All three How to Train Your Dragon features from DreamWorks Animation have received Best Animated Feature nominations and all lost to Disney. In 2010, the original fell short to Toy Story 3. Four years later, the sequel couldn’t overcome Big Hero 6. 2019’s The Hidden World didn’t get more votes than Woody and Buzz once again with Toy Story 4.
This Friday, Dean DeBlois (who directed the Dragon trilogy) returns behind the camera with the live-action rendering of part 1 with a sequel already in the works. Cast members include Mason Thames, Nico Parker, Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, Ruth Codd, Peter Serafinowicz, Murray McArthur, and Gerard Butler.
The fantasy adventure looks to slay the box office this weekend. Could it keep the streak going of Oscar nods for the series? Reviews are mostly solid with 83% on Rotten Tomatoes and a 67 Metacritic. It is worthy of note that both numbers are lower than the three pictures preceding it. That said, Costume Design and Sound are long shot possibilities. Where DreamWorks could mount a legit campaign is in Visual Effects, but expect plenty of competition for those five spots. My Oscar Prediction posts will continue…
It has been two weeks since my previous Oscar predictions in the eight major categories of Picture, Director, the four acting derbies, and the two screenplay competitions.
Perhaps the biggest development in that time frame (nothing really significant happened via the Tribeca Film Festival) is the massive box office performance for Disney/Pixar’s Inside Out 2. Not only did it land the second highest animated feature debut of all time, it just scored the biggest second weekend ($100 million) for its genre in history. As it is easily exceeding expectations at multiplexes, could it sneak into the Best Picture race?
I doubt it. There have only been 3 animated pics up for the grand prize (all Disney): 1991’s Beauty and the Beast, 2009’s Up, and 2010’s Toy Story 3. You’ll notice that 2015’s Inside Out is not on the list and it garnered stronger reviews than its sequel. Part 2 is a shoo-in for an Animated Feature nom and it could even make an appearance in Adapted Screenplay (though you’ll see its toward the bottom of my hopefuls).
As far as rankings, there is movement to discuss. I’ve vaulted Amy Adams to #1 in my Best Actress quintet for Nightbitch. It was announced earlier this week that it will screen at the Toronto Film Festival in September and that Adams will receive the Tribute Performer Award while there. Other recent takers of that prize are Joaquin Phoenix (Joker), Anthony Hopkins (The Father), Jessica Chastain (The Eyes of Tammy Faye), and Brendan Fraser (The Whale). Wanna take a wild guess what they all have in common?
Oh… there’s more. I am now putting Sing Sing atop the charts for Best Picture over Steve McQueen’s Blitz. The buzz for the former has been steady since its Toronto unveiling in 2023 and it sounds like the type of crowdpleaser that the Academy could eat up. Like CODA from 2021, it could be a BP recipient where its director fails to get nominated. Speaking of that category, I’m elevating Denis Villeneuve to the top spot for Dune: Part Two overMcQueen.
You can read all the movement below and I’ll have another update posted in two weeks!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 4) (+3)
2. Dune: Part Two (PR: 2) (E)
3. Blitz (PR: 1) (-2)
4. Conclave (PR: 3) (-1)
5. Anora (PR: 5) (E)
6. Queer (PR: 6) (E)
7. Emilia Pérez (PR: 7) (E)
8. The Seed of the Sacred Fig (PR: 10) (+2)
9. The Piano Lesson (PR: 9) (E)
10. The End (PR: 8) (-2)
Other Possibilities:
11. Nightbitch (PR: 15) (+4)
12. Joker: Folie à Deux (PR: 11) (-1)
13. The Apprentice (PR: 12) (-1)
14. A Real Pain (PR: 18) (+4)
15. The Fire Inside (PR: 17) (+2)
16. Nickel Boys (PR: 14) (-2)
17. His Three Daughters (PR: 13) (-4)
18. The Room Next Door (PR: Not Ranked)
19. Maria (PR: 16) (-3)
20. Here (PR: 23) (+3)
21. All We Imagine as Light (PR: 22) (+1)
22. Hit Man (PR: 19) (-3)
23. Dídi (PR: 20) (-3)
24. Gladiator II (PR: 25) (+1)
25. Nosferatu (PR: Not Ranked)
Dropped Out:
Bird
Kinds of Kindness
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)
2. Steve McQueen, Blitz (PR: 1) (-1)
3. Edward Berger, Conclave (PR: 3) (E)
4. Sean Baker, Anora (PR: 4) (E)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)
Other Possibilities:
6. Jacques Audiard, Emilia Pérez (PR: 6) (E)
7. Greg Kwedar, Sing Sing (PR: 10) (+3)
8. Luca Guadagnino, Queer (PR: 7) (-1)
9. Joshua Oppenheimer, The End (PR: 8) (-1)
10. Marielle Heller, Nightbitch (PR: 13) (+3)
11. Todd Phillips, Joker: Folie à Deux (PR: 9) (-2)
12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)
13. Payal Kapadia, All We Imagine as Light (PR: 12) (-1)
14. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)
15. Ridley Scott, Gladiator II (PR: 15) (E)
Dropped Out:
Pablo Larrain, Maria
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 3) (+2)
2. Angelina Jolie, Maria (PR: 1) (-1)
3. Mikey Madison, Anora (PR: 2) (-1)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, The Outrun (PR: 5) (E)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Natasha Lyonne, His Three Daughters (PR: 7) (E)
8. Tilda Swinton, The Room Next Door (PR: Not Ranked)
9. Ryan Destiny, The Fire Inside (PR: 10) (+1)
10. Tilda Swinton, TheEnd (PR: 8) (-2)
11. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-2)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (-1)
13. Tessa Thompson, Hedda (PR: Not Ranked)
14. Zendaya, Challengers (PR: 12) (-2)
15. Florence Pugh, We Live in Time (PR: 13) (-2)
Dropped Out:
Noemie Merlant, Emmanuelle
Demi Moore, The Substance
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 4) (E)
5. Sebastian Stan, The Apprentice (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (+1)
7. John David Washington, The Piano Lesson (PR: 8) (+1)
8. Jesse Plemons, Kinds of Kindness (PR: 9) (+1)
9. Paul Bettany, The Collaboration (PR: Not Ranked)
10. Glen Powell, Hit Man (PR: 6) (-4)
11. Sebastian Stan, A Different Man (PR: 11) (E)
12. Tom Hanks, Here (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: 13) (E)
14. Paul Mescal, Gladiator II (PR: 15) (+1)
15. Jesse Eisenberg, A Real Pain (PR: Not Ranked)
Dropped Out:
George MacKay, The End
Kingsley Ben-Adir, Bob Marley: One Love
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Zoe Saldaña, Emilia Pérez (PR: 3) (+1)
3. Danielle Deadwyler, The Piano Lesson (PR: 5) (+2)
4. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (E)
5. Saoirse Ronan, Blitz (PR: 2) (-3)
Other Possibilities:
6. Carrie Coon, His Three Daughters (PR: 7) (+1)
7. Lesley Manville, Queer (PR: 10) (+3)
8. Valeria Golino, Maria (PR: 6) (-2)
9. Julianne Moore, The Room Next Door (PR: Not Ranked)
10. Joan Chen, Dídi (PR: 8) (-2)
11. Elizabeth Olsen, His Three Daughters (PR: 12) (+1)
12. Selena Gomez, Emilia Pérez (PR: Not Ranked)
13. Erin Kellyman, Blitz (PR: 15) (+2)
14. Toni Collette, Juror No. 2 (PR: 13) (-1)
15. Catherine Keener, Joker: Folie à Deux (PR: 11) (-4)
Dropped Out:
Emily Watson, Small Things like These
Naomi Watts, Emmanuelle
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Brian Tyree Henry, The Fire Inside (PR: 5) (E)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 6) (E)
7. John Lithgow, Conclave (PR: 8) (+1)
8. Drew Starkey, Queer (PR: 7) (-1)
9. Adam Pearson, A Different Man (PR: 9) (E)
10. Michael Shannon, The End (PR: 10) (E)
11. Denzel Washington, Gladiator II (PR: Not Ranked)
Disney/Pixar hope for a reversal of recent fortunes when Inside Out 2 arrives in theaters June 14th. A sequel to the 2015 megahit Animated Feature Oscar winner, Kelsey Mann takes over directorial duties from Pete Docter. Returning voices include Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan. Replacing Bill Hader from the original is Tony Hale while Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman as the now teenage Riley join the cast.
Nine summers ago, the original made $90 million in its premiere frame with an eventual domestic tally of $356 million. That stands as the fifth largest opening of all time for Pixar and the sixth heftiest overall final take.
As mentioned, the studio has dealt with its own emotional rollercoasters as of late. 2022’s Lightyear was a high profile flop with a lowly (for Pixar) $118 million total. Last summer, Elemental fared better with $154 million while that’s still a ways from their typical numbers.
This sequel should brighten their emotions. Part 1 is well-regarded and family audiences should be primed for a second helping. Estimates have this making around what the predecessor accomplished out of the gate. It might manage slightly more. Each Toy Story, for instance, improved with the first weekend figures. Incredibles 2 and Finding Dory dwarfed the starts of their precursors.
I’ll go glass half full and say this just manages to outdo the original while not reaching nine digits in its first three days.
Inside Out 2 opening weekend prediction: $92.4 million
Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.
We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.
David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).
Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).
The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.
Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.
I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.
For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.
Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.
All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).
Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.
So there you have it! That means my 2008 Best Picture expanded to ten is:
As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.
One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.
Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.
Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.
Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.
For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.
Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).
Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.
In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.
OK… deep breath. With all that context, let’s see where everything and everyone ranks…
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. The Color Purple (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. Dune: Part Two (PR: 4) (E)
5. Oppenheimer (PR: 5) (E)
6. Saltburn (PR: 7) (+1)
7. The Zone of Interest (PR: 15) (+8)
8. The Holdovers (PR: 8) (E)
9. Air (PR: 9) (E)
10. Poor Things (PR: 6) (-4)
Other Possibilities:
11. May December (PR: 10) (-1)
12. Maestro (PR: 11) (-1)
13. Anatomy of a Fall (PR: Not Ranked)
14. Challengers (PR: 14) (E)
15. Blitz (PR: 13) (-2)
16. Barbie (PR: 12) (-4)
17. Napoleon (PR: 18) (+1)
18. Rustin (PR: 20) (+2)
19. Flint Strong (PR: 17) (-2)
20. Bob Marley: One Love (PR: 16) (-4)
21. The Nickel Boys (PR: 21) (E)
22. The Book of Clarence (PR: 22) (E)
23. The Killer (PR: 19) (-4)
24. Asteroid City (PR: 25) (+1)
25. Ferrari (PR: 23) (-2)
Dropped Out:
Strangers
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)
3. Blitz Bazawule, The Color Purple (PR: 4) (+1)
4. Celine Song, Past Lives (PR: 2) (-2)
5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 6) (E)
7. Emerald Fennell, Saltburn (PR: 7) (E)
8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)
9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)
10. Alexander Payne, The Holdovers (PR: 9) (-1)
11. Bradley Cooper, Maestro (PR: 13) (+2)
12. Ben Affleck, Air (PR: 11) (-1)
13. Ridley Scott, Napoleon (PR: 15) (+2)
14. Greta Gerwig, Barbie (PR: 10) (-4)
15. Steve McQueen, Blitz (PR: 12) (-3)
Dropped Out:
Todd Haynes, May December
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Emma Stone, Poor Things (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)
7. Carey Mulligan, Maestro (PR: 7) (E)
8. Zendaya, Challengers (PR: 8) (E)
9. Margot Robbie, Barbie (PR: 6) (-3)
10. Saoirse Ronan, Blitz (PR: 9) (-1)
11. Kate Winslet, Lee (PR: 11) (E)
12. Annette Bening, Nyad (PR: 12) (E)
13. Sandra Hüller, The Zone of Interest (PR: 13) (E)
14. Ryan Destiny, Flint Strong (PR: 14) (E)
15. Jane Levy, A Little Prayer (PR: Not Ranked)
Dropped Out:
Regina King, Shirley
Amy Adams, Nightbitch
Best Actor
Predicted Nominees:
1. Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Paul Giamatti, The Holdovers (PR: 4) (+1)
4. Barry Keoghan, Saltburn (PR: 3) (-1)
5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)
Other Possibilities:
6. Bradley Cooper, Maestro (PR: 5) (-1)
7. Teo Yoo, Past Lives (PR: 7) (E)
8. Cillian Murphy, Oppenheimer (PR: 6) (-2)
9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)
10. Joaquin Phoenix, Napoleon (PR: 10) (E)
11. David Strathairn, A Little Prayer (PR: Not Ranked)
12. Matt Damon, Air (PR: 9) (-3)
13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)
14. Mike Faist, Challengers (PR: 12) (-2)
15. John David Washington, The Piano Lesson (PR: 14) (-1)
Dropped Out:
Andrew Scott, Strangers
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Julianne Moore, May December (PR: 6) (+1)
Other Possibilities:
6. Viola Davis, Air (PR: 5) (-1)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)
9. Audra McDonald, Rustin (PR: 8) (-1)
10. Halle Bailey, The Color Purple (PR: Not Ranked)
11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)
12. Tilda Swinton, The Killer (PR: 10) (-2)
13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)
14. Jodie Foster, Nyad (PR: 14) (E)
15. Vanessa Kirby, Napoleon (PR: Not Ranked)
Dropped Out:
Claire Foy, Strangers
Rebecca Ferguson, Dune: Part Two
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)
2. Willem Dafoe, Poor Things (PR: 2) (E)
3. Colman Domingo, The Color Purple (PR: 10) (+7)
4. Charles Melton, May December (PR: 8) (+4)
5. John Magaro, Past Lives (PR: 3) (-2)
Other Possibilties:
6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)
7. Ryan Gosling, Barbie (PR: 6) (-1)
8. Richard E. Grant, Saltburn (PR: 11) (+3)
9. Ben Affleck, Air (PR: 7) (-2)
10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)
11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)
12. Mark Ruffalo, Poor Things (PR: 9) (-3)
13. Corey Hawkins, The Color Purple (PR: Not Ranked)
14. Glynn Turman, Rustin (PR: 15) (+1)
15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)
After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.
Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:
Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.
As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.
127 Hours
In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.
Does It Make the Final Five?
Yes. This is a tough one. As you’ll see below, there are more than five pics that check important boxes. My hunch is that it would’ve nabbed the fifth slot (though you may feel differently when you read on and I tell you what doesn’t make my cut).
Black Swan
Darren Aronofsky’s intense balletic drama earned Natalie Portman an Actress statue and four other nods: Director, Cinematography, and Film Editing. Certainly the director and editing mentions are notable as is Portman’s victory.
Does It Make the Final Five?
No. When Picture and Director were both set at five, they rarely matched. 4 out of 5 directors matching the BP nominations was most common. Here’s an example where I don’t think a match would’ve occurred. The biggest reason? Of the 10 BP nominees, Swan is the only one that didn’t land a screenplay nod. That’s significant.
The Fighter
Mark Wahlberg’s passion project didn’t land him a nod, but it did for three of his costars. Christian Bale took home Supporting Actor while onscreen mother Melissa Leo won Supporting Actress (with Amy Adams also nominated). The direction, screenplay, and editing also were up for a total of 7 nominations.
Does It Make the Final Five?
Yes. The wins in the two acting races and the fact that it hit in all the key precursors give the relevant tale of the tape.
Inception
There’s speculation that the reason the Academy switched to 10 nominees is because Christopher Nolan’s The Dark Knight was omitted from the five in 2008. His follow-up two years later did not miss the expanded cut. It won Oscars for half of its 8 nominations – Sound Editing, Sound Mixing, Cinematography, and Visual Effects. The other three nods besides Picture were Original Screenplay, Score, and Art Direction.
Does It Make the Final Five?
No. And here’s where some readers may disagree. I’m giving 127 Hours an ever so slight edge over this. Why? The 8 nods don’t mean much to me because the bulk of them are in tech races. By the way, The Dark Knight also received 8 nominations. Its misses are what make me skeptical as Nolan didn’t get in for his direction and it also wasn’t up for editing.
The Kids Are All Right
The family drama received acting mentions for Annette Bening and Mark Ruffalo and for its original screenplay.
Does It Make the Final Five?
No. Too many heavy hitters this year and it was probably toward the bottom of the ten that got in.
The Social Network
David Fincher’s saga about the founding of Facebook won three of its 8 nods in Adapted Screenplay, Film Editing, and Score.
Does It Make the Final Five?
Yes… easily. It was probably #2 behind King’s Speech in terms of winning Picture and Director.
Toy Story 3
The Pixar threequel holds the distinction of being the second animated title to make the BP list after Beauty and the Beast. On Oscar night, it won Animated Feature as well as Original Song and received an Adapted Screenplay nod.
Does It Make the Final Five?
No. The Academy probably would’ve been OK with it being a slam dunk Animated Feature winner if only five pics were in contention.
True Grit
The Coen Brothers Western remake was behind only King’s Speech in terms of nominations with 10. Beside Picture – you had Director(s), Actor (Jeff Bridges), Supporting Actress (Hailee Steinfeld), Adapted Screenplay, Sound Editing, Sound Mixing, Art Direction, Cinematography, and Costume Design. It went 0 for 10.
Does It Make the Final Five?
Yes. Despite the batting average, the sheer volume of nods indicates it would have still been included.
Winter’s Bone
This indie drama introduced the Academy and many moviegoers to Jennifer Lawrence. She received a nomination as did her costar John Hawkes in Supporting Actor. Adapted Screenplay was in the mix too.
Does It Make the Final Five?
No but here is a prime example of a smaller film that received attention due to the broadening of the BP base.
So that means if there had been just five Best Picture nominees in 2010, I believe they would have been:
The King’s Speech
127 Hours
The Fighter
The Social Network
True Grit
I will be back soon with my final five take on 2011!
Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.
In what should be an intriguing and potentially unpredictable weekend to close out the June box office, Baz Luhrmann’s musical biopic Elvis and critically lauded horror pic The Black Phone debut. You can peruse my detailed prediction posts on both of them here:
There’s plenty of possibilities for how the top 5 will look. While there’s no doubt about which quintet will populate the list, the order is up for grabs. I believe Elvis will open closer to the $51 million of Bohemian Rhapsody than the $25 million of Rocketman. That should be enough to earn it the title of Box Office King.
However, if it does premiere in the mid to late 20s range, the chances of a #1 start are considerably lower. We could legitimately see Top Gun: Maverick rise from 3rd to 1st. With a projected dip in the low to mid 20s, it should at least rise to 2nd place. That’s assuming current two-week champ Jurassic World: Dominion loses more than half its audience in its third go-round and Lightyear also sees a sophomore fall of around 55%. I’m assuming both.
And there’s the wild card that is The Black Phone. Horror titles often outdo expectations and with its aforementioned solid reviews, that could apply here. I’m sticking with a debut of just under $20 million and that would likely mean a fifth place reception.
Here’s how I envision perhaps the most fascinating box office weekend so far in the pandemic era looking:
1. Elvis
Predicted Gross: $35.6 million
2. Top Gun: Maverick
Predicted Gross: $34.8 million
3. Jurassic World: Dominion
Predicted Gross: $28.3 million
4. Lightyear
Predicted Gross: $23.2 million
5. The Black Phone
Predicted Gross: $18.6 million
Box Office Results (June 17-19)
In a major upset, Jurassic World: Dominion remained #1 for the second frame with $59.1 million. That’s stronger than my $54.8 million estimate as the threequel is up to $250 million in its first ten days. That’s $15 million under where predecessor was at four summers ago.
Jurassic‘s reign was unexpected because Disney/Pixar’s Toy Story spinoff Lightyear was widely anticipated to rule the charts. Instead it grossed $50.5 million for second place. That’s, ahem, $35 million under my projection of $85.5 million and less than half of what Toy Story 3 and Toy Story 4 made out of the gate. There’s plenty of think pieces out there for why Lightyear was a disappointment. It includes theories about politics, Disney Plus being the same day distributor for recent Pixar material, and the absence of Tim Allen as the voice of the title character. Any way you slice it, it’s a shocker.
Top Gun: Maverick continued its amazing run in third with $44.6 million – dropping a scant 14%. I was lower at $36 million. The biggest hit of the year (and of Tom Cruise’s career by far) is flying at $466 million as its domestic haul will reach $500 million shortly. As mentioned, if Elvis doesn’t reach my projection, it could see a return to the top spot. I wrote more about Maverick‘s unreal performance yesterday on the blog and it’s here:
The buzz for Disney/Pixar’s Lightyear is just fine, but it’s not in the stratosphere of some of the studio’s other efforts. The origin story for the co-lead of the Toy Story franchise (voiced by Tim Allen for those four pics and by Chris Evans here) is at 84% on Rotten Tomatoes.
If Onward at 88% or Brave at 78% nabbed nominations in the Best Animated Feature Oscar derby, this should manage to do so as well pretty easily. However, let’s see how the competition plays out in the second half of the season. Pixar’s spring title Turning Red has probably reserved a spot and Guillermo del Toro’s Pinocchio looms. Other hopefuls include Apollo 10 1/2 and Wendell & Wild.
In the 22 years of its existence, Pixar has taken home exactly half of the Academy’s animation trophies (with Disney traditional picking up four more). Two of them were the third and fourth Toy Story sagas. The category wasn’t around for parts one and two and I bet both would’ve won. That bodes well for Lightyear though the somewhat mixed chatter could complicate matters. My Oscar Prediction posts will continue…
Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:
This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.
As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!
10. The Other Guys
Domestic Gross: $119 million
The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.
9. The Last Airbender
Domestic Gross: $131 million
Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.
8. Grown Ups
Domestic Gross: $162 million
Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.
7. The Karate Kid
Domestic Gross: $176 million
Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.
6. Shrek Forever After
Domestic Gross: $238 million
Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.
5. Despicable Me
Domestic Gross: $251 million
At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.
4. Inception
Domestic Gross: $292 million
Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.
3. The Twilight Saga: Eclipse
Domestic Gross: $300 million
2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.
2. Iron Man 2
Domestic Gross: $312 million
The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.
1. Toy Story 3
Domestic Gross: $415 million
Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.
And now for some other noteworthy pictures from the time frame:
Salt
Domestic Gross: $118 million
Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.
The Expendables
Domestic Gross: $105 million
Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.
Eat Pray Love
Domestic Gross: $80 million
This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.
Dinner for Schmucks
Domestic Gross: $73 million
Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.
Scott Pilgrim vs. the World
Domestic Gross: $31 million
There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.
The Kids Are All Right
Domestic Gross: $20 million
This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.
MacGruber
Domestic Gross: $8 million
Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.
Winter’s Bone
Domestic Gross: $6 million
This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook.
And now for some movies that didn’t match their expectations:
Robin Hood
Domestic Gross: $105 million
With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.
Sex and the City 2
Domestic Gross: $95 million
The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.
Prince of Persia: The Sands of Time
Domestic Gross: $90 million
A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.
The A-Team
Domestic Gross: $77 million
A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.
Knight and Day
Domestic Gross: $76 million
Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.
Cats & Dogs: The Revenge of Kitty Galore
Domestic Gross: $43 million
Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.
Jonah Hex
Domestic Gross: $10 million
This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.
And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…
The fourth edition of ToyStory is unveiled in theaters next weekend and reviews are out today. It is the 21st film for Pixar that began in 1995 with… ToyStory. And when it comes to Oscar voters honoring the studio’s works, there’s a rich history.
Critics so far have given a 100% stamp of approval to the sequel. The Academy established the Best Animated Feature in 2001. There’s been 18 winners and half of them are Pixar pics. The studio has also nabbed two nods in Best Picture with 2009’s Up and 2010’s… ToyStory3.
First things first: there is approximately zero doubt that part four will get Animated Feature recognition. And unless something special comes along in the second half of the year (perhaps Frozen2?), it has an excellent shot at winning. It’s also feasible that it could land Pixar’s third Picture nod, but that is far less certain at this juncture.
Another category where ToyStory4 could contend is Best Original Song. There’s two possibilities: Randy Newman’s “I Can’t Let Yourself Throw Away” and “The Ballad of the Lonesome Cowboy”, which was written by Newman and is performed by country superstar Chris Stapleton.
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