Three years ago on the same late September weekend, the animated Hotel Transylvania marked Adam Sandler’s second biggest domestic debut ever after The Longest Yard. Making $42.5 million out of the gate, the original monstrous comedy would top out at $148 million stateside. Therefore it’s certainly no surprise that a sequel is coming to multiplexes next Friday.
Sandler is back in voice over mode along with returnees Andy Samberg, Selena Gomez, Kevin James, Steve Buscemi, David Spade, Molly Shannon and Fran Drescher along with newbies Mel Brooks, Nick Offerman and Megan Mullaly.
Hotel Transylvania 2 will have the advantage of really being the only game in town catering to youngsters. Opening #1 shouldn’t be a problem, but whether it outdoes its predecessor is another story. While the first was well received for sure, I don’t necessarily believe anticipation is rabid for a follow up. I believe a premiere in the mid 30s is more likely than topping $40 million.
Hotel Transylvania 2 opening weekend prediction: $34.1 million
On the last two occasions that Sandra Bullock has headlined a picture with dramatic elements, it’s resulted in a 2009 Oscar win for The Blind Side and a 2013 nomination for Gravity. Therefore, it is no surprise that her upcoming comedic drama Our Brand Is Crisis (out October 30) was garnering talk of a third nomination.
However, its screening at the Toronto Film Festival has mostly muted that chatter. The film, in which Bullock plays a political operative assigned to help a struggling Bolivian president win reelection, was met with mixed word of mouth at the festival. Its Rotten Tomatoes score stands at just 44% currently. While her performance has been received well, readers of this blog may be familiar with the recent theme of Best Actress being very crowded this year. That will likely leave Bullock on the outside looking in. In fact, one of the category front runners is Cate Blanchett for Carol, whose winning role in Blue Jasmine probably kept Bullock from a second gold statue. Costars including Billy Bob Thornton and Ann Dowd also shouldn’t be a factor and the picture itself has virtually zero hope in the big race.
Once again, that important festival in Canada has eliminated another Oscar hopeful from the mix. Look for more Oscar Watch posts following the same theme on the blog.
While the Cannes, Venice, and Telluride film festivals were successful in showcasing a number of Oscar hopefuls including Carol, The Danish Girl, Steve Jobs, and Spotlight, among others – this year’s in progress Toronto Film Festival has already premiered several titles that have seen their awards hope dim.
One is Freeheld, a domestic partnership drama starring Julianne Moore, Ellen Page, Steve Carell, and Michael Shannon. Directed by Peter Sollett and based on a 2007 documentary, this was looked at as a potential contender in several categories before it screened up north. Reviews have been very mixed and any chance it had at a Picture nod seems to have fallen by the wayside.
Still, it’s a little naive to completely count Moore in Best Actress out and her performance has received solid notices. Yet as mentioned in previous Oscar watch posts, that race is looking very crowded already with Cate Blanchett in Carol, possibly Alicia Vikander in The Danish Girl (though she could be recognized instead in Supporting), Carey Mulligan in Suffragette, Brie Larson in Room, Lily Tomlin in Grandma, Saoirse Ronan in Brooklyn, and the as yet unforeseen work of Jennifer Lawrence in Joy. In other words, the competition could crowd Moore out and Academy voters may be OK with that considering she won just last year for her work in Still Alice. She remains a possibility, however, and can’t be totally discounted. As for other performers, Michael Shannon has received positive word of mouth but is a long shot for Supporting Actor.
All in all, Toronto essentially dashed the hopes of Freeheld gaining any major traction in the 2015 awards derby.
And now – for this week’s trickiest box office prediction. Baltasar Kornakur’s disaster drama Everest, led by an impressive cast and mountain set action sequences, debuts in IMAX theaters this Friday. Its reported roll out is on approximately 500 of the large format screens. When the pic premiered at the Venice Film Festival, solid reviews followed and it stands at 82% on Rotten Tomatoes. The marketing campaign has been pretty busy and it doesn’t hurt that familiar faces like Jake Gyllenhaal, Jason Clarke, Josh Brolin, John Hawkes, Sam Worthington, Robin Wright, and Keira Knightley are among the cast.
What makes this prediction difficult is how it’s being released. Everest doesn’t open “wide” until Friday, September 25th. However, 500 IMAX screens is nothing to sneeze at and higher ticket prices involved with that format could up the grosses. The only other film to debut on a limited IMAX run before a wide release was nearly four years ago when Mission: Impossible – Ghost Protocol did the same. It made $12.7 million on 425 screens.
Let’s be clear: Everest is highly unlikely to achieve the grosses of Ghost Protocol, which is part of a hugely successful and known franchise. There’s also the competition factor: adult viewers may be checking out Black Mass with younger viewers taking in Maze Runner: The Scorch Trials. Still, I expect that Everest could reach a gross in the high single digits this weekend before its wider release that follows.
Everest opening weekend prediction: $8.6 million
For my Maze Runner: The Scorch Trials prediction, click here:
There have been Oscar years in the recent past where it could be said that the Best Actress category was fairly weak. As the film festival circuit rolls along, it’s becoming increasingly clear this will not be the case in 2015. Already there is strong momentum going for Carey Mulligan in Suffragette, Cate Blanchett in Carol, Saoirse Ronan for Brooklyn, and Lily Tomlin in Grandma. It remains to be seen whether Alicia Vikander will be campaigned for in the Actress or Supporting Actress race, but her work in The Danish Girl looks to be recognized either way. And there’s still Jennifer Lawrence’s work in David O. Russell’s Joy to be seen, among others.
We have another contender brought forth by the Telluride and Toronto Film Festivals with Brie Larson’s performance in the indie pic Room. Based on Emma Donoghue’s bestseller, the film casts Larson as a mom who’s trapped with her 5 year old son in a garden shed for a seven year period. Sounds like heady stuff and reviews coming out of the festivals have highlighted Larson’s work as award worthy. The real question is whether the picture is seen and released widely enough to vault the actress into real contention. It certainly seems possible and some critics have noted that Room could break through to audiences.
While reviews are positive and it sits at 100% on Rotten Tomatoes, they’re probably not quite strong enough to put this into the Best Picture race. Some reviewers have taken notice of Joan Allen’s role and she could find herself in the mix for Supporting Actress. There’s even a slight possibility that the young man playing the son, Jacob Tambley, could be a long shot in Supporting Actor (I wouldn’t count on it though).
The real story is Larson. Two years ago, she was the subject of awards buzz for her indie flick Short Term 12, but it never panned out. She’s been highly visible over the years in supporting parts in hits like 21 Jump Street and Trainwreck and Room is beginning to look like her first legit shot at Academy attention.
Two promising box office prospects hit the multiplexes Friday as YA sequel Maze Runner: The Scorch Trials and Johnny Depp gangster flick Black Mass roll out. On a more limited number of screens, the hostage drama Captive with David Oyelowo and Kate Mara will also debut. You can find my individual prediction posts on all three here:
As I see it, Maze Runner should debut on top but I think the race could be closer than anticipated. In fact, my prediction on Scorch Trials is a bit lower than some of my fellow prognosticators. I look for Mass to have a healthy start with its positive buzz that includes Oscar nomination talk for Depp. As for Captive, my $2.3 million prediction on it should leave outside the top five.
As for holdovers, both The Perfect Guy and The Visit premiered to impressive results (more on that below). Look for both to experience hefty declines in weekend two, but they’ve both already proven to be huge hits for their studios.
And with that, my top five predictions for the weekend:
**Blogger’s note: I have altered my predictions as of Tuesday, September 15th due to my predicted gross of Everest, which debuts on approximately 500 screens IMAX screens only Friday. I feel that’ll be enough to get it in the top five. My full prediction post on Everest will be posted on blog Tuesday evening.
Maze Runner: The Scorch Trails
Predicted Gross: $33.8 million
2. Black Mass
Predicted Gross: $27.9 million
3. The Perfect Guy
Predicted Gross: $10.2 million (representing a drop of 60%)
4. The Visit
Predicted Gross: $9.7 million (representing a drop of 61%)
5. Everest
Predicted Gross: $8.6 million
Box Office Results (September 11-13)
Thriller The Perfect Guy got off to a great start with $25.8 million over the weekend, outpacing my $21.9M prediction. With a tiny $12 million budget, it managed to double its budget in three days.
M. Night Shyamalan found himself in the position of having a hit once again as The Visit followed closely behind in second with $25.4 million, topping my $17M estimate. With an even tinier budget of $5M budget, it quintupled its meager budget and gave its director his first huge hit since The Village over a decade ago.
Faith based drama War Room dropped to third with $7.7 million, a bit shy of my $8.9M prediction. Its three week total stands at a strong $39M.
A Walk in the Woods dropped to fourth with $4.7 million, falling further my $7.7M forecast and it’s made $20M so far.
I incorrectly didn’t list Mission: Impossible – Rogue Nation in my estimates but it took fifth place with $4.1 million to bring its cume to $188M.
That’s because I mistakenly believed another faith based pic, 90 Minutes in Heaven, would perform much stronger than it did. While I had it opening third with $10.5 million, it flopped with just $2 million for a weak ninth place showing. Oops.
And that’ll do it for now, folks! Until next time…
As you may have noticed on the blog over the past couple of weeks, the array of recent film festivals that includes Toronto, Telluride and Venice has assisted in making the 2015 Oscar race a bit clearer. These fests have vaulted such titles as The Danish Girl, Carol, Steve Jobs, The Martian, Suffragette, Spotlight and Black Mass into the conversation for various nominations. On the flip side, these festivals can also pretty much crush the hopes of other pictures that are screened and receive a negative reaction.
That appears to be the case with I Saw the Light, the biopic of country singer Hank Williams that has been mentioned as an Oscar contender. Then it screened and critical reaction has not been kind. In fact, it currently sits at a troubling 14% on Rotten Tomatoes. While the pic itself has been met negatively by reviewers, the performances are receiving high marks. Tom Hiddleston (known to most as Loki in the Marvel Cinematic Universe) stars as Williams. His work has gotten high marks but the bad reaction to the film itself probably means he won’t make the cut in the Best Actor race. Playing his wife, Elizabeth Olsen has had even better notices from critics. In my initial round of predictions a couple of weeks back, I included her as a nominee for Supporting Actress. She could still make the cut, but I’m far less certain than I was before. Don’t be surprised to see her name left out when I do my second round of predictions.
Bottom line: while these festivals do a great job at showcasing future Academy contenders, they can bury others. I Saw the Light appears to be just such a casualty.
Ridley Scott’s sci fi pic The Martian premiered at the Toronto Film Festival over the weekend prior to its October 2 domestic release and the results are quite promising. With an all star cast including Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Kate Mara, Sean Bean and Chiwetel Ejiofor, The Martian has struck the fancy of critics to the tune of a 95% Rotten Tomatoes rating.
How will this translate to Oscar attention? Hard to say. Reviews have noted that this is a crowd pleaser and the more box office success it achieves, the better that bodes for a Best Picture nod. I’d still say it’s likely on the outside looking in, but that could certainly change if some future autumn releases don’t meet expectations. I could actually envision a somewhat long shot scenario of Scott receiving a directing nomination with the film itself left out.
As for actors, Damon has gotten strong notices and could find himself in contention, though I wouldn’t include him yet. Chastain has been singled out as well, but competition in Supporting Actress could leave her out. The Martian’s greatest chance at Academy focus is probably tech races like Cinematography, Visual Effects and Sound categories. As far as the bigger ticket races, Toronto did prove that this is something worth keeping in mind as the months roll on.
This coming Friday, the true life hostage drama Captive enters theaters on a reported screen count of a relatively low 800. The film stars David Oyelowo and Kate Mara (fresh off summer flop Fantastic Four). Captive is centered on the 2005 Atlanta case of Brian Nichols (Oyelowo) and his kidnapping of a young woman (Mara).
I suspect that adult moviegoers will be far more preoccupied with Johnny Depp’s Black Mass for this to gain any momentum at the box office. The low theater count doesn’t bode well either.
As I see it, Captive is likely to struggle to even reach $5 million and might fail to reach half that number. It should be available for VOD viewing in no time.
Premiering one year after its predecessor, Maze Runner: The Scorch Trials hopes to built upon the solid grosses the franchise began with and perhaps surpass them. The dystopian series, based on popular YA novels by T.S. Nowlin, brings back original stars including Dylan O’Brien and Patricia Clarkson along with some other recognizable faces like Giancarlo Esposito, Barry Pepper and Lili Taylor.
Some prognosticators have Scorch Trails debuting considerably higher than the first film. I’m just not convinced. The original opened on the same weekend last year to the tune of $32.5 million with an eventual domestic gross of $102M. Predictions reflecting a belief that this will manage mid 40s or higher seem a tad lofty for me.
For comparison sake, a similarly themed franchise that began with Divergent made $54 million out of the gate and its sequel this year Insurgent rolled out with a slightly smaller $52 million. I do believe Scorch Trials will outdo the first, but not by much at all.
Maze Runner: The Scorch Trials opening weekend prediction: $33.8 million
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