The arrival of Dune at the Venice Film Festival has been a breathlessly anticipated one. Denis Villeneuve’s epic version of Frank Herbert’s 1965 sci-fi novel is one of 2021’s most buzzed about projects. And that’s after it held the same status in 2020 before its COVID delay. The $165 million futuristic tale held its Italian screening and the results are fascinating to behold.
Dune currently has an 85% Rotten Tomatoes rating. Some reviewers are calling it quite special and the kind of technical achievement that we witnessed 20 years ago with the Lord of the Rings trilogy. In fact, there seems to be no question that it looks amazing. There was never much doubt that this would contend in several tech races including Visual Effects (where it should be the front runner), Sound (same), Cinematography, Editing, Costume Design, Makeup and Hairstyling, Production Design, and Score.
Whether this breaks through in above the line races is less clear. The mixed to negative critical reaction is mostly focused on its narrative shortcomings. That’s why I feel Adapted Screenplay could be a reach (not to mention that it looks quite competitive anyway). My hunch at the moment is that Dune, primarily due to its technical wizardry, should still manage a Best Picture nod. If it does, I would say Villeneuve makes it in for his direction and that would give him nomination #2 after 2016’s Arrival. I will extend a caveat: if Dune is considered to be a box office disappointment when it comes out October 22, that could hinder its chances in the big dance.
As for the cast, Timothee Chalamet and Rebecca Ferguson are being praised for their work. Yet I suspect none of the sprawling ensemble will hear their names among the final five.
My Oscar Predictions posts for the films of 2021 will continue…
Wes Anderson’s The French Dispatch was supposed to premiere at Cannes in 2020 before the COVID-19 pandemic altered that plan. One year later, the auteur’s latest has screened in the French Riviera and it’s probably the most eagerly awaited debut of the festival. The film boasts an ensemble that is to be expected from the filmmaker and it reads like a who’s who of his frequent collaborators and several other previous awards nominees: Benicio del Toro, Adrien Brody, Tilda Swinton, Timothee Chalamet, Frances McDormand, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Bill Murray, Owen Wilson, Elisabeth Moss, Liev Schrieber, Edward Norton, Willem Dafoe, Saoirse Ronan, Christoph Waltz, Jason Schwartzman (who shares a story credit with Anderson and others), Bob Balaban, and Anjelica Huston. Yeah, I know.
Early reviews indicate that this anthology (out stateside on October 22) is a loving ode to journalism and that could be right up the alley of Academy voters. Yet some buzz is also indicating this isn’t among his strongest efforts. One thing seems certain: Dispatch is a visual feast that should easily assert itself in several technical categories. That certainly includes Production Design, Costume Design, Alexandre Desplat’s Original Score, Cinematography, and perhaps Makeup and Hairstyling (though that race in particular could be packed this year).
What do all those races have in common? They were all nominations received for Anderson’s 2014 pic The Grand Budapest Hotel, which scored nine mentions (winning for Costume Design, Makeup and Hairstyling, Score, and Production Design). Don’t be surprised if this is a major hopeful in those same categories.
As for the massive amount of actors, here’s a fun fact: no performance from an Anderson production has ever been nominated. That seems hard to believe, but his casts often make it tricky to pick a favorite or two to mount a campaign for. Del Toro, Chalamet, Wright, and McDormand have been singled out in some write-ups already. I suspect none will emerge to make the Oscar cut. Chalamet has hope in lead actor for Dune and the same can be said for McDormand with The Tragedy of Macbeth (time will tell).
Now to the biggest derbies. Will The French Dispatch manage Best Picture, Director, and Original Screenplay nods? The latter seems most possible. And while some European chatter indicates the other two could be out of reach, it’s important to remember that it took a little time for Budapest Hotel to become the Academy player that it turned out to be.
Bottom line: the future is cloudy for Dispatch when it comes to the most high-profile competitions. Some Academy love down the line in the tech races already seems highly likely. My Oscar Watch posts will continue…
We have arrived at Week #2 for my Oscar predictions in the eight major categories. I do so as the Venice Film Festival has kicked off with Telluride and Toronto slated to virtually get underway in the coming days. That means quite a few Oscar Watch posts will be up in short order, including for several of the features predicted below.
Since last Thursday, I’ve written only two Watch entries. Mulan isn’t likely to be a factor in any of the big races, but it could definitely contend for some technical categories. The forthcoming horror pic Antebellum didn’t impress critics and won’t be mentioned again here. If you would like to peruse those posts, you can do so here:
When I wrote my initial guesstimates one week ago, it was on the following day that movie lovers across the globe were hit with tragic news. The loss of Chadwick Boseman to colon cancer has shocked and saddened all of us. Despite his acclaimed performances in 42, Get On Up, and his iconic work as Black Panther, Mr. Boseman has yet to receive a nomination from the Academy. Last Thursday, I already had him listed at #2 in Supporting Actor for the upcoming Ma Rainey’s Black Bottom. He is now listed first as is his costar Viola Davis in Best Actress.
Here are some other developments of note:
I am still higher on Spike Lee’s Da 5 Bloods (which also featured Boseman) than some other prognosticators. I have it listed for inclusion in Best Picture, Actor (Delroy Lindo), and Original Screenplay. However, its numbers have fallen a bit and I am taking Spike Lee out of my Director five.
My estimated eight Best Picture nominees has remained intact with some shifting in the rankings.
Aaron Sorkin (The Trial of the Chicago 7) and Paul Greengrass (News of the World) are in for Director with the aforementioned Spike Lee and Francis Lee (Ammonite) out.
The five in Actress has not changed. In Actor, I’ve made the move to take Bill Murray’s performance in On the Rocks and put it in the supporting field. That allows for Tom Hanks (News of the World) to move up. In general, I have soured a bit on Rocks. You’ll see below that its numbers have dropped precipitously.
Supporting Actress also includes the same five women and that’s also the case with Supporting Actor.
Though I don’t have it in the top five, I’ve corrected French Exit to be listed in Adapted Screenplay as opposed to Original. Soul replaces The French Dispatch in Original for the moment while The Father vaults over West Side Story in Adapted.
As you’ll see, there’s plenty of new faces being mentioned for the first time that didn’t make the list last week and others who have dropped.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Mank (Previous Ranking: 1)
2. Nomadland (PR: 2)
3. The Trial of the Chicago 7 (PR: 4)
4. Dune (PR: 6)
5. News of the World (PR: 7)
6. Ammonite (PR: 5)
7. Da 5 Bloods (PR: 3)
8. West Side Story (PR: 8)
Other Possibilities:
9. Ma Rainey’s Black Bottom (PR: 16)
10. Soul (PR: 14)
11. Judas and the Black Messiah (PR: 12)
12. The French Dispatch (PR: 9)
13. One Night in Miami (PR: Not Ranked)
14. Hillbilly Elegy (PR: 10)
15. Minari (PR: 18)
16. The Father (PR: 17)
17. Annette (PR: 13)
18. Stillwater (PR: 21)
19. The United States vs. Billie Holiday (PR: 22)
20. Respect (PR: Not Ranked)
21. Tenet (PR: 15)
22. The Midnight Sky (PR: Not Ranked)
23. Next Goal Wins (PR: 24)
24. French Exit (PR: 25)
25. I’m Thinking of Ending Things (PR: 20)
Dropped Out:
On the Rocks
C’Mon C’Mon
The Eyes of Tammy Faye
Best Director
Predicted Nominees:
1. David Fincher, Mank (PR: 1)
2. Chloe Zhao, Nomadland (PR: 2)
3. Denis Villeneuve, Dune (PR: 4)
4. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)
5. Paul Greengrass, News of the World (PR: 7)
Other Possibilities:
6. Spike Lee, Da 5 Bloods (PR: 3)
7. Francis Lee, Ammonite (PR: 5)
8. Steven Spielberg, West Side Story (PR: 8)
9. Wes Anderson, The French Dispatch (PR: 9)
10. Regina King, One Night in Miami (PR: Not Ranked)
11. George C. Wolfe, Ma Rainey’s Black Bottom
12. Ron Howard, Hillbilly Elegy (PR: 11)
13. Shaka King, Judas and the Black Messiah (PR: 12)
14. Florian Zeller, The Father (PR: Not Ranked)
15. Christopher Nolan, Tenet (PR: 13)
Dropped Out:
Sofia Coppola, On the Rocks
Leos Carax, Annette
Charlie Kaufman, I’m Thinking of Ending Things
Best Actress
Predicted Nominees:
1. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)
2. Frances McDormand, Nomadland (PR: 1)
3. Kate Winslet, Ammonite (PR: 3)
4. Michelle Pfeiffer, French Exit (PR: 4)
5. Jennifer Hudson, Respect (PR: 5)
Other Possibilities:
6. Amy Adams, Hillbilly Elegy (PR: 6)
7. Carey Mulligan, Promising Young Woman (PR: 14)
8. Rachel Zegler, West Side Story (PR: 7)
9. Andra Day, The United States vs. Billie Holiday (PR: 11)
10. Jessica Chastain, The Eyes of Tammy Faye (PR: 8)
11. Marion Cotillard, Annette
12. Julianne Moore, The Glorias (PR: 9)
13. Elisabeth Moss, Shirley (PR: 15)
14. Jessie Buckley, I’m Thinking of Ending Things (PR: 13)
15. Sophia Loren, The Life Ahead (PR: Not Ranked)
Dropped Out:
Rashida Jones, On the Rocks
Best Actor
Predicted Nominees:
1. Delroy Lindo, Da 5 Bloods (PR: 1)
2. Anthony Hopkins, The Father (PR: 3)
3. Gary Oldman, Mank (PR: 2)
4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)
5. Tom Hanks, News of the World (PR: 6)
Other Possibilities:
6. Eddie Redmayne, The Trial of the Chicago 7 (PR: Not Ranked)
7. Joaquin Phoenix, C’Mon C’Mon (PR: 7)
8. Matt Damon, Stillwater (PR: 13)
9. Adam Driver, Annette (PR: 8)
10. Steven Yeun, Minari (PR: Not Ranked)
11. Michael Fassbender, Next Goal Wins (PR: 12)
12. Andrew Garfield, The Eyes of Tammy Faye (PR: 10)
13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 14)
14. Ansel Elgort, West Side Story (PR: 9)
15. Jesse Plemons, I’m Thinking of Ending Things (PR: Not Ranked)
Dropped Out:
Bill Murray, On the Rocks (moved to Supporting Actor)
Timothee Chalamet, Dune
Ben Affleck, The Way Back
Best Supporting Actress
Predicted Nominees:
1. Saoirse Ronan, Ammonite (PR: 1)
2. Glenn Close, Hillbilly Elegy (PR: 2)
3. Olivia Colman, The Father (PR: 3)
4. Helena Zengel, News of the World (PR: 5)
5. Ariana DeBose, West Side Story (PR: 4)
Other Possibilities:
6. Amanda Seyfried, Mank (PR: 7)
7. Meryl Streep, The Prom (PR: 14)
8. Toni Collette, I’m Thinking of Ending Things (PR: 6)
9. Abigail Breslin, Stillwater (PR: 9)
10. Natasha Lyonne, The United States vs. Billie Holiday (PR: Not Ranked)
11. Audra McDonald, Respect (PR: Not Ranked)
12. Jayne Houdyshell, The Humans (PR: Not Ranked)
13. Debra Winger, Kajillionaire (PR: 8)
14. Mary J. Blige, Respect (PR: 11)
15. Kristin Scott Thomas, Rebecca (PR: Not Ranked)
Dropped Out:
Gaby Hoffman, C’Mon C’Mon
Rebecca Ferguson, Dune
Nicole Kidman, The Prom
Elisabeth Moss, Next Goal Wins
Best Supporting Actor
Predicted Nominees:
1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 2)
2. David Strathairn, Nomadland (PR: 1)
3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)
4. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 5)
5. Lakeith Stanfield, Judas and the Black Messiah (PR: 4)
Other Possibilities:
6. Tom Pelphrey, Mank (PR: 7)
7. Bill Murray, On the Rocks (PR: Not Ranked – moved from Best Actor)
8. Tom Burke, Mank (PR: 6)
9, Mark Rylance, The Trial of the Chicago 7 (PR: 12)
10. Jeremy Strong, The Trial of the Chicago 7 (PR: Not Ranked)
11. Richard Jenkins, The Humans (PR: Not Ranked)
12. Kingsley Ben-Adir, One Night in Miami (PR: Not Ranked)
13. Lucas Hedges, French Exit (PR: 9)
14. Jonathan Majors, Da 5 Bloods (PR: 10)
15. David Alvarez, West Side Story (PR: 8)
Dropped Out:
Jesse Plemons, Judas and the Black Messiah
Clarke Peters, Da 5 Bloods
Oscar Isaac, Dune
Forest Whitaker, Respect
Best Original Screenplay
Predicted Nominees:
1. Mank (PR: 1)
2. The Trial of the Chicago 7 (PR: 2)
3. Ammonite (PR: 4)
4. Da 5 Bloods (PR: 3)
5. Soul (PR: 6)
Other Possibilities:
6. The French Dispatch (PR: 5)
7. Minari (PR: 10)
8. Judas and the Black Messiah (PR: 8)
9. Stillwater (PR: 11)
10. Promising Young Woman (PR: 15)
11. Annette (PR: 13)
12. C’Mon C’Mon (PR: 9)
13. On the Rocks (PR: 7)
14. Red, White, and Water (PR: Not Ranked)
15. Tenet (PR: 14)
Dropped Out:
French Exit (moved to Adapted Screenplay)
Best Adapted Screenplay
Predicted Nominees:
1. Nomadland (PR: 1)
2. News of the World (PR: 3)
3. Dune (PR: 2)
4. The Father (PR: 6)
5. Ma Rainey’s Black Bottom (PR: 5)
Other Possibilities:
6. Hillbilly Elegy (PR: 7)
7. I’m Thinking of Ending Things (PR: 8)
8. West Side Story (PR: 4)
9. One Night in Miami (PR: 13)
10. The United States vs. Billie Holiday (PR: 10)
11. French Exit (PR: Not Ranked – moved from Original Screenplay)
12. Next Goal Wins (PR: 9)
13. The Humans (PR: Not Ranked)
14. The Eyes of Tammy Faye (PR: 11)
15. Respect (PR: 14)
Dropped Out:
The White Tiger
The Midnight Sky
I’ll be back at it with updated predictions next Thursday!
As is tradition on the blog, my weekly Oscar prediction posts (coming to you each Thursday) kick off in the final weekend of August!
So while I’m following up with my normal Academy Awards speculating schedule, I am doing so in a year that is anything but traditional. The COVID-19 pandemic has tremendously altered release schedules for many pictures. This has left many release dates still uncertain.
Additionally, I have chosen this late August date because it’s usually right before some high-profile film festivals like Toronto, Venice, and Telluride are set to kick off. Some of these fests are continuing to operate in a much different fashion. We will see some of the titles identified below (including Nomadland, Ammonite and One Night in Miami) screen at these virtual competitions in the coming days.
This week, one significant contender had its unveiling for critics and that’s Christopher Nolan’s Tenet. That reaction leads me to believe that it will certainly contend in a half dozen or so technical races, but that a Picture or Directing nod is a bit of a long shot.
Even in a year without the pandemic related challenges, Oscar speculation this early always comes with numerous caveats. They include the following:
Release dates will change and some movies listed here will get pushed back. This sure applies to 2020 and that’s even with the Academy extending eligibility to any features released in January and February of 2021.
There will be pics and performances that come out of nowhere and make their way to the release calendar that aren’t identified here.
Some performances listed in lead will shift to supporting and vice versa. For titles like David Fincher’s Mank, Aaron Sorkin’s The Trial of the Chicago 7, and Wes Anderson’s The French Dispatch – category placement for their large casts is still a question mark. As an example, there’s lot of potential contenders in The French Dispatch, but it’s impossible to determine who gets the critical shine. For the time being, I’m not listing any of the actors in that particular film.
There will be Original Screenplay hopefuls that turn out to be Adapted and vice versa.
Even with all those caveats, I was able to identify the winners in each of the top 8 categories in both 2018 and 2019. Their numeric placement varied widely. In 2018, I had Best Picture victor Green Book all the way down at 21 of my first initial 25 possibilities. Roma director Alfonso Cuaron, on the other hand, was placed at #2. Bohemian Rhapsody‘s Rami Malek was at #12 in Best Actor with Olivia Colman in The Favourite at 9th in Actress. Mahershala Ali (Green Book) was 9th and Regina King (If Beale Street Could Talk) was 2nd in the supporting fields. Adapted Screenplay winner BlacKkKlansman was in fifth with Original Screenplay recipient Green Book at #11.
As for 2019, Best Picture winner Parasite was originally placed in slot #7 while its director Bong Joon-Ho was fifth. In the lead acting companions, Joaquin Phoenix (Joker) was 6th and Renee Zellweger (Judy) was fifth. In Supporting Actor, Brad Pitt (Once Upon a Time in Hollywood) was perched at #1 and that never changed. Supporting Actress Laura Dern (Marriage Story) was #2. Adapted Screenplay Jojo Rabbit was fourth and Original Screenplay Parasite was 5th.
So based on history, you’re likely seeing the eventual 2020 Oscar winners somewhere here on these listings. In 2020, though, who really knows?
Let’s get to it!
Best Picture
Predicted Nominees:
1. Mank
2. Nomadland
3. Da 5 Bloods
4. The Trial of the Chicago 7
5. Ammonite
6. Dune
7. News of the World
8. West Side Story
Other Possibilities
9. The French Dispatch
10. Hillbilly Elegy
11. On the Rocks
12. Judas and the Black Messiah
13. Annette
14. Soul
15. Tenet
16. Ma Rainey’s Black Bottom
17. The Father
18. Minari
19. C’Mon C’Mon
20. I’m Thinking of Ending Things
21. Stillwater
22. The United States vs. Billie Holiday
23. The Eyes of Tammy Faye
24. Next Goal Wins
25. French Exit
Best Director
Predicted Nominees:
1. David Fincher, Mank
2. Chloe Zhao, Nomadland
3. Spike Lee, Da 5 Bloods
4. Denis Villeneuve, Dune
5. Francis Lee, Ammonite
Other Possibilities:
6. Aaron Sorkin, The Trial of the Chicago 7
7. Paul Greengrass, News of the World
8. Steven Spielberg, West Side Story
9. Wes Anderson, The French Dispatch
10. Sofia Coppola, On the Rocks
11. Ron Howard, Hillbilly Elegy
12. Shaka King, Judas and the Black Messiah
13. Christopher Nolan, Tenet
14. Leos Carax. Annette
15. Charlie Kaufman, I’m Thinking of Ending Things
Best Actress
Predicted Nominees:
1. Frances McDormand, Nomadland
2. Viola Davis, Ma Rainey’s Black Bottom
3. Kate Winslet, Ammonite
4. Michelle Pfeiffer, French Exit
5. Jennifer Hudson, Respect
Other Possibilities:
6. Amy Adams, Hillbilly Elegy
7. Rachel Zegler, West Side Story
8. Jessica Chastain, The Eyes of Tammy Faye
9. Julianne Moore, The Glorias
10. Marion Cotillard, Annette
11. Andra Day, The United States vs. Billie Holiday
12. Rashida Jones, On the Rocks
13. Jessie Buckley, I’m Thinking of Ending Things
14. Carey Mulligan, Promising Young Woman
15. Elisabeth Moss, Shirley
Best Actor
Predicted Nominees:
1. Delroy Lindo, Da 5 Bloods
2. Gary Oldman, Mank
3. Anthony Hopkins, The Father
4. Daniel Kaluuya, Judas and the Black Messiah
5. Bill Murray, On the Rocks
Other Possibilities:
6. Tom Hanks, News of the World
7. Joaquin Phoenix, C’Mon C’Mon
8. Adam Driver, Annette
9. Ansel Elgort, West Side Story
10. Andrew Garfield, The Eyes of Tammy Faye
11. Timothee Chalamet, Dune
12. Michael Fassbender, Next Goal Wins
13. Matt Damon, Stillwater
14. Trevante Rhodes, The United States vs. Billie Holiday
15. Ben Affleck, The Way Back
Best Supporting Actress
Predicted Nominees:
1. Saoirse Ronan, Ammonite
2. Glenn Close, Hillbilly Elegy
3. Olivia Colman, The Father
4. Ariana DeBose, West Side Story
5. Helena Zengel, News of the World
Other Possibilities:
6. Toni Collette, I’m Thinking of Ending Things
7. Amanda Seyfried, Mank
8. Debra Winger, Kajillionaire
9. Abigail Breslin, Stillwater
10. Gaby Hoffman, C’Mon C’Mon
11. Mary J. Blige, Respect
12. Rebecca Ferguson, Dune
13. Meryl Streep, The Prom
14. Nicole Kidman, The Prom
15. Elisabeth Moss, Next Goal Wins
Best Supporting Actor
Predicted Nominees:
1. David Strathairn, Nomadland
2. Chadwick Boseman, Ma Rainey’s Black Bottom
3. Yahya Abdul-Mateen II, The Trial of the Chicago 7
4. LaKeith Stanfield, Judas and the Black Messiah
5. Sacha Baron Cohen, The Trial of the Chicago 7
Other Possibilities:
6. Tom Burke, Mank
7. Tom Pelphrey, Mank
8. David Alvarez, West Side Story
9. Lucas Hedges, French Exit
10. Jonathan Majors, Da 5 Bloods
11. Jesse Plemons, Judas and the Black Messiah
12. Mark Rylance, The Trial of the Chicago 7
13. Clarke Peters, Da 5 Bloods
14. Oscar Isaac, Dune
15. Forest Whitaker, Respect
Best Original Screenplay
Predicted Nominees:
1. Mank
2. The Trial of the Chicago 7
3. Da 5 Bloods
4. Ammonite
5. The French Dispatch
Other Possibilities:
6. Soul
7. On the Rocks
8. Judas and the Black Messiah
9. C’Mon C’Mon
10. Minari
11. Stillwater
12. French Exit
13. Annette
14. Tenet
15. Promising Young Woman
Best Adapted Screenplay
Predicted Nominees:
1. Nomadland
2. Dune
3. News of the World
4. West Side Story
5. Ma Rainey’s Black Bottom
Other Possibilities:
6. The Father
7. Hillbilly Elegy
8. I’m Thinking of Ending Things
9. Next Goal Wins
10. The United States vs. Billie Holiday
11. The Eyes of Tammy Faye
12. The White Tiger
13. One Night in Miami
14. Respect
15. The Midnight Sky
I’ll be back at it next Thursday, folks! Until then…
My impossibly early first looks at the major Oscar races for 2020 arrives at Best Actor. If you happened to miss my posts concerning the supporting performers, you may find them here:
Unlike nearly all of the potential contenders in Supporting Actor and Actress, there are already two viable possibilities from pictures that have already screened or seen release. The Sundance Film Festival shed light on Anthony Hopkins in the forthcoming The Father while Netflix’s Spike Lee joint Da 5 Bloods showcased career best work from Delroy Lindo. If it not yet known whether Lindo will compete in lead or supporting, but I’m guessing he lands here.
As for other hopefuls, there are many intriguing storylines. On the Rocks finds comedic legend Bill Murray reuniting with director Sofia Coppola. Their 2003 collaboration Lost in Translation marked Mr. Murray’s only nomination thus far. Three years after his win for Darkest Hour, Gary Oldman will headline Netflix’s Mank from David Fincher, which on paper seems like a very awards friendly venture. And the trailer out last week for Judas and the Black Messiah appears to be a bait worthy role for Daniel Kaluuya (though its release date is still up in the air).
There’s plenty more recognizable faces to consider. I nearly put Ben Affleck among the top 15. His spring sports drama The Way Back gave him some of the best critical reaction of his career. Yet he’s likely a long shot.
In 2019, my inaugural August estimates yielded an impressive three of the five eventual nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), and Adam Driver (Marriage Story). In my 10 other possibilities, the other two contenders were also named: Jonathan Pryce in The Two Popes and the winner, Joaquin Phoenix as Joker.
The Cannes Film Festival, originally scheduled for May in the French Riviera, was canceled this year due to the COVID-19 pandemic. However, an announcement today confirmed that the long running fest will exist in some form. And like everything in 2020… it’s a little confusing. A lineup announcement of 56 pictures was put out as being in the Cannes fold. However, these titles will premiere at various other events scheduled later in the year such as the Toronto and Telluride festivals, among others.
Awards watchers know that Cannes is a fertile breeding ground for Oscar hopefuls. Just last year, Bong Joon-Ho’s Parasite won top Cannes prize the Palme d’or and eventually won Best Picture at the Academy Awards. Some other titles (among many) that premiered at Cannes and got Oscar attention include Apocalypse Now, The Piano, Pulp Fiction, and The Pianist.
So what are some significant 2020 Cannes contenders that could vie for Oscar gold? I’ll give you a quintet and we start with Wes Anderson’s The French Dispatch. The latest effort from the acclaimed filmmaker is his live-action follow-up to 2014’s The Grand Budapest Hotel which nabbed a leading nine nominations at that year’s Oscars. The cast is filled with familiar faces and many Anderson regulars including Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothee Chalamet, Bill Murray, Owen Wilson, Edward Norton, Saoirse Ronan, Willem Dafoe, and Anjelica Huston. It is obviously high on the list for potential players throughout awards season.
Ronan also costars in Ammonite, a period drama from director Francis Lee. Her costar is Kate Winslet and between the two of them they have 11 Academy nominations. Expect plenty of chatter as to their viability in the performance races.
Steve McQueen is premiering not one, but two pictures with the Cannes label – Lovers Rock and Mangrove. The director saw his 2013 pic 12 Years a Slave awarded Best Picture. Both of his new titles focus on race relations in the United Kingdom.
Finally, Pixar is in the mix with Soul. Originally scheduled for summer, it was pushed back to November and is rightfully seen as a top tier contender in the Animated Feature derby. Featuring the voices of Jamie Foxx and Tina Fey, Soul is directed by Pete Docter. He’s responsible for two of the studio’s most acclaimed entries and Oscar winners – 2009’s Up and 2015’s Inside Out.
I would suspect that the 51 other Cannes selections could wind up in the mix as well (especially in the International Feature Film race). Time will tell, but the Cannes label will carry on in 2020 (albeit under unforeseen and unique circumstances).
My Case of posts discussing the pros and cons of Oscar nominees in the major categories continues with Best Picture hopeful Little Women from director Greta Gerwig. If you missed my first four write-ups in the biggest race of all, you can read them here:
Based on the beloved 1868 Louisa May Alcott novel, Gerwig’s version of Little Women drew raves from the critical community. The 95% Rotten Tomatoes rating stands among the highest of the nine pictures. Previous adaptations have garnered Academy attention as well. The 1994 rendering saw Winona Ryder nominated for Actress in addition to Costume Design and Score. Back in 1949, that version took home Art Direction and got a Cinematography nod. Yet this is the first adaptation since 1933’s classic to be named in Best Picture. The box office is strong at $80 million as it looks to top the century mark before the ceremony airs.
The Case Against Little Women
It has missed numerous nominations in key precursors. The pic was ignored by SAG and didn’t get named in Picture at the Golden Globes. Gerwig didn’t make the final cut in Best Director from the Academy. As discussed before, it’s rare for the Picture recipient to win without attention there. Many prognosticators even questioned whether it would make it in this race and the same can be said for Saoirse Ronan and Florence Pugh in their acting categories (though they did get in). The six nominations are certainly under the total count of the heavy hitters.
The Verdict
It is a remote possibility that Gerwig could win Adapted Screenplay since she was snubbed for Director. As far as this taking Best Picture, I wouldn’t look for the fourth time to be the charm among Alcott adaptations. This appears to be heading the route of Gerwig’s previous acclaimed effort Lady Bird which had five nominations and zero victories.
It’s certainly not the first adaptation of Louisa May Alcott’s period drama novel released over 150 years ago, but the latest version of Little Women is the first for this generation. Greta Gerwig (coming off her Oscar nominated Lady Bird) directs and reunites with her star Saoirse Ronan. Other costars include Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothee Chalamet, Tracy Letts, Bob Odenkirk, Chris Cooper, and Meryl Streep.
The reported $40 million production is garnering Oscar buzz and the Rotten Tomatoes meter sits at 97%. As mentioned, this is the first adaptation of the famed novel since 1994. Winona Ryder and Susan Sarandon headlined that iteration, which took in $50 million at the time domestically.
Little Women should prove to be a strong option for the female audience over the long holiday weekend. It opens Christmas Day and if history is any guide, its Wednesday and Thursday earnings might be about equal to the traditional weekend Friday to Sunday haul.
I’ll say the March sisters begin in the low to mid teens range for the final 2019 weekend and that means mid to high 20s for the five-day rollout.
Little Women opening weekend prediction: $14.5 million (Friday to Sunday); $28.7 million (Wednesday to Sunday)
It’s been just over 150 years since Louisa May Alcott’s novel was published and 25 years since the last cinematic version to garner awards attention has been released. Now Greta Gerwig takes her turn adapting the classic Little Women for the big screen. Somewhat surprisingly, the pic skipped this fall’s festival circuit, but its first industry screenings were held this week.
The verdict? Advance word of mouth indicate it’s a winner, but its inclusion in Best Picture remains on the bubble. Same can be said for Director. Women comes two years after Gerwig broke out with Oscar voters for Lady Bird. She was nominated for her work behind the camera and for Original Screenplay. This time around, her inclusion in Adapted Screenplay seems feasible in a field that is a tad less crowded than Original.
A big question mark has been which actors from the ensemble cast will emerge as contenders. Saoirse Ronan (Gerwig’s Best Actress nominated Bird star) appears likely to get a nod for lead here. For Supporting Actress, voters have Florence Pugh, Meryl Streep, Laura Dern, and Emma Watson to choose from. Buzz strongly suggests Pugh is the most probable and deserving of the quartet. As for Dern, she’s already headed for a nomination for Marriage Story. Streep, who can never be totally counted out, appears destined to come up short (as is the case with her work in The Laundromat). The legend may have to be content with her 21 previous nominations and three victories. Timothee Chalamet is said to be a standout here, but Supporting Actor is extremely packed already and he’ll probably find himself on the outside looking in.
Down ballot nods for Production and Costume Design are near certainties and Alexandre Desplat’s score is a strong contender as well. Bottom line: Little Women could find itself in the awards mix in a major way. My Oscar Watch posts will continue…
A lot can change in a week and that’s certainly the case in my second edition of weekly Oscar predictions for 2019. That’s because the Venice and Telluride festivals have happened and numerous contenders have emerged. Some have seen their fortunes dwindle (like Steven Soderbergh’s TheLaundromat or Edward Norton’s MotherlessBrooklyn). Other films and performances have received a serious boost like FordvFerrari, Waves (not even on my radar last week), TheTwoPopes, and Renee Zellweger in Judy.
While last Thursday provided my pre festival rankings, there’s plenty of movement that’s occurred since then. And by next Thursday… the picture will begin more clear with the Toronto Film Festival beginning today and where several other high profile hopefuls will screen.
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