Oscars: The Case of Yorgos Lanthimos for Poor Things

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second filmmaker in Best Director and that’s Yorgos Lanthimos for Poor Things. Let’s get to it!

Previous Directing Nominations:

The Favourite (2018)

The Case for Yorgos Lanthimos:

From his 2009 Greek psychological drama Dogtooth to the 2015 pitch black satire The Lobster and 2017 medical thriller The Killing of a Sacred Deer, Lanthimos has emerged as one of the most acclaimed directors of the 21st century (with some comparisons to Kubrick). Absurdist costume period piece The Favourite was his awards breakout with 10 nods and an Actress victory for Olivia Colman. His follow-up absurdist costume period piece Poor Things did that one better with 11 and it has its hardcore supporters. He’s picked up DGA, Critics Choice, and Globe mentions.

The Case Against Yorgos Lanthimos:

That all important DGA precursor went to Christopher Nolan for Oppenheimer and he also received the Globe and Critics Choice. It looks like it’s simply his year. Lanthimos was also snubbed for BAFTA.

The Verdict:

Actress for Emma Stone and Production Design are Oscar things his film could get. Not this category.

My Case Of posts will continue with Sandra Hüller in Anatomy of a Fall…

Oscars: The Case of Poor Things

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered eight of the BP nominees. They are linked at the bottom of the post. Next up is Poor Things from Yorgos Lanthimos.

The Case for Poor Things:

After The Favourite generated 10 nominations in 2018, Lanthimos’s follow-up bested that by 1 with 11. The multi-genre affair scored the second most nods overall for this year’s ceremony behind Oppenheimer‘s 13. The others are for the direction, Actress (Emma Stone), Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, and Production Design. Truth be told, it didn’t really miss anywhere (though Willem Dafoe was probably close to getting in for Supporting Actor alongside his costars). It’s been nominated for top honors at key precursors like BAFTA and Critics Choice and won Musical/Comedy (over Barbie) at the Globes.

The Case Against Poor Things:

Poor Things might be a little too out there for even the Academy. More importantly, you have to place it in at least second position (maybe third after The Holdovers) behind strong frontrunner Oppenheimer.

The Verdict:

Just as The Favourite wasn’t, this isn’t the favorite for BP. Like The Favourite and Olivia Colman, it might yield a Best Actress winner in Emma Stone and some tech victories. This might also go home empty-handed.

My Case Of posts will continue with The Zone of Interest…

Oscars: The Case of American Fiction

Oscars: The Case of Anatomy of a Fall

Oscars: The Case of Barbie

Oscars: The Case of The Holdovers

Oscars: The Case of Killers of the Flower Moon

Oscars: The Case of Maestro

Oscars: The Case of Oppenheimer

Oscars: The Case of Past Lives

76th Directors Guild of America Awards Nominations Predictions

The SAG Awards aren’t the only nominations out this Wednesday. We have the Director of Guild of America (DGA) nods coming our way. They are usually an 80% indicator of who the Academy will name for its behind the camera prize.

In the past decade, the DGA quintet has matched the Academy’s on a 4 for 5 level in nine out of the last ten ceremonies. The only outlier is 2018 when it was 3 for 5. Note there is no 5 for 5 correlation.

So where does that leave this year’s DGA mix? For the last several weeks, I have had the following five filmmakers pegged for Oscar inclusion: Greta Gerwig (Barbie), Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). It’s fair to say this is the consensus group among awards prognosticators.

Let’s assume there’s a 4 for 5 match. I believe Nolan, Scorsese, and Gerwig are safe bets. If anyone from that trio missed DGA, it would be considered a surprising omission.

Then I’d say Lanthimos is a near lock. My slight hesitation comes from him being left out in 2018 for The Favourite. Yet I’ll say he’s in.

That means I’m leaving Glazer on the cutting room floor and that makes some sense. The DGA has a history of omitting makers of foreign titles that the Academy recognizes. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car).

Don’t get me wrong. Glazer could get in as Zone is being hailed specifically for its directorial choices. I cannot, however, bring myself to match the DGA picks with my current Academy selections.

For the fifth slot, I’m going with Bradley Cooper for Maestro. That’s another title I believe will be appreciated for its directorial work perhaps more than other contenders like Alexander Payne (The Holdovers).

Celine Song (Past Lives) is certainly a threat. However, she’s the frontrunner for the DGA’s Outstanding Achievement in First-Time Feature Film race. She could be a double nominee, but I doubt it.

Here are my picks for all three feature DGA contests with an alternate selection as well.

Feature Film

Predicted Nominees:

Bradley Cooper, Maestro

Greta Gerwig, Barbie

Yorgos Lanthimos, Poor Things

Christopher Nolan, Oppenheimer

Martin Scorsese, Killers of the Flower Moon

Alternate: Alexander Payne, The Holdovers

First-Time Feature Film

Predicted Nominees:

Cord Jefferson, American Fiction

Raine Allen Miller, Rye Lane

A.V. Rockwell, A Thousand and One

Celine Song, Past Lives

Juel Taylor, They Cloned Tyrone

Alternate: Danny and Michael Philippou, Talk to Me

Documentary

Predicted Nominees:

Mstyslav Chernov, 20 Days in Mariupol

Madeleine Gavin, Beyond Utopia

Davis Guggeheim, Still: A Michael J. Fox Movie

Kaouther Ben Hania, Four Daughters

D. Smith, Kokomo City

Alternate: Matthew Heineman, American Symphony

Poor Things Box Office Prediction

After a predictably strong run in limited release, Poor Things hopes for a rich box office when it expands nationwide on December 22nd. From director Yorgos Lanthimos in his follow-up to 2018’s The Favourite, the period piece sci-fi black comedy looks to generate numerous Oscar nominations. Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Jerrod Carmichael, Margaret Qualley, and Kathryn Hunter star.

This past weekend, it entered the top ten (in tenth) on just 82 screens. Its $1.2 million gross scored an impressive $15k per venue and it’s made just over $2 million in two weeks.

With serious awards buzz, this could manage to post a decent wide premiere. On the other hand, competition is fierce with other adult skewing titles like The Iron Claw, The Color Purple, and Ferrari either opening Friday or Christmas Day (Monday).

I’ve held off on doing a forecast for this because I’ve yet to see a verified screen count. When I do, it could alter my thinking. For now I’m setting a figure of $5 million from Friday to Monday, but don’t be surprised if that changes.

Poor Things opening weekend prediction: $5 million (Friday to Monday estimate)

For my Aquaman and the Lost Kingdom prediction, click here:

Aquaman and the Lost Kingdom Box Office Prediction

For my Migration prediction, click here:

Migration Box Office Prediction

For my The Iron Claw prediction, click here:

The Iron Claw Box Office Prediction

For my Anyone but You prediction, click here:

Anyone but You Box Office Prediction

For my Salaar: Part One -Ceasefire prediction, click here:

Salaar: Part 1 – Ceasefire Box Office Prediction

For my The Color Purple prediction, click here:

The Color Purple Box Office Prediction

For my Ferrari prediction, click here:

Ferrari Box Office Prediction

For my The Boys in the Boat prediction, click here:

The Boys in the Boat Box Office Prediction

Gotham Nominations: A Notebook Report

The highly unpredictable Gotham Awards released nominations today for their 2023 best. And, as expected, it was… unpredictable. There was added intrigue because the organization (dedicated to independent film) dropped their “low” budget requirements (traditionally $35 million or under) to qualify for inclusion. However, likely Oscar heavy hitters such as Killers of the Flower Moon, Oppenheimer, and The Color Purple took themselves out of contention.

That was not the case with Barbie, but it managed just one nomination in Outstanding Supporting Performance for Ryan Gosling. His costar from The Notebook Rachel McAdams will compete against him for her work in Are You There God? It’s Me, Margaret. Last year, the Gothams dropped their gender divisions with ten nominees in the lead and supporting derbies. We’ll cover those momentarily.

We start with Best Feature which showcases five pictures. From 2014-16, the Gotham recipient matched the Academy’s BP with Birdman, Spotlight, and Moonlight. The same occurred in 2020 with Nomadland and last year with Everything Everywhere All at Once. In other recent years, there’s been at least one nominee that got into BP at the big dance, including The Favourite, Marriage Story, and Tár. The only recent exception in the last decade was in 2021.

This year’s contenders are Passages, Past Lives, Reality, Showing Up, and A Thousand and One. Only Past Lives seems poised to make BP at the Oscars and even that isn’t a foregone conclusion.

Andrew Haigh’s romantic ghost tale All of Us Strangers actually led all nominees with four: Screenplay, International Feature, Outstanding Lead Performance (Andrew Scott), and Outstanding Supporting Performance (Claire Foy).

Last year, four of the ten leading performance nominees managed Oscar nominations. That includes the two winners (Brendan Fraser for The Whale and Michelle Yeoh in Everything Everywhere All at Once) as well as Paul Mescal (Aftersun) and Cate Blanchett (Tár). Danielle Deadwyler (Till), who was snubbed by the Academy, won.

In addition to the aforementioned Scott for Strangers, the other nine up for lead in 2023 are Aunjanue Ellis-Taylor (Origin), Lily Gladstone (The Unknown Country), Greta Lee (Past Lives), Franz Rogowski (Passages), Babetida Sadjo (Our Father, the Devil), Cailee Spaeny (Priscilla), Teyana Taylor (A Thousand and One), Michelle Williams (Showing Up), and Jeffrey Wright (American Fiction). I would argue that unlike Fraser, Yeoh, and Blanchett from the previous ceremony, none of the nominees here are guaranteed Oscar spots. Those with the best chance? Probably Lee, Wright, Spaeny, and Scott. Gladstone should get in, but it will be for Killers of the Flower Moon and not Country.

The supporting derby in 2022 yielded three eventual nominees including Supporting Actor victor Ke Huy Quan (Everything Everywhere) as well as Hong Chau (The Whale) and Brian Tyree Henry (Causeway). Quan also took the Gotham.

Our ten supporting players for this year’s ceremony are the aforementioned Foy (All of Us Strangers) and McAdams (Margaret) and Gosling (Barbie). Then there’s Juliette Binoche (The Taste of Things), Penelope Cruz (Ferrari), Jamie Foxx (They Cloned Tyrone), Glenn Howerton (BlackBerry), Sandra Hüller (The Zone of Interest), Charles Melton (May December), and Da’Vine Joy Randolph (The Holdovers). With the exception of Foxx, I would say all nine have solid to at least feasible shots at making the Oscar cut (especially Gosling and Randolph).

How will it all shake out? Don’t look for the Gothams to provide too much guidance. Yet today’s announcement at least gives us a peek at movies and performers who could keep or gain momentum. Movies like The Holdovers, Poor Things, Anatomy of a Fall, and more that came up short today? They shouldn’t worry too much.

Oscar Predictions: Poor Things

Upon its screening at the Venice Film Festival, the awards possibilities are rich for Poor Things. Based on the 1992 Alasdair Gray novel, it marks Yorgos Lanthimos’s follow-up to The Favourite from 2018. That pic garnered 10 Oscar nominations and one (surprise) win for Olivia Colman in Best Actress. This one could contend in several of the same races.

The word brilliant has popped up in more than one evaluation thus far as Things sits at 100% on Rotten Tomatoes. Emma Stone (2016’s Best Actress winner for La La Land) is drawing raves and her inclusion in Actress seems assured. This would mark her fourth nod after Birdman (supporting), La La Land, and Supporting Actress in The Favourite. She could be a threat to take her second gold statue. Just as Stone and Rachel Weisz competed against each other for The Favourite, there are two Supporting Actor hopefuls here with Willem Dafoe and Mark Ruffalo. Prior to screenings, I assumed Dafoe might have the edge. However, it seems Ruffalo has just as strong a chance. It would mark Dafoe’s fifth nom and Ruffalo’s fourth. Neither has won.

Things also appears poised for a Best Picture nod and Lanthimos may pick up a directing mention. It should make the cut in Adapted Screenplay while tech nods like Cinematography, Costume Design, Makeup and Hairstyling, and (especially) Production Design are very possible. My Oscar Prediction posts will continue…

Oscar Predictions: Inside

Inside opens in limited release on March 17th after premiering at the Berlin Film Festival last month. Marking the directorial debut of Vasilis Katsoupis, Willem Dafoe stars as an art thief who gets trapped in a penthouse that he’s attempting to rob. Eliza Stuyck and Gene Bervoets costar.

Early reviews are decent with a 77% Rotten Tomatoes thus far. However, the only real awards attention this would get is for its lead. Dafoe has vied for Academy consideration for three and a half decades and come up short four times. This includes three nods in Supporting Actor (1986’s Platoon, 2000’s Shadow of the Vampire, The Florida Project in 2017) and a sole lead nomination for 2018’s At Eternity’s Gate as Vincent Van Gogh. I’m sure Inside‘s character would love some original works of his.

For Inside, there’s some raves for his work. Yet I’m not sure this pic will still be on the radar of voters a few months down the line. He has, at best, an outside shot. Perhaps his appearance in Poor Things from The Favourite director Yorgos Lanthimos later this year will give him another shot. My Oscar Prediction posts will continue…

Best Picture 2018: The Final Five

We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.

2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.

So what of the other seven hopefuls? Here’s my speculation:

Black Panther

The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.