Tag: Three Billboards Outside Ebbing Missouri

98th Academy Awards: The State of the Supporting Actor Race (October Edition)

Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It begins with Supporting Actor.

I published my first preview of the Supporting Actor field on April 5th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:

Colman Domingo, Michael

Andrew Garfield, After the Hunt

Mark Hamill, The Life of Chuck

Adam Sandler, Jay Kelly

Stellan Skarsgård, Sentimental Value

Let’s dispense with some of those names. Domingo’s work as the Jackson family patriarch in Michael won’t be seen until 2026 after the studio delayed it.

The Life of Chuck, despite winning the coveted audience prize at 2024’s Toronto Film Festival, never picked up steam as a contender when it opened this summer. Hamill would desperately need a Globe or SAG or Critics Choice nom to have any shot at the big dance. I don’t see it happening.

Then there’s Garfield. In April, I envisioned Luca Guadagnino’s Hunt as a surefire player in several races. Yet it’s become a critical and commercial disappointment and I suspect it could be completely blanked come nomination morning.

As for the 10 other possibilities, those names:

Joe Alwyn, Hamnet

Jonathan Bailey, Wicked: For Good

Bradley Cooper, Is This Thing On?

Brendan Fraser, Pressure

Sean Penn, One Battle After Another

LaKeith Stanfield, Die, My Love

Jeremy Strong, Springsteen: Deliver Me from Nowhere

Tyler, the Creator, Marty Supreme

Denzel Washington, Highest 2 Lowest

Jeffrey Wright, Highest 2 Lowest

Brendan Fraser’s work as Dwight Eisenhower in the war drama Pressure is looking like a 2026 release. When it comes to Alwyn in Hamnet, I was assuming that Paul Mescal’s performance in that pic was going to be a lead actor submission. It has just recently been confirmed that Mescal will go supporting and it is he and not Alwyn who’s viable.

Denzel Washington is definitely a lead contender for Lowest and we’ll address his chances in that post. As for Cooper, Stanfield, Tyler, the Creator, and Wright – that quartet of performances did not garner awards buzz upon their unveilings.

So let’s talk about who is viable, shall we? In my estimation, there are three hopefuls whose nominations seem assured or darn close to it.

One Battle After Another will receive a BP nod and it has a real chance of winning. Two-time winner in lead Actor Sean Penn should be up for his villainous turn, marking his seventh overall at bat and first in the supporting field. It’s actually been 17 years since his last nom when he took gold for Milk.

Stellan Skarsgård is the name in my original top five that I’m still confident remains. Sentimental Value, while possibly losing a little luster in recent weeks, should make the BP cut and his work is arguably the most heralded.

The third performer I’m convinced of is Paul Mescal. Like Battle and Value, Hamnet is looking solid in BP. His costar Jessie Buckley is the frontrunner in Actress and he should come along for the ride.

Then it gets complicated. Adam Sandler has been in my #4 spot for a few weeks. The SNL alum has not seen his name called by the Academy despite chatter for Punch-Drunk Love and especially Uncut Gems. This offers a legit opportunity for voters to honor him. However, Sandler’s fortunes could be tied to whether Jay Kelly makes BP and that’s very much in question. As for now, I have him in but it’s far from assured.

Jeremy Strong was up last year in this category for The Apprentice. He could make it two years in a row as The Boss’s longtime manager Jon Landau in Springsteen: Deliver Me from Nowhere. I’m less convinced the biopic makes BP than any of the other pictures above. He’s still a strong (no pun intended) possibility to join his costar Jeremy Allen White on the red carpet.

So, at the moment, my five would consist of Penn, Skarsgård, Mescal, Sandler and Strong (in that order). Who could change that dynamic?

Benicio del Toro could. 25 years years after he emerged victorious in Supporting Actor for Traffic, his comic relief as the helpful sensei in One Battle After Another is quite memorable. If the movie is indeed the BP force it might be, the coattails could leave room for him. The Academy has had a habit of nominating two performances from the same film here. From 2017 to 2022, it happened at every ceremony but one:

2017 – Sam Rockwell and Woody Harrelson from Three Billboards Outside Ebbing, Missouri (Rockwell won)

2019 – Al Pacino and Joe Pesci from The Irishman

2020 – Daniel Kaluuya and LaKeith Stanfield from Judas and the Black Messiah (Kaluuya won)

2021 – Jesse Plemons and Kodi Smit-McPhee from The Power of the Dog

2022 – Brendan Gleeson and Barry Keoghan from The Banshees of Inisherin

I came very close to putting him in over Strong in my update a week ago.

In 2020, Delroy Lindo was expected to be up for Spike Lee’s Da 5 Bloods but he was snubbed. Members could give him his first nom for Sinners, which is another likely BP nominee. I like his chances better than costars Miles Caton or Jack O’Connell though they’ve been mentioned too.

Ethan Hawke’s lead work in Blue Moon is being predicted by more prognosticators recently and that includes me. He could bring costar Andrew Scott along with him.

If Frankenstein makes BP, it increases the chances that Jacob Elordi’s portrayal of The Monster is alive in the minds of those filling out ballots.

A couple of other possibilities to address. While Josh O’Connor grew raves at screenings for the upcoming Wake Up Dead Man: A Knives Out Mystery, I’m not buying him being the franchise’s first acting nominee. Rental Family doesn’t appear to be a threat in BP and that hurts Akira Emoto’s inclusion. The mixed reaction to Anemone might leave Daniel Day-Lewis out of Best Actor. That makes the chances of Sean Bean making the quintet remote at best.

The only unseen performance worth mentioning in my view is Jonathan Bailey in Wicked: For Good. He managed a SAG nod as Fiyero in part 1 last year. If part 2 is generally perceived as equal to what preceded it, the cast could be rewarded beyond Cynthia Erivo and Ariana Grande.

So there you have it, readers! I would say Penn, Skargård and Mescal are in with Sandler, Strong, del Toro, Lindo, Scott, Elorodi and Bailey battling for the remaining two slots. Let’s see if and how that changes as the weeks roll along. My in-depth look at Supporting Actress is up next!

Oscar Predictions: The Life of Chuck

Silver Linings Playbook. 12 Years a Slave. The Imitation Game. Room. La La Land. Three Billboards Outside Ebbing, Missouri. Green Book. Jojo Rabbit. Nomadland. Belfast. The Fabelmans. American Fiction. What do those films have in common? They are the last 12 recipients of the Toronto Film Festival’s People’s Choice Award. Another commonality? Every one of them was nominated for Best Picture at the Academy Awards. Three (Slave, Green Book, Nomadland) won the top prize.

The surprise victor of People’s Choice at TIFF this morning is Mike Flanagan’s The Life of Chuck. Based on a novella by Stephen King, it finds the writer/director once again adapting the legendary author as he’s previously done with Gerald’s Game and Doctor Sleep. Chuck is said to be more of crowdpleaser sci-fi drama. Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay lead the ensemble.

Chuck managed to outpace runners-up Anora and Emilia Pérez (both expected BP hopefuls) in Toronto. With the stats given above, Chuck has immediately entered the awards chat. That said, there are issues to consider before placing it in your BP ten.

First and foremost, Chuck has yet to acquire a stateside distributor. That will surely occur quickly. Yet we don’t know at press time whether it will release in 2024. If it does, it’s hard to argue with the power of TIFF’s biggest trophy. In 2023, American Fiction essentially became a contender in Canada and went onto 5 Academy nods with an Adapted Screenplay victory.

With 88% on Rotten Tomatoes and 66 on Metacritic, Flanagan’s flick is generating nice notices. Frankly, though, I wasn’t really considering it a true contender until this TIFF announcement.

So what are Chuck‘s prospects now? In addition to Picture, Director and especially Adapted Screenplay are in the mix. If there’s an acting play, it might be Luke Skywalker himself Mark Hamill in supporting. If it continues to gain momentum, Editing, Original Score, and Visual Effects might be down ballot categories to keep an eye on. Toronto has potentially brought good luck to Chuck. It hasn’t been mentioned in my forecasts before. This will change at the next update later this week. My Oscar Prediction posts will continue…

Toronto Gives Awards Life to Chuck

The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.

In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.

All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.

First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.

Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.

Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.

Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.

Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.

Oscar Predictions: Dogman

Luc Besson’s Dogman is out in limited release stateside after premiering at the Venice Film Festival last fall and hitting France months ago. The crime thriller casts Caleb Landry Jones (of Get Out and Three Billboards Outside Ebbing, Missouri fame) as a troubled canine lover. Costars include Jojo T. Gibbs, Christopher Denham, Clemens Schick, John Charles Aguilar, and Grace Palma.

Unsurprisingly, many reviews are calling this is a bizarre watch. That’s par for the course from the man who made The Fifth Element and Valerian and the City of a Thousand Planets. Critical reaction is mixed with a 62% RT rating. Unlike those aforementioned titles, don’t look for Dogman to be in the mix for a Visual Effects nom from awards voters. Neither made the Oscar cut though Element nabbed a Sound Editing mention. Despite plenty of kudos for Jones’s performance, don’t expect this to contend for any other prizes. My Oscar Prediction posts will continue…

Oscars: The Case of Martin McDonagh for The Banshees of Inisherin

Martin McDonagh’s direction of The Banshees of Inisherin is next up for the quintet in that category in my Case Of posts.

The Case for Martin McDonagh:

When a movie has a legit shot at winning Best Picture and the filmmaker is nominated, he’s got a chance. That’s the case here. For the tragicomedy, the acclaimed director/playwright has been nominated in the key precursors DGA, Golden Globes, BAFTA, and Critics Choice.

The Case Against Martin McDonagh:

At Critics Choice, the Daniels (Everything Everywhere All at Once) won. At the Globes, it was Steven Spielberg (The Fabelmans). McDonagh’s victory at the Globes came in screenplay and that could occur with the Academy (where he’s been nominated twice before for written works In Bruges and Three Billboards Outside Ebbing, Missouri).

Previous Nominations:

None for direction

Six other nominations for Live-Action Short Film (Six Shooter, 2005, WON); Original Screenplay (In Bruges, 2008); Picture and Original Screenplay (Three Billboards Outside Ebbing, Missouri), Picture and Original Screenplay (The Banshees of Inisherin)

The Verdict:

A sweeping Banshees night still could leave McDonagh out in director in favor of the Daniels or Spielberg. He could take screenplay instead under that scenario.

My Case Of posts will continue with Andrea Riseborough in To Leslie!

If you missed my other Director write-ups, they can accessed here:

Oscars: The Case of the Daniels for Everything Everywhere All at Once
Oscars: The Case of Todd Field for Tár
Oscars: The Case of Ruben Östlund for Triangle of Sadness
Oscars: The Case of Steven Spielberg for The Fabelmans

Best Picture 2017: The Final Five

We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.

There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).

Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.

Call Me by Your Name

Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.

Does It Make the Final Five?

No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.

Darkest Hour

Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.

Does It Make the Final Five?

No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.

Dunkirk

Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.

Does It Make the Final Five?

Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.

Get Out

Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.

Does It Make the Final Five?

Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.

Lady Bird

Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.

Does It Make the Final Five?

Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.

Phantom Thread

Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).

Does It Make the Final Five?

No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.

The Post

Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.

Does It Make the Final Five?

No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.

Three Billboards Outside Ebbing, Missouri

A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.

Does It Make the Final Five?

Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.

If you weren’t keeping score, here’s my projected 2017 five:

Dunkirk

Get Out

Lady Bird

The Shape of Water

Three Billboards Outside Ebbing, Missouri

I’ll have my thoughts on 2018 up soon!

Previous Posts:

Best Picture 2009: The Final Five
Best Picture 2010: The Final Five
Best Picture 2011: The Final Five
Best Picture 2012: The Final Five
Best Picture 2013: The Final Five
Best Picture 2014: The Final Five
Best Picture 2015: The Final Five
Best Picture 2016: The Final Five

The Banshees of Inisherin Box Office Prediction

Director Martin McDonagh reunites with his In Bruges leads Colin Farrell and Brendan Gleeson in The Banshees of Inisherin. The black comedy set a century ago in Ireland expands to approximately 800 screens next weekend after a solid limited debut. Kerry Condon and Barry Keoghan costar in McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri which garnered six Academy nods.

Since its premiere at the Venice Film Festival, Inisherin has been subject to its own awards chatter (all four actors could get nominations). The Rotten Tomatoes meter is 97%. In 58 venues this past frame, Banshees took in over $500,000 with a per screen average approaching $10,000.

That could bode well for the early November buildout. On the other hand, we’ve seen platform release like Tár and Till struggle mightily as their counts grow. Banshees could have a slightly broader appeal. I’ll say anywhere between $2-3 million is the reasonable guesstimate.

The Banshees of Inisherin opening weekend prediction: $2.2 million

For my One Film: Red prediction, click here:

One Piece Film: Red Box Office Prediction

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.

It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.

That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.

For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.

In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.

Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…

The Supporting Actor discussion starts with Ke Huy Quan.

The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.

In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.

Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.

Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.

Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.

Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.

You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.

https://www.youtube.com/watch?v=Fvymi_20NVo

Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.

With that said, here’s my state of the race:

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Ben Whishaw, Women Talking (PR: 4) (+1)

4. Judd Hirsch, The Fabelmans (PR: 6) (+2)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Paul Dano, The Fabelmans (PR: 3) (-3)

7. Brad Pitt, Babylon (PR: 7) (E)

8. Mark Rylance, Bones and All (PR: Not Ranked)

9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)

10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, Causeway

Tom Hanks, Elvis

My deep dive with the Supporting Actress field is next!

Oscar Predictions: The Banshees of Inisherin

Officially, The Banshees of Inisherin is Martin McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri. Five years ago, that pic nabbed 6 Oscar nods including Picture and the playwright/filmmaker’s original screenplay while winning acting trophies for Frances McDormand and Sam Rockwell. Yet Banshees, thematically and personnel wise, may feel more like a follow-up to 2008’s In Bruges. That pitch black comedy earned critical raves and a Golden Globe for Colin Farrell in the Musical/Comedy Best Actor race. Mr. Farrell reunites with Brudges costar Brendan Gleeson in this 1920s set tale of Irish feuding friends. Barry Keoghan and Kerry Condon are among the supporting cast.

Early reviews are quite encouraging with some critics already claiming it’s McDonagh’s finest work to date. If that narrative holds, Banshees could be a bigger Oscar player than I had been assuming. It could even be Fox Searchlight’s strongest contender over Empire of Light, which has its ardent admirers but also drew some mixed Venice reaction. I certainly believe Farrell and Gleeson could be in line for their first nominations (I would think in Actor and Supporting Actor respectively). Condon is generating solid ink and could factor into Supporting Actress (though that category is looking increasingly stuffed). Original Screenplay seems a given while the Carter Burwell score could also make the cut.

If much of the above pans out, we could have another legit BP hopeful in Banshees. My Oscar Prediction posts will continue…

2022 Venice Film Festival Preview

How important is the Venice Film Festival when it comes to premiering Oscar hopefuls? In the past decade, nearly half of the Best Picture winners got their rollout in Italy. That would be Birdman, Spotlight, The Shape of Water, and Nomadland. It’s tough to find a recent Venice fest where there’s not at least 2 eventual nominees for the Academy’s biggest race.

This year’s competition kicks off tomorrow and you can anticipate plenty of individualized Oscar prediction posts coming your way. Telluride follows this weekend (with the lineup announcement on Thursday) and Toronto starts next Thursday (I’ll be there!).

Let’s take a look at ten Venice entries looking to create their Oscar buzz over the next few days…

All the Beauty and the Bloodshed 

Laura Poitras, who won an Academy Award for her 2014 Edward Snowden documentary Citizenfour, turns her eye to activist Nan Goldin and her fight against the opioid epidemic. This could certainly be a player in the Doc competition.

The Banshees of Inisherin 

The last time filmmaker Martin McDonagh, Colin Farrell, and Brendan Gleeson collaborated, the result was the acclaimed 2008 black comedy In Bruges. They’re playing in the same genre here with McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri, which earned acting Oscars for Frances McDormand and Sam Rockwell.

Bardo

3 out of Alejandro Gonzalez Inarritu’s last four films were nominated for Best Picture. Birdman took gold with Babel and The Revenant contending. Expectations are that his latest drama (available on Netflix in December) could be the streamer’s most serious contender and it could immediately become a frontrunner for International Feature Film.

Blonde

Andrew Dominik’s Marilyn Monroe biopic starring Ana de Armas (another Netflix offering) comes with an NC-17 rating and lots of prognosticators wondering if it’s too risqué to get awards attention. We’ll know soon.

Bones & All

Luca Guadagnino had a pic in the BP derby five years ago with Call Me by Your Name and then followed with the confounding Suspiria remake. This horror romance with cannibalistic themes stars Timothee Chalamet and Taylor Russell. I have’t really had this as much of a threat for the Oscar race so let’s see if that narrative shifts.

Don’t Worry Darling

Olivia Wilde’s follow-up to Booksmart is a tale of marital and suburban strife headlined by Florence Pugh and Harry Styles. The thriller  has been generating headlines for some wrong reasons lately, but great reviews could turn that buzz around.

The Son

Florian Zeller took home a Screenplay Oscar for 2020’s The Father while Anthony Hopkins won Best Actor. The Father is next and Hugh Jackman is seeking his first statue. The supporting cast includes Laura Dern, Vanessa Kirby, Zen McGrath, and Hopkins. Any and all could be in the mix for acting honors.

Tar

Cate Blanchett could be lined up for a third Oscar win in Todd Field’s latest in which the acclaimed actress plays a composer. It’s the director’s first feature in over 15 years after both In the Bedroom and Little Children received Academy nods.

The Whale

Darren Aronofsky directed Natalie Portman to the podium in 2010’s Black Swan. There’s chatter he could do the same and assist in mounting a significant career comeback for Brendan Fraser (something he did for Mickey Rourke with 2008’s The Wrestler). The Mummy star plays a 600 pound man reconnecting with his daughter (Sadie Sink).

White Noise

Noah Baumbach’s last Netflix film was the BP contending Marriage Story from 2019. His Marriage star Adam Driver is back in this adaptation of a 1980s sci-fi dark comedy. It will open Venice tomorrow and it will be my first Oscar Predictions post. Stay tuned!