Tag: Abbey Lee

Horizon: An American Saga – Chapter 1 Box Office Prediction

Warner Bros is hoping Horizon: An American Saga – Chapter 1 is more Dances with Wolves, less The Postman when it comes to Kevin Costner’s behind the camera filmography. The three-hour Western epic is the first of four planned sagas with Chapter 2 slated for mid-August and part 3 shooting. Costner, who has experienced a recent career resurgence thanks to Yellowstone on the small screen, also stars and co-scripts. The large supporting cast includes Sienna Miller, Sam Worthington, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, Jamie Campbell Bower, and Thomas Haden Church.

A May premiere at Cannes yielded shaky buzz. The Rotten Tomatoes score is only 43%. There is no doubt that Horizon is a risky summer proposition. Costner apparently financed the bulk of the project himself.

I do think the Yellowstone exposure could cause this to surprise with a better than expected turnout of older viewers. A best case scenario might be a kickoff in the high teens to low 20s. I’ll hedge my bets and go with low to mid teens.

Horizon: An American Saga – Chapter 1 opening weekend prediction: $14.8 million

For my A Quiet Place: Day One prediction, click here:

A Quiet Place: Day One Box Office Prediction

For my Kinds of Kindness prediction, click here:

Kinds of Kindness Box Office Prediction

Oscar Predictions – Horizon: An American Saga – Chapter One

When it comes to Academy possibilities for Kevin Costner’s latest directorial epic, think The Postman more than Dances with Wolves. The latter from 1990 was up for 12 Oscars and took home 7 including Picture and Director. The former was a flop at multiplexes and on the awards circuit.

His latest is Horizon: An American Saga – Chapter One and it has premiered at Cannes ahead of its June 28th theatrical bow. The Western is not only directed by Costner, but he stars and cowrites what is a mostly self-financed project. The large supporting cast includes Sienna Miller, Sam Worthington, Giovanni Ribisi, Danny Huston, Duval Branch, Jena Malone, Abbey Lee, Jamie Campbell Bower, Owen Crow Shoe, Tatanka Means, Luke Wilson, Ella Hunt, Will Patton, Isabelle Fuhrman, Jeff Fahey, and Thomas Haden Church.

I kind of thought Cannes seemed like an odd launch pad for the Yellowstone lead’s first behind the camera big screen production since 2003’s Open Range. Critics have not been kind as evidenced by the 29% Rotten Tomatoes rating.

I’m not sure how much the reviews will hurt its commercial prospects. This could be effective adult counter programming in the summer months and Costner’s visibility from his hit show won’t hurt. Chapter 2 will follow in mid-August. Who knows? Maybe it will garner better notices from cinematic pundits. You can close the book on any Oscar buzz for this first chapter. My Oscar Prediction posts will continue…

2023 Oscar Predictions: April Edition (Best Actress)

Best Actress is up next in my first ranked projections for the 96th Academy Awards. If you missed my posts on the other three acting derbies, they are linked at the bottom.

Per usual, let’s dispense with the usual caveats. Some of these actresses might end up being supporting players (category placement is a mystery for some pictures this early in the calendar). Some of these movies could get pushed to 2024. Both Emma Stone (Poor Things) and Regina King (Shirley) were initially supposed to contend in 2022.

And, of course, some of these performances will fall by the wayside due to poor reaction while surprises will inevitably pop up. When I made my inaugural rankings for the previous ceremony, I had eventual winner Michelle Yeoh (Everything Everywhere All at Once) listed in third position with Cate Blanchett (Tár) in Other Possibilities.

Here we go!

TODD’S BEST ACTOR PREDICTIONS

1. Fantasia Barrino, The Color Purple

2. Greta Lee, Past Lives

3. Zendaya, Challengers

4. Emma Stone, Poor Things

5. Natalie Portman, May December

Other Possibilities:

6. Margot Robbie, Barbie

7. Jessica Lange, Long Day’s Journey Into Night

8. Saoirse Ronan, Blitz

9. Carey Mulligan, Maestro

10. Amy Adams, Nightbitch

11. Regina King, Shirley

12. Annette Bening, Nyad

13. Aunjanue Ellis, The Nickel Boys

14. Ryan Destiny, Flint Strong

15. Kate Winslet, Lee

2023 Oscar Predictions: April Edition (Best Actor)
2023 Oscar Predictions: April Edition (Best Supporting Actress)
2023 Oscar Predictions: April Edition (Best Supporting Actor)

Oscar Predictions: The Forgiven

Mixing satire with crime thriller elements, John Michael McDonagh’s The Forgiven is out in limited fashion this Friday, July 1st. It features the reigning Best Actress Jessica Chastain, who took gold last year as Tammy Faye Bakker in The Eyes of Tammy Faye. Her main costar is two-time nominee Ralph Fiennes in addition to Matt Smith, Ismael Kanater, Caleb Landry Jones, Abbey Lee, and Christopher Abbott.

The film first saw exposure last fall at the Toronto Film Festival. Reviews were decent, but many were far from gushing. That’s reflected in the current 73% Rotten Tomatoes score.

The Forgiven has been flying under the radar since its premiere up north and I don’t see this garnering any awards buzz. Chastain still has a shot for a second nomination in a row with her forthcoming Netflix crime thriller The Good Nurse later this year. My Oscar Prediction posts will continue…

Old Review

M. Night Shyamalan’s latest is Old and it plays like a long Twilight Zone episode which rapidly puts its subjects in that time frame of their lives. If you’ve seen the trailer or TV spots, what you see is essentially what you get. The writer/director is responsible for putting this uninteresting group on a gorgeous beach. That’s in the figurative sense since he created them. It’s also in the literal way because Shyamalan casts himself as the driver who takes them there.

Guy (Gael Garcia Bernal) and Prisca Cappa (Vicky Krieps) are on the verge of splitting up and they take their 6-year-old boy and 11-year-old daughter on a tropical excursion before they break the news. They know this is meant to be a short-lived paradise, but they get more than they bargained for. You know how parents say their youngsters act like teenagers before they should? It happens here.

The Cappas are taken to a secluded area of the island for R & R. Joining them are a surgeon (Rufus Sewell) and his snotty wife (Abbey Lee) and their 6-year-old going on 11…13…15 (eventually played by Eliza Scanlen). There’s a nurse (Ken Leung) and his wife (Nikki Amuka-Bird) that’s prone to seizures. In the latest example of eye rolling character choices, we also have a hemophiliac rapper (Aaron Pierre) who goes by the name of Mid-Sized Sedan. This might an even more cringe worthy use of a hip hop reference than James McAvoy’s MC skills in Split. 

Once placed in the breathtaking locale, all the vacationers discover they’re aging approximately one year every half hour. This is, of course, first noticed with the children. The Cappa kids morph into Thomasin McKenzie and Alex Wolff. Their elders fall prey to the typical signs of advanced age – disease, Alzheimers, low calcium content. Poor Mid-Sized Sedan never gets the chance to trade in for a cooler sounding vehicle name.

In Shyamalan’s best features (The Sixth Sense, Unbreakable, Signs), the auteur created pretty interesting characters to place in his twisty tales. That is just not the case with this group. Even a coasting Shyamalan is reliable for a few thrills, but they don’t roll in too often.

Too much of Old is filled with his clunky dialogue. The kids talk like adults before they actually are a few hours later. The surprise developments toward the end (which aren’t all that shocking) hint at a larger picture. They may have been engrossing had we not been subjected to an hour and a half of watching this dull lot waste away. This could have made a nifty Twilight Zone episode because that program ran 30 minutes. In Shyamalan’s labored production, it feels closer to a year.

** (out of four)

Oscar Watch: Old

In 1999, M. Night Shyamalan’s breakout smash The Sixth Sense received six Oscar nominations, including Picture, Director, the supporting work of Haley Joel Osment and Toni Collette, and the screenplay that infamously shocked the moviegoing masses. It ended up winning none of them and since then, Shyamalan’s filmography has resulted in just one other nomination for his next 10 features (Original Score for The Village).

Conversely, we have seen 23 nods and some victories for the auteur’s work at the Razzies (which annually celebrates the worst in film). This includes four nominations each for Lady in the Water and The Happening, 8 for The Last Airbender, six with After Earth, and one for Glass. 

This brings us to Old, his latest pic opening tomorrow. The review embargo lifted today and it currently sports a somewhat decent 61% Rotten Tomatoes score. That said, many critics say it encompasses the best of Shyamalan and the worst (get ready for some clunky dialogue).

No, Old will not contend for Best Picture at the Oscars (but it may not get Razzie love either). However, just a look at the trailers and TV spots indicates it could play in one race. The plot involves its cast of characters rapidly aging on a scenic beach and that involves makeup.

The Makeup and Hairstyling category is one where critical kudos doesn’t mean much. I give you previous pics such as Click, Norbit, The Lone Ranger, Jackass Presents: Bad Grandpa, and Maleficent: Mistress of Evil as evidence.

There will be more likely nominees in the mix such as Cruella and House of Gucci and Jessica Chastain’s forthcoming transformation as the title character in The Eyes of Tammy Faye. Yet perhaps Old could have a shot here and my sixth sense says that’s at least feasible. On the flip side, perhaps when nominations come out – we will discover Old‘s viability had been dead the entire time. My Oscar Watch posts will continue…

Old Box Office Prediction

Blogger’s Note (07/21): I am revising my Old prediction down from $22.8 million to $19.8 million

What will be the ending to the next M. Night Shyamalan opening weekend story? That’s a tough one with Old, the filmmaker’s latest thriller debuting July 23rd. Based on a graphic novel, the pic places its cast in a beach setting where they inexplicably begin rapidly aging. That’s about the biggest nightmare Hollywood can imagine and Universal Pictures is banking that the horror will translate onscreen. The cast includes Gael Garcia Bernal, Vicky Krieps, Eliza Scanlen, Alex Woolf, Abbey Lee, Rufus Sewell, Ken Leung, and Embeth Davidtz.

Over the past six years, Shyamalan has experienced a career resurgence with his budgets getting lower and his grosses far exceeding the price tag. 2015’s The Visit took in a surprising $25 million out of the gate ($65 million overall domestic gross). 2017’s Split started off with a cool $40 million ($138 million haul) and its 2019 follow-up Glass earned $46 million over the long MLK frame with a $111 million eventual take.

In a summer filled with sequels and reboots, Old could have the advantage (despite being based on a property) of looking like something fresh. You could even say – what’s Old is new. The trailers and TV spots are pretty effective. It is competing for some of the same audience with the G.I. Joe franchise overhaul Snake Eyes. However, my gut says this could manage to overshadow it.

The aforementioned predecessors from the director kicked off in a less competitive timeframe. I still believe Old gets pretty close to the $25 million achieved by The Visit and gives it a solid chance at topping charts over Snake Eyes.

Old opening weekend prediction: $19.8 million

For my Snake Eyes prediction, click here:

Snake Eyes Box Office Prediction

The Neon Demon Movie Review

Five years ago, Nicolas Winding Refn made Drive, one of my absolute favorite pictures in years. The ultra stylish and occasionally extremely violent action thriller was light on plot, but heavy on atmosphere. I found it hypnotic. I was less enamored with Only God Forgives, the filmmaker’s follow-up two years later. Violent and fascinating to look at? Indeed it was and it had some good stuff in it. Yet I wrote at the time that it lacked soul and that’s something Drive had with the relationship between Ryan Gosling and Carey Mulligan.

Now we arrive at The Neon Demon and that whole soulless thing pervades this experience even more so. Elle Fanning stars as Jesse, fresh out of some small town and in Los Angeles to become a model. She’s sixteen, but tells everyone she’s 19. Jesse is stunningly beautiful and knows it. So does everyone around her and it infects them with feelings of jealousy and lust. This includes two other models (Abbey Lee and Bella Heathcote) and a makeup artist (Jena Malone) who befriends our wide eyed beauty for a while. Then there’s the photographer (Karl Glusman) who has the hots for her and the manager of the fleabag motel (Keanu Reeves) she’s staying at that might, too.

The central concept of The Neon Demon is that being gorgeous can get you somewhere in life, but it can be dangerous as well due to how it affects others. We pretty much get that within the first 15 minutes and then Demon just keeps going. And going. Anyone familiar with the director knows he favors style over substance and there are some technically pleasing shots to behold. Drive had an interesting enough story to go with the tone and visuals. Forgives did some of the time. This mostly doesn’t. It’s an ugly film about beautiful people.

I found myself simply not caring where the plot went and atmospherics weren’t enough to hold my attention. Nor were the performances. None are bad, but none really rise above the material. The final act gives us a tone shift that may you have you either rolling your eyes or trying to keep your lunch down. We’ve come a long way from the thrill I felt awaiting Refn’s next picture after Drive. With Demon, he seems stuck in reverse.

*1/2 (out of four)