Category: Oscar Predictions

Oscar Watch: Our Brand Is Crisis

On the last two occasions that Sandra Bullock has headlined a picture with dramatic elements, it’s resulted in a 2009 Oscar win for The Blind Side and a 2013 nomination for Gravity. Therefore, it is no surprise that her upcoming comedic drama Our Brand Is Crisis (out October 30) was garnering talk of a third nomination.

However, its screening at the Toronto Film Festival has mostly muted that chatter. The film, in which Bullock plays a political operative assigned to help a struggling Bolivian president win reelection, was met with mixed word of mouth at the festival. Its Rotten Tomatoes score stands at just 44% currently. While her performance has been received well, readers of this blog may be familiar with the recent theme of Best Actress being very crowded this year. That will likely leave Bullock on the outside looking in. In fact, one of the category front runners is Cate Blanchett for Carol, whose winning role in Blue Jasmine probably kept Bullock from a second gold statue. Costars including Billy Bob Thornton and Ann Dowd also shouldn’t be a factor and the picture itself has virtually zero hope in the big race.

Once again, that important festival in Canada has eliminated another Oscar hopeful from the mix. Look for more Oscar Watch posts following the same theme on the blog.

 

Oscar Watch: Freeheld

While the Cannes, Venice, and Telluride film festivals were successful in showcasing a number of Oscar hopefuls including Carol, The Danish Girl, Steve Jobs, and Spotlight, among others – this year’s in progress Toronto Film Festival has already premiered several titles that have seen their awards hope dim.

One is Freeheld, a domestic partnership drama starring Julianne Moore, Ellen Page, Steve Carell, and Michael Shannon. Directed by Peter Sollett and based on a 2007 documentary, this was looked at as a potential contender in several categories before it screened up north. Reviews have been very mixed and any chance it had at a Picture nod seems to have fallen by the wayside.

Still, it’s a little naive to completely count Moore in Best Actress out and her performance has received solid notices. Yet as mentioned in previous Oscar watch posts, that race is looking very crowded already with Cate Blanchett in Carol, possibly Alicia Vikander in The Danish Girl (though she could be recognized instead in Supporting), Carey Mulligan in Suffragette, Brie Larson in Room, Lily Tomlin in Grandma, Saoirse Ronan in Brooklyn, and the as yet unforeseen work of Jennifer Lawrence in Joy. In other words, the competition could crowd Moore out and Academy voters may be OK with that considering she won just last year for her work in Still Alice. She remains a possibility, however, and can’t be totally discounted. As for other performers, Michael Shannon has received positive word of mouth but is a long shot for Supporting Actor.

All in all, Toronto essentially dashed the hopes of Freeheld gaining any major traction in the 2015 awards derby.

Oscar Watch: Room

There have been Oscar years in the recent past where it could be said that the Best Actress category was fairly weak. As the film festival circuit rolls along, it’s becoming increasingly clear this will not be the case in 2015. Already there is strong momentum going for Carey Mulligan in Suffragette, Cate Blanchett in Carol, Saoirse Ronan for Brooklyn, and Lily Tomlin in Grandma. It remains to be seen whether Alicia Vikander will be campaigned for in the Actress or Supporting Actress race, but her work in The Danish Girl looks to be recognized either way. And there’s still Jennifer Lawrence’s work in David O. Russell’s Joy to be seen, among others.

We have another contender brought forth by the Telluride and Toronto Film Festivals with Brie Larson’s performance in the indie pic Room. Based on Emma Donoghue’s bestseller, the film casts Larson as a mom who’s trapped with her 5 year old son in a garden shed for a seven year period. Sounds like heady stuff and reviews coming out of the festivals have highlighted Larson’s work as award worthy. The real question is whether the picture is seen and released widely enough to vault the actress into real contention. It certainly seems possible and some critics have noted that Room could break through to audiences.

While reviews are positive and it sits at 100% on Rotten Tomatoes, they’re probably not quite strong enough to put this into the Best Picture race. Some reviewers have taken notice of Joan Allen’s role and she could find herself in the mix for Supporting Actress. There’s even a slight possibility that the young man playing the son, Jacob Tambley, could be a long shot in Supporting Actor (I wouldn’t count on it though).

The real story is Larson. Two years ago, she was the subject of awards buzz for her indie flick Short Term 12, but it never panned out. She’s been highly visible over the years in supporting parts in hits like 21 Jump Street and Trainwreck and Room is beginning to look like her first legit shot at Academy attention.

Oscar Watch: I Saw the Light

As you may have noticed on the blog over the past couple of weeks, the array of recent film festivals that includes Toronto, Telluride and Venice has assisted in making the 2015 Oscar race a bit clearer. These fests have vaulted such titles as The Danish Girl, Carol, Steve Jobs, The Martian, Suffragette, Spotlight and Black Mass into the conversation for various nominations. On the flip side, these festivals can also pretty much crush the hopes of other pictures that are screened and receive a negative reaction.

That appears to be the case with I Saw the Light, the biopic of country singer Hank Williams that has been mentioned as an Oscar contender. Then it screened and critical reaction has not been kind. In fact, it currently sits at a troubling 14% on Rotten Tomatoes. While the pic itself has been met negatively by reviewers, the performances are receiving high marks. Tom Hiddleston (known to most as Loki in the Marvel Cinematic Universe) stars as Williams. His work has gotten high marks but the bad reaction to the film itself probably means he won’t make the cut in the Best Actor race. Playing his wife, Elizabeth Olsen has had even better notices from critics. In my initial round of predictions a couple of weeks back, I included her as a nominee for Supporting Actress. She could still make the cut, but I’m far less certain than I was before. Don’t be surprised to see her name left out when I do my second round of predictions.

Bottom line: while these festivals do a great job at showcasing future Academy contenders, they can bury others. I Saw the Light appears to be just such a casualty.

Oscar Watch: The Martian

Ridley Scott’s sci fi pic The Martian premiered at the Toronto Film Festival over the weekend prior to its October 2 domestic release and the results are quite promising. With an all star cast including Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Kate Mara, Sean Bean and Chiwetel Ejiofor, The Martian has struck the fancy of critics to the tune of a 95% Rotten Tomatoes rating.

How will this translate to Oscar attention? Hard to say. Reviews have noted that this is a crowd pleaser and the more box office success it achieves, the better that bodes for a Best Picture nod. I’d still say it’s likely on the outside looking in, but that could certainly change if some future autumn releases don’t meet expectations. I could actually envision a somewhat long shot scenario of Scott receiving a directing nomination with the film itself left out.

As for actors, Damon has gotten strong notices and could find himself in contention, though I wouldn’t include him yet. Chastain has been singled out as well, but competition in Supporting Actress could leave her out. The Martian’s greatest chance at Academy focus is probably tech races like Cinematography, Visual Effects and Sound categories. As far as the bigger ticket races, Toronto did prove that this is something worth keeping in mind as the months roll on.

Oscar Watch: Suffragette

The Telluride Film Festival showcased yet another Oscar hopeful over the weekend and early results are encouraging for Suffragette, particularly for its lead actress. Set in the early 20th century, Suffragette focuses on the women’s voting rights movement in Britain during that era. The pic is directed by Sarah Gavron and written by Abi Morgan, who could both be factors in their respective races. Gavron, in particular, would be appear the Academy’s best chance to include a female in the race.

As for the actors, early reviews are raving about Carey Mulligan’s lead performance; so much so that it’s probably safe to assume her name will be included in Best Actress. The supporting ladies are more of a question mark but the edge would go to Helena Bonham Carter over the lesser known Anne-Marie Duff. Both received good notices. Meryl Streep is in the film too, but her role is reported to be fairly small. Still you can never completely count out the most nominated actress in Academy history.

Over the weekend, I include Suffragette in my predicted eight nominees for Best Picture. The buzz from Telluride confirms that pick. Its inclusion is far from guaranteed, but it’s got a great shot.

Oscar Watch: Spotlight

We arrive at yet another entry into the Academy Awards derby from the Venice and Telluride Film Festivals (a theme on the blog this weekend) and it’s Tom McCarthy’s Spotlight. The pic is a journalistic expose on the Catholic Church sex scandals from a few years ago and centers on the Boston Globe reporters who broke the story. After its festival rollout, some critics have compared it to All the President’s Men. High praise indeed.

Spotlight boasts a truly impressive ensemble that includes Michael Keaton, Mark Ruffalo, Rachel McAdams, Stanley Tucci and Liev Schreiber. Early reviews suggest it could be a contender in Best Picture, though I didn’t include it in my initial round of predictions from yesterday. It’s certainly one to keep an eye on though when it debuts November 6. It also doesn’t hurt that director McCarthy is well liked in the critical community with indie darlings like The Station Agent and The Visitor to his credit.

As for acting races, most write ups have focused on Michael Keaton and it’s certainly possible he could find himself as a player in Supporting Actor. This may hold especially true considering he had a remarkable comeback role in last year’s Picture winner Birdman. He was nominated for Best Actor, but lost out to Eddie Redmayne for The Theory of Everything. The other performers are unlikely to receive much attention.

Once again, as with Steve Jobs and The Danish Girl and Beasts of No Nation, the festival circuit has shined Oscar attention on another picture. As of this weekend, it’s Spotlight.

Oscar Watch: Beasts of No Nation

Over the last couple of awards seasons, Netflix programming has found itself receiving Emmy love with House of Cards and Orange is the New Black. The streaming service could find itself in the 2015 Oscar mix with the release next month of Beasts of No Nation. Cary Fukunaga, last seen directing the wildly acclaimed first season of HBO’s True Detective, helms this tale of a civil war in a West African country. Netflix acquired the rights to the picture for $12 million and it will premiere simultaneously on its service and in theaters on October 16.

Reviews were quite strong after it screened at the Venice Film Festival days ago. Its inclusion in the Best Picture race may be determined on how later fall releases pan out – like The Revenant, Bridge of Spies, The Hateful Eight and Joy, among others. It would appear to be behind such current contenders such as Steve Jobs and Carol. Where Nation is most likely to receive attention is in the Supporting Actor category with Idris Elba playing a nefarious warlord. It’s a performance said to demand attention and Oscar voters may take notice. I didn’t include Elba among the predicted nominees last week, but may need to reconsider when my second batch of prognostications comes in October.

One thing is for sure: for the first time, expect to hear Netflix and Oscar nominations mentioned together for the first time this year.

Oscar Watch: Black Mass

From the moment the first trailer for Black Mass (out September 18) appeared, you could sense that something special might be brewing with Johnny Depp’s portrayal of notorious Boston gangster Whitey Bulger. Those feelings have been confirmed over the weekend as the picture screened at both the Venice and Telluride Film Festivals.

Critical consensus bore one thing out: Depp’s chilling performance is fantastic. Variety went as far to claim it’s his career best work. This reaction made him as instant major contender in the Best Actor race. When I made my initial predictions three days ago, I left him outside the top five. I’m questioning that call. That said, it remains to be seen who among my projected five would move outside the cut to put Depp in. Both Eddie Redmayne in The Danish Girl and Michael Fassbender in Steve Jobs seem like real contenders. The most vulnerable performer I predicted may be Michael Caine in Youth, though his legendary status will help. The other two I predicted are question marks as their movies have yet to be screened: Leonardo DiCaprio in The Revenant and Don Cheadle in Miles Ahead. And there’s certainly plenty of time for other actors to emerge. For Depp, after a series of both commercial and critical disappointments (Mortdecai anyone?), the opportunity for Academy voters to vault him into contention could be too enticing to pass up.

As for the film itself, a Best Picture nod or Director nom for Scott Cooper seems far less assured. While its Rotten Tomatoes meter sits at 100%, reviewers are divided as to whether Black Mass is great or merely good. Supporting players Benedict Cumberbatch, Joel Edgerton, and Kevin Bacon may not factor into the mix.

However, this Labor Day weekend made one item very clear: Johnny Depp is a player in this year’s Oscar derby. A big one.

Oscar Watch: Steve Jobs

As I’ve made my initial round of Oscar predictions over the past few days on the blog, it seemed somewhat safe to place Danny Boyle’s Steve Jobs as a nominee for Best Picture and Director. Same goes for Michael Fassbender in the Actor race as he plays the late tech genius title character and Kate Winslet in Supporting Actress playing a member of Steve’s original MAC team.

Last night, the pic debuted at the Telluride Film Festival and critics are mostly loving what they’re seeing. Fassbender’s work has particularly been singled out and it seems highly unlikely that his name won’t be among the five in Best Actor. Winslet seems like a fairly safe bet as well. In Supporting Actor, Jeff Daniels seems more likely than Seth Rogen but I didn’t include either in my first round of predictions and stick by it (for now).

Several reviewers have noted Jobs as a companion piece to 2010’s The Social Network, David Fincher’s terrific tale of Facebook founder Mark Zuckerberg. Some have even said Jobs is better. That bodes extremely well for its chances at Picture and Director nods. It also seems virtually guaranteed that Aaron Sorkin will see his screenplay recognized in Adapted Screenplay. Steve Jobs is out October 9.

As the film festivals continue to roll out, look for several posts in the next few days outlining pictures likely to be in the mix and others that may not be.