2018 Weekly Oscar Predictions: January 3rd Edition

We are now 19 days away from Oscar nominations as the major precursors are set to air in short order. It begins with the Golden Globes on Sunday (look for my winner predictions for that ceremony on the blog tomorrow). My updated rankings this week reflect the following changes:

  • Emily Blunt’s starring role in Mary Poppins Returns is back in my predicted top five, ousting Yalitza Aparicio from Roma
  • In Documentary Feature, RBG falls out of my nominees for the first time and makes way for Shirkers
  • In Editing, it’s Black Panther in for BlacKkKlansman. This contributes to my tally of Panther getting the most nominations of any picture for the first time (over A Star Is Born)
  • In Makeup and Hairstyling, Border crosses the top 3 with Mary Queen of Scots on the outside looking in

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 3)

4. Green Book (PR: 4)

5. BlacKkKlansman (PR: 5)

6. Black Panther (PR: 6)

7. If Beale Street Could Talk (PR: 7)

8. Vice (PR: 8)

9. First Man (PR: 9)

Other Possibilities:

10. Bohemian Rhapsody (PR: 10)

11. Mary Poppins Returns (PR: 11)

12. Eighth Grade (PR: 14)

13. A Quiet Place (PR: 13)

14. Can You Ever Forgive Me? (PR: 12)

15. First Reformed (PR: 15)

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Spike Lee, BlacKkKlansman (PR: 3)

4. Yorgos Lanthimos, The Favourite (PR: 4)

5. Ryan Coogler, Black Panther (PR: 5)

Other Possibilities:

6. Peter Farrelly, Green Book (PR: 6)

7. Barry Jenkins, If Beale Street Could Talk (PR: 7)

8. Damien Chazelle, First Man (PR: 9)

9. Adam McKay, Vice (PR: 8)

10. Paul Schrader, First Reformed (PR: Not Ranked)

Dropped Out:

Marielle Heller, Can You Ever Forgive Me?

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 4)

4. Rami Malek, Bohemian Rhapsody (PR: 3)

5. Ethan Hawke, First Reformed (PR: 5)

Other Possibilities:

6. John David Washington, BlacKkKlansman (PR: 6)

7. Willem Dafoe, At Eternity’s Gate (PR: 8)

8. Ryan Gosling, First Man (PR: 7)

9. Lucas Hedges, Boy Erased (PR: 10)

10. Robert Redford, The Old Man & The Gun (PR: 9)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Olivia Colman, The Favourite (PR: 2)

3. Glenn Close, The Wife (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Emily Blunt, Mary Poppins Returns (PR: 6)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 5)

7. Toni Collette, Hereditary (PR: 7)

8. Nicole Kidman, Destroyer (PR: 8)

9. Elsie Fisher, Eighth Grade (PR: Not Ranked)

10. Julia Roberts, Ben Is Back (PR: 10)

Dropped Out:

Viola Davis, Widows

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)

3. Sam Elliot, A Star Is Born (PR: 3)

4. Adam Driver, BlacKkKlansman (PR: 4)

5. Timothee Chalamet, Beautiful Boy (PR: 5)

Other Possibilities:

6. Michael B. Jordan, Black Panther (PR: 6)

7. Sam Rockwell, Vice (PR: 7)

8. Nicholas Hoult, The Favourite (PR: 8)

9. Russell Hornsby, The Hate U Give (PR: 9)

10. Steven Yeun, Burning (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, If Beale Street Could Talk

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Claire Foy, First Man (PR: 5)

Other Possibilities:

6. Margot Robbie, Mary Queen of Scots (PR: 6)

7. Emily Blunt, A Quiet Place (PR: 7)

8. Nicole Kidman, Boy Erased (PR: 8)

9. Thomasin McKenzie, Leave No Trace (PR: 9)

10. Marina De Tavira, Roma (PR: 10)

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. A Star Is Born (PR: 2)

3. If Beale Street Could Talk (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. Black Panther (PR: 5)

Other Possibilities:

6. First Man (PR: 7)

7. Leave No Trace (PR: 6)

8. Crazy Rich Asians (PR: 8)

9. Widows (PR: 10)

10. The Hate U Give (PR: 9)

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 2)

3. Green Book (PR: 3)

4. First Reformed (PR: 5)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. Vice (PR: 6)

7. A Quiet Place (PR: 7)

8. Private Life (PR: 9)

9. Bohemian Rhapsody (PR: 8)

10. Cold War (PR: Not Ranked)

Dropped Out:

The Ballad of Buster Scruggs

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Burning (PR: 4)

5. Capernaum (PR: 5)

Other Possibilities:

6. The Guilty (PR: 6)

7. Never Look Away (PR: 7)

8. Birds of Passage (PR: 8)

9. Ayka (PR: 9)

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Spider-Man: Into the Spider-Verse (PR: 2)

3. Isle of Dogs (PR: 4)

4. Ralph Breaks the Internet (PR: 3)

5. Mirai (PR: 5)

Other Possibilities:

6. Early Man (PR: 6)

7. The Grinch (PR: Not Ranked)

8. Smallfoot (PR: 7)

9. Lu Over the Wall (PR: 8)

10. Ruben Brandt, Collector (PR: 9)

Dropped Out:

Teen Titans Go! To the Movies

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Free Solo (PR: 2)

3. Minding the Gap (PR: 4)

4. Three Identical Strangers (PR: 3)

5. Shirkers (PR: 7)

Other Possibilities:

6. RBG (PR: 5)

7. Hale County This Morning, This Evening (PR: 6)

8. Crime + Punishment (PR: 8)

9. Of Fathers and Sons (PR: 9)

10. On Her Shoulders (PR: Not Ranked)

Dropped Out:

Dark Money 

Best Film Editing

1. A Star Is Born (PR: 1)

2. First Man (PR: 3)

3. Roma (PR: 2)

4. Black Panther (PR: 7)

5. The Favourite (PR: 4)

Other Possibilities:

6. Vice (PR: 6)

7. BlacKkKlansman (PR: 5)

8. Widows (PR: 10)

9. A Quiet Place (PR: 9)

10. Mary Poppins Returns (PR: Not Ranked)

Dropped Out:

Green Book

Best Cinematography

1. Roma (PR: 1)

2. First Man (PR: 2)

3. A Star Is Born (PR: 3)

4. If Beale Street Could Talk (PR: 5)

5. The Favourite (PR: 4)

Other Possibilities:

6. Cold War (PR: 6)

7. Black Panther (PR: 7)

8. Mary Poppins Returns (PR: 10)

9. The Rider (PR: Not Ranked)

10. The Ballad of Buster Scruggs (PR: 8)

Dropped Out:

BlacKkKlansman

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 3)

4. First Man (PR: 4)

5. Roma (PR: 5)

Other Possibilities:

6. Mary Queen of Scots (PR: 7)

7. Crazy Rich Asians (PR: 8)

8. A Star Is Born (PR: 6)

9. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)

10. BlacKkKlansman (PR: 10)

Best Costume Design

1. The Favourite (PR: 1)

2. Mary Poppins Returns (PR: 3)

3. Black Panther (PR: 2)

4. Mary Queen of Scots (PR: 4)

5. Fantastic Beasts: The Crimes of Grindelwald (PR: 5)

Other Possibilities:

6. Bohemian Rhapsody (PR: 7)

7. A Star Is Born (PR: 9)

8. Crazy Rich Asians (PR: 6)

9. Colette (PR: 10)

10. The Nutcracker and the Four Realms (PR: Not Ranked)

Dropped Out:

If Beale Street Could Talk

Best Makeup and Hairstyling

1. Vice (PR: 2)

2. Black Panther (PR: 1)

3. Border (PR: 4)

Other Possibilities:

4. Mary Queen of Scots (PR: 3)

5. Stan & Ollie (PR: 5)

6. Bohemian Rhapsody (PR: 6)

7. Suspiria (PR: 7)

Best Sound Editing

1. First Man (PR: 1)

2. A Quiet Place (PR: 2)

3. Black Panther (PR: 3)

4. A Star Is Born (PR: 5)

5. Roma (PR: 4)

Other Possibilities:

6. Mission: Impossible – Fallout (PR: 6)

7. Mary Poppins Returns (PR: 8)

8. Bohemian Rhapsody (PR: 9)

9. Ready Player One (PR: 7)

10. Incredibles 2 (PR: 10)

Best Sound Mixing

1. A Star Is Born (PR: 1)

2. First Man (PR: 2)

3. Black Panther (PR: 5)

4. A Quiet Place (PR: 3)

5. Mary Poppins Returns (PR: 4)

Other Possibilities:

6. Bohemian Rhapsody (PR: 7)

7. Mission: Impossible – Fallout (PR: 10)

8. Roma (PR: 6)

9. Ready Player One (PR: 9)

10. Incredibles 2 (PR: 8)

Best Visual Effects

1. First Man (PR: 4)

2. Avengers: Infinity War (PR: 1)

3. Black Panther (PR: 2)

4. Ready Player One (PR: 3)

5. Mary Poppins Returns (PR: 5)

Other Possibilities:

6. Solo: A Star Wars Story (PR: 6)

7. Jurassic World: Fallen Kingdom (PR: 8)

8. Welcome to Marwen (PR: 7)

9. Ant-Man and the Wasp (PR: 9)

10. Christopher Robin (PR: 10)

Best Original Score

1. First Man (PR: 2)

2. Mary Poppins Returns (PR: 5)

3. If Beale Street Could Talk (PR: 1)

4. Black Panther (PR: 3)

5. Isle of Dogs (PR: 5)

Other Possibilities:

6. BlacKkKlansman (PR: 4)

7. A Quiet Place (PR: 7)

8. The Ballad of Buster Scruggs (PR: 8)

9. Ready Player One (PR: 10)

10. Vice (PR: 9)

Best Original Song

1. “Shallow” from A Star Is Born (PR: 1)

2. “All the Stars” from Black Panther (PR: 2)

3. “Trip a Little Light Fantastic” from Mary Poppins Returns (PR: 4)

4. “I’ll Fight” from RBG (PR: 3)

5. “Girl in the Movies” from Dumplin (PR: 5)

Other Possibilities:

6. “The Place Where Lost Things Go” from Mary Poppins Returns (PR: 6)

7. “Revelation” from Boy Erased (PR: 7)

8. “OYAHTT” from Sorry to Bother You (PR: 10)

9. “When a Cowboy Trades His Spurs For Wings” from The Ballad of Buster Scruggs (PR: 8)

10. “We Won’t Move” from The Hate U Give (PR: 10)

And that breaks down to these movies getting the following number of nods:

12 Nominations

Black Panther

11 Nominations

A Star Is Born

10 Nominations

The Favourite

9 Nominations

First Man

8 Nominations

Roma

7 Nominations

Mary Poppins Returns

5 Nominations

If Beale Street Could Talk

4 Nominations

BlacKkKlansman, Green Book, Vice

3 Nominations

Can You Ever Forgive Me?

2 Nominations

A Quiet Place, First Reformed, Isle of Dogs

1 Nomination

Avengers: Infinity War, Beautiful Boy, Bohemian Rhapsody, Border, Burning, Capernaum, Cold War, Dumplin, Eighth Grade, Fantastic Beasts: The Crimes of Grindelwald, Free Solo, Incredibles 2, Mary Queen of Scots, Minding the Gap, Mirai, Ralph Breaks the Internet, RBG, Ready Player One, Shirkers, Shoplifters, Spider-Man: Into the Spider-Verse, Three Identical Strangers, The Wife, Won’t You Be My Neighbor?

A Dog’s Way Home Box Office Prediction

Sony Pictures is hoping A Dog’s Way Home will be a good boy next weekend when it hits theaters. The film tracks a pup trying to get back to his owner with a cast including Ashley Judd, Edward James Olmos, Alexandra Shipp, Wes Studi, and Bryce Dallas Howard voicing the adorable title character. Charles Martin Smith, who is no stranger to animal tales having made Dolphin Tale and its sequel, directs.

When looking at recent Hollywood canine creations, there’s a wide range of possibilities in comparisons. Two years ago, A Dog’s Purpose took in just over $18 million out of the gate. In the summer of 2017, Megan Leavey disappointed with just under $4 million. This past summer, Dog Days managed just $2.5 million.

My feeling is that this will perform closer to Purpose and not the other features mentioned. However, I’ll say a double digits to low teens range is as far as the opening leash goes.

A Dog’s Way Home opening weekend prediction: $12.8 million

For my The Upside prediction, click here:

https://toddmthatcher.com/2019/01/02/the-upside-box-office-prediction/

For my Replicas prediction, click here:

https://toddmthatcher.com/2019/01/03/replicas-box-office-prediction/

The Upside Box Office Prediction

An adaptation of the well-regarded 2011 French film The Intouchables, next weekend sees the long brewing release of the comedic drama The Upside. Kevin Hart stars as a former convict who starts working for a paraplegic billionaire played by Bryan Cranston. Nicole Kidman costars and Neil Burger (who recently made Limitless and Divergent) directs.

The Upside first premiered at the Toronto Film Festival way back in the fall of 2017 and was shelved for months when the Weinstein Company fell into its well publicized controversies. Critical reaction from Canada was mixed with a Rotten Tomatoes score of 55%.

Hart has been subject to his own negative publicity lately that resulted in his dropping out of hosting the Oscars. He’s been a consistently strong commodity at the box office over the past few years. However, that’s been with pictures played just for laughs without the dramatic elements. His potency in slightly more serious material is questionable.

A January release isn’t a major sign of confidence from its studio. I’ll say Hart and company could get this to high teens at its upside, but I suspect low double digits to teens is the likelihood.

The Upside opening weekend prediction: $11.6 million

For my A Dog’s Way Home prediction, click here:

https://toddmthatcher.com/2019/01/02/a-dogs-way-home-box-office-prediction/

For my Replicas prediction, click here:

https://toddmthatcher.com/2019/01/03/replicas-box-office-prediction/

Oscar Watch – How to Train Your Dragon: The Hidden World

We are just two days into the new year, but it’s already time for my first Oscar Watch post of 2019. That’s because How to Train Your Dragon: The Hidden World comes out in Australia tomorrow before its stateside release on February 22. Early reviews are out and the third and final installment of the Dreamworks Animation franchise is receiving solid ones. The action fantasy sequel stands at 100% currently on Rotten Tomatoes.

In 2010, the original Dragon nabbed a Best Animated Feature nod at the Oscars. Four years later, part 2 accomplished the same. Both pictures lost to titles coming from the mighty Mouse Factory – Toy Story 3 and Big Hero 6, respectively. The Disney competition will be fierce this year with Toy Story 4 and Frozen 2.

That said, even at this extraordinarily early date, the latest Dragon already looks like a serious contender for a nomination given the history of the series. My Oscar Watch posts will continue…

January 4-6 Box Office Predictions

Happy New Year and welcome to the first box office predictions for 2019. It should be a weekend led by holiday holdovers with the only newcomer being horror pic Escape Room. You can find my detailed prediction post on it here:

https://toddmthatcher.com/2018/12/28/escape-room-box-office-prediction/

My low teens projection puts the newbie in the #3 slot, behind returning champions Aquaman and Mary Poppins Returns, with Bumblebee and Spider–Man: Into the Spider–Verse filling out the rest of the top five.

Let’s see how I have the high-five playing out:

1. Aquaman

Predicted Gross: $27.9 million

2. Mary Poppins Returns

Predicted Gross: $18.7 million

3. Escape Room

Predicted Gross: $13.8 million

4. Bumblebee

Predicted Gross: $12.2 million

5. Spider–Man: Into the Spider–Verse

Predicted Gross: $10.9 million

Box Office Results (December 28–30)

2018 was a record year at multiplexes and it closed out with Aquaman repeating in first place with $52.1 million, in range with my $53.8 million forecast. The DC superhero tale has amassed $189 million total.

Mary Poppins Returns was in the runner-up position yet again with $28.3 million compared to my $26.5 million estimate. The Disney sequel stands at $99 million.

Bumblebee was third with $20.9 million (I said $21.4 million) for $67 million overall.

Spider–Man: Into the Spider–Verse was fourth with $18.8 million, a touch higher than my $17.3 million take. The acclaimed animated feature crossed the century mark at $104 million.

The Mule rounded out the top five with $12.1 million, in line with my $11.5 million prediction. The Clint Eastwood thriller has made $61 million.

Vice was sixth and made the most of the two Christmas openers with $7.7 million over the traditional frame and $17.6 million since its Tuesday debut. The Dick Cheney biopic managed to top my respective estimates of $7.2 million and $14.8 million.

The critically lambasted Holmes & Watson had an underwhelming start in seventh with $7.4 million from Friday to Sunday and $19.8 million since Christmas Day. It came in under my projections of $11.3 million and $23 million.

Second Act was eighth in its sophomore frame at $7.3 million (I said $7.9 million) for a tally of $21 million.

Ralph Breaks the Internet was ninth at $6.7 million, ahead of my $5.2 million prediction. It’s up to $175 million.

The Grinch had a hefty drop-off in 10th at $4.1 million, well under my $7.3 million forecast. The total gross is $265 million.

And that does it for now, folks! Until next time…

Best Year’s Ever

As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between X–Men hits.

14. Hugh Jackman (2017)

Berry’s X–Men cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

Bird Box Movie Review

Susanne Bier’s Bird Box, based on a 2014 novel by Josh Malerman, imagines a post apocalyptic world where we all must develop a blind side. How fitting, I suppose, that Sandra Bullock is the headliner. It is she and some of her cast mates that holds this concoction together, at least for a while.

We first meet Bullock’s Malorie as she instructs two young children that they are about to embark on a dangerous trip with her. She is soon rowing and rowing and rowing a boat not so gently down a choppy stream to an unknown destination. They’re all blindfolded.

A flashback to five years earlier finds the pregnant Malorie getting a checkup with her sister (Sarah Paulson). She seems none too excited about her impending delivery. Different complications arise as people start committing suicide suddenly all over the globe. It’s soon discovered opening your eyes and looking at some never seen creatures brings on the self violence.

Our soon to be parent manages to hole up with a group of strangers that includes the home’s boozy owner (John Malkovich), another expectant mom (Danielle Macdonald), and a war vet (Trevante Rhodes) who connects with Malorie. It’s in these initial scenes where Bird Box is at its most engrossing. There’s nothing terribly fresh here as the group figures out how to survive, but there’s some interesting characters and actors playing them to make it worthwhile. Jacki Weaver, Lil Rel Howery, and rapper Machine Gun Kelly are part of the eclectic mix as well.

This gets about an hour’s worth of mileage from its premise and the wrinkle of the sighted having to go blind is a newish twist once they venture out (thank goodness for GPS). Eric Heisserer’s screenplay never concerns itself with what the heck really happened to cause this anyway. We do know birds can sense the monsters. The unexplained phenomena of what did happen isn’t all that important, but total ignorance is a tad surprising. Heisserer did significantly superior work with his adapted script for Arrival.

The picture is as much an allegory about motherhood than it is a science fiction horror thriller. There’s also elements of M. Night Shyamalan’s unfortunate The Happening. It had more unintentional laughs than this, but it also found cooler ways for spellbound victims to off themselves.

Bullock’s performance is committed and she certainly makes this watchable. The Oscar winner has played maternal instinct impressively before (the already mentioned The Blind Side, Gravity) and we see it here. Yet the true gravity of this whole situation never feels as suspenseful as it quite should. Maybe it’s the details left unseen or maybe it’s the familiar themes we’ve seen plenty of times already.

**1/2 (out of four)

2018: The Year of Josh Brolin

He’s been an Oscar nominee for Milk, the star of Best Picture winner No Country for Old Men, a Man in Black for the third entry of that franchise, and (of course) the big brother in The Goonies. And in 2018, Josh Brolin was unquestionably the king of the summer sequel, setting up roles that will continue for some time.

It all started with the summer season’s biggest blockbuster – Avengers: Infinity War. As villainous Thanos, Brolin pretty much stole the show against the entire Marvel Cinematic Universe. A few weeks later, the actor starred alongside Ryan Reynolds in Deadpool 2, which stands as the year’s fifth top earner. Sicario: Day of the Soldado followed shortly after that with Brolin reprising his role as a CIA agent barking orders to Benicio del Toro. That follow-up managed to top the gross of its 2015 predecessor.

We can expect to see him in all three of these parts again. In summer 2019, Thanos will be back in Avengers: Endgame. He’s signed a four picture deal to be Cable in that cinematic universe. A third Sicario feature is planned.

In a career that kicked off over three decades ago alongside One-Eyed Willy and Sloth, Brolin established a trio of characters that we’ll likely see onscreen for the foreseeable future.

2018: The Year of Emily Blunt

Emily Blunt has had a decade filled with acclaimed performances in high-profile features including Looper, Edge of Tomorrow, Sicario (she sat out its sequel this summer), and The Girl on the Train. In 2018, this rose to an even greater level with a pair of very different titles.

In April, Blunt headlined the horror pic of the year with A Quiet Place directed by her husband John Krasinski. Her role as an expectant mother trying to protect her unborn baby and other children from monsters drew critical raves. The film debuted to a stunning $50 million and took in $188 million domestically.

This month, she took on the iconic role made famous over 50 years ago by Julie Andrews in the Disney sequel Mary Poppins Returns. Reviews were mostly strong for it as well, especially for Blunt’s take on the British nanny. It, too, should leg out to a stateside gross approaching $200 million.

2019 is expected to be a quiet one for the actress while she’ll star alongside Dwayne Johnson in the summer of 2020 with the Mouse Factory’s Jungle Cruise. As for this year, it was anything but quiet for Ms. Blunt.

2018: The Year of Crazy Rich Asians

Over 16 years ago, My Big Fat Greek Wedding unexpectedly became the highest grossing romantic comedy of all time with its focus on culture and love. That chord was struck once again in the summer of 2018 with Crazy Rich Asians. Based on the bestseller by Kevin Kwan and directed by Jon M. Chu, Asians received rave reviews and audiences turned out to the tune of a $174 million domestic haul.

The film made a little history along the way by becoming the first major Hollywood studio production to feature a predominantly Asian-American cast since 1993’s The Joy Luck Club. This allowed for star making roles for leads Henry Golding and Constance Wu, as well as actress/rapper Awkwafina. For veteran Michelle Yeoh, best known to stateside moviegoers for Tomorrow Never Dies and Crouching Tiger, Hidden Dragon, her potential mother-in-law role garnered awards chatter.

Asians certainly achieved its status as the summer’s giant sleeper and is the largest earning rom com since 2005’s Hitch. It also changed the faces we normally see in the genre (like Greek Wedding) and that earns it a place atop the year’s major cinematic stories.