September 18-20 Box Office Predictions

Zach Cregger’s reboot of the Resident Evil franchise should easily dominate the box office charts and it’s the only new release I have in the top six. You can peruse my detailed prediction post on it here:

Coming off a massive summer 2025 hit with Weapons, Cregger’s latest should have no trouble achieving the best earnings of an Evil iteration. This is the eighth overall feature in the franchise that began in 2002. My mid 50s call has it doubling the current holder in 2010’s Resident Evil: Afterlife at $26 million.

That’s about it as far as intrigue for the weekend. Holdovers should populate slots 2-6 with Spider-Man: Brand New Day and The Odyssey battling it out for third and Coyote vs. Acme and Runner in a close competition for fifth. Practical Magic 2, after a subpar start, should fall to runner-up status with a decline that could approach 60%.. Here’s how I have it shaking out:

1. Resident Evil

Predicted Gross: $55.8 million

2. Practical Magic 2

Predicted Gross: $12.4 million

3. Spider-Man: Brand New Day

Predicted Gross: $4.7 million

4. The Odyssey

Predicted Gross: $4.6 million

5. Coyote vs. Acme

Predicted Gross: $3.5 million

6. Runner

Predicted Gross: $3.3 million

Box Office Results (September 11-13)

Audiences weren’t nearly as bewitched by Practical Magic 2 as I thought they might be. Arriving 28 years after the original, Sandra Bullock and Nicole Kidman’s return to witchy territory came in at the low end of expectations with $30 million. I thought it would conjure up $43.5 million. It did manage to knock off Spider-Man: Brand New Day after six weeks in first.

Spidey made $8.4 million compared to my $10.3 million projection. The MCU record breaker has amassed $935 million in seven weeks and will become the highest grossing domestic picture of all time early this week (beating out Star Wars: The Force Awakens).

The Odyssey was third with $7.5 million, a bit shy of my $8.6 million call for a fantastic $600 million after nine weeks of release.

I mistakenly undervalued Runner from Angel Studios with Alan Ritchson and Owen Wilson. I didn’t do an estimate for it, but the action comedy came in fourth with $6.4 million.

Coyote vs. Acme was right behind in fifth as it also made $6.4 million. The live-action/animated hybrid was in line with my $6.2 million forecast and is up to $47 million after three weeks.

Two other newcomers failed to attract eyeballs. South Korean sci-fi/action spectacle Hope was eighth with $3.2 million and $4.9 million since its Wednesday premiere. That’s well below my respective projections of $5.9 million and $9.4 million.

Andrew Garfield’s The Uprising was ninth with a paltry $3.3 million (I said $4.2 million). The Robin Hood origin story was another flop for that character after 2018’s Robin Hood and this summer’s The Death of Robin Hood.

And that does it for now, folks! Until next time…

The Uprising Box Office Prediction

14th century set action drama The Uprising hits theaters on September 11th from Bourne franchise director Paul Greengrass. Andrew Garfield headlines a cast including Jamie Bell, Stephen Dillane, Tom Hollander, Cosmo Jarvis, Thomasin McKenzie, Jonny Lee Miller, Woody Norman, and Katherine Waterston.

The Focus Features release has recently changed its marketing to reveal itself as a Robin Hood origin tale. I’m not so sure that’ll get it any more box office bucks. Recent iterations like 2018’s Robin Hood with Taron Egerton and this year’s The Death of Robin Hood with Hugh Jackman have flopped.

I haven’t detected any momentum for The Uprising and I’m projecting mid single digits at best considering the reported 1500 screen count.

The Uprising opening weekend prediction: $4.2 million

For my Practical Magic 2 prediction, click here:

For my Hope prediction, click here:

June 26-28 Box Office Predictions

Supergirl will attempt to fly high and challenge Toy Story 5 for box office bragging rights as June closes out, but it faces considerable odds. The DC Studios adventure opens alongside Johnny Knoxville and his band of pranksters in Jackass: Best and Last. You can peruse my detailed prediction posts on the newcomers here:

The rosiest estimates have Supergirl approaching $60 million. Even if that occurs, it’s probably not enough to catch Toy Story 5 which should ease in the mid 40s-50 percent range. I’m taking the under with Supergirl and projecting mid 40s. That would leave it well behind in the runner-up position.

Jackass: Best and Last should the first of the five big screen franchise entries to open under $20 million. My low teens forecast would mean a third place showing as the series may be running out of steam with the alleged final edition.

Holdovers Obsession and Disclosure Day may flip spots as the former should have a smaller decline.

Here’s how I see the top 5 shaking out:

1. Toy Story 5

Predicted Gross: $80.6 million

2. Supergirl

Predicted Gross: $44.5 million

3. Jackass: Best and Last

Predicted Gross: $11.3 million

4. Obsession

Predicted Gross: $9 million

5. Disclosure Day

Predicted Gross: $8.4 million

Box Office Results (June 19-21)

Toy Story 5 had the second best Disney/Pixar sequel opening in history. That also means it had the second strongest beginning for any animated feature behind Incredibles 2. The return of Woody and Buzz kicked off in line with expectations at $159.6 million. I was a bit more generous with $166.8 million, but this is still a massively pleasing result for the Mouse House.

Steven Spielberg’s Disclosure Day, after a premiere at the bottom end of its anticipated range, fell a troubling 60% in its sophomore outing to $17.7 million. I figured it would hold a bit better at $21.5 million. That B Cinemascore grade is evidenced by the performance.

Obsession made $13.3 million in third as it’s finally starting to drop from week to week. I had it at $15.2 million and the horror phenomenon has hauled in $215 million after six weeks.

A24 smash Backrooms was fourth with $7.1 million (I said $6.6 million) for a four-week tally of $175 million. The news wasn’t good for A24 everywhere (more on that in a second).

Scary Movie rounded out the top five with $6.3 million, on target with my $6.1 million call. The spoof sequel is near nine digits with $97 million in three weeks.

That aforementioned A24 bad news came from The Death of Robin Hood with Hugh Jackman. With middling reviews and non-existent buzz, it bombed in 8th place with $2.8 million compared to my $3.8 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: Leviticus

In a summer dominated by one massive low-budget horror success story, Leviticus is quietly making its own impression. The Australian coming-of-age supernatural tale marks the directorial debut of Adrian Chiarella. Joe Bird and Stacey Clausen headline with a supporting cast including Jeremy Blewitt, Ewen Leslie, and Mia Wasikowska. The film premiered at Sundance back in January with Neon snatching up stateside distribution rights for $5 million.

Out this weekend on just over 1000 screens, Leviticus might make close to that pickup tag right away (and outgross the higher profile The Death of Robin Hood). Mixing a queer love story with religious overtones and horror elements, critics have been praising Chiarella’s first feature. Rotten Tomatoes is at 93% with an 83 on Metacritic.

I could see the Indie Spirit Awards paying attention, but the Academy could be a stretch unless Neon pushes a campaign in Original Screenplay. I suspect Oscar voters will instead look to Obsession to honor the genre. My Oscar Prediction posts will continue…

June 19-21 Box Office Predictions

Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5

Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:

In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.

I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.

Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.

Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.

Here’s how I see the top 6 shaking out:

1. Toy Story 5

Predicted Gross: $166.8 million

2. Disclosure Day

Predicted Gross: $21.5 million

3. Obsession

Predicted Gross: $15.2 million

4. Backrooms

Predicted Gross: $6.6 million

5. Scary Movie

Predicted Gross: $6.1 million

Box Office Results (June 12-14)

In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.

Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.

Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.

Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.

Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.

And that does it for now, folks! Until next time…

The Death of Robin Hood Box Office Prediction

Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million

A24, fresh off a studio best opening with Backrooms, aims for respectable grosses with The Death of Robin Hood on June 19th. That could be wishful thinking. Michael Sarnoski, maker of Pig and A Quiet Place: Day One, directs Hugh Jackman in the title role. Supporting players include Jodie Comer, Bill Skarsgård, Murray Bartlett, and Noah Jupe.

The buzz seems quiet for the umpteenth version of the legendary character’s adventures. Critics aren’t overly impressed with 72% on Rotten Tomatoes and a 64 Metacritic. The last time we saw Robin Hood onscreen was 2018 with Taron Egerton and Jamie Foxx headlining and the result was a highly disappointing $9.1 million debut.

I’ve yet to see a theater count for Jackman’s turn, but I suspect this could fare even worse. Assuming 2000-2500 venues (my projection will change if the number is considerably different), I’ll say it does.

The Death of Robin Hood opening weekend prediction: $3.8 million

For my Toy Story 5 prediction, click here:

Oscar Predictions: The Death of Robin Hood

A dark interpretation of a folkloric character portrayed many times on film, Hugh Jackman has title role status in The Death of Robin Hood. Out June 19th, costars include Jodie Comer, Bill Skarsgård, Murray Bartlett, and Noah Jupe. Michael Sarnoski, maker of Pig and A Quiet Place: Day One, directs.

Mr. Jackman is generally being appreciated for his downbeat take on the part. Reviews are varied with 67% on Rotten Tomatoes and a 62 Metacritic. That’s more than 2010’s Robin Hood from Ridley Scott and starring Jackman’s Les Miserables singing partner Russell Crowe. It’s far better than 2018’s version with Taron Egerton, but the critical reaction does not indicate the A24 release will play in awards season. I doubt its distributor will prioritize it. My Oscar Prediction posts will continue…