holland’s other adventure.
The rest of top six should be a close race between family fare Toy Story 5, Moana, and Minions & Monsters. Here’s how I have it shaking out:
1. Spider-Man: Brand New Day
Predicted Gross: $268 million
2. The Odyssey
Predicted Gross: $48.5 million
3. Toy Story 5
Predicted Gross: $6.1 million
4. Moana
Predicted Gross: $5.7 million
5. Minions & Monsters
Predicted Gross: $5.6 million
Box Office Results (July 24-26)
The Odyssey continued its fabulous box office journey with a scant 27% ease in weekend #2. Adding $90 million to its coffers, the eventual Oscar contender has amassed $289 million as it breezed past my $74.6 million prediction. After a massive start, word-of-mouth is clearly assisting Nolan’s latest.
Moana was second with $10.6 million, in range with my $10.2 million estimate. The live-action version of Disney’s 2016 animated feature passed nine digits with $102 million after three weeks. There’s no doubt the studio was hoping for more at this juncture.
Hadestown: The Musical, a stage recording of the Broadway smash, kicked off with $10.2 million in third and ahead of my $8.5 million call. Initially set for a five-day engagement in theaters, demand has changed the release plan.
Toy Story 5 was fourth with $10.1 million (I said $9.7 million) for a six-week tally of $448 million. Animated competition Minions & Monsters rounded out the top five with $9.7 million compared to my $9 million take. In four weeks, it has taken in $155 million.
The 38th film in the Marvel Cinematic Universe and the fourth entry in Tom Holland’s take on the web slinger, Spider-Man: Brand New Day swings into multiplexes on July 31st. It is highly unlikely that audiences will forget to check in. Destin Daniel Cretton, who helmed Shang-Chi and the Legend of the Ten Rings for the studio, directs. Zendaya and Jacob Batalon reprise their roles from the franchise with Mark Ruffalo’s Hulk and Jon Bernthal’s Punisher in the mix. Other cast members include Sadie Sink, Tramell Tillman, and Michael Mando.
It’s been four and a half years since Spider-Man: No Way Home became 2021’s biggest grosser and sixth largest earner of all time domestically. The high profile joining of Tobey Maguire and Andrew Garfield’s Spideys with Holland’s (and the villains who populated earlier movies) proved irresistible to audiences. Home kicked off with $260 million (the second best MCU start behind Avengers: Endgame) and $814 million stateside when all was said and done. That means it was also second best ever.
This MCU adventure should easily post 2026’s top domestic opening currently held by Toy Story 5 ($159 million). In a best case scenario, it could achieve the second most impressive MCU premiere and surpass No Way Home‘s $260 million. I’ve got it managing to do so for the second largest domestic start of all time.
Spider-Man: Brand New Day opening weekend prediction: $268 million
Blogger’s Update (07/22): Hadestown: The Musical, captures a live recording of the Tony award winning smash and has a five-day theatrical run beginning Friday. I did not do an individiual prediction post for it since I am still unaware of its theater count. That said, pre-sales look strong so I’m projecting it falls just under $10 million for fifth place. Under the right circumstances, it could be as high as second.
With epic hit The Odyssey entering a fruitful second frame and Spider-Man: Brand New Day hitting on July 31st, studios are avoiding any significant wide releases this weekend.
Christopher Nolan’s awards contender based on Homer’s Greek works exceeded expectations (more on that below). Along with critics, moviegoers are on its side with an A Cinemascore grade and 97% audience score on RT. The filmmaker’s Oscar-winning predecessor Oppenheimer declined 43% in its sophomore outing and I could see a similar result here. In fact, I think it might witness a smaller percentage drop. That would mean a gross nearing or at $75 million.
Disney should once again hold spots 2-3 with Moana and Toy Story 5 while Illuminations Entertainment’s Minions & Monsters places fourth. The grosses for the three family offerings could be close and that makes the rankings slightly tricky to call.
Here’s how I see it shaking out:
1. The Odyssey
Predicted Gross: $74.6 million
2. Moana
Predicted Gross: $10.2 million
3. Toy Story 5
Predicted Gross: $9.7 million
4. Minions & Monsters
Predicted Gross: $9 million
5. Hadestown: The Musical
Predicted Gross: $8.5 million
Box Office Results (July 17-19)
As mentioned, The Odyssey began its powerful and likely long cinematic journey to grand results with $123.5 million. That’s ahead of my $106.2 million prediction and boasts the third highest domestic Nolan debut behind The Dark Knight Rises and The Dark Knight. It is also the greatest foreign start for any feature from the auteur.
Moana fell a steep but anticipated 58% to second with $17.9 million compared to my $19.1 million projection. The underwhelming two-week results for the Mouse House are $81 million.
Toy Story 5 was third with $13.7 million, a tad more than my $12.4 million forecast. Disney is not underwhelmed in this case with $429 million in five weeks.
Minions & Monsters was right behind in fourth with $13.6 million, on target with my $13.7 million estimate. The three-week tally is $136 million.
Finally, Evil Dead Burn was fifth with $4.7 million (I said $5.5 million) with a 65% drop in weekend #2. The total is $23 million.
Christopher Nolan’s eagerly awaited epic The Odyssey looks to dominate the box office charts this weekend. Perched in what has become the bankable filmmaker’s typical mid-July release date, it is the only new picture out wide and you can peruse my detailed prediction post on it here:
The range for The Odyssey is all over the map for the adaptation of Homer’s tale. On the low end we are talking $80 million while the rosiest expectations have it landing around $130 million. My projection gives it nine digits out of the gate for what should be a healthy summer run.
Holdover family friendly flicks should populate spots 2-4. Disney’s Moana did not have a splashy start (more on that below) and we could see a mid 50s decline to just below $20 million. Animated efforts Minions & Monsters and Toy Story 5 should follow.
After a subpar premiere, Evil Dead Burn is likely to round out the top five with a hefty decline typical for horror fare.
Here’s how I have it shaking out:
1. The Odyssey
Predicted Gross: $106.2 million
2. Moana
Predicted Gross: $19.1 million
3. Minions & Monsters
Predicted Gross: $13.7 million
4. Toy Story 5
Predicted Gross: $12.4 million
5. Evil Dead Burn
Predicted Gross: $5.5 million
Box Office Results (July 10-12)
A lot of parents and kids sat out the live-action rendering of Disney’s Moana. With mediocre reviews and quiet buzz, the musical adventure starring Dwayne Johnson brought in $43.1 million. With a reported $250 million price tag, that’s a huge letdown for the Mouse Hunt and well under my $54.3 million prediction.
After a less than anticipated rollout over the Fourth of July frame, Minions & Monsters dropped to second with $21.1 million. That’s in range with my $20 million call as Illumination Entertainment’s latest animated comedy declined 43%. The two-week take is $108 million as it is poised to become the lowest grossing domestic earner of the seven Despicable Me/Minions sagas.
Toy Story 5 was third with $19 million, ahead of my $16.2 million forecast. The fifth feature in the Pixar franchise sits at $404 million after four weeks.
Evil Dead Burn was not a hot commodity in fourth with just $13.7 million compared to my generous $21.9 million take. The third entry in this current iteration of Dead series came in well below the mid 20s debuts of its predecessors.
Young Washington proved to be a Fourth of July play with a considerable 64% plummet in its sophomore weekend. At $6.9 million, it failed to reach my $11 million projection. The two-week total is a laudable $33 million for the Angel Studios production.
Finally, Olivia Wilde’s acclaimed comedy The Invite expanded nationwide and was sixth with $5.7 million (I said $6.4 million). It has made $7.3 million when factoring in the limited engagements that started a couple weeks back.
Adapted from Homer’s ancient Greek works, The Odyssey looks to make a lot of dough when it opens July 17th. Undoubtedly one of 2026’s most anticipated releases, Christopher Nolan directs the fantasy action epic with Matt Damon headlining a packed cast. That includes Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Samantha Morton, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.
The first feature to be shot entirely on 70 mm IMAX cameras, showings on those giant screens are already sold out or filling up for the three-hour experience. Nolan’s stock is incredibly high right now. This is his follow-up to the 2023 Oscar juggernaut Oppenheimer which nearly grossed a billion dollars worldwide. No other director is more bankable than him.
With known source material, a spirited marketing campaign, and a plum mid-July release date that Nolan favors (it’s when Oppenheimer, The Dark Knight, and The Dark Knight Rises premiered), that should be a winning combo. Official reviews aren’t out yet, but early word-of-mouth is strong and it’s expected to be a major Oscar contender.
The Odyssey should surpass the $82.5 million that greeted Oppenheimer. I think it can get past $100 million even though I’m not buying the rosiest forecasts of $130 million or so (at least not yet).
The Odyssey opening weekend prediction: $106.2 million
Disney’s live-action version of Moana should top the charts, but it could face choppy waters in a marketplace with competition for kiddos and their parents. We also have Evil Dead Burn, the latest entry in that 45-year-old horror franchise and the nationwide expansion of Olivia Wilde’s acclaimed comedy The Invite. You can peruse my detailed prediction posts on the newcomers here:
The Mouse House will easily achieve #1 but not bragging rights for Moana. My mid 50s forecast would cook up a disappointing start for Dwayne Johnson’s latest and that would mark the second lowball family flick debut in as many weekends.
I am referring to Minions & Monsters. Its unimpressive rollout (more on that below) was a Fourth of July surprise. If it eases in the mid 40s, the latest animated adventure in the series may have to settle for third.
That’s because Evil Dead Burn seeks a runner-spot slot as it hopes to post a $20M+ opening like its predecessors. I’m projecting it will get there.
Toy Story 5 and Young Washington should round out the top five and I have each declining in the mid 40s range.
As for The Invite, a mid single digits result in its nationwide expansion should mean sixth place.
Here’s how I have it shaking out:
1. Moana
Predicted Gross: $54.3 million
2. Evil Dead Burn
Predicted Gross: $21.9 million
3. Minions & Monsters
Predicted Gross: $20 million
4. Toy Story 5
Predicted Gross: $16.2 million
5. Young Washington
Predicted Gross: $11 million
6. The Invite
Predicted Gross: $6.4 million
Box Office Results (July 3-5)
With Minions & Monsters, Illumination Entertainment experienced the smallest debut of the seven Despicable Me/Minions movies with a far less than anticipated $37 million from Friday to Sunday and $62 million since its Wednesday bow. To put it mildly, I was more optimistic with respective estimates of $66.4 million and $106.5 million. The studio was obviously banking on more fireworks at the multiplex as this received stronger reviews than its predecessors.
Toy Story 5 slid to second after two weeks in 1st with $30.3 million, under my $35.4 million call. The three-week tally builds to $365 million.
Young Washington from Angel Studios took advantage of the holiday with its historical subject and earned $19.3 million in third. That’s on par with my $18.5 million take.
Supergirl crash landed once again in its sophomore weekend with a 77% fall to $8.6 million. I thought it might only crater in the mid 60s and went with $13.2 million. Summer’s biggest bomb has collected a piddly $57 million domestically.
Disclosure Day rounded out the top five with a 30% ease and $5.7 million. I incorrectly had Steven Spielberg’s sci-fi tale on the outside looking in and it crossed the century mark at $105 million after four weeks.
Obsession finally performed like a normal summer pic by decreasing 46% in sixth with $5.2 million (I said $6.8 million). The eight-week tally is $245 million.
Remaking the 2020 Spanish comedy The People Upstairs, Olivia Wilde is drawing acclaim for her third directorial feature The Invite. Currently in limited release, it’s out wide on July 10th. The four-hander stars Seth Rogen, Wilde, Penélope Cruz, and Edward Norton.
After its first screenings at Sundance back in January, a bidding war ensued with A24 winning out. On the Fourth of July weekend, The Invite welcomed crowds at 28 venues across New York, L.A., and other big cities. It even managed to crack the top ten in 10th with $800,000 plus for a noteworthy per screen average.
With 95% on Rotten Tomatoes and an 82 Metacritic, Wilde’s latest is starting to generate awards buzz. Her 2019 behind the camera debut Booksmart did the same while 2022’s Don’t Worry Darling was a critical and commercial letdown.
Like many platform titles, The Invite should play stronger in large markets. I do think this can manage mid single digits on approximately 1600 screens.
The Invite opening weekend prediction: $6.4 million
In a summer where horror pics have lit up the box office, Warner Bros hopes that Evil Dead Burn continues that trend on July 10th. The sixth overall feature in a franchise that Sam Raimi started in the early 80s, this serves as a stand-alone continuation to 2013’s Evil Dead and 2023’s Evil Dead Rise. Sébastien Vaniček takes over directorial duties. The cast includes Souheila Yacoub, Tandi Wright, Hunter Doohan, and Luciane Buchanan.
Ten years ago, Evil Dead kicked off with a front-loaded $25.7 million on its way to a domestic gross of $54 million. A decade after that, Evil Dead Rise made a slightly lower $24.5 million out of the gate. However, it had stronger legs and ended up with $67 million. That goodwill from its predecessor and the genre’s overall strength in the marketplace could push Burn to the largest debut of the three.
In a best case scenario, that could mean a premiere approaching $30 million. Yet I’ll say the recent trend of underperformance applies here and this has the lowest opening of the trio.
Evil Dead Burn opening weekend prediction: $21.9 million
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