December 22-25 Box Office Predictions

Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M

With Christmas falling on a Monday this year, this is one of the most jam packed Yuletide box office seasons in memory. There’s a whole bunch of cinematic gifts that studios hope open well. On Friday (December 22), Aquaman and the Lost Kingdom looks to top the charts and reverse the misfortunes of the DCU in 2023. Joining Aquaman for the long weekend are Illumination Entertainment’s animated Migration, wrestling biopic The Iron Claw with Zac Efron, Indian Telugu-language action epic Salaar: Part 1 – Ceasefire, Sydney Sweeney and Glen Powell’s rom com Anyone but You, and the nationwide expansion of Oscar hopeful Poor Things with Emma Stone. On Christmas Day, they are joined by The Color Purple (adapting the Broadway musical which adapted the 1985 Spielberg pic which adapted the acclaimed novel), Michael Mann’s Ferrari with Adam Driver, and the George Clooney directed Olympic period piece The Boys in the Boat. You can peruse my detailed prediction posts on all nine (yes, nine) right here:

Aquaman and the Lost Kingdom Box Office Prediction

Migration Box Office Prediction

The Iron Claw Box Office Prediction

Salaar: Part 1 – Ceasefire Box Office Prediction

Anyone but You Box Office Prediction

Poor Things Box Office Prediction

The Color Purple Box Office Prediction

Ferrari Box Office Prediction

The Boys in the Boat Box Office Prediction

Even Aquaman himself, Jason Momoa, recently stated in an interview that the future of the franchise is murky at best. Despite the 2018 original making over a billion bucks worldwide, expectations for the sequel are underwater after the DCU’s year that included flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. The worst case scenario is that this opens second to Wonka. On the bright side: Warner Bros gets the #1 slot either way. A low to mid 40s beginning from Friday to Monday is nothing to brag about, but that should get it to first place.

Wonka got off to a pretty sweet start at the top of its anticipated range (more on that below). Since I’m doing predictions from December 22-25, it may only decline from the high 30s to the mid to high 20s with bright weekends ahead (especially over New Year’s).

Therefore Wonka might be the family choice over Christmas and that could put Migration in third with a high teens or low 20s output. For Illumination, the silver lining should be small declines in subsequent frames.

I’m expecting a fourth place finish for The Iron Claw as wrestling fans could turn out to the tune of high single digits.

As for the three features out on Christmas Day, this obviously means I’m only doing a one-day projection. The Color Purple, with its well-known source material, should do best among that trio and I have its single day managing a fifth place showing.

Salaar: Part 1 – Ceasefire could over perform, but I have it in ninth. The newcomers should dominate the top ten as I have Anyone but You in sixth with the Poor Things expansion in seventh.

I do have holdovers The Hunger Games: The Ballad of Songbirds and Snakes and Trolls Band Together finishing out the top ten.

That means my single day estimates for Ferrari ($2.1 million) and The Boys in the Boat ($1.1 million) leave them outside the top ten.

Truth be told, this is a highly unpredictable Christmas weekend with lots of moving parts. Here’s my best attempt at that top 10 and keep in mind that this is for Friday-Monday:

1. Aquaman and the Lost Kingdom

Predicted Gross: $42.8 million

2. Wonka

Predicted Gross: $31.4 million

3. Migration

Predicted Gross: $19.6 million

4. The Color Purple

Predicted Gross: $12.9 million

5. The Iron Claw

Predicted Gross: $8.7 million

6. Anyone but You

Predicted Gross: $5.3 million

7. Poor Things

Predicted Gross: $5 million

8. Salaar: Part One – Ceasefire

Predicted Gross: $4.4 million

9. The Hunger Games: The Ballad of Songbirds and Snakes

Predicted Gross: $4.1 million

10. Trolls Band Together

Predicted Gross: $3.3 million

Box Office Results (December 15-17)

Warner Bros might face choppy waters ahead with Aquaman and the Lost Kingdom, but the Wonka opening went swimmingly. Timothee Chalamet’s take on the iconic chocolatier was treated to a $39 million start. That’s slightly ahead of my $36.4 million prediction as the family pic should have a robust road ahead this season.

It was the only newcomer this past weekend (which makes sense considering the onslaught ahead). The Hunger Games: The Ballad of Songbirds and Snakes stayed put in second with $5.8 million, a smidge under my $6.6 million call. The prequel is up to $145 million after five weekends.

The Boy and the Heron, after its better than anticipated bow, dropped from 1st to 3rd with $5.5 million. That’s lower than my $7 million forecast as the ten-day take is $23 million.

Godzilla Minus One was fourth with $5 million (I said $5.7 million) for $34 million after three weeks.

Trolls Band Together rounded out the top five with $3.9 million compared to my $4.6 million projection. The threequel is approaching nine figures after five weeks with $88 million.

And that does it for now, folks! Have a wonderful holiday and until next time…

The Color Purple Box Office Prediction

Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M

An adaptation of the Broadway musical that was adapted from the 1985 Steven Spielberg film that was adapted from the Alice Walker novel, The Color Purple is out in theaters Christmas Day. The awards hopeful’s cast includes Fantasia Barrino (reprising her role from the play), Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Ciara, Halle Bailey, Aunjanue Ellis, Jon Batiste, Louis Gossett Jr., and David Alan Grier. Blitz Bazawule directs with Spielberg and Oprah Winfrey (who first rose to fame in the ’85 version) producing.

The source material is obviously well-known as this hopes to attract moviegoers on the big holiday. Christmas is on a Monday in 2023 so this projection is only for that day. Obviously that limits the estimate, but that’s not the only limiting factor. Purple has not generated the Oscar buzz that it’s probably hoped for (though Brooks is a threat to win Supporting Actress). Its inclusion in Best Picture is very much in question (it missed a Golden Globe nod earlier this week).

This should still succeed in bringing an African-American and female audience. I’m anticipating its initial day could see a gross in the higher single digits as it hopes to perform well throughout the end of the year and January.

The Color Purple opening day prediction: $12.9 million (Monday estimate only)

For my Aquaman and the Lost Kingdom prediction, click here:

Aquaman and the Lost Kingdom Box Office Prediction

For my Migration prediction, click here:

Migration Box Office Prediction

For my The Iron Claw prediction, click here:

The Iron Claw Box Office Prediction

For my Anyone but You prediction, click here:

Anyone but You Box Office Prediction

For my Poor Things prediction, click here:

Poor Things Box Office Prediction

For my Ferrari prediction, click here:

Ferrari Box Office Prediction

For my The Boys in the Boat prediction, click here:

The Boys in the Boat Box Office Prediction

For my Salaar: Part 1 – Ceasefire prediction, click here:

Salaar: Part 1 – Ceasefire Box Office Prediction

Best Picture 2005: The Expanded Ten

Previously on the blog, I completed a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. I’ve already covered 2006-08 and you can peruse my posts on them here:

Best Picture 2006: The Expanded Ten

Best Picture 2007: The Expanded Ten

Best Picture 2008: The Expanded Ten

We do know half of the titles that would populate the ten. Those would be the ones that made the quintet 18 years back. During that 78th Oscar ceremony, Jack Nicholson made the surprise announcement that race relations drama Crash from Paul Haggis was the Best Picture winner. Of its seven total nominations, it also won Original Screenplay and Film Editing.

It stands as one of the bigger upsets in the Academy’s history as it took gold over the heavily favored Brokeback Mountain by Ang Lee. He won Director and the cowboy romance also received Adapted Screenplay and Original Score. The other three nominees: Bennett Miller’s Capote (for which Philip Seymour Hoffman took Best Actor), George Clooney’s Good Night, and Good Luck, and Steven Spielberg’s Munich.

2005 was the rare year where the Director nominees matched perfectly with BP so we can’t pluck out other movies from that competition. A look at the other categories do give us clues as to the other features that might’ve gotten in.

James Mangold’s Cash couple biopic Walk the Line landed Joaquin Phoenix a Best Actor nod and Reese Witherspoon the Actress statue. With a total of five mentions, a Golden Globe victory in the Musical/Comedy race, and a Critics Choice slot, it’s pretty safe to assume it makes the ten.

Same goes for The Constant Gardner from Fernando Meirelles. Rachel Weisz took Supporting Actress and it received three other noms in addition to Golden Globe and Critics Choice inclusions.

Another Critics Choicer nominee, Rob Marshall’s Memoirs of a Geisha got 6 tech nods and won 3 (Art Direction, Cinematography, Costume Design). I went back and forth on this one, but ultimately decided it probably makes the dance.

A fourth Critics Choice match goes to Ron Howard’s Cinderella Man. The boxing drama could be left off. It missed some key nods including Russell Crowe’s lead performance (Paul Giamatti was nominated for supporting) and screenplay. I think it might have just snuck in at the bottom of hopefuls.

With one picture left to plug in, there’s plenty of contenders. Hustle & Flow saw a surprise win (for Three 6 Mafia) in Original Song and Terrence Howard made the Actor five. Woody Allen’s Match Point had a sole nom in Original Screenplay, but made the Globes cut in Drama. Joe Wright’s Pride & Prejudice rendering saw Keira Knightley up in Actress in addition to three other mentions.

Ultimately my final choice came to this trio. Peter Jackson’s King Kong went 3 for 4 on its tech inclusions (Sound Editing, Sound Mixing, Visual Effects). However, it was generally considered a bit of a disappointment at the box office and with some critics. That said, I almost picked it.

Syriana by Stephen Gaghan gave George Clooney a Supporting Actor Oscar and was up for Original Screenplay. Yet it failed to see a Critics Choice or Globe BP nod. Nevertheless I almost picked it.

I chose to go with David Cronenberg’s A History of Violence. It received two noms for Supporting Actor (William Hurt) and Original Screenplay and was a critical darling. I went with the Academy honoring a work from the acclaimed director (especially since most of his efforts are far from Oscar friendly).

That means my expanded 2005 ten consists of:

A History of Violence

Brokeback Mountain

Capote

Cinderella Man

The Constant Gardner

Crash

Good Night, and Good Luck

Memoirs of a Geisha

Munich

Walk the Line

I’ll have 2004 up in short order!

2023 Oscar Predictions: October 3rd Edition

The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.

Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).

I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.

For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.

The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.

In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.

Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.

My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.

Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Oppenheimer (Previous Ranking: 1) (Even)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. The Color Purple (PR: 6) (+1)

6. Past Lives (PR: 5) (-1)

7. Maestro (PR: 8) (+1)

8. The Holdovers (PR: 7) (-1)

9. Anatomy of a Fall (PR: 9) (E)

10. The Zone of Interest (PR: 11) (+1)

Other Possibilities:

11. American Fiction (PR: 10) (-1)

12. Air (PR: 12) (E)

13. Napoleon (PR: 15) (+2)

14. Spider-Man: Across the Spider-Verse (PR: 14) (E)

15. Origin (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Christopher Nolan, Oppenheimer (PR: 1) (E)

2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)

3. Yorgos Lanthimos, Poor Things (PR: 3) (E)

4. Greta Gerwig, Barbie (PR: 4) (E)

5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)

Other Possibilities:

6. Justine Triet, Anatomy of a Fall (PR: 6) (E)

7. Celine Song, Past Lives (PR: 5) (-2)

8. Bradley Cooper, Maestro (PR: 9) (+1)

9. Alexander Payne, The Holdovers (PR: 7) (-2)

10. Blitz Bazawule, The Color Purple (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Emma Stone, Poor Things (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Carey Mulligan, Maestro (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)

5. Greta Lee, Past Lives (PR: 7) (+2)

Other Possibilities:

6. Fantasia Barrino, The Color Purple (PR: 6) (E)

7. Margot Robbie, Barbie (PR: 5) (-2)

8. Cailee Spaeny, Priscilla (PR: 9) (+1)

9. Annette Bening, Nyad (PR: 8) (-1)

10. Natalie Portman, May December (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (PR: 1) (E)

2. Bradley Cooper, Maestro (PR: 5) (+3)

3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)

4. Colman Domingo, Rustin (PR: 3) (-1)

5. Paul Giamatti, The Holdovers (PR: 4) (-1)

Other Possibilities:

6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)

7. Andrew Scott, All of Us Strangers (PR: 7) (E)

8. Joaquin Phoenix, Napoleon (PR: 9) (+1)

9. Barry Keoghan, Saltburn (PR: 10) (+1)

10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)

Dropped Out:

Teo Yoo, Past Lives

Best Supporting Actress

Predicted Nominees:

1. Danielle Brooks, The Color Purple (PR: 1) (E)

2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)

3. Emily Blunt, Oppenheimer (PR: 4) (+1)

4. Taraji P. Henson, The Color Purple (PR: 3) (-1)

5. Viola Davis, Air (PR: 5) (E)

Other Possibilities:

6. Penelope Cruz, Ferrari (PR: 6) (E)

7. Julianne Moore, May December (PR: 7) (E)

8. Jodie Foster, Nyad (PR: 9) (+1)

9. Rosamund Pike, Saltburn (PR: 8) (-1)

10. America Ferrera, Barbie (PR: 10) (E)

Best Supporting Actor

Predicted Nominees:

1. Robert Downey Jr., Oppenheimer (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 2) (E)

3. Mark Ruffalo, Poor Things (PR: 3) (E)

4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)

5. Charles Melton, May December (PR: 7) (+2)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Colman Domingo, The Color Purple (PR: 8) (+1)

8. John Magaro, Past Lives (PR: 5) (-3)

9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)

10. Glenn Howerton, BlackBerry (PR: 9) (-1)

Dropped Out:

Sterling K. Brown, American Fiction

Best Original Screenplay

Predicted Nominees:

1. Barbie (PR: 1) (E)

2. Past Lives (PR: 2) (E)

3. The Holdovers (PR: 3) (E)

4. Anatomy of a Fall (PR: 4 ) (E)

5. Air (PR: 5) (E)

Other Possibilities:

6. Maestro (PR: 6) (E)

7. May December (PR: 7) (E)

8. Asteroid City (PR: 8) (E)

9. Fair Play (PR: 10) (+1)

10. Saltburn (PR: 9) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Oppenheimer (PR: 3) (E)

4. American Fiction (PR: 4) (E)

5. All of Us Strangers (PR: 5) (E)

Other Possibilities:

6. The Zone of Interest (PR: 8) (+2)

7. Hit Man (PR: 6) (-1)

8. The Color Purple (PR: 7) (-1)

9. Origin (PR: 9) (E)

10. Spider-Man: Across the Spider-Verse (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest (PR: 1) (E)

2. The Taste of Things (PR: 2) (E)

3. Perfect Days (PR: 3) (E)

4. About Dry Grasses (PR: 5) (-1)

5. Fallen Leaves (PR: 4) (+1)

Other Possibilities:

6. Society of the Snow (PR: 7) (+1)

7. The Peasants (PR: Not Ranked)

8. The Settlers (PR: Not Ranked)

9. The Delinquents (PR: 8) (-1)

10. The Promised Land (PR: 9) (-1)

Dropped Out:

The Teachers’ Lounge

Io capitano

Best Animated Feature

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse (PR: 1) (E)

2. The Boy and the Heron (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. The Wish (PR: 4) (E)

5. Nimona (PR: 7) (+2)

Other Possibilities:

6. Teenage Mutant Ninja Turtles: Mutant Mayhem (PR: 5) (-1)

7. Chicken Run: Dawn of the Nugget (PR: 6) (-1)

8. The Peasants (PR: Not Ranked)

9. The Super Mario Bros. Movie (PR: 8) (-1)

10. Ruby Gillman, Teenage Kraken (PR: Not Ranked)

Dropped Out:

Suzume

Robot Dreams

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia (PR: 1) (E)

2. 20 Days in Mariupol (PR: 3) (+1)

3. Stamped from the Beginning (PR: 4) (+1)

4. Still: A Michael J. Fox Movie (PR: 2) (-2)

5. The Eternal Memory (PR: 7) (+2)

Other Possibilities:

6. Every Body (PR: 9) (+3)

7. The Mother of All Lies (PR: 8) (+1)

8. Orlando, My Political Biography (PR: 5) (-3)

9. It Ain’t Over (PR: 10) (+1)

10. The Deepest Breath (PR: Not Ranked)

Dropped Out:

American Symphony

Best Cinematography

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Maestro (PR: 4) (E)

5. The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 6) (E)

7. Ferrari (PR: Not Ranked)

8. The Killer (PR: 9) (+1)

9. The Color Purple (PR: 7) (-2)

10. Barbie (PR: 10) (E)

Dropped Out:

Asteroid City

Best Costume Design

Predicted Nominees:

1. Barbie (PR: 2) (+1)

2. Poor Things (PR: 1) (-1)

3. The Color Purple (PR: 3) (E)

4. Killers of the Flower Moon (PR: 4) (E)

5. Chevalier (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 8) (+2)

7. Asteroid City (PR: Not Ranked)

8. Priscilla (PR: 6) (-2)

9. Oppenheimer (PR: 7) (-2)

10. Wonka (PR: 9) (-1)

Dropped Out:

Maestro

Best Film Editing

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. Maestro (PR: 4) (-1)

Other Possibilities:

6. Air (PR: 7) (+1)

7. Barbie (PR: 10) (+3)

8. The Holdovers (PR: 8) (E)

9. Ferrari (PR: 6) (-3)

10. Anatomy of a Fall (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Maestro (PR: 2) (E)

3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. Killers of the Flower Moon (PR: 10) (+5)

Other Possibilities:

6. Priscilla (PR: 5) (-1)

7. The Color Purple (PR: 8) (+1)

8. Beau is Afraid (PR: Not Ranked)

9. Golda (PR: 9) (E)

10. Nyad (PR: 7) (-3)

Dropped Out:

Oppenheimer

Best Original Score

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. The Killer (PR: 7) (+2)

Other Possibilities:

6. Poor Things (PR: Not Ranked)

7. Napoleon (PR: 4) (-3)

8. The Boy and the Heron (PR: 9) (+1)

9. Ferrari (PR: 10) (+1)

10. Barbie (PR: Not Ranked)

Dropped Out:

Spider-Man: Across the Spider-Verse

Asteroid City

Best Original Song

Predicted Nominees:

1. TBD from The Color Purple (PR: 1) (E)

2. “What Was I Made For?” from Barbie (PR: 2) (E)

3. “Road to Freedom” from Rustin (PR: 3) (E)

4. “The Wish” from Wish (PR: 4) (E)

5. “I’m Just Ken” from Barbie (PR: 5) (E)

Other Possibilities:

6. “Joan Still” from Theater Camp (PR: 9) (+3)

7. “Dance the Night” from Barbie (PR: 10) (+3)

8. “Gonna Be You” from 80 for Brady (PR: 7) (-1)

9. “Quiet Eyes” from Past Lives (PR: 6) (-3)

10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)

Dropped Out:

“High Life” from Flora and Son

Best Production Design

Predicted Nominees:

1. Barbie (PR: 3) (+2)

2. Poor Things (PR: 1) (-1)

3. Killers of the Flower Moon (PR: 2) (-1)

4. Oppenheimer (PR: 4) (E)

5. Asteroid City (PR: 6) (+1)

Other Possibilities:

6. The Color Purple (PR: 5) (-1)

7. Napoleon (PR: 7) (E)

8. Maestro (PR: 8) (E)

9. The Zone of Interest (PR: Not Ranked)

10. Saltburn (PR: 10) (E)

Dropped Out:

Wonka

Best Sound

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Ferrari (PR: 3) (+1)

3. Napoleon (PR: 4) (+1)

4. The Color Purple (PR: 2) (-2)

5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)

Other Possibilities:

6. Killers of the Flower Moon (PR: 5) (-1)

7. The Creator (PR: Not Ranked)

8. Barbie (PR: 8) (E)

9. The Zone of Interest (PR: 10) (+1)

10. Maestro (PR: 7) (-3)

Dropped Out:

The Killer

Best Visual Effects

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)

3. The Creator (PR: 3) (E)

4. Napoleon (PR: 6) (+2)

5. Rebel Moon (PR: 5) (E)

Other Possibilities:

6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)

7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)

8. Poor Things (PR: 4) (-4)

9. Barbie (PR: 10) (+1)

10. Killers of the Flower Moon (PR: 8) (-2)

That means I’m projecting these movies will garner these numbers of nominations:

12 Nominations

Killers of the Flower Moon, Oppenheimer

10 Nominations

Poor Things

9 Nominations

Barbie

6 Nominations

The Color Purple, Maestro

5 Nominations

Past Lives

4 Nominations

The Holdovers, The Zone of Interest

3 Nominations

Anatomy of a Fall

2 Nominations

Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish

1 Nomination

About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol

A Killer Development in Best Actress

Last year, the Best Supporting Actress race was upended when it was announced that Michelle Williams of Steven Spielberg’s The Fabelmans would be campaigned for in the lead Actress competition. Williams was seen as the strong frontrunner in the supporting field. Her placement in the more crowded Actress derby took her from a predicted winner to a question mark as to whether she’d even make the final five. She did, but lost to Michelle Yeoh in Everything Everywhere All at Once and she was never looked at as a threat to win. Her omission from the supporting category made it a wide open race where Jamie Lee Curtis (also from Everything Everywhere) eventually prevailed.

And now… history repeats itself. In each one of my predictions for the 96th Academy Awards this year, I have had Lily Gladstone listed #1 in Supporting Actress for Martin Scorsese’s Killers of the Flower Moon. Ever since it premiered at Cannes (before its October 20th domestic bow), reviews have indicated she’s a standout performance among heavy hitters like Leonardo DiCaprio, Robert De Niro, and Jesse Plemons. Like Williams, she was a heavy favorite for supporting. And just like Williams, there’s now an announcement that Gladstone will vie for Best Actress.

What’s it mean? Let’s start with Supporting Actress. With Gladstone out, it is now an uncertain race with no frontrunner. One could emerge when The Color Purple premieres with either Danielle Brooks (who I’ve consistently had ranked second) or Taraji P. Henson (who’s often been third). It potentially opens the door for Emily Blunt to not only nab her first nom for Oppenheimer, but maybe make it to the stage. It also increases the chances for hopefuls like Da’Vine Joy Randolph (The Holdovers), Viola Davis (Air), Jodie Foster (Nyad), Sandra Hüller (The Zone of Interest), or Penelope Cruz (Ferrari) to get in.

As for Best Actress, I believe Gladstone ends up in the grouping. Yet she might not be the automatic favorite like she was in supporting. Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) are serious competitors. Fantasia Barrino from The Color Purple could be as well. And there’s Carey Mulligan (Maestro), Margot Robbie (Barbie), Greta Lee (Past Lives), Annette Bening (Nyad), Natalie Portman (May December), and Cailee Spaeney (Priscilla) to consider. In other words (like Williams), Gladstone has made her road to gold tougher though still achievable.

When I update my Oscar predictions this weekend, you can expect to see Gladstone in the Actress five. Whether she’s #1 like she’s been in supporting is very much still in question.

Indiana Jones and the Dial of Destiny Review

With James Mangold taking over directorial duties from Steven Spielberg and Harrison Ford now an octogenarian, Indiana Jones and the Dial of Destiny risks ending the 42-year-old franchise as almost an afterthought. Luckily it manages to capture the Indy spirit in fits and starts. This is not the travesty that some in the social media spiral of spin will claim it is. For that matter, neither was 2008’s derided predecessor Indiana Jones and the Kingdom of the Crystal Skull. That film, however, was a bit of a mess. Destiny is stronger though it does not match the quality of the deservedly storied trilogy from 1981-89.

To borrow a phrase from Brad Pitt in Inglourious Basterds, Indy’s gonna be doin’ one thing and one thing only… killin’ Nazis. At least that’s where we begin in a 1944 set prologue. Dr. Jones (de-aged by pretty effective visual effects) and colleague Basil Shaw (Toby Jones) are battling Hitler’s troops as they seek the Lance of Longinus (the weapon used to pierce Christ during the crucifixion). This turns out to be a fool’s errand. However, the archaeologists do come upon half of a dial invented by Archimedes that’s rumored to allow for time travel. Nazi physicist Jürgen Voller (Mads Mikkelsen) needs it to reverse his team losing the war. Yet the more youthful Indy manages to wrestle it away.

Flashing forward to 1969, the Professor is retiring from his teaching job. It seems the aging iconic action hero hung up the whip some time ago. His marriage to Marion (Karen Allen) is on the ropes and Jones seems destined for an uninspired last few years in a cramped NYC apartment. Enter Helena (Phoebe Waller-Bridge), his goddaughter to now deceased Basil. While Indy’s neighbors and the American people are preoccupied with the imminent moon landing, Helena wants her out of touch godfather dialed back into the dial business. She gets the reluctant retiree to don the fedora to find the other half. Her young sidekick Teddy (Ethann Isidore) is along for the ride. Voller, now living under an assumed named and working for NASA, hasn’t forgotten about it in the last quarter century as he and head henchman Klaber (Boyd Holbrook) attempt to forcefully retrieve it.

The globetrotting commences from NYC to Morocco and Greece and eventually some really unforeseen places. Just as Crystal Skull finally brought a Spielberg mainstay alien subplot to the Indy mix (to much derision, some warranted), Destiny gets the Marty/Doc Brown vibe happening. I won’t delve into the spoiler centric details, but I will say this. The ending portions may not work very well in execution, but it does continue this franchise’s tradition of giving us bonkers third acts. I’m just sayin’ you may need to do a series rewatch if you think Destiny‘s climax is too out there. This is not necessarily a bad thing.

As mentioned, there are frequent instances where this captures the mood of what we dug in the 1980s. I experienced it in a chase scene or two (one during a ticker tape parade is a highlight). I found Waller-Bridge to be a better partner in artifact retrieval than Shia LaBeouf’s Mutt from 15 years ago. Yes, the brief reappearance of Sallah from Raiders and Last Crusade (John Rhys-Davies) feels tacked on. The runtime can feel as exhausted as our title character these days. It is those old-timers that provide the most memorable parts whether it’s the John Williams score or Mr. Ford still nailing the gruff yet caring legend. Does the nostalgia feel forced at times? Sure. It’s still one small step up from when we last saw Indy.

*** (out of four)

Indiana Jones and the Dial of Destiny Box Office Prediction

Ahh, the 80s. It’s a decade where filmmakers (many of whom came of age at the time) are constantly prodding our nostalgic sensibilities. That’s when the Spielberg/Lucas collaborative trilogy of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade gave Harrison Ford another iconic role and moviegoers another classic franchise. In 2008, Ford donned the fedora again to more mixed results with Indiana Jones and the Kingdom of the Crystal Skull. The 80s now describes the lead’s own age (he became an octogenarian last summer). Indy is back as James Mangold takes over directorial duties with Indiana Jones and the Dial of Destiny, the time travel adventure that marks the fifth and last entry in the series. The Logan and Ford v Ferrari maker also has Karen Allen and John Rhys-Davies reprising their roles. Other supporting players include Phoebe Waller-Bridge, Mads Mikkelsen, Antonio Banderas, Toby Jones, Boyd Holbrook, and Ethann Isidore.

With a whopping budget reportedly approaching $300 million, Disney is banking on crowds of all ages making the multiplex trek. That’s not a sure thing as we all just witnessed The Flash go belly up. Destiny attempted to generate solid buzz when it premiered last month at the Cannes Film Festival. It might’ve had the opposite effect. Reviews were middling and it currently stands at just 59% on Rotten Tomatoes (the oft maligned Skull sits at 77%). Another factor is that younger viewers may not have the sentimentality for Indy that older ones hold.

Fifteen summers ago, Skull premiered on Thursday ahead of a long Memorial Day holiday weekend. It amassed over $150 million for the five-day haul. A three-day take of $100 million would be welcome news for the Mouse Factory. I’m skeptical if that’s achievable. In fact, I’m questioning whether it reaches the figure that shares Ford’s age. Anything under $80 million would certainly be considered a disappointment and that’s where I have this landing. In fact, I’m only going mid-6os for what would be considered a massive letdown.

Indiana Jones and the Dial of Destiny opening weekend prediction: $65.3 million

For my Ruby Gillman, Teenage Kraken prediction, click here:

Ruby Gillman, Teenage Kraken Box Office Prediction

Best Picture 2022: The Final Five

We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.

Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!

Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.

Back to the Oscars that just happened…

All Quiet on the Western Front

Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.