Kingdom of the Planet of the Apes marks the tenth franchise feature overall that began in 1968 and as a follow-up to the acclaimed and profitable trilogy from 2011-17. Out May 11th, Wes Ball (best known for The Maze Runner pics) takes over directorial duties from Matt Reeves. Set 300 years after the events of War for the Planet of the Apes, the cast includes Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy.
Originally set for Memorial Day weekend, it was pushed up mainly to avoid a head to head with Furiosa: A Mad Max Saga. As mentioned, the last three Apes adventures were a success story for 20th Century Studios. Thirteen summers ago, Rise of the Planet of the Apes exceeded expectations with a $54 million start and $176 million overall domestically. 2014’s Dawn of the Planet of the Apes reaches a series apex with a $72 million premiere and $208 million eventual haul. 2017’s War was a slight letdown compared to its predecessor with a $56 million debut and $146 million stateside tally.
We have seen a recent example of a creature centric surpassing guesstimates in Godzilla x Kong: The New Empire. The seven year break could hurt Kingdom, but I suspect this will manage a beginning very similar to Rise and War and not Dawn.
Kingdom of the Planet of the Apes opening weekend prediction: $55.2 million
For my Not Another Church Movie prediction, click here:
Concluding a trilogy started in 2014, Maze Runner: The Death Cure races into theaters next Friday. Based on the James Dashner series of YA books, the sci-fi action pic stars Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Will Poulter, Nathalie Emmanuel, Giancarlo Esposito, Walton Goggins, Barry Pepper, and Patricia Clarkson. Wes Ball, who directed the first two installments, returns behind the camera. Reviews are so so thus far with a 40% Rotten Tomatoes score.
The reported $83 million production was originally scheduled for release in February 2017 until an injury suffered by star O’Brien on the set delayed production. The nearly two and a half-year lag time between sequels could be a hindrance to its potential.
In September 2014, the original Runner opened to $32 million with an eventual $102 million domestic haul. Sequel The Scorch Trials arrived one year later to diminishing returns – a $30 million debut and $81 million overall take. Enough of the fan base may stick around, but I wouldn’t be surprised to see Death take in about 25% less out of the gate than its predecessor in 2015.
Maze Runner: The Death Cure opening weekend prediction: $22.8 million
Lionsgate Films is hoping American Assassin successfully targets action fans when it debuts next weekend. The pic features Maze Runner star Dylan O’Brien as a CIA recruit teamed with a Cold War vet played by Michael Keaton. Sanaa Lathan and Taylor Kitsch costar in this effort from director Michael Cuesta (who last made the Jeremy Renner thriller Kill the Messenger).
The biggest draw here should be Keaton, who’s experienced a genuine career resurgence that began with back to back Best Picture winners Birdman and Spotlight in 2014 and 2015 and continued this summer with his well-received villainous turn in Spider-Man: Homecoming.
Assassin also has the benefit of being the only straight up action pic geared towards a male audience. That said, there is still competition with It‘s second weekend and mother!‘s first.
Reviews (not out at press time) could cause a revision here, but I’ll project Assassin ends up hitting low to possibly mid teens.
American Assassin opening weekend prediction: $13.3 million
The Maze Runner is another film that can thank its existence to the YA… Hey, that’s the little kid from Love Actually!!! The one that played Liam Neeson’s son!! The kid that played the drums while his elementary school crush sang Mariah Carey’s “All I Want For Christmas” and broke numerous airport protocols with the help of Mr. Bean so he could get a kiss on the cheek from her!! Yes, that was my honest first reaction during about the first 15 minutes of this movie as I saw actor Thomas Brodie-Sangster all grown up. Let it be known: I adore Love Actually and I’m not afraid to say it.
Where were we? Ahh yes. The Maze Runner indeed is another film, like Divergent, that can thank its existence to the recent YA boom made largely popular by the Hunger Games and their movie adaptations. This, too, is based on a popular series of novels by James Dashner and deals with teenagers put in perilous situations where they must learn to work together. We open with 16 year old Thomas (Dylan O’Brien, who was 22 when this was made) waking up in a strange land where he has no recollection of who he is or how he arrived there (and not like a blacked out college kid that drank too much the night before way). The large field he finds himself in has been dubbed The Glade by its inhabitants, who are all also young boys in the same predicament. Including Love Actually dude!! Thomas soon learns that he’s the latest arrival in a series of men that arrive like clockwork every month. They’re surrounded by an enormous maze and the field dwellers have spent considerable time attempting to figure out how to get out of it with no luck.
There are rules in the community. Only men tasked as “runners” are permitted to enter the maze for investigatory purposes. If you don’t make it out by a certain time of day, you’re a dead man and scrawled names on the maze wall serve as their memorial. Thomas is understandably confused but also intrigued and his tenacity to solve the maze riddle is not totally met with approval, especially from Gally played by Will Poulter (the dude who sang TLC’s “Waterfalls” in We’re the Millers). There’s also Alby (Ami Ameen), who’s the resident OG (Original Glader). And Chuck (Blake Cooper), Thomas’s portly sidekick who is basically the community’s Chunk from The Goonies. And then a girl shows up (Kaya Scodelario), who actually knows her name and also seems to know Thomas. She’s not given a whole lot to do and I’m assuming her role becomes more pronounced in the sequels. There’s also that kid from Love Actually!!
Once Thomas and his cohorts enter the maze after he jumps the line to become a Runner, we soon discover it might be the gigantic robot spider creatures (or Grievers) causing a good deal of the problems. These creatures (who frankly look quite CG) contribute to the action sequences, which are handled fairly well but are nothing special or new whatsoever.
Eventually Patricia Clarkson shows up to explain the plot and also because it’s a rule that at least one Oscar nominated actor appear in these pictures, a la Woody Harrelson and Kate Winslet. As far as acting is concerned, O’Brien gives a serviceable performance as our lead, but 16? I don’t think so. Poulter stands out a bit, proving he can play a jerk after only knowing him as a virginal sweetie from We’re the Millers. And Love Actually kid is just fine.
Ranking The Maze Runner among the first editions of these YA novel based adaptations is rather simple. It isn’t as good as The Hunger Games but it’s better than Divergent. The plot is somewhat ridiculous once we are apprised of it, but director Wes Ball moves things along and it’s mostly entertaining while it lasts (though it kind of loses steam as it goes along). It sets itself perfectly up for a sequel (which is currently #1 at the box office) and there’s just enough in this original that I’ll likely watch its follow up like I did this one. On the couch and less surprised at seeing that Love Actually drummer boy kid.
Premiering one year after its predecessor, Maze Runner: The Scorch Trials hopes to built upon the solid grosses the franchise began with and perhaps surpass them. The dystopian series, based on popular YA novels by T.S. Nowlin, brings back original stars including Dylan O’Brien and Patricia Clarkson along with some other recognizable faces like Giancarlo Esposito, Barry Pepper and Lili Taylor.
Some prognosticators have Scorch Trails debuting considerably higher than the first film. I’m just not convinced. The original opened on the same weekend last year to the tune of $32.5 million with an eventual domestic gross of $102M. Predictions reflecting a belief that this will manage mid 40s or higher seem a tad lofty for me.
For comparison sake, a similarly themed franchise that began with Divergent made $54 million out of the gate and its sequel this year Insurgent rolled out with a slightly smaller $52 million. I do believe Scorch Trials will outdo the first, but not by much at all.
Maze Runner: The Scorch Trials opening weekend prediction: $33.8 million
Four new movies make their debuts on Friday at the box office – Robert Downey Jr.’s The Judge, the Steve Carell/Jennifer Garner family comedy Alexander and the Terrible, Horrible, No Good, Very Bad Day, the horror retelling Dracula Untold, and steamy thriller Addicted. You can find my detailed prediction posts on each one of them here:
The question is: can any of them make current #1 Gone Girl disappear from the top spot? It’s certainly possible as The Judge, Alexander, and Dracula could all exceed my estimates and all stand at least a chance of opening atop the charts. Addicted, on a meager 800 screens, is highly unlikely to even crack the top five.
However, I believe Gone Girl will manage to stay #1, despite it serious competition. Annabelle, after a fantastic debut (more on that below), should suffer the same large fall in its sophomore frame that most horror titles do.
And with that, my predictions for the weekend’s top five:
1. Gone Girl
Predicted Gross: $24.2 million (representing a drop of 35%)
2. Alexander and the Terrible, Horrible, No Good, Very Bad Day
Predicted Gross: $18.7 million
3. The Judge
Predicted Gross: $16.4 million
4. Annabelle
Predicted Gross: $14.8 million (representing a drop of 60%)
5. Dracula Untold
Predicted Gross: $14.4 million
**My Addicted projected gross of $4.5M should put it in eighth place.
Box Office Results (October 3-5)
The debuts of David Fincher’s acclaimed Gone Girl and Conjuring horror prequel Annabelle injected some much needed life into the box office and created the biggest October weekend of all time!
As predicted, Gone Girl took top honors with $37.5 million, just below my $39.6M projection. This is Fincher’s highest debut of all time and clearly audiences were ready for the much buzzed about adaptation of Gillian Flynn’s bestselling novel. I expect it to perform well in the coming weeks and it should easily blast past $100M.
I did not give that demonic doll Annabelle nearly enough credit as it opened just behind Girl with a magnificent $37.1 million – miles ahead of my small $21.2M prediction. This is easily the best horror opening of 2014 and bodes extremely well for that Conjuring sequel coming in October of 2015.
Denzel Washington’s The Equalizer fell to third with $18.7 million in weekend two, holding up better than my estimated $16.7M. The action thriller has earned $64 million in ten days and should have no problem passing the century mark.
The animated pic The Boxtrolls dropped to fourth with $11.9 million, in line with my $11.4M projection. The decently performing kiddie pic has earned $32 million in two weeks and should finish with around $65M.
The Maze Runner held up well in weekend three with $11.6 million – more than my $9.8M estimate. The new YA franchise has taken in $73M thus far and will also become a member of the $100M club.
Finally, Nicolas Cage’s Left Behind posted an unimpressive opening of $6.3 million, below my $7.6M prediction. Look for this one to disappear faster its lead actor’s hairline.
The first box office weekend of October is bound to be a highly unpredictable one as three new pics enter the marketplace: David Fincher’s Gone Girl, the horror prequel Annabelle, and faith-based Nicolas Cage thriller Left Behind. You can read my detailed individual prediction posts on each of them here:
Here’s where the unpredictability comes in and it applies to all three new films…
Gone Girl is riding a wave of favorable reviews and it’s based on a very well-known 2012 Gillian Flynn novel. Yet movies like this can sometimes open decently and develop sturdy legs in subsequent weekends. My prediction for Gone Girl is definitely on the high end of expectations.
Annabelle, the prequel/spinoff of last summer’s hit The Conjuring, could easily surpass my prediction, which is definitely on the low end of expectations. It’s conceivable that these two newcomers could fight it out for #1, though my estimates do not reflect that.
Left Behind is another wild card. It is based on a series of well-known novels and its Christian themes could certainly give it a better opening than I’m predicting.
Add all that up and it equals a weekend where surprises would not be surprising. As for holdovers, I anticipate current #1 The Equalizer should lose about half its audience, with smaller declines for the animated The Boxtrolls and YA flick The Maze Runner.
And with that – we’ll do a top 6 predictions for the weekend:
1. Gone Girl
Predicted Gross: $39.6 million
2. Annabelle
Predicted Gross: $21.2 million
3. The Equalizer
Predicted Gross: $16.7 million (representing a drop of 51%)
4. The Boxtrolls
Predicted Gross: $11.4 million (representing a drop of 34%)
5. The Maze Runner
Predicted Gross: $9.8 million (representing a drop of 44%)
6. Left Behind
Predicted Gross: $7.6 million
Box Office Results (September 26-28)
It was a terrific weekend for yours truly with newcomers, while I didn’t give a couple of holdovers enough credit and gave another a bit too much.
As expected, Denzel Washington’s The Equalizer easily topped the charts with a rock solid $34.1 million, right in line with my $34.8M projection. The action thriller managed the fourth best September debut ever and the third best for star Washington.
YA hit The Maze Runner slipped to second with $17.4 million, holding up quite better than my $14.6M estimate. The budding new franchise has earned $57 million in ten days and is definitely a treat to pass $100M when all is said and done.
The animated feature The Boxtrolls took third with $17.2 million. My prediction… $17.2M! I’ll give myself a pat on the back for that one and this represents a decent opening for the pic.
In fourth, ensemble comedy This Is Where I Leave You made $6.8 million in week two, outpacing my $5.8M projection. It’s made an OK $22 million in ten days.
Fifth place belonged to Dolphin Tale 2 in its third frame with $4.7 million. I incorrectly had it outside the top five.
That’s because I had the Liam Neeson actioner A Walk Among the Tombstones earning $6.1 million in weekend #2, yet it only managed $4.1M. This major disappointment has grossed only $20 million so far and should top out with only about $30M.
Two new releases should top the box office this weekend as the Denzel Washington action pic The Equalizer and animated flick The Boxtrolls make their debuts on Friday. For my individual prediction posts on each, click here:
I fully expect Denzel to easily rule the weekend with a just OK opening for Boxtrolls. If that animated title fails to meet its somewhat meager expectations, this week’s champ The Maze Runner has a shot at staying #2. I expect holdovers A Walk Among the Tombstones and This Is Where I Leave You to both lose about half their audience in weekend two.
And with that – my predictions for the weekend’s top five:
1. The Equalizer
Predicted Gross: $34.8 million
2. The Boxtrolls
Predicted Gross: $17.2 million
3. The Maze Runner
Predicted Gross: $14.6 million (representing a drop of 55%)
4. A Walk Among the Tombstones
Predicted Gross: $6.1 million (representing a drop of 52%)
5. This Is Where I Leave You
Predicted Gross: $5.8 million (representing a drop of 49%)
Box Office Results (September 19-21)
The YA adaptation The Maze Runner opened #1 as expected with a stealthy $32.5 million, ahead of my $26.1M estimate. As predicted above, it should suffer a fairly significant drop in its second weekend but with a reported $30M budget, it’s off to a great start and a sequel is already scheduled for 2015.
Not a good weekend for Liam Neeson as his A Walk Among the Tombstones suffered a disappointing debut with only $12.7 million, well below my $21.4M projection. With its weak B- Cinemascore grade, audiences clearly weren’t “taken” with it, so to speak.
The ensemble comedy This Is Where I Leave You had a middling opening with $11.5 million, just below my $12.3M prediction. The trailers and TV spots just weren’t successful in making it look like a must-see, despite the star power of Jason Bateman and Tina Fey.
Last weekend’s #1 No Good Deed, as expected, suffered a precipitous drop grossing $9.7 million – just below my $10.7M projection. Still, it’s earned a solid $39 million in ten days. In its sophomore frame, Dolphin Tale 2 rounded out the top five with $8.8 million – under my $10.8M estimate. The sequel, which isn’t matching its predecessor, has made $26 million so far.
Finally, I predicted the Kevin Smith directed horror pic Tusk would make $2.3 million on its limited number of screens, but it didn’t come close. It earned a paltry $886,000 playing in 602 venues.
Four new titles enter the marketplace this weekend to compete with the current #1 and #2 – No Good Deed and Dolphin Tale 2. They are the YA adaptation The Maze Runner, the Liam Neeson actioner A Walk Among the Tombstones, star-studded comedy This Is Where I Leave You, and Kevin Smith horror flick Tusk.
**In a change from normal practice, let’s get Tusk out of the way first. Kevin Smith, known most from Clerks fame, has directed this low-budget horror pic. It’s unknown at press time how many screens it will open on, though it’s expected to be relatively low compared to the three other new releases. Without knowing a screen count, it’s difficult to post a detailed prediction post on it, so I didn’t. I will say it opens with $2.3 million, well below having the possibility of being in the top five.
As for the other newbies, you can find my detailed prediction posts on them here:
I expect the three newcomers to populate the top three positions this weekend and the possibility exists of a battle between Maze Runner and Tombstones. Current #1 No Good Deed should suffer a far bigger decline than Dolphin Tale 2 and the two could duke it out for the four spot.
And with that, my predictions for the weekend’s top five:
1. The Maze Runner
Predicted Gross: $26.1 million
2. A Walk Among the Tombstones
Predicted Gross: $21.4 million
3. This Is Where I Leave You
Predicted Gross: $12.3 million
4. Dolphin Tale 2
Predicted Gross: $10.8 million (representing a drop of 32%)
5. No Good Deed
Predicted Gross: $10.7 million (representing a drop of 57%)
Box Office Results (September 12-14)
In a bit of a surprise, the Idris Elba/Taraji P. Henson thriller No Good Deed debuted at #1 with a robust $24.2 million, well beyond my meager $13.8M projection. Clearly the marketing campaign worked with 60% of its audience being female. As predicted above, it should drop precipitously in its sophomore frame, but with a low budget, it’s an unqualified hit.
Dolphin Tale 2 had to settle for the #2 spot with $15.8 million, in line with my $16.4M prediction. The sequel couldn’t match the $19.1 million opening gross of its predecessor, though it shouldn’t fall too far in weekend #2.
The rest of the top five was made up of summer holdovers that all didn’t drop quite as far as I expected. Guardians of the Galaxy was third with $8.1 million (my prediction: $6.8M), Teenage Mutant Ninja Turtles fourth with $4.8 million ($3.9M was my estimate), and Let’s Be Cops fifth with $4.3 million (my prediction: $3.4M).
One interesting box office story was the sixth place debut of The Drop, a crime thriller starring Tom Hardy and the late James Gandolfini. It managed an impressive $4.1 million on only 809 screens, giving it the second highest per screen average of the weekend after Deed. This was certainly above the estimates of most and I didn’t even make a prediction on it.
20th Century Fox is putting its faith in The Maze Runner, out Friday. The YA pic, based on a bestselling 2009 novel by James Dashner, is looking to appeal to the Hunger Games/Divergent crowd and the studio has already began pre-production on a sequel.
I’m not so sure the sci-fi flick will reach the numbers that Fox is hoping for. However, there is a significant bright side: the film only cost a reported $30 million to produce and it’ll certainly sail well past that in its domestic run alone. Some prognosticators have it grossing its budget in the first weekend, but I’m not willing to go that far. The book is well-known, though not to the level of Hunger Games or Divergent. The latter pic grossed a terrific $54 million earlier this year and that seems out of the question here.
The Maze Runner‘s trailers and TV spots might make it look like a poor man’s Hunger Games to those not familiar with the source material. Still, I’ll predict it debuts north of $25M for what should be a #1 opening, unless Liam Neeson’s A Walk Among the Tombstones eclipses it.
The Maze Runner opening weekend prediction: $26.1 million
For my prediction on A Walk Among the Tombstones, click here:
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