April 28-30 Box Office Predictions

Blogger’s Update (04/26): I am revising my Big George Foreman estimate down from $8.5M to $5.7M

The Super Mario Bros. Movie should have a fourth and final weekend atop the charts before Guardians of the Galaxy Vol. 3 kicks off May and the summer cinematic season. Coming-of-age dramedy Are You There God? It’s Me, Margaret and boxing biopic Big George Foreman also the newbies entering the ring. You can peruse my detailed prediction posts on them here:

Are You There God? It’s Me, Margaret Box Office Prediction
Big George Foreman Box Office Prediction

The revolving door at #2 should belong to Margaret, based on the 1970 Judy Blume bestseller. While a gross approaching $20 million is feasible, I’ll say mid teens is where it lands. It will bank on strong holds in its subsequent frames.

As for Big George Foreman, it might find itself in a close race with the second weekend of Evil Dead Rise for third position. I have Rise falling in the low to mid 60s (similar to the 2013 predecessor Evil Dead). If that occurs, it might win a close decision vs. Foreman.

Mario should have no trouble dominating once again and a mid 30s dip would give it just under $40 million in that fourth outing.

Finally, I have holdover John Wick: Chapter 4 in fifth. That slot could go to Guy Ritchie’s The Covenant or Air, though I have Keanu and company experiencing the smallest decline.

Here’s how I envision the top 5 shaking out:

1. The Super Mario Bros. Movie

Predicted Gross: $39.4 million

2. Are You There God? It’s Me, Margaret

Predicted Gross: $15.3 million

3. Evil Dead Rise

Predicted Gross: $8.8 million

4. Big George Foreman

Predicted Gross: $5.7 million

5. John Wick: Chapter 4

Predicted Gross: $4.1 million

Box Office Results (April 21-23)

As anticipated, it was a three-peat for The Super Mario Bros. Movie as it collected another $59.9 million in coinage. Blasting beyond my $54.8 million prediction, Illumination’s animated juggernaut has amassed $436 million domestically.

Evil Dead Rise proved there’s no horror fatigue for audiences following recent efforts Scream VI, The Pope’s Exorcist, and Renfield. The fifth pic in the franchise opened with an impressive $24.5 million, elevating past my $16.7 million take. That’s just a shade behind what 2013’s Dead ($25.7 million) kicked off with.

Afghanistan War drama Guy Ritchie’s The Covenant with Jake Gyllenhaal couldn’t fill its theaters with a middling $6.3 million. It did premiere a tad ahead of my $5.6 million forecast, but that’s still an unimpressive result.

John Wick: Chapter 4 was fourth with $5.8 million compared to my $4.7 million projection with $168 million in the coffers.

Fifth place belonged to Dungeons & Dragons: Honor Among Thieves with $5.5 million (I said $4.3 million) as the franchise hopeful is straining to reach nine digits at $82 million.

Air was sixth with $5.4 million in the third weekend – in line with my $4.6 million guesstimate. Total is $41 million.

Plummeting from 2nd to 7th is The Pope’s Exorcist, falling victim to the power of Evil Dead . Down 62% in its sophomore frame with $3.4 million, I was more generous at $4.6 million. The ten-day tally is $15 million.

The story is similar for Renfield, down 59% in weekend #2 with $3.2 million (I went with $3.9 million). The tepid two-week total is $13 million.

Finally, Beau Is Afraid with Joaquin Phoenix (generating wildly divergent reactions) played well in very limited NY/LA showings last weekend. Yet it stumbled in wider release. The multi-genre odyssey made $2.7 million on just under 1000 screens. I was higher at $4.4 million.

And that does it for now, folks! Until next time…

And in the meantime, listen to my box office thoughts on your favorite podcast platform by searching Movies at the Speed of Speculation!

2023 Oscar Predictions: April Edition (Best Supporting Actress)

My initial ranked predictions covering the four acting races as well as director and picture for the 96th Academy Awards arrives at Best Supporting Actress! If you missed the post for Supporting Actor, you can find it linked here:

2023 Oscar Predictions: April Edition (Best Supporting Actor)

As I did in that write-up, here are some fair warnings. Some of these performances may end up being considered lead. For example, Rosamund Pike in Saltburn is a question mark as far as category placement.

You might see some of these pictures pushed back to 2024. When I did my initial ranked projections around this time last year, I had Lily Gladstone (Killers of the Flower Moon) listed in 1st place. As you’ll see, since the movie got delayed to 2023, history repeats itself.

And some of these entries simply won’t become awards contenders while others will pop up that aren’t mentioned. In fact, only one of the Supporting Actresses (Hong Chau in The Whale) of the 15 that I listed the first time around for 2022 ended up being nominated.

Let’s see if those numbers improve for 2023!

TODD’S BEST SUPPORTING ACTRESS PREDICTIONS:

1. Lily Gladstone, Killers of the Flower Moon

2. Danielle Brooks, The Color Purple

3. Julianne Moore, May December

4. Taraji P. Henson, The Color Purple

5. Rosamund Pike, Saltburn

Other Possibilities:

6. Viola Davis, Air

7. Da’Vine Joy Randolph, The Holdovers

8. Audra McDonald, Rustin

9. Lashana Lynch, Untitled Bob Marley Movie

10. Danielle Deadwyler, The Piano Lesson

11. Claire Foy, Strangers

12. Jodie Comer, The Bikeriders

13. Tilda Swinton, The Killer

14. Moon Seung-ah, Past Lives

15. Jodie Foster, Nyad

Best Actor is up next!

Oscar Predictions: Are You There God? It’s Me, Margaret

Are You There God? It’s Me, Margaret arrives in theaters on April 28th over 50 years after the novel by Judy Blume inspired generations of readers. Judging from the reviews, it sounds like it’s worth the wait (and Blume herself has heaped praise on it). The coming-of-age dramedy is directed and adapted by Kelly Fremon Craig, whose 2016 The Edge of Seventeen (something that was certainly inspired by Margaret) was a critical darling. Abby Ryder Fortson is in the title role with Rachel McAdams and Benny Safdie as her parents and Kathy Bates as Grandma.

The Rotten Tomatoes score is a sterling 95%. Some of the strongest ink is going to McAdams. With an aggressive campaign, perhaps Lionsgate could put her on the radar for her second Supporting Actress nomination after 2015’s Spotlight. Or the spotlight could fall to Margaret herself. I doubt if the Academy will bite, but Golden Globe voters nominated Hailee Steinfeld in Best Actress in a Musical/Comedy for Seventeen. I could see that happening with Fortson. A best case scenario would be attention for Adapted Screenplay, but let’s see how competitive that race becomes. My Oscar Prediction posts will continue…

2023 Oscar Predictions: April Edition (Best Supporting Actor)

After I gave you my unranked initial picks back in March in the six major Oscar categories, it’s time to get numbers involved!

April brings us the first ranked predictions for the four acting categories, director, and picture. We begin with Supporting Actor and the usual caveats:

  • Some of these performers could end up in lead Actor. For example, both Willem Dafoe and Ryan Gosling are big question marks as to where their placement will end up being. For now, I have them here.
  • Some of these releases could be pushed back to 2024. Robert De Niro and Jesse Plemons in Killers of the Flower Moon, Dafoe and Mark Ruffalo for Poor Things, and Glynn Turman in Rustin were all first slated for 2022.
  • And, of course, some of these performances and their pictures will simply fall by the wayside and actors I haven’t even considered will surface on the festival circuit and on the release calendar.

In 2022, my initial ranked picks in Supporting Actor correctly had the eventual winner Ke Huy Quan (Everything Everywhere All at Once) in the top five. He was the only eventual nominee listed in the 15 possibilities.

Let’s see how it shakes out this time around with the inaugural ranked forecast for our Supporting Actors!

TODD’S BEST SUPPORTING ACTOR PREDICTIONS:

1. Jesse Plemons, Killers of the Flower Moon

2. Willem Dafoe, Poor Things

3. Robert De Niro, Killers of the Flower Moon

4. Samuel L. Jackson, The Piano Lesson

5. John Magaro, Past Lives

Other Possibilities:

6. Charles Melton, May December

7. Ryan Gosling, Barbie

8. Richard E. Grant, Saltburn

9. Corey Hawkins, The Color Purple

10. Brian Tyree Henry, Flint Strong

11. Mark Ruffalo, Poor Things

12. Ben Affleck, Air

13. Robert Downey, Jr., Oppenheimer

14. Glynn Turman, Rustin

15. Paul Dano, Dumb Money

Best Supporting Actress is up next!

Ant-Man and the Wasp: Quantumania Review

According to lore, there are glorious stories of Bill Murray randomly showing up places and elevating an evening’s festivities to a new level. Heck, there’s even a documentary about it. The legend shows up in Ant-Man and the Wasp: Quantumania and his small part does nothing to level it up. In fact, it seems needlessly random. The Marvel Cinematic Universe has now entered Phase Five. It launches in troubling fashion. This is the 31st MCU pic and I’d rank it #31.

2015’s Ant-Man is one of the weakest links in the Marvel chain, but there were glimpses of the nifty and humorous little heist pic it wanted to be. It doesn’t hurt that Paul Rudd has an effortless charm as the small time crook turned Avenger. 2018’s Ant-Man and the Wasp was an improvement (in the MCU, the follow-ups often do exceed the quality of their predecessors). The third time is far from the charm.

The bulk of the action is set in the Quantum Realm – a gaudy setting that is far from low-key. Before we get there, Rudd’s Scott Lang is on a book tour and generally enjoying the fame garnered from being an Avenger. His home life with Hope/Wasp (Evangeline Lilly) and now 18-year-old daughter Cassie (Kathryn Newton) appears tranquil. Original title heroes and Hope’s parents Hank (Michael Douglas) and Janet (Michelle Pfeiffer) join the domestic bliss. However, cracks big and small emerge. Cassie seems frustrated by her dad’s coasting off of his previous laurels. The cracks under the ground are of more concern when her scientific experiments land the extended family in the subatomic Realm.

Janet spent 30 years (as revealed in the previous movies) in that particular universe. It’s revealed here that she engaged in far more activities than earlier thought. One includes a hinted at tryst with Bill Murray’s character and his superfluous cameo. Of more consequence is her relationship with Kang (Jonathan Majors), who was stuck with her underground for many years. Janet found a way out while he remained. That’s a plus since his full name is Kang the Conqueror and he destroys planets across multiverses as he sees fit. The villain Darren Cross (Corey Stoll) from the first Ant-Man, now shrunk to a smaller size with a gigantic head, partners with our new main baddie. That results in some horrible CG (I think on purpose) in a sequel that employs other garish effects that are not meant to be funny.

The balance of comic sensibilities that worked well in portions of Ant-Man and especially the sequel collides with the ultra serious introduction of Kang. Hour one is sluggish. Hour two finds our heroes defending characters in the Quantum Realm that we’re never properly introduced to. While Pfeiffer’s role is fattened, sometimes Rudd and definitely Lilly feel like supporting players. Newton, taking over the role from Abby Ryder Fortson, struggles with her one-note character. The strongest performance belongs to Majors, but his menacing and seemingly multi-layered nemesis feels out of place in Ant-Man and Ant-Family’s stomping grounds. Kang might turn out to be a worthy villain to the MCU’s Avengers in future installments. The jury is out for now.

Phase Four and the start of Five have been wobbly. Eternals, Thor: Love and Thunder, and Black Panther: Wakanda Forever have been disappointments and Quantumania reaches the lowest level yet. Underwhelming movies in the MCU are starting to feel like groundhog day and audiences might stop randomly showing up if that persists.

** (out of four)

Oscar Predictions: Guy Ritchie’s The Covenant

Lionel Richie has received three Oscar nominations for his ditties. The filmography of Guy Ritchie has yielded one less as 2009’s Sherlock Holmes was mentioned for Art Direction and Original Score.

Guy could tie Lionel since The Covenant, his Afghanistan war drama, hits theaters this weekend. Jake Gyllenhaal headlines the director’s 14th feature which is generating mostly appreciative reviews and being commended for the restraint shown by the often flashy filmmaker. It sits at 81% on Rotten Tomatoes.

However, the spring release date for the MGM effort indicates this isn’t seen as an awards play. If you’re waiting for this to pop up in mentions during the Academy ceremony next year, you’ll probably be waiting all night long. My Oscar Prediction posts will continue…

Big George Foreman Box Office Prediction

Blogger’s Update (04/26): I am revising my estimate down from $8.5M to $5.7M

Big George Foreman enters the box office ring on April 28th from George Tillman Jr. (who recently directed Notorious and The Hate U Give). The sports biopic stars Khris Davis as the two-time boxing champ and grill master. Jasmine Mathews, John Magaro, Sullivan Jones, and Forest Whitaker are in the supporting cast.

Sony Pictures is hoping audiences are ready for another tale of the sweet science shortly after the success of Creed III. With a lack of star power and not much in the way of buzz, Foreman may struggle to reach $10 million in the first weekend. I’ll project it falls a bit shy for a performance that’s no knockout. It does get credit for having a ridiculously lengthy full title – The Miraculous Story of the Once and Future Heavyweight Champion of the World.

Big George Foreman opening weekend prediction: $5.7 million

For my Are You There God? It’s Me, Margaret prediction, click here:

Are You There God? It’s Me, Margaret Box Office Prediction

Beau Is Afraid Box Office Prediction

After a sizzling limited release last weekend, Ari Aster’s Beau Is Afraid expands to just under 1000 screens this Friday. A mix of many genres from the director known for horror pics Hereditary and Midsommar, Joaquin Phoenix stars as a paranoid man on odyssey while dealing with severe mommy issues. Costars include Patti LuPone, Nathan Lane, Amy Rogers, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, and Richard Kind.

Some critics have been quite kind and it sits at 74% on Rotten Tomatoes. Others have called the three-hour opus a slog and predicted that general audiences are likely to have strong negative feelings. Beau scored $320,000 on just four screens days ago for a per theater average of $80k. It’s not surprising that it performed splendidly in NY/LA.

Beau faces more challenging prospects as it plays between the coasts. While it will probably have the third best screen average behind The Super Mario Bros. Movie and Evil Dead Rise (though the average could top that one), a gross between $4-5 million is likely.

Beau Is Afraid expanded opening weekend prediction: $4.4 million

For my Evil Dead Rise prediction, click here:

Evil Dead Rise Box Office Prediction

For my Guy Ritchie’s The Covenant prediction, click here:

Guy Ritchie’s The Covenant Box Office Prediction

Are You There God? It’s Me, Margaret Box Office Prediction

Lionsgate is hoping audiences will be there for Are You There God? It’s Me, Margaret when it opens April 28th. The coming-of-age dramedy is based on the well-known 1970 novel from Judy Blume. Kelly Fremon Craig, who wrote and directed 2016’s acclaimed The Edge of Seventeen, is behind the camera. Abby Ryder Fortson stars in the title role with Jennifer Garner, Benny Safdie, and Kathy Bates in the supporting cast.

Despite the popularity of its source material, author Blume held onto the film rights for over half a century. Margaret will attempt to bring in a wide female audiences whose familiarity with the book spans generations. Some early prognoses have this potentially reaching $20 million. I’ll say low to mid teens is where this lands.

Are You There God? It’s Me, Margaret opening weekend prediction: $15.3 million

For my Big George Foreman prediction, click here:

Big George Foreman Box Office Prediction

April 21-23 Box Office Predictions

The Super Mario Bros. Movie should rule the charts for a third weekend as Evil Dead Rise and Guy Ritchie’s The Covenant open in wide release. You can peruse my detailed prediction posts on the newcomers here:

Evil Dead Rise Box Office Prediction
Guy Ritchie’s The Covenant Box Office Prediction

Evil Dead Rise appears headed for a second place showing. However, the fifth pic in the horror franchise that started over 40 years ago is unlikely to match the mid-twenties haul that its 2013 predecessor managed. That’s despite strong reviews. Some recent horror saturation might mean a low to mid teens premiere.

As for Afghanistan War drama The Covenant with Jake Gyllenhaal, this is a genre that often struggles for eyeballs. It could certainly outpace my mid single digits projection (which should still be good for third), but my gut says this won’t impress.

Spots 4-8 should be holdovers whose difference could be less than a million bucks. I have John Wick: Chapter 4 leading that group with Renfield having the biggest percentage drop and coming in 8th.

Some other notes before I get to the power player. The historical drama Chevalier is slated to come out on around 1200 screens. I think the ceiling could be $2.5 million and I didn’t do an individual post for it.

Then there’s Beau is Afraid. Ari Aster’s three-hour opus with Joaquin Phoenix is garnering some raves and some derision from critics. It had a sizzling limited debut on only 4 screens. Beau is opening wider this weekend, but I’ve yet to see a theater count. Depending on how many venues it’s playing in, it could pop up in the top 5. However, I can’t make an educated guesstimate (yet) until I see a number. **Update (04/19): I’ve now done a prediction for this since a theater count is released:

Beau Is Afraid Box Office Prediction

As for the third frame of Mario, I’ve got it falling in the high 30s to low 40s for a mid to high 5os gross. My prediction gives it the ninth best third weekend of all time after it just had the seventh largest second one. I’ll give this caveat: I’ve been low for two weeks in a row on this pic.

So with all that said, here’s my look at the top 8:

1. The Super Mario Bros. Movie

Predicted Gross: $54.8 million

2. Evil Dead Rise

Predicted Gross: $16.7 million

3. Guy Ritchie’s The Covenant

Predicted Gross: $5.6 million

4. John Wick: Chapter 4

Predicted Gross: $4.7 million

5. The Pope’s Exoricst

Predicted Gross: $4.6 million

6. Air

Predicted Gross: $4.6 million

**7. Beau is Afraid

Predicted Gross: $4.4 million (ADDED PREDICTION**)

8. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $4.3 million

9. Renfield

Predicted Gross: $3.9 million

Box Office Results (April 14-16)

It’s a Nintendo Cinematic Universe and we’re just living in it as The Super Mario Bros. Movie once again exceeded expectations in its sophomore frame. Illumination’s animated phenomenon piped in another $92.3 million, far exceeding my $74.9 million take. The two-week tally is an astonishing $353 million. There is a real possibility that this could end up as the highest domestic grosser of 2023.

Russell Crowe’s horror tale The Pope’s Exorcist surprisingly was second with $9 million, edging past my $7.4 million forecast. With a reported $18 million budget, that’s not too shabby though hardly glorious.

John Wick: Chapter 4 was third with $8 million (in range with my $8.4 million call). It’s up to $160 million after 4 weeks.

Spooky comedy Renfield with Nicolas Cage as Dracula was anticipated to see second place, but it wasn’t to be. The fourth place showing at $8 million fell below my $12.2 million estimate. With a fairly sucky B- Cinemascore, look for it to fade quickly.

Air was fifth with $7.8 million in its second weekend. I thought it would hold better and went with $9.5 million. Nevertheless its $33 million total thus far is solid for an adult drama.

Dungeons & Dragons: Honor Among Thieves was sixth with $7.5 million (I said $6.9 million) for a so-so $74 million after three weeks.

Toho’s Japanese animated fantasy Suzume couldn’t live up to previous titles from the distributor. It was seventh with $5 million and I was more generous at $8.7 million.

I never did an official prediction for Mafia Mamma with Toni Collette, but I said the poorly reviewed comedy would be lucky to make $2 million. Well, I guess it was lucky because that’s exactly what it did for 8th.

And that does it for now, folks! Until next time…

***In the meantime, catch my weekly podcast talking box office at Movies at the Speed of Speculation (wherever you stream!).