Audiences weren’t digging the leftovers in the first frame of December and it’ll get even worse this weekend. The top 5 could look awfully familiar with Black Panther: Wakanda Forever on top for a fifth time before Avatar: The Way of Water looks to liven up multiplexes beginning December 16th.
There are only two semi-wide newcomers to speak of and I didn’t do individual prediction posts on either. Father Stu: Reborn is a recut version of this spring’s true life drama with Mark Wahlberg and Mel Gibson. It earned a not so heavenly but not terrible $20 million a few months back. This version is PG-13 and not R. I don’t believe it’ll clear $1 million and that puts it outside the top five.
Spoiler Alert, another true life drama and this one featuring Jim Parsons, expands to approximately 600 venues after opening in six theaters this past weekend. It might be lucky to hit a million and that would leave it outside the top five too.
There’s a small chance that Violent Night, the Santa shoot-em-up with David Harbour, could elevate to 1st place after a decent debut (more on that below). However, Black Panther : Wakanda Forever should manage to make it five in a row before James Cameron’s sequel hits.
Meanwhile the battle for third could be close between the third weekend of Disney dud Strange World and the fourth helping of The Menu.
Here’s how I see the top 6 playing out:
1. Black Panther: Wakanda Forever
Predicted Gross: $10.6 million
2. Violent Night
Predicted Gross: $8.5 million
3. Strange World
Predicted Gross: $3.1 million
4. The Menu
Predicted Gross: $2.8 million
5. Devotion
Predicted Gross: $1.7 million
Box Office Results (December 2-4)
MCU sequel Black Panther: Wakanda Forever made it four in a row with $17.5 million. That’s under my projection of $21.3 million as the 62% fall was rather steep considering the lack of competition. The total did rise to $393 million.
Violent Night dropped at the higher end of its range with $13.4 million, outpacing my $9.4 million take. The grisly Yuletide tale could manage to play well over the coming holidays.
Strange World continued the embarrassing returns for the Mouse Factory with only $5 million in its sophomore weekend. I was close with $5.2 million. That’s a mere $25 million in its first 12 days.
The Menu was fourth with $3.4 million (I said $3.1 million) as it’s made $24 million thus far.
Devotion had a turbulent 54% plummet in weekend #2 with $2.7 million. I estimated a bit more at $3.3 million. Overall gross is $13 million.
Return to Seoul centers on a young woman’s journey to her native South Korea about being raised in France. Danny Chou’s drama is actually Cambodia’s submission for International Feature Film at the Oscars. MUBI and Sony Pictures Classics picked up distribution rights following its Cannes premiere over the summer. It came out in limited release domestically over the weekend. The cast includes Ji-Min Park, Oh Kwang-rok, Guka Han, and Kim Sun-young.
Reviews out of the French Riviera and in recent days are quite glowing. The Rotten Tomatoes score is 97% with some critics claiming it’s among the best of 2022.
I’m a little surprised this isn’t generating more Oscar buzz, but there’s still time. Part of that could be Cambodia’s track record at the ceremony. Out of 10 previous hopefuls, only one (2013’s The Missing Picture) made the cut of five. I haven’t had Return to Seoul in my top 10 contenders yet. Let’s see if the chatter picks up and I wouldn’t be shocked if it does. If so, it’s not outside the realm of possibility that Cambodia could have a second picture that doesn’t miss. My Oscar Prediction posts will continue…
Elvis vaults 6 spots from 15th to 9th in Best Picture for my first Oscar predictions in two weeks and we have changes in Best Director and three of the four acting derbies. Baz Luhrmann’s biopic could be an example (like Top Gun: Maverick and potentially Avatar: The Way of Water) of the Academy showing love to the blockbusters keeping patrons in the theaters. My inclusion of Elvis excludes Triangle of Sadness from the estimated ten.
While Babylon is still in BP, Damien Chazelle drops with Martin McDonagh (The Banshees of Inisherin) in for the directing quintet.
That fifth slot in Best Actor remains constantly changing. It’s Hugh Jackman (The Son) back in the mix over Tom Cruise (Top Gun: Maverick). In Supporting Actress, Stephanie Hsu from Everything Everywhere All at Once falls out in favor of costar Jamie Lee Curtis. Barry Keoghan from Banshees returns to the Supporting Actor fold over Judd Hirsch in The Fabelmans.
Finally, Everything Everywhere is the new leader in terms of overall nominations with Babylon and The Fabelmans each losing a bit of ground.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 4) (+1)
4. The Banshees of Inisherin (PR: 3) (-1)
5. Top Gun: Maverick (PR: 6) (+1)
6. Tár (PR: 7) (+1)
7. Babylon (PR: 5) (-2)
8. The Whale (PR: 8) (E)
9. Elvis (PR: 15) (+6)
10. Avatar: The Way of Water (PR: 10) (E)
Other Possibilities:
11. Triangle of Sadness (PR: 9) (-2)
12. She Said (PR: 11) (-1)
13. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
14. Guillermo del Toro’s Pinocchio (PR: 12) (-2)
15. Decision to Leave (PR: 13) (-2)
Dropped Out:
All Quiet on the Western Front
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 4) (+1)
4. Todd Field, Tár (PR: 5) (+1)
5. Martin McDonagh, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Damien Chazelle, Babylon (PR: 3) (-3)
7. James Cameron, Avatar: The Way of Water (PR: 9) (+2)
8. Park Chan-wook, Decision to Leave (PR: 7) (-1)
9. Edward Berger, All Quiet on the Western Front (PR: 8) (-1)
10. S.S. Rajamouli, RRR (PR: Not Ranked)
Dropped Out:
Joseph Kosinski, Top Gun: Maverick
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 8) (+1)
8. Jennifer Lawrence, Causeway (PR: 7) (-1)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 7) (+2)
Other Possibilities:
6. Tom Cruise, Top Gun: Maverick (PR: 5) (-1)
7. Diego Calva, Babylon (PR: 6) (-1)
8. Paul Mescal, Aftersun (PR: 8) (E)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Daniel Gimenez Cacho, Bardo (PR: Not Ranked)
Dropped Out:
Will Smith, Emancipation
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-2)
8. Dolly De Leon, Triangle of Sadness (PR: 8) (E)
9. Nina Hoss, Tár (PR: 9) (E)
10. Keke Palmer, Nope (PR: Not Ranked)
Dropped Out:
Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Barry Keoghan, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Judd Hirsch, The Fabelmans (PR: 5) (-1)
7. Brian Tyree Henry, Causeway (PR: Not Ranked)
8. Brad Pitt, Babylon (PR: 7) (-1)
9. Tom Hanks, Elvis (PR: Not Ranked)
10. Eddie Redmayne, The Good Nurse (PR: 9) (-1)
Dropped Out:
Mark Rylance, Bones and All
Woody Harrelson, Triangle of Sadness
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 5) (+1)
5. Triangle of Sadness (PR: 4) (-1)
Other Possibilities:
6. Aftersun (PR: 8) (+2)
7. Babylon (PR: 6) (-1)
8. The Menu (PR: 7) (-1)
9. Decision to Leave (PR: 9) (E)
10. Bardo (PR: 10) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. White Noise (PR: 6) (+1)
Other Possibilities:
6. Living (PR: 5) (-1)
7. Top Gun: Maverick (PR: 8) (+1)
8. Guillermo del Toro’s Pinocchio (PR: 9) (+1)
9. Bones and All (PR: 7) (-2)
10. The Son (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 3) (E)
4. The Bad Guys (PR: 5) (+1)
5. My Father’s Dragon (PR: 4) (-1)
Other Possibilities:
6. Puss in Boots: The Last Wish (PR: Not Ranked)
7. Wendell and Wild (PR: 6) (-1)
8. The Sea Beast (PR: 8) (E)
9. Strange World (PR: 7) (-2)
10. Lightyear (PR: 9) (-1)
Dropped Out:
Minions: The Rise of Gru
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Saint Omer (PR: 4) (+1)
4. Holy Spider (PR: 5) (+1)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Close (PR: 3) (-3)
7. EO (PR: 9) (+2)
8. Argentina, 1985 (PR: 7) (-1)
9. Joyland (PR: Not Ranked)
10. Alcarras (PR: 10) (E)
Dropped Out:
The Quiet Girl
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. All That Breathes (PR: 4) (+2)
3. Navalny (PR: 3) (E)
4. Descendant (PR: 2) (-2)
5. Fire of Love (PR: 5) (E)
Other Possibilities:
6. Moonage Daydream (PR: 7) (+1)
7. The Territory (PR: 6) (-1)
8. Good Night Oppy (PR: 8) (E)
9. Sr. (PR: 10) (+1)
10. Retrograde (PR: Not Ranked)
Dropped Out:
Last Flight Home
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Top Gun: Maverick (PR: 6) (+4)
3. Avatar: The Way of Water (PR: 2) (-1)
4. The Fabelmans (PR: 3) (-1)
5. Empire of Light (PR: 4) (-1)
Other Possibilities:
6. The Banshees of Inisherin (PR: 8) (+2)
7. Bardo (PR: 5) (-2)
8. All Quiet on the Western Front (PR: 7) (-1)
9. Everything Everywhere All at Once (PR: 9) (E)
10. The Batman (PR: Not Ranked)
Dropped Out:
Emancipation
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Fabelmans (PR: 6) (+2)
5. The Woman King (PR: 4) (-1)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 5) (-1)
7. Living (PR: 7) (E)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Women Talking (PR: Not Ranked)
10. Three Thousand Years of Longing (PR: 10) (E)
Dropped Out:
Corsage
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Elvis (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 5) (E)
Other Possibilities:
6. Women Talking (PR: 6) (E)
7. Babylon (PR: 4) (-3)
8. All Quiet on the Western Front (PR: 9) (+1)
9. The Banshees of Inisherin (PR: 8) (-1)
10. Tár (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. X (PR: 8) (+1)
8. The Woman King (PR: 7) (-1)
9. Amsterdam (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Corsage
Best Original Score
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Empire of Light (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 5) (-2)
8. The Batman (PR: 10) (+2)
9. Living (PR: Not Ranked)
10. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
She Said
White Noise
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Applause” from Tell It Like a Woman (PR: 5) (+1)
5. “This Is A Life” from Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. “Nobody Like U” from Turning Red (PR: 4) (-2)
7. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. “New Body Rhumba” from White Noise (PR: 9) (+1)
9. “Carolina” from Where the Crawdads Sing (PR: 8) (-1)
10. “Song Chord” from Avatar: The Way of Water (PR: Not Ranked)
Dropped Out:
“Stand Up” from Till
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. The Fabelmans (PR: 5) (+1)
5. Guillermo del Toro’s Pinocchio (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Glass Onion: A Knives Out Mystery (PR: 10) (+2)
9. Empire of Light (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 8) (-2)
Dropped Out:
The Woman King
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Batman (PR: 4) (+1)
4. Everything Everywhere All at Once (PR: 6) (+1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 3) (-3)
7. Babylon (PR: 7) (E)
8. The Fabelmans (PR: 9) (+1)
9. Nope (PR: 10) (+1)
10. Black Panther: Wakanda Forever (PR: 8) (-2)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. Doctor Strange in the Multiverse of Madness (PR: 7) (+2)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 5) (-2)
8. RRR (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
And that equates to these movies garnering these numbers in terms of nods:
11 Nominations
Everything Everywhere All at Once
10 Nominations
The Fabelmans
8 Nominations
The Banshees of Inisherin
7 Nominations
Babylon, Women Talking
6 Nominations
Avatar: The Way of Water, Elvis, Top Gun: Maverick
5 Nominations
The Whale
4 Nominations
Guillermo del Toro’s Pinocchio, Tár
2 Nominations
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Glass Onion: A Knives Out Mystery, Holy Spider, Living, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Triangle of Sadness, Turning Red, White Noise, The Woman King
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
Every place other than home is where our demented dreamer wants to be in Pearl, Ti West’s prequel to X. Whereas the predecessor was set in 1979 and paid loving homage to the grime of 1974’s The Texas Chainsaw Massacre, this basks in the glow of The Wizard of Oz and other Golden Age works. Shot in New Zealand back to back, X and Pearl are vastly different experiences. They do share a setting where unspeakable gore occurs.
They also share Mia Goth. Unlike in X, she inhabits the screen from open to close. You will recall her from X as the elderly tormentor of a porn flick crew shooting on her property (Goth also played a drug addled starlet from the one day shoot that ends prematurely). As just Pearl here, we see her in 1918. The Great War is raging and that’s where her husband Howard is. She’s young, vibrant, and fantasizes of being a starlet herself. Pearl resides at the farm with her no nonsense German speaking mom (Tandi Wright) and sickly father (Matthew Sunderland). Her dreams of becoming a chorus girl are played out in the barn in front of the animals and their little bleating hearts.
We know from X that Pearl’s psychological issues are likely to kick into high gear. West and Goth (who cowrote the screenplay) still manage to take us in unexpected and stimulating directions. When Pearl meets a bohemian projectionist (David Corenswet) working at the local cinema, it arouses her desire to not be in Kansas anymore. **Side note: I don’t believe this is actually set in Kansas, but it could be with all those cornrows.
While Mom vehemently disapproves, Pearl hears of an audition opportunity to join a traveling troupe. We arrive there following family squabbles that lead our title character to see her dance tryout as her only means of escape. X was an ensemble piece. Pearl is a Goth show and she wows. From that aforementioned audition to a dinner table confession with her sister-in-law (Emma Jenkins-Purro, looking as petrified as the audience), this is perhaps the trippiest lead horror performance since Toni Collette’s in fellow A24 fright fest Hereditary. You don’t wanna take your eyes off her, including during the closing credits.
While X and Pearl do indeed share that farmland, I found the latter to be more rewarding overall. The director and lead are having a ball as they inject some darkness into the Technicolor brightness. It usually feels like they are giving the best of what they have.
The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.
Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.
Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.
The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.
Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.
The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.
Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!
Will Smith rather notoriously won his first Best Actor Oscar last year for King Richard. His victory was not a surprise. Smith’s onstage slap of Chris Rock approximately 30 minutes before he received the gold statue was.
The superstar actor’s career has taken a hit since with some canceled or delayed projects. It has not altered the release of Emancipation. The historical action drama casts Smith as slave Whipped Peter, whose Civil War era photograph has become an iconic image. Antoine Fuqua, best known for shoot-em-ups like Olympus Has Fallen and The Equalizer pics, directs. The supporting cast includes Ben Foster, Charmaine Bingwa, Steven Ogg, Mustafa Shakir, and Timothy Hutton.
Emancipation is out in limited fashion tomorrow prior to a December 9th streaming rollout on Apple TV (they paid a whopping $130 million for the rights). The Rotten Tomatoes score is a mixed 63%.
There is praise for the performances, including Smith. An early consensus is that the action works better than some of the dramatic elements. Bottom line: this doesn’t sound line much of an awards contender whether there had been The Slap or no slap. One exception could be Robert Richardson’s cinematography. He’s a three-time winner for JFK, The Aviator, and Hugo. Richardson won’t get a fourth podium trip, but making the cut isn’t out of the question. My Oscar Prediction posts will continue…
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