97th Academy Awards: The FINAL State of the Best Actress Race

My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.

For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.

That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.

I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.

And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.

After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).

This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?

Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.

I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.

Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.

Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.

Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.

For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.

Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.

Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.

Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!

    Oscar Predictions: The Last Showgirl

    The Last Showgirl has hit the Toronto Film Festival with an iconic Canadian actress in the limelight. From director Gia Coppola (granddaughter of Francis, niece of Sofia), Baywatch star Pamela Anderson headlines as an aging Vegas performer. The supporting cast includes Jamie Lee Curtis, Dave Bautista, Brenda Song, Billie Lourd, and Kiernan Shipka.

    Early word-of-mouth indicates Anderson nails her leading role. It’s safe to say she’s come a long way since Barb Wire nearly 30 years ago. Showgirl has yet to find a stateside buyer so there’s no guarantee that it’s out by the end of 2024. Assuming it does make the domestic cut this year, Anderson’s viability in Best Actress could depend on who picks up distribution. A spirited campaign could put her in the mix. Curtis is also being called a scene stealer. However, her win only two ceremonies back for Everything Everywhere All at Once might hinder her exposure.

    Reviews for the picture itself are more mixed. Anderson is probably on the outside looking in, but let’s see how this plays out before passing final judgment. My Oscar Prediction posts will continue…

    Skyscraper Box Office Prediction

    Dwayne Johnson has built quite a box office list of hits over the past few months with titles like The Fate of the Furious, Jumanji: Welcome to the Jungle, and Rampage. As for Baywatch… well, nobody’s perfect. Next weekend sees the release of Skyscraper, an action film which appears to be heavily influenced by The Towering Inferno and Die Hard. The pic is directed by Rawson Marshall Thurber who’s best known for comedies like Dodgeball: A True Underdog Story, We’re the Millers, and Central Intelligence (his 2016 blockbuster collaboration with Johnson). Costars include Neve Campbell, Chin Han, Roland Moller, Pablo Schreiber, and Noah Taylor.

    Johnson’s last two efforts (Jungle and Rampage) both opened in the mid 30s. However, that’s a little misleading with Jumanji as it opened in a massively crowded Christmas frame and legged out to a gross of over $400 million. Rampage, on the other hand, sits at $98 million total. Central Intelligence, by the way, also premiered in the range at $35 million.

    I don’t see any compelling reason why Skyscraper would debut over those titles. And I also don’t see much reason why it would open too far under them. The PG-13 rating should help bring in teens, though the second weekend of AntMan and the Wasp does present direct competition. I’ll project Skyscraper for a low to mid 30s start, right on pace with its lead’s other rock solid roll outs.

    Skyscraper opening weekend prediction: $33.2 million

    For my Hotel Transylvania 3: Summer Vacation prediction, click here:

    https://toddmthatcher.com/2018/07/03/hotel-transylvania-3-summer-vacation-box-office-prediction/

    Girls Trip Box Office Prediction

    Bloggers Note (07/19/17): I have revised my number from original post below to $27.3 million as the film’s breakout potential continues to grow.

    It’s been a rather rough go for comedies in the summer of 2017 as Snatched, Baywatch, Rough Night, and The House have all performed under expectations. That could change next weekend as Malcolm D. Lee’s Girls Trip may have some breakout potential.

    The raunchy comedy, shot for a rather meager $28 million, stars Queen Latifah and Jada Pinkett Smith (reuniting after appearing over 20 years ago together in Set It Off) as well as Regina Hall and Tiffany Haddish. The quarter play a group of friends on vacation together in New Orleans. Larenz Tate, Kate Walsh, and Mike Colter are among the supporting cast.

    Early reviews have been quite positive with critics noting it could be a sleeper. They’re probably right. Estimates for Girls Trip have put it around $15-$17 million for the opening weekend, but I expect word-of-mouth will push it around $20 million. That would actually put it above my estimate for Valerian and the City of a Thousand Planets, which premieres the same day.

    Girls Trip opening weekend prediction: $27.3 million

    For my Dunkirk prediction, click here:

    https://toddmthatcher.com/2017/07/12/dunkirk-box-office-prediction/

    For my Valerian and the City of a Thousand Planets, click here:

    https://toddmthatcher.com/2017/07/12/valerian-and-the-city-of-a-thousand-planets-box-office-predictions/

    Box Office Predictions: June 9-11

    Tom Cruise will attempt to take on the bonanza that is Wonder Woman this weekend and it will probably come up short. Universal monster pic The Mummy opens wide along with criticality lauded horror flick It Comes at Night and military themed biopic Megan Leavey. You can read my detailed prediction posts on the newbies here:

    https://toddmthatcher.com/2017/06/01/the-mummy-box-office-prediction/

    https://toddmthatcher.com/2017/06/02/it-comes-at-night-box-office-prediction/

    https://toddmthatcher.com/2017/06/05/megan-leavey-box-office-prediction/

    Mr. Cruise looks headed for a second place showing as I foresee Wonder Woman falling just a bit over 50%. There is a chance that Mummy over performs and gets around $50 million, but I’m not seeing it right now.

    Captain Underpants should be in third while the four spot could be a battle between Pirates of the Caribbean in its third frame and It Comes at Night. The latter also has a chance to exceed my estimate, but I’ve got under double digits.

    As for Megan Leavey, I’m anticipating a muted premiere at $3.3 million, which would put it in 8th place.

    And with that, my top 5 estimates for the weekend:

    1. Wonder Woman

    Predicted Gross: $49.5 million (representing a drop of 52%)

    2. The Mummy

    Predicted Gross: $34.7 million

    3. Captain Underpants: The First Epic Movie

    Predicted Gross: $14.1 million (representing a drop of 41%)

    4. Pirates of the Caribbean: Dead Men Tell No Tales

    Predicted Gross: $10.2 million (representing a drop of 54%)

    5. It Comes at Night

    Predicted Gross: $9.5 million

    Box Office Results (June 24)

    DC had a critical hit and now they have a huge box office smash as Wonder Woman lassoed $103.2 million, topping my $98.3M projection. It set the all-time opening record for a female directed motion picture. The road ahead looks bright with very positive word of mouth.

    Captain Underpants was second and came in on the lower end of expectations with $23.8 million, under my $27.4M estimate. The Dreamworks animated tale will hope for smallish drops in the weekends ahead, but there’s competition coming with Cars 3 and Despicable Me 3 this month.

    Pirates of the Caribbean dropped to third with $22 million, in line with my $21.6M prediction for a two-week total of $115M.

    Guardians of the Galaxy Vol. 2 was fourth with $9.8 million (I said $10M) for $355M overall.

    Baywatch held up a bit better than I figured in weekend #2, placing fifth with $8.7 million compared to my $7.5M forecast. It’s earned $41M.

    That does it for now, folks! Until next time…

    Box Office Predictions: June 2-4

    After a rather disappointing Memorial Day weekend at the box office (more on that below), June rolls in with two major releases: Wonder Woman, the latest in the DC Cinematic Universe and Dreamworks animated feature Captain Underpants: The First Epic Movie. You can peruse my detailed prediction posts on each of them here:

    https://toddmthatcher.com/2017/05/25/wonder-woman-box-office-prediction/

    https://toddmthatcher.com/2017/05/25/captain-underpants-the-first-epic-movie-box-office-prediction/

    There’s little question that Wonder Woman will open at #1, but there’s wide variations on how much it will gross out of the gate. The pic has been garnering glowing reviews and that should help (its Rotten Tomatoes score is currently 96%). I currently have it in the low to mid 90s with the thought that the number could be trending up.

    A potential battle may emerge for the runner-up position between Underpants and the second weekend of Pirates of the Caribbean: Dead Men Tell No Tales. However, my estimate puts the non-Sparrow Captain just ahead at #2, as I believe Pirates will suffer a hefty decline.

    Holdovers Guardians of the Galaxy Vol. 2 and Baywatch (which should tumble pretty far after a bad debut) should round out the top five. And with that, my top 5 estimates for the weekend:

    1. Wonder Woman

    Predicted Gross: $98.3 million

    2. Captain Underpants: The First Epic Movie

    Predicted Gross: $27.4 million

    3. Pirates of the Caribbean: Dead Men Tell No Tales

    Predicted Gross: $21.6 million (representing a drop of 61%)

    4. Guardians of the Galaxy Vol. 2

    Predicted Gross: $10 million (representing a drop of 50%)

    5. Baywatch

    Predicted Gross: $7.5 million (representing a drop of 59%)

    Box Office Results (May 26-29)

    Disney’s Pirates of the Caribbean: Dead Men Tell No Tales easily topped the four-day holiday weekend. However, it did so with the lowest debut of any of the five films since the original in 2003. The Johnny Depp pic grossed $78.4 million over the long frame, right in line with my $78.6M estimate. It is highly likely this will turn out to be the lowest domestic grosser of the franchise thus far.

    Guardians of the Galaxy Vol. 2 was second with $27.1 million (I was a touch lower at $25.3M) to bring its total to $340M.

    Baywatch, with wretched reviews and so-so word of mouth, performed a box office belly flop with $27.7 million from its Thursday to Monday roll out, under my projection of $39.4M. That put in in third for Friday to Monday portion of the weekend.

    News was bad for Alien: Covenant as well. In its sophomore frame, it tumbled to $13.3 million for fourth (well under my $19.9M forecast).

    Everything, Everything rounded out the top five with $7.6 million (I said $6.8M) for a two week tally of $23M.

    And that does it for now, folks! Until next time…

    https://www.youtube.com/watch?v=yPwWzCB_aeE

    Box Office Predictions: May 26-29

    Memorial Day Weekend is upon us and there’s two potential heavy hitters making their way to the multiplex: Pirates of the Caribbean: Dead Men Tell No Tales, the fifth entry in the Disney franchise and Baywatch, the action comedy reboot of the 90s syndicated TV show. You can peruse my detailed prediction posts on each of them here:

    https://toddmthatcher.com/2017/05/18/pirates-of-the-caribbean-dead-men-tell-no-tales-box-office-prediction/

    https://toddmthatcher.com/2017/05/18/baywatch-box-office-prediction/

    Pirates should easily place first, though my prediction puts it under the debuts of the three previous series entries. Baywatch should place second barring a majorly disappointing opening.

    I’m estimating that current #1 Alien: Covenant will slip to fourth with Guardians of the Galaxy Vol. 2 displaying a better hold in third. YA romance Everything, Everything should round out the top five.

    And with that, here’s my holiday weekend Friday to Monday projections!

    1. Pirates of the Caribbean: Dead Men Tell No Tales

    Predicted Gross: $78.6 million

    2. Baywatch

    Predicted Gross: $32.8 million ($39.4 million projected Thursday to Monday debut)

    3. Guardians of the Galaxy Vol. 2

    Predicted Gross: $25.3 million (representing a drop of 24%)

    4. Alien: Covenant

    Predicted Gross: $19.9 million (representing a drop of 45%)

    5. Everything, Everything

    Predicted Gross: $6.8 million (representing a drop of 42%)

    Box Office Results (May 19-21) 

    In a tight battle for #1, Alien: Covenant just managed to eek out a victory with $36.1 million. Despite mostly solid reviews, the sixth feature in the nearly 40 year-old franchise came in a bit on the lower end of expectations and under my $44.6M prediction.

    Following close behind was Guardians of the Galaxy Vol. 2 in its third frame. The Marvel hit dropped to second with $34.6 million (a tad above my $32.2M projection) for a grand total of $301 million.

    Everything, Everything posted a decent third place showing with $11.7 million, right in line with my $12.3M estimate.

    Snatched was fourth in its ho-hum run with $7.8 million (I said $9M) for a tally of just $33 million.

    King Arthur: Legend of the Sword is still a bomb, but it was in the top 5 in its sophomore weekend and I didn’t predict it would be there. It grossed $7.1 million to bring its meager gross to $27 million.

    I had Diary of a Wimpy Kid: The Long Haul debuting in the five spot, but it was sixth with $7.1 million (just below my $8.1M estimate). This is a franchise worst debut for the series.

    And that does it for now, folks! Until next time…

    Baywatch Box Office Prediction

    Will audiences be ready for Baywatch when it debuts over Memorial Day weekend?

    The action/comedy is, of course, a reboot of the 90s TV show that ruled the syndication waves and improbably became one of the biggest programs across the world. This version of Baywatch has more intentional humor and it’s R rated. Dwayne Johnson and Zac Efron headline with Alexandra Daddario and Priyanka Chopra costarring. Seth Gordon, director of Horrible Bosses and Identity Thief, is behind the camera. And, yes, David Hasselhoff and Pamela Anderson are said to cameo.

    Last month, Paramount moved the release date from Friday to Thursday so my estimate here is for its five-day haul over the holiday frame. Besides the brand familiarity, Baywatch‘s biggest asset is Johnson, who’s had a stellar track record as of late (he’s also been garnering publicity for apparent political aspirations in the future).

    The studio is clearly going for a Jump Street vibe here. This would be fortunate to make the $57 million accomplished by 22 Jump Street in its first five days. I don’t think it will get there. Some moviegoers may be inclined to check out Jack Sparrow and the buzz here feels less substantial than for the Channing Tatum/Jonah Hill series.

    I’ll predict Baywatch hits high 30s to low 40s for a second place showing behind Pirates.

    Baywatch opening weekend prediction: $39.4 million (Thursday to Monday prediction)

    For my Pirates of the Caribbean, Dead Men Tell No Tales prediction, click here:

    https://toddmthatcher.com/2017/05/18/pirates-of-the-caribbean-dead-men-tell-no-tales-box-office-prediction/