Oscar Predictions: The Pigeon Tunnel

Errol Morris is one of the best known documentarians in the medium whose The Thin Blue Line (1988) is a genre classic. Two decades back, The Fog of War was crowned best doc at the Academy Awards. His latest is The Pigeon Tunnel and it’s out on Apple TV this weekend after playing the festival circuit in Telluride and Toronto.

It chronicles the life of legendary spy and spy novelist John le Carré. His works such as The Spy Who Came in from the Cold, The Constant Gardner, and Tinker Tailor Soldier Spy were all made into acclaimed pictures.

Reviews are appreciative with a 94% Rotten Tomatoes score. However, at this week’s announcement for the Critics Choice Documentary Awards, it managed only a Best Score nod. If Pigeon can manage to make the shortlist when they’re revealed in December, it obviously has a shot. With a strong slate of docs in contention, that might not happen. My Oscar Prediction posts will continue…

Oscar Predictions: Fingernails

Christos Nikou’s Fingernails played the Telluride and Toronto festivals before it hits theaters in limited fashion on October 27th and runs on Apple TV beginning November 3rd. The mix of sci-fi and romance stars Jessie Buckley and Riz Ahmed with a supporting cast including Jeremy Allen White, Luke Wilson, and Annie Murphy.

While plenty of pics upped their Oscar visibility during September’s fest circuit, Nikou’s follow-up to his acclaimed 2020 debut Apples likely had the opposite effect. Reviews are mixed with a 55% Rotten Tomatoes rating. You can file this away as one that you won’t hear much about during awards season. My Oscar Prediction posts will continue…

Oscar Predictions: The Beanie Bubble

A prominent cinematic subgenre in 2023 has been origin stories for various products that captured our attention. Think BlackBerry and Tetris and Flamin’ Hot. You can add The Beanie Bubble to the list. Hitting theaters in limited capacity on Friday before its Apple streaming debut on July 28th, the comedy-drama focuses on the craze that was Beanie Babies. The cast is led by Zach Galifianakis, Elizabeth Banks, Succession‘s Sarah Snook, and Geraldine Viswanathan.

Based on a 2015 novel, the behind the camera talent is a notable duo. Co-director and writer Kristin Gore is the daughter of former Vice President Al Gore. Her fellow filmmaker and real life husband is Damian Kulash, lead singer of the band OK Go.

When it comes to the aforementioned features, the 82% Rotten Tomatoes score matches Tetris, is ahead of Hot‘s 68%, and behind the impressive 98% that BlackBerry rang up. The reviews do not indicate that Bubble will be a factor in the awards mix down the line. My Oscar Prediction posts will continue…

Oscar Predictions: Killers of the Flower Moon

All 206 minutes of Martin Scorsese’s Killers of the Flower Moon have been breathlessly awaited by pundits ahead of its Cannes premiere. That occurred today some five months before its domestic release. The crime western reunites the legendary filmmaker with his two most famous and frequent collaborators Leonardo DiCaprio and Robert De Niro in this adaptation of David Grann’s 2017 non-fiction novel. Lily Gladstone (in what’s long been pegged as a role with awards potential) costars alongside Jesse Plemons, Brendan Fraser, and John Lithgow.

On paper, Killers has looked like a surefire contender for Oscar glory ever since it was announced. Scorsese has seen five of his past eight films nominated for Best Picture: The Aviator, The Departed (which won), Hugo, The Wolf of Wall Street, and The Irishman. As mentioned, the 1920s set tale of murders among the Osage Nation comes with a runtime that just exceeds its reported $200 million budget. Apple TV footed the bill, but it will see a theatrical bow prior to any streaming release.

Some of the early critical reaction does gripe about the length (same went for Scorsese’s predecessor The Irishman). Yet most reviews indicate this will be the gold player that we assumed. That last Marty movie scored 10 nods. This could match it or even exceed it. Picture, Director, Adapted Screenplay (by the director and Eric Roth), Cinematography, Costume Design, Film Editing, Original Score, Production Design, and Sound are all feasible. The early Rotten Tomatoes meter sits at 100%.

As for the acting derbies, Leonardo DiCaprio is drawing raves and should be in line for his seventh acting nom (his sole win being 2015’s The Revenant). There was some question as to whether Gladstone would contend in lead or supporting. The buzz indicates the latter is more likely and it appears she’s a shoo-in for inclusion. I had her at #1 in my ranked predictions a few days ago and that may not change. A bigger question was Supporting Actor. It sounds like the role Jesse Plemons plays is relatively small (popping up in the third act). He could still sneak in (as he did in 2021 for The Power of the Dog). The studio’s campaigners could opt to throw their full attention to De Niro. The 79-year-old new dad looks to grab his eighth nod and first since 2012’s Silver Linings Playbook. You can pencil him in with DiCaprio and Gladstone.

Can you find the nominees in this picture? There could be plenty for Killers of the Flower Moon. My Oscar Prediction posts will continue…

Best Picture 2021: The Final Five

We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.

As for the other nine, let’s take a deeper dive:

Belfast

Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.

Does It Make the Final Five?

Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.

Don’t Look Up

Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).

Does It Make the Final Five?

No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.

Drive My Car

Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.

Does It Make the Final Five?

No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.

Dune

Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.

Does It Make the Final Five?

Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.

King Richard

Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.

Does It Make the Final Five?

No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.

Licorice Pizza

Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.

Does It Make the Final Five?

No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.

Nightmare Alley

Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.

Does It Make the Final Five?

No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.

The Power of the Dog

Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.

Does It Make the Final Five?

Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.

West Side Story

Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.

Does It Make the Final Five?

Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.

That means my final 2021 five is:

Belfast

CODA

Dune

The Power of the Dog

West Side Story

2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.

If you missed my entries for 2009-20, have no fear! They’re here:

Oscar Predictions: Tetris

Tetris is not your typical blockbuster based on a video game, but instead a look behind the curtain at the iconic creation which burst onto the scene in the late 80s. Jon S. Baird (who previously made Stan & Ollie) directs Taron Egerton as the Dutch inventor who must face off with Soviets in the Cold War era to bring it to the masses. Costars include Toby Jones, Nikita Yefremov, Roger Allam, and Anthony Boyle.

Apple TV begins airing this on March 31st after it premiered at South by Southwest. It would seem that a corresponding theatrical output is not occurring. That would mean game over for its Oscar prospects from the get-go. This makes sense given the 81% Rotten Tomatoes is solid though most reviews aren’t outright raves. The streamer is far more likely to concentrate on the upcoming Killers of the Flower Moon from Martin Scorsese and Ridley Scott’s Napoleon (and potentially others) anyway.

Even without the ineligibility factor, Tetris doesn’t seem to have the pieces put together for a legit campaign. My Oscar Prediction posts will continue…

**Blogger’s Note – shortly after posting, I was informed that this will have a limited L.A. theatrical run and is likely therefore eligible for consideration. It doesn’t change my underlying thoughts on the viability.

Oscars: The Case of Brian Tyree Henry in Causeway

Brian Tyree Henry’s performance in Causeway as a mechanic struggling with his involvement in a family tragedy is next up in my Case Of posts for the Supporting Actor hopefuls.

The Case for Brian Tyree Henry:

After critically appreciated roles in Widows and If Beale Street Could Talk and being singled out in genre fare such as Godzilla vs. Kong and Bullet Train, he earned his strongest reviews yet for the Apple TV drama costarring Jennifer Lawrence. He’s also up for a Critics Choice nod.

The Case Against Brian Tyree Henry:

In addition to missing out on precursors such as SAG, BAFTA, and the Golden Globes, Ke Huy Quan (Everything Everywhere All at Once) is the overwhelming favorite in the race. He represents the indie pic’s sole mention and he was a surprise addition on nomination morning.

Previous Nominations:

None

The Verdict:

Even if a major upset occurs in Supporting Actor, it’s highly doubtful Henry will be the cause of it.

My Case Of posts will continue with Martin McDonagh’s direction for The Banshees of Inisherin!

If you’ve missed the write-ups for the other Supporting Actors in the field, they can be found here:

Oscar Predictions: Flora and Son

John Carney is known for his features blending music, drama, and comedy. The latest is Flora and Son. It was unveiled at Sundance. Apple TV quickly snatched up distribution rights for a reported $20 million. Eve Hewson, Joseph Gordon-Levitt, Orén Kinlan, Sophie Vavasseur, and Jack Reynor lead the cast.

Reviews are calling it another charmer from the Once maker. The Rotten Tomatoes meter is at 93%. An Apple campaign may center on its melodic themes. Carney and Gary Clark are responsible for original songs and the streamer is likely to choose one as their awards pick. The filmmaker is no stranger to Oscar and Globes attention.

“Falling Slowly” from 2007’s Once won the Academy Award for Best Song. “Lost Stars” from Begin Again (2013) was a nominee in the same category. 2016’s Sing Street was up for Best Motion Picture – Musical or Comedy at the Golden Globes. Those races at both ceremonies are in the mix with Flora.

Hewson is receiving praise for her performance in the title role. The Academy five could be a reach. I wouldn’t count her out as a possibility for a Golden Globe nod in the Musical or Comedy Actress competition. My Oscar Prediction posts will continue…

Oscar Predictions – Still: A Michael J. Fox Movie

I am in the process of finalizing my Oscar Predictions for the 95th Academy Awards which will be revealed Tuesday (my forecast is arriving on the blog either tomorrow or Sunday). Yet it’s already time to pontificate about the 96th since the Sundance Film Festival is underway in Park City, Utah.

Sundance is a known launching pad for documentaries that eventually contend for Academy glory. For the Doc competition in 2021, 3 of the 5 nominees were unveiled at the fest: winner Summer of Soul, Flee, and Writing with Fire.

One of the higher profile debuts is Still: A Michael J. Fox Movie, which recounts the actor’s skyrocketing career in the 80s and his Parkinson’s diagnosis. It comes from David Guggenheim. An Inconvenient Truth, his 2006 collaboration with Al Gore, was a Doc Feature recipient. 2010’s Waiting for “Superman” was a buzzy hit and 2015’s He Named Me Malala was shortlisted for Oscar but didn’t make the final quintet. Fun fact: the filmmaker is married to Elisabeth Shue, who costarred with his subject in the Back to the Future sequels. Fox, it should be noted, is scheduled to receive the Jean Hersholt Humanitarian Award at this year’s ceremony.

Apple TV has distribution rights to Still. Early reviews are quite positive and it’s likely the streamer will mount a campaign. That said, a lot of docs focused on celebs garner plenty of ink and don’t end up becoming major players on the awards circuit. It’s too early to predict the future with this one. Time will tell if it’s still viable months down the road. My Oscar Prediction posts will continue…

Oscar Predictions: Emancipation

Will Smith rather notoriously won his first Best Actor Oscar last year for King Richard. His victory was not a surprise. Smith’s onstage slap of Chris Rock approximately 30 minutes before he received the gold statue was.

The superstar actor’s career has taken a hit since with some canceled or delayed projects. It has not altered the release of Emancipation. The historical action drama casts Smith as slave Whipped Peter, whose Civil War era photograph has become an iconic image. Antoine Fuqua, best known for shoot-em-ups like Olympus Has Fallen and The Equalizer pics, directs. The supporting cast includes Ben Foster, Charmaine Bingwa, Steven Ogg, Mustafa Shakir, and Timothy Hutton.

Emancipation is out in limited fashion tomorrow prior to a December 9th streaming rollout on Apple TV (they paid a whopping $130 million for the rights). The Rotten Tomatoes score is a mixed 63%.

There is praise for the performances, including Smith. An early consensus is that the action works better than some of the dramatic elements. Bottom line: this doesn’t sound line much of an awards contender whether there had been The Slap or no slap. One exception could be Robert Richardson’s cinematography. He’s a three-time winner for JFK, The Aviator, and Hugo. Richardson won’t get a fourth podium trip, but making the cut isn’t out of the question. My Oscar Prediction posts will continue…