A remake of the 2014 French film La Famille Belier, Sian Heder’s CODA finds its emotional pitches and frequently hits them out of the park. This is an uncomplicated and charming story with a central character in a complicated position. Ruby Rossi (Emilia Jones) fits the description of the title as she’s a child of deaf adults. She’s the only hearing person in her family of four – parents Jackie (Marlee Matlin) and Frank (Troy Kotsur) and older brother Leo (Daniel Durant).
Ruby spends her early mornings in the water as part of the family’s struggling New England fishing business. As she arrives at school during her senior year, she finally decides to take up choir. Her little secret is she loves to sing. It doesn’t hurt that her crush Miles (Ferdia Walsh-Peelo) is also enlisted. The teacher Mr. V (Eugenio Derbez) soon recognizes her potential. Family obligations make her ability to practice a challenge. Ruby is the clan’s full-time interpreter and has never really considered leaving the nest until the opportunity to attend the Berklee College of Music becomes achievable.
CODA is a romance between Ruby and Miles with the teacher/pupil dynamic involving the caring and tough Mr. V in there too. Neither of those subplots makes a huge impression (though Derbez gives a fine performance). The Rossi family dynamic is where its heart lies. And it’s also where we find some truly superb acting.
Jones’s Ruby is a believable teen torn between her outsized obligations and her dream. This may be a typical coming-of-age tale in many respects but we see it through a unique lens of an atypical cinematic household. Kudos go to Matlin as the mom who just assumes her daughter will always be there and Durant as the brother who supports Ruby’s need to spread her wings and vocal cords. The biggest tearjerking moments come courtesy of her relationship with her father and Kotsur’s work leaves an impression equal to that of Jones. He’s also responsible for some genuinely funny moments.
With a minimum of melodrama, the teary joy you may experience at key moments feels earned. This is a love letter to family and the idea that we need them to get by and sometimes that involves getting out of the way.
Ahead of its September 17th bow on Amazon Prime, the musical drama Everybody’s Talking About Jamie has premiered at Outfest this weekend. Based on a London stage play, Jamie centers on a 16-year-old (Max Harwood) who dreams of becoming a drag queen.
Early reviews are positive. Yet I’m not picking up a vibe where Academy inclusion is much of a possibility. In the three Thursdays where I’ve done my weekly predictions, I thought supporting player Richard E. Grant stood the greatest chance at a nod. Three years ago, Grant nabbed a nomination as Supporting Actor for Can You Ever Forgive Me? (losing to Mahershala Ali for Green Book). However, critical praise is mostly focused on young lead Harwood. I’ve had Grant listed at #7 in possibilities. Don’t be surprised if he drops out entirely when I do my updates in five days.
So could Harwood get in? Doubtful as I see plenty of upcoming hopefuls in Best Actor. Where Jamie could show up is Original Song. The film mixes tracks from the stage with a new one titled “This Was Me”. That could be where Amazon really focuses its campaign.
Bottom line: while critics are being kind – I wouldn’t expect a whole lot of Oscar voters to be talking about Jamie a few months down the road. My Oscar Watch posts will continue…
There has been no shortage of horror offering for audiences this summer (almost all sequels), but Searchlight is hoping the masses turn out for another with The Night House. Directed by David Bruckner, the ghost story premiered all the way in January 2020 at the Sundance Film Festival. It stars Rebecca Hall, Sarah Goldberg, Evan Jonigkeit, Stacy Martin, and Vondie Curtis-Hall.
Reviews from Sundance were encouraging and it stands at 88% on Rotten Tomatoes. However, the recent glut of genre titles (Don’t Breathe 2 is out the weekend before with Candyman the frame after) could cause this to get lost in the shuffle.
Opening on a fairly low 2000 screens, prospects for The Night House look dim. I foresee this debuting between $2-4 million and foreclosing in theaters quickly.
The Night House opening weekend prediction: $3.1 million
Michael Keaton, Maggie Q, and Samuel L. Jackson star in the action thriller The Protege next weekend and it will attempt to carve its place into the typically limp late summer box office. Martin Campbell, director of Casino Royale, is behind the camera.
The Lionsgate release is only available in theaters and it will face serious competition for the same audience from Hugh Jackman’s Reminiscence. In this challenged marketplace, The Protege going straight to pay streaming wouldn’t have been much of a shocker.
I’ll give the studio credit for giving it a shot, but I’m guessing Jackman will propel his effort to slightly higher earnings. I only have Reminiscence at just under $7 million and I’ll say this gets just under $5 million.
The Protege opening weekend prediction: $4.7 million
For my PAW Patrol: The Movie prediction, click here:
Film festival season is approaching with Toronto, Venice, Telluride, and more. The early days of September will assist in answering plenty of questions as to the Oscar viability of several pictures.
As for this mid August timeframe, we mostly wait. However, one contender’s chances are clearer than last week. The Aretha Franklin biopic Respect, as I suspected, will not play in Best Picture. Yet the raves for Jennifer Hudson keep me believing she could make the final five in what looks to be a crowded field. Hudson remains in the four spot. The many performances left to witness will eventually answer whether she remains.
There is some movement in the other categories:
CODA was one of the acclaimed titles at Sundance and it releases on Apple TV tomorrow. Widely regarded as a crowdpleaser, I’m feeling more hopeful that it makes the top ten in BP. To make room, I’ve removed another buzzed about Sundance effort – Mass. I’ll confess that Mass is a head scratcher for me at press time. The four main leads (Jason Isaacs, Ann Dowd, Reed Birney, Martha Plimpton) will apparently all be campaigned for in the supporting fields. Dowd seems the most assured to make it, but they all could. However, both Isaacs and Plimpton are being taken out of my predicted five.
That means Toni Collette for Nightmare Alley is in over Plimpton in Supporting Actress. It felt strange not to have at least one actor from Guillermo del Toro’s upcoming pic in the mix. That could also be Rooney Mara in the same race.
In Supporting Actor, taking out Isaacs puts Corey Hawkins (The Tragedy of Macbeth) in. I’ve also made a switch in the #1 position. Bradley Cooper has had it the first two weeks for Soggy Bottom and now it’s Jesse Plemons in The Power of the Dog.
The lead actor and screenplay derbies reflect the same five as last week.
Check out all the movement below! I’ll be back at it next week…
Best Picture
Predicted Nominees:
1. House of Gucci (Previous Ranking: 1)
2. The Power of the Dog (PR: 2)
3. The Tragedy of Macbeth (PR: 3)
4. Nightmare Alley (PR: 4)
5. Soggy Bottom (PR: 6)
6. Dune (PR: 5)
7. Don’t Look Up (PR: 7)
8. CODA (PR: 11)
9. West Side Story (PR: 9)
10. A Hero (PR: 10)
Other Possibilities:
11. Mass (PR: 8)
12. The French Dispatch (PR: 13)
13. Belfast (PR: 12)
14. King Richard (PR: 16)
15. Spencer (PR: 14)
16. Tick, Tick… Boom! (PR: 17)
17. Parallel Mothers (PR: Not Ranked)
18. Cyrano (PR: 15)
19. Flee (PR: 18)
20. Passing (PR: Not Ranked)
21. The Humans (PR: 19)
22. Last Night in Soho (PR: Not Ranked)
23. Blue Bayou (PR: 20)
24. Being the Ricardos (PR: 23)
25. In the Heights (PR: 24)
Dropped Out:
The Last Duel
The Worst Person in the World
Annette
Best Director
Predicted Nominees:
1. Ridley Scott, House of Gucci (PR: 1)
2. Jane Campion, The Power of the Dog (PR: 2)
3. Guillermo del Toro, Nightmare Alley (PR: 4)
4. Joel Coen, The Tragedy of Macbeth (PR: 5)
5. Denis Villeneuve, Dune (PR: 3)
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom (PR: 6)
7. Adam McKay, Don’t Look Up (PR: 8)
8. Asghar Farhadi, A Hero (PR: 7)
9. Steven Spielberg, West Side Story (PR: 9)
10. Kenneth Branagh, Belfast (PR: 12)
11. Sian Heder, CODA (PR: 13)
12. Wes Anderson, The French Dispatch (PR: 11)
13. Fran Kranz, Mass (PR: 10)
14. Pedro Almodovar, Parallel Mothers (PR: Not Ranked)
15. Pablo Larrain, Spencer (PR: 14)
Dropped Out:
Joe Wright, Cyrano
Best Actress
Predicted Nominees:
1. Lady Gaga, House of Gucci (PR: 1)
2. Frances McDormand, The Tragedy of Macbeth (PR: 3)
3. Kirsten Dunst, The Power of the Dog (PR: 2)
4. Jennifer Hudson, Respect (PR: 4)
5. Jessica Chastain, The Eyes of Tammy Faye (PR: 5)
Other Possibilities:
6. Kristen Stewart, Spencer (PR: 6)
7. Penelope Cruz, Parallel Mothers (PR: 9)
8. Emilia Jones, CODA (PR: 7)
9. Nicole Kidman, Being the Ricardos (PR: 10)
10. Cate Blanchett, Nightmare Alley (PR: 8)
11. Jodie Comer, The Last Duel (PR: 12)
12. Renate Reinsve, The Worst Person in the World (PR: 11)
13. Rachel Zegler, West Side Story (PR: 13)
14. Jennifer Lawrence, Don’t Look Up (PR: 15)
15. Halle Berry, Bruised (PR: Not Ranked)
Dropped Out:
Olivia Colman, The Lost Daughter
Best Actor
Predicted Nominees:
1. Denzel Washington, The Tragedy of Macbeth (PR: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Will Smith, King Richard (PR: 3)
4. Adam Driver, House of Gucci (PR: 4)
5. Amir Jadidi, A Hero (PR: 5)
Other Possibilities:
6. Andrew Garfield, Tick, Tick… Boom! (PR: 7)
7. Bradley Cooper, Nightmare Alley (PR: 9)
8. Leonardo DiCaprio, Don’t Look Up (PR: 6)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 10)
10. Peter Dinklage, Cyrano (PR: 8)
11. Clifton Collins, Jr., Jockey (PR: 11)
12. Steven Yeun, The Humans (PR: Not Ranked)
13. Adam Driver, Annette (PR: 12)
14. Nicolas Cage, Pig (PR: 13)
15. Cooper Hoffman, Soggy Bottom (PR: 15)
Dropped Out:
Michael B. Jordan, A Journal for Jordan
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 1)
2. Ariana DeBose, West Side Story (PR: 2)
3. Marlee Matlin, CODA (PR: 4)
4. Jayne Houdyshell, The Humans (PR: 3)
5. Toni Collette, Nightmare Alley (PR: 6)
Other Possibilities:
6. Martha Plimpton, Mass (PR: 5)
7. Meryl Streep, Don’t Look Up (PR: 11)
8. Ruth Negga, Passing (PR: 7)
9. Thomasin McKenzie, The Power of the Dog (PR: 10)
10. Aunjanue Ellis, King Richard (PR: 13)
11. Olga Merediz, In the Heights (PR: 9)
12. Rooney Mara, Nightmare Alley (PR: 8)
13. Judi Dench, Belfast (PR: 12)
14. Nina Arianda, Being the Ricardos (PR: Not Ranked)
15. Anya Taylor-Joy, Last Night in Soho (PR: 15)
Dropped Out:
Audra McDonald, Respect
Best Supporting Actor
Predicted Nominees:
1. Jesse Plemons, The Power of the Dog (PR: 2)
2. Bradley Cooper, Soggy Bottom (PR: 1)
3. Richard Jenkins, The Humans (PR: 4)
4. Jared Leto, House of Gucci (PR: 5)
5. Corey Hawkins, The Tragedy of Macbeth (PR: 6)
Other Possibilities:
6. Jason Isaacs, Mass (PR: 3)
7. Richard E. Grant, Everybody’s Talking About Jamie (PR: 7)
8. Reed Birney, Mass (PR: 10)
9. Mark Rylance, Don’t Look Up (PR: 9)
10. Willem Dafoe, Nightmare Alley (PR: Not Ranked)
Hugh Jackman makes a return to sci-fi next weekend with Reminiscence. The film (reportedly budgeted at just under $70 million) is the rare summer feature in this genre not based on a known property. It marks the directorial debut of Lisa Joy, best known for co-creating HBO’s Westworld. Costars include Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, and Marina de Tavira.
The Home Box Office connections are strong. Since this a Warner Bros property, the pic will simultaneously have its 30 day HBO Max availability. Originally slated for April before it traded with Mortal Kombat, the film faces some challenges. This might seem minor, but the title doesn’t exactly roll off the tongue. More importantly, Reminiscence opens against the Michael Keaton/Maggie Q/Samuel L. Jackson thriller The Protege and they’ll be battling for the same audience. Both may suffer as a result.
Add in the Delta variant concerns and I really question whether this gets past $10 million. My gut says to put it under.
Reminiscence opening weekend prediction: $6.8 million
For my PAW Patrol: The Movie prediction, click here:
Blogger’s Note (08/18): I am revising my PAW Patrol: The Movie estimate up from $7.9M to $10.8M.
Will young pups across North America be begging their guardian masters for the opportunity to see PAW Patrol: The Movie next weekend? That’s what Paramount is hoping for as the Canadian based Nickelodeon series hits the big screen. The animated show has been on tube since 2013 and the voice regulars (Kingsley Marshall, Keegan Hedley, Shayle Simons, Lilly Bartlam, and Ron Pardo) are heard here. We also have some famous to sorta famous faces lending their vocal talents. They include Iain Armitage, Marsai Martin, Yara Shahidi, Kim Kardashian, Randall Park, Dax Shepard, Tyler Perry, and Jimmy Kimmel. Cal Brunker (maker of Escape from Planet Earth and The Nut Job 2: Nutty by Nature) directs.
So will the intended crowd be down with PP? Clearly the TV show has a following. However, it certainly skews younger than most animated titles so the kiddie pool is limited. This will also be premiering simultaneously on Paramount+. While it may not have the reach of the streaming big daddies, it could still siphon away some viewers. Perhaps most importantly, mid to late August is a tricky time for this genre as children are heading back to school.
Family entertainment offerings like Space Jam: A New Legacy and Jungle Cruise have slightly exceeded expectations lately. It’s fair to say they didn’t face some of the hurdles PAW does. A slightly better comp might be The Boss Baby: Family Business, which recently debuted with just over $17 million. I’d be surprised if PAW matched it. It might be lucky to earn half of that and that’s what I’m thinking.
PAW Patrol: The Movie opening weekend prediction: $10.8 million
I had no doubt while watching James Gunn’s The Suicide Squad that it’s a more realized vision of exactly what its director wanted. This was apparently not the case with David Ayer’s 2016 Suicide Squad and maybe we will see his Justice League style extended cut one day. For this latest DC Extended Universe pic, Warner Bros reportedly let Gunn do his thing without interference.
The result is a hard R rated and often gleefully bizarre experience. There are some truly funny moments and inspired action sequences mixed with a host of repetitive ones. At one point, Harley Quinn (Margot Robbie) makes light of a character named Milton who just got popped. The joke is that she doesn’t remember him being part of the team because he’s so forgettable. Milton isn’t the only one. Frankly, I’m struggling a bit with my overall take. This Squad is unquestionably an improvement over its predecessor. Yet I never quite got immersed in its raunchy comic book violence or irreverent attitude in the way I did with Deadpool or Gunn’s own Guardians of the Galaxy.
Amanda Waller (Viola Davis) is still head of A.R.G.U.S., the government organization that has its own unique prison work release program. Felonious super villains are sent on black ops missions in the name of homeland security (or so they’re told). Many of the cast mates (including Will Smith’s Deadshot) are MIA this time around. Harley’s back as is Captain Boomerang (Jai Courtney). So is Waller’s right-hand man and Squad leader Rick Flag (Joel Kinnaman).
From the jump, we discover that no character may live past a scene or two and this does contribute to an unpredictable vibe. The newbies recruited include human weapons depot Bloodsport (Idris Elba), meaning of the word peace conflicted Peacemaker (John Cena), rodent whisperer Ratcatcher 2 (Daniela Melchior), and Polka-Dot Man (David Dastmalchian). His name? Just like it sounds. Our primary CG creation is King Shark (voice by Sylvester Stallone), who’s half man/half Jaws. If he reminds you a bit of Groot from Guardians, mission accomplished.
Speaking of missions, it is to stop a recent coup in the fictional South American land of Corto Maltese. Now that their government has been overthrown, someone needs to destroy a secretive laboratory housing an experiment called Project Starfish. Part of the Squad’s goal is to capture The Thinker (Peter Capaldi), a scientist who’s involved with the mysterious Starfish happenings. The eventual revelation of what that is pure B movie escapist joy that I won’t spoil.
Regarding our brand new characters, it’s a mixed lot. Elba’s Bloodsport has a character arc and motivations not unlike Smith’s Deadshot and it’s not terribly interesting. I will say his brief interaction with his daughter (Storm Reid) humorously didn’t go the way I thought it would. Cena uses his comedic chops effectively at times with his morally confused antihero. Gunn pushes pretty hard to make Ratcatcher 2 a heartwarming protagonist amidst the exploding heads and bodies being literally ripped apart. It could have gone the wrong way, but Taika Waititi’s casting as her dad helps save the day. King Shark’s contribution to that mayhem is rather amusing.
In one way, the more things change (and change they do from 2016) – the more they stay the same. This would be with Robbie’s Quinn, who retains the title of best performance and most enjoyable demented personality. For a while, she gets her own subplot that involves being romanced by the Corto Maltesian dictator (Juan Diego Botto) and being an unreliable torture subject. Those scenes work well and Robbie gets the lions share of the credit. Like in Suicide Squad, she’s the brightest star in The Suicide Squad.
After a weekend where The Suicide Squad majorly performed under expectations, there are three titles opening Friday and the studios are hoping this isn’t a trend. Ryan Reynolds stars in the video game inspired sci-fi comedy Free Guy and it should manage to top the charts. We also have horror sequel Don’t Breathe 2 and the Aretha Franklin biopic Respect with Jennifer Hudson. You can peruse my detailed prediction posts on the trio here:
With Free Guy pegged in the low to mid 20s, there shouldn’t be much question that it kicks off in first. I have Breathe achieving less than half of what its 2016 predecessor accomplished and that should be good enough for second place.
The real battle could be for third. As mentioned, The Suicide Squad was a dud (more on that below). I’m assuming it drops about 60% which puts it just over $10 million. The third weekend of Jungle Cruise and premiere of Respect could be right behind that, but it could be close.
Here’s how I foresee the top five shaking out:
1. Free Guy
Predicted Gross: $21.3 million
2. Don’t Breathe 2
Predicted Gross: $11.2 million
3. The Suicide Squad
Predicted Gross: $10.1 million
4. Jungle Cruise
Predicted Gross: $8.9 million
5. Respect
Predicted Gross: $8.5 million
Box Office Results (August 6-8)
The underperformance of The Suicide Squad generated plenty of attention this weekend. The reboot of the DCEU franchise earned just $26.2 million and that’s well below my projection of $40.8 million. I could go on, but I already did a separate blog post on it. You can find it here:
Disney’s Jungle Cruise didn’t fall quite as much as other pics in their sophomore frames in recent weeks. The Dwayne Johnson/Emily Blunt family adventure made $15.8 million (in line with my $15.5 million prediction) for a $65 million ten day take.
M. Night Shyamalan’s Old was third with $4.1 million in its third frame -a bit more than my $3.5 million projection for $38 million total.
Black Widow was fourth with $3.9 million (I said $3.7 million) as it stands at a COVID era best $174 million.
Stillwater rounded out the top five in its second outing with $2.8 million. I incorrectly had it outside the high five. It’s at a mere $9 million.
Finally, The Green Knight was sixth with $2.5 million (I went with $2.7 million) for $12 million overall.
Sara Colangelo’s Worth debuted all the way back in January 2020 at the Sundance Film Festival, but is finally being released by Netflix on September 3rd of this year. The fact based drama centers on the activities around the 09/11 Victim Compensation Fund. Its cast is led by a trio of Oscar nominees in Michael Keaton, Stanley Tucci, and Amy Ryan. Colangelo is best known for The Kindergarten Teacher, her acclaimed second feature with Maggie Gyllenhaal that didn’t gain traction with the Academy. Max Borenstein is the screenwriter and this is certainly a departure for him as he’s recognized for penning the 2014 Godzilla reboot and Kong: Skull Island.
The streaming debut arrives just prior to the 20th anniversary of the tragic day. Early reviews from Sundance were mixed and Worth currently has a 65% Rotten Tomatoes rating. There have been numerous pictures centered around 09/11 and the War on Terrorism and few have become contenders come Oscar time. The Report and The Mauritanian are two recent examples.
With its so-so critical reaction, don’t expect Worth to prove itself worthy of awards chatter. My Oscar Watch posts will continue…
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