My Top 50 SNL Cast Members of All Time has reached number 45 and it’s one of the most gifted impressionists that the show has seen with Jay Pharoah. The stand-up comic handled the second term impersonating President Obama (taking over for Fred Armisen), but the on point mimicry certainly didn’t stop there. Some of the more memorable portrayals include Jay-Z, Will Smith, Denzel Washington, Shaquille O’Neal, Stephen A. Smith, and even one of SNL’s own Eddie Murphy.
Unlike Murphy, Pharoah never had a stable of fictional characters that broke out. However, he earns placement here due to his real world imitations. #44 will be up soon!
Disney/Pixar looks to dominate the box office charts in a way they haven’t for some time with Inside Out 2. The sequel to the 2015 hit is the only newcomer in the marketplace and you can peruse my detailed prediction post on it here:
After some fairly underwhelming grosses for the studio, Out could exceed the $90 million premiere achieved by its predecessor nine summers ago. I have it just doing so for what would be the fifth largest Pixar opening in its nearly three decade history.
Bad Boys: Ride or Die got off to a sizzling start (more on that below) and a mid to high 40s decline would have it in the $30 million range for its sophomore outing.
Spots 3 and 4 are likely to be a family friendly zone with The Garfield Movie and IF. Both will probably see slightly heftier declines than this past weekend considering the Mouse Factory competition.
Ishana Night Shyamalan’s horror debut The Watchers failed to attract genre viewers and I suspect its second weekend will see a dip in the 60% region. Thatcould mean Kingdom of the Planet of the Apes stays in fifth with The Watchers in sixth.
Here’s how I see it playing out:
1. Inside Out 2
Predicted Gross: $92.4 million
2. Bad Boys: Ride or Die
Predicted Gross: $29.8 million
3. The Garfield Movie
Predicted Gross: $6.1 million
4. IF
Predicted Gross: $4.9 million
5. Kingdom of the Planet of the Apes
Predicted Gross: $3.1 million
6. The Watchers
Predicted Gross: $2.9 million
Box Office Results (June 7-9)
Will Smith can breathe a sigh of relief as Bad Boys: Ride or Die topped estimates with a boisterous $56.5 million. While that’s under the $62 million that 2020 predecessor Bad Boys for Life achieved, it’s still an impressive number considering this summer of underachievers. I didn’t give it enough credit with a $47.3 million forecast. For Smith, it’s a sign that moviegoers are willing to shell out their bucks after The Slap. Don’t be surprised to see him and Martin Lawrence back for a fifth adventure.
The Garfield Movie was second with a meager 29% slide at $10 million, ahead of my $8.9 million call. The three-week total is $68 million as it hopes to reach $100 million domestically.
IF only fell 25% for third at $7.8 million, in range with my $7.4 million projection. It is approaching nine digits with $93 million after four weeks.
The aforementioned The Watchers couldn’t capitalize on the Shyamalan family name as poor reviews sunk it. The gross was just $7 million for fourth compared to my $10.2 million estimate.
Kingdom of the Planet of the Apes rounded out the top five with $5.4 million (I said $6 million) for five-week earnings of $149 million.
Lastly, Furiosa: A Mad Max Saga plummeted another 61% in sixth with $4.2 million. I was kinder at $5.7 million as the prequel has only hit $58 million after three weeks.
Sony Pictures and theater owners are desperately looking for Will Smith and Martin Lawrence’s Bad Boys: Ride or Die to inject some life into the box office this weekend. We also have The Watchers, the horror debut from Ishana Night Shyamalan, daughter of M. You can peruse my detailed prediction posts on the newcomers here:
While I don’t have Ride revving up to the same numbers that predecessor Bad Boys for Life managed in January 2020, my mid to high 40s projection puts it in line with its somewhat muted expectations.
As I’ve been mentioning frequently in 2024, scary movies have struggled even managing $10M+ as of late for their starts. I do believe The Watchers gets there, but not by a lot for a so-so second place showing.
After rising to #1 (more on that below), The Garfield Movie should drop to third while IF appears poised for a one spot slide to fourth. That’s because Furiosa: A Mad Max Saga is bound to see a larger percentage decline. It may even fall from second to sixth depending on how Kingdom of the Planet of the Apes holds up.
And with that, my top 6 take on the frame ahead:
1. Bad Boys: Ride or Die
Predicted Gross: $47.3 million
2. The Watchers
Predicted Gross: $10.2 million
3. The Garfield Movie
Predicted Gross: $8.9 million
4. IF
Predicted Gross: $7.4 million
5. Kingdom of the Planet of the Apes
Predicted Gross: $6 million
6. Furiosa: A Mad Max Saga
Predicted Gross: $5.7 million
Box Office Results (May 31-June 2)
The woes continued at multiplexes with no major new releases even sniffing $5 million. It’s a bit of a cinematic litter box right now and The Garfield Movie elevated to first with $14 million. That’s ahead of my $12 million projection for its sophomore outing as it’s up to $51 million.
Furiosa: A Mad Max Saga plummeted 59%, as I figured, to second with $10.7 million. That’s on target with my $11.3 million take as the prequel has amassed a mere $49 million in its two weeks.
IF held up nicely in third with $10.5 million (I said $10.1 million) for a three-week gross of $80 million.
Kingdom of the Planet of the Apes was fourth with $8.9 million, in range with my $8.5 million call. After four weeks, the sequel is perched at $140 million.
I incorrectly didn’t have estimates for The Fall Guy or The Strangers: Chapter 1. The former was fifth with $4.1 million for $80 million after five frames while the latter took in $3.7 million in sixth for $28 million after three weeks.
That’s because I had Japan’s animated Haiyku!! The Dumpster Battle in fifth place, but it was seventh with $3.6 million. I was darn close for the forecast with $3.9 million.
Nearly four and a half years ago, Will Smith and Martin Lawrence were riding high with Bad Boys for Life. The third entry in the buddy cop franchise that began nearly 30 years ago set series best marks with $73 million over the four-day MLK frame in January 2020. It ended up with just over $200 million domestically.
And then things got weird. Life was the last mega-grosser before the pandemic hit and stalled the industry for many months. Smith, meanwhile, became embroiled in the infamous Oscar slap controversy two years later with Chris Rock. The directors of part 3 – Adil El Arbi and Bilall Fallah – followed Life up with Batgirl which Warner Bros shockingly decided to shelve for eternity.
So it kind of feels like there’s a lot riding on Bad Boys: Ride or Die when it opens June 7th. Smith and Lawrence are back alongside Joe Pantoliano, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Jacob Scipio, and DJ Khaled. The Batgirl makers return as well. Newcomers to part 4 include Tiffany Haddish, Eric Dane, Ioan Gruffudd, Rhea Seehorn, Melanie Liburd, and Tasha Smith (pulling an Aunt Viv and replacing Theresa Randle as Lawrence’s wife).
Bad Boys hopes to shake up a summer season where plenty of titles have fallen below expectations. This is also the first test of Smith’s star power post slap. I do not expect it to match the earnings of its predecessor. Part 3 took in $62 million for the three-day portion of its premiere. Sony would probably be satisfied with that and it would quell any “Smith’s career is dead” chatter.
I’m estimating a start that might not totally quell that conversation in the mid to late 40s.
Bad Boys: Ride or Die opening weekend prediction: $47.3 million
When Reinaldo Marcus Green’s Bob Marley: One Love, the biopic of the reggae icon was slated for early 2024 (it’s out February 14th), it called into question the viability of its awards prospects. After all, most real contenders aren’t seen in the first quarter unless it’s a Sundance screening. That speculation has been confirmed with the review embargo now lifted.
Kingsley Ben-Adir, who likely came close to a Supporting Actor nod in 2020 for One Night in Miami…, plays the title character with Lashana Lynch as wife Rita. The supporting cast includes James Norton, Tosin Cole, Umi Myers, and Anthony Welsh. Green’s previous pic King Richard gave Will Smith a much discussed Best Actor victory.
Don’t look for the Academy to look too much into Love and that could include Ben-Adir’s performance (though I wouldn’t totally discount the possibility). The Rotten Tomatoes score is a mere 36% and even the positive(ish) reviews use descriptions like serviceable and decent. Despite Marley’s beloved music, I wouldn’t look for Sound to be in play (though it would be the only race where it’s somewhat possible). My Oscar Prediction posts will continue…
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.
As for the other nine, let’s take a deeper dive:
Belfast
Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.
Does It Make the Final Five?
Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.
Don’t Look Up
Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).
Does It Make the Final Five?
No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.
Drive My Car
Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.
Does It Make the Final Five?
No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.
Dune
Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.
Does It Make the Final Five?
Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.
King Richard
Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.
Does It Make the Final Five?
No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.
Licorice Pizza
Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.
Does It Make the Final Five?
No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.
Nightmare Alley
Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.
Does It Make the Final Five?
No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.
The Power of the Dog
Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.
Does It Make the Final Five?
Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.
West Side Story
Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.
Does It Make the Final Five?
Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.
That means my final 2021 five is:
Belfast
CODA
Dune
The Power of the Dog
West Side Story
2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.
If you missed my entries for 2009-20, have no fear! They’re here:
Eddie Murphy, winner of tonight’s Cecil B. DeMille lifetime achievement, might have had the best timed Will Smith Oscar slap joke I’ve heard thus far (better than that of host Jerrod Carmichael). Mr. Murphy being funny was not a surprise. And there weren’t a whole lotta surprises for the cinematic victors at the 80th Golden Globes Awards… with a couple of exceptions.
I went 10/14 on my picks, but two of those misses happened to be the biggest prizes of all. After being snubbed for the shortlist of 16 filmmakers for BAFTA’s directing award, Steven Spielberg and his autobiographical The Fabelmans had an impressive and perhaps needed showing this evening. He won Best Director (which I did predict) and he capped the night by taking Best Motion Picture – Drama. I didn’t predict that as I went with Elvis instead.
The picture with tonight’s best showing was The Banshees of Inisherin at three podium trips. As expected, Colin Farrell was named Best Actor in a Musical/Comedy and Martin McDonagh took Best Screenplay. Banshees also emerged in Best Motion Picture – Musical/Comedy over my favored Everything Everywhere All at Once.
The news wasn’t all bad for Everything as Michelle Yeoh was Best Actress in a Musical/Comedy and Ke Huy Quan is your Best Supporting Actor. The Banshees victory could spawn some prognosticators switching their vote to it winning the BP Oscar. I’m thinking Everything is still very viable and The Fabelmans did what it needed to make this a three-picture race. Had Elvis or Top Gun: Maverick been your Drama pick, it might’ve surged the buzz for them. It wasn’t to be.
Other than the Motion Picture competitions, my other two misses were for Score and Non-English Language Film. In the former, Babylon was selected over my predicted Women Talking. For the latter, it produced the night’s only shocker as Argentina, 1985 was named instead of RRR (what I went with) and All Quiet on the Western Front (what plenty of others went with).
As for the remaining races I got right – Cate Blanchett is Best Actress (Drama) for Tár while Angela Bassett is Supporting Actress for Black Panther: Wakanda Forever. Austin Butler got the sole Elvis victory as Best Actor (Drama). Guillermo del Toro saw his version of Pinocchio be crowned Animated Feature. Finally, “Naatu Naatu” from RRR is Best Original Song over tunes from heavy hitters like Rihanna, Taylor Swift, and Lady Gaga.
Bottom line: The Banshees of Inisherin, Everything Everywhere All at Once, and The Fabelmans have been my top 3 possibilities for Best Picture for many weeks. Nothing that the Hollywood Foreign Press Association did tonight changed that dynamic.
We’ve got a busy few days coming up with SAG and DGA nominations tomorrow and Critics Choice Awards airing Sunday. I’ll have my updated Oscar predictions up on Monday!
The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.
For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.
The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.
The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).
Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.
Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.
Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).
Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.
Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.
From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.
All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.
Elvis vaults 6 spots from 15th to 9th in Best Picture for my first Oscar predictions in two weeks and we have changes in Best Director and three of the four acting derbies. Baz Luhrmann’s biopic could be an example (like Top Gun: Maverick and potentially Avatar: The Way of Water) of the Academy showing love to the blockbusters keeping patrons in the theaters. My inclusion of Elvis excludes Triangle of Sadness from the estimated ten.
While Babylon is still in BP, Damien Chazelle drops with Martin McDonagh (The Banshees of Inisherin) in for the directing quintet.
That fifth slot in Best Actor remains constantly changing. It’s Hugh Jackman (The Son) back in the mix over Tom Cruise (Top Gun: Maverick). In Supporting Actress, Stephanie Hsu from Everything Everywhere All at Once falls out in favor of costar Jamie Lee Curtis. Barry Keoghan from Banshees returns to the Supporting Actor fold over Judd Hirsch in The Fabelmans.
Finally, Everything Everywhere is the new leader in terms of overall nominations with Babylon and The Fabelmans each losing a bit of ground.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 4) (+1)
4. The Banshees of Inisherin (PR: 3) (-1)
5. Top Gun: Maverick (PR: 6) (+1)
6. Tár (PR: 7) (+1)
7. Babylon (PR: 5) (-2)
8. The Whale (PR: 8) (E)
9. Elvis (PR: 15) (+6)
10. Avatar: The Way of Water (PR: 10) (E)
Other Possibilities:
11. Triangle of Sadness (PR: 9) (-2)
12. She Said (PR: 11) (-1)
13. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
14. Guillermo del Toro’s Pinocchio (PR: 12) (-2)
15. Decision to Leave (PR: 13) (-2)
Dropped Out:
All Quiet on the Western Front
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 4) (+1)
4. Todd Field, Tár (PR: 5) (+1)
5. Martin McDonagh, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Damien Chazelle, Babylon (PR: 3) (-3)
7. James Cameron, Avatar: The Way of Water (PR: 9) (+2)
8. Park Chan-wook, Decision to Leave (PR: 7) (-1)
9. Edward Berger, All Quiet on the Western Front (PR: 8) (-1)
10. S.S. Rajamouli, RRR (PR: Not Ranked)
Dropped Out:
Joseph Kosinski, Top Gun: Maverick
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 8) (+1)
8. Jennifer Lawrence, Causeway (PR: 7) (-1)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 7) (+2)
Other Possibilities:
6. Tom Cruise, Top Gun: Maverick (PR: 5) (-1)
7. Diego Calva, Babylon (PR: 6) (-1)
8. Paul Mescal, Aftersun (PR: 8) (E)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Daniel Gimenez Cacho, Bardo (PR: Not Ranked)
Dropped Out:
Will Smith, Emancipation
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-2)
8. Dolly De Leon, Triangle of Sadness (PR: 8) (E)
9. Nina Hoss, Tár (PR: 9) (E)
10. Keke Palmer, Nope (PR: Not Ranked)
Dropped Out:
Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Barry Keoghan, The Banshees of Inisherin (PR: 6) (+1)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Corsage
Best Original Score
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Empire of Light (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 5) (-2)
8. The Batman (PR: 10) (+2)
9. Living (PR: Not Ranked)
10. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
She Said
White Noise
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Applause” from Tell It Like a Woman (PR: 5) (+1)
5. “This Is A Life” from Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. “Nobody Like U” from Turning Red (PR: 4) (-2)
7. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. “New Body Rhumba” from White Noise (PR: 9) (+1)
9. “Carolina” from Where the Crawdads Sing (PR: 8) (-1)
10. “Song Chord” from Avatar: The Way of Water (PR: Not Ranked)
Dropped Out:
“Stand Up” from Till
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. The Fabelmans (PR: 5) (+1)
5. Guillermo del Toro’s Pinocchio (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Glass Onion: A Knives Out Mystery (PR: 10) (+2)
9. Empire of Light (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 8) (-2)
Dropped Out:
The Woman King
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Batman (PR: 4) (+1)
4. Everything Everywhere All at Once (PR: 6) (+1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 3) (-3)
7. Babylon (PR: 7) (E)
8. The Fabelmans (PR: 9) (+1)
9. Nope (PR: 10) (+1)
10. Black Panther: Wakanda Forever (PR: 8) (-2)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. Doctor Strange in the Multiverse of Madness (PR: 7) (+2)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 5) (-2)
8. RRR (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
And that equates to these movies garnering these numbers in terms of nods:
11 Nominations
Everything Everywhere All at Once
10 Nominations
The Fabelmans
8 Nominations
The Banshees of Inisherin
7 Nominations
Babylon, Women Talking
6 Nominations
Avatar: The Way of Water, Elvis, Top Gun: Maverick
5 Nominations
The Whale
4 Nominations
Guillermo del Toro’s Pinocchio, Tár
2 Nominations
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Glass Onion: A Knives Out Mystery, Holy Spider, Living, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Triangle of Sadness, Turning Red, White Noise, The Woman King
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