Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:
I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Ayo Edebiri, After the Hunt
Ariana Grande, Wicked: For Good
Angelina LookingGlass, The Rivals of Amziah King
Gwyneth Paltrow, Marty Supreme
Teyana Taylor, One Battle After Another
Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.
After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.
The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.
Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.
Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.
My 10 other possibilities that I listed back in April are:
Emily Blunt, The Smashing Machine
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
Laura Dern, Jay Kelly
Elle Fanning, Sentimental Value
America Ferrera, The Lost Bus
Regina Hall, One Battle After Another
Greta Lee, Late Fame
Nia Long, Michael
Jennifer Lopez, Kiss of the Spider Woman
Emily Watson, Hamnet
Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:
2000: Frances McDormand and Kate Hudson, Almost Famous
2001: Helen Mirren and Maggie Smith, Gosford Park
2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago
2006: Adriana Barraza and Rinko Kikuchi, Babel
2008: Amy Adams and Viola Davis, Doubt
2009: Vera Farmiga and Anna Kendrick, Up in the Air
2010: Melissa Leo (winner) and Amy Adams, The Fighter
2011: Octavia Spencer (winner) and Jessica Chastain, The Help
2018: Emma Stone and Rachel Weisz, The Favourite
Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.
A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.
Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.
Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.
Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.
One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.
So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!
DreamWorks Animation hopes families turn up in droves for The Wild Robot when it debuts September 27th. The sci-fi pic is based on a book series by Peter Brown and directed by How to Train Your Dragon and The Croods maker Chris Sanders. Voiceover work comes courtesy of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, and Ving Rhames.
Robot was unveiled days ago at the Toronto Film Festival to satisfying results. The Rotten Tomatoes score is 100% and it could be a frontrunner for Best Animated Feature at the 97th Academy Awards. DreamWorks is putting this out while Transformers One is only in its sophomore outing. That could slightly limit the opening weekend crowd, but Robot will likely leg out impressively over the next several frames.
I still wouldn’t be surprised if this slightly exceeds tracking and that should mean low to mid 30s.
The Wild Robot opening weekend prediction: $33.8 million
The 74th Academy Awards was the first year where Best Animated Feature was presented and DreamWorks Animation took that initial prize with Shrek. The studio has yet to win the race again as Disney has mostly dominated it. They are hoping for their second statue at the 97th ceremony courtesy of The Wild Robot.
Having premiered at the Toronto Film Festival prior to its September 27th domestic debut, Chris Sanders (co-director of How to Train Your Dragon and The Croods) made the sci-fi fantasy based on Peter Brown’s series of novels. Voiceover work comes from Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, and Ving Rhames.
Early word-of-mouth from our neighbor to the north is welcoming. With an 83% Metacritic score and no tomatoes at press time, The Wild Robot is a serious contender not only for a nomination (which appears to be a foregone conclusion), but a victory.
In order to do that, it will still need to surpass Inside Out 2 from you know who. In my view, that is not a foregone conclusion. Yet DreamWorks probably has its best shot since that green ogre. Beyond Animated Feature, Robot‘s Original Score from Kris Bowers is being heralded. There’s also a song from Maren Morris titled “Kiss the Sky” that looks to make that quintet. Either are possible as those competitions are just starting to take shape. My Oscar Prediction posts will continue…
We all know Tom Cruise does his own stunts. He reminds us of that frequently and is the biggest artist handling the bulk of those duties himself. David Leitch’s The Fall Guy takes time to honor those performers doubling for the non-Cruisers and that’s a noble cause though it often plays like a long shaggy dog story.
Sort of based on the 1980s TV show with Lee Majors, Ryan Gosling is Colt Seavers. He’s Cliff Booth to Aaron Taylor-Johnson’s Rick Dalton… or rather Tom Ryder, who’s a mega action superstar with a penchant for hard partying. Seavers does the trickier work while Ryder takes all the credit. A prologue details a setup gone wrong that derails Colt’s career and his budding relationship with camerawoman Jody Moreno (Emily Blunt).
A year and a half later, Colt is parking cars instead of crashing them. He is summoned by producer Gail (Hannah Waddingham, kind of looking like 70s era Robert Evans in a wig) to set in Sydney. The selling point is the opportunity to make up with Jody, who is now directing the sci-fi saga Metalstorm with Ryder headlining. Upon his arrival down under, it turns out Jody has no idea what’s up or that he was joining the production.
The picture’s lead has mysteriously disappeared and Colt is tasked with tracking him down while also stunting by day. And, of course, there’s some serious and humorous tension with his ex.
I was reminded at times of 80s action comedies like Beverly Hills Cop or Fletch where the plot is inconsequential and where coasting on the above the title players’ charisma is enough. Obviously Gosling and Blunt have that level of appeal.
Somehow I didn’t fall for it despite their efforts. They have chemistry, but this fails to coast on their charms. The action scenes are well-choreographed. They should be given the subject matter and Leitch (John Wick, Atomic Blonde, Bullet Train) in charge. Yet there’s not one sequence that rivals, say, the antics of you know who in fill in the recent Mission: Impossible entry.
There are more references to Miami Vice or other 80s artifacts than the TV show it takes its name from. This includes Jody belting out “Against All Odds” by Phil Collins at a karaoke bar while Colt is engaged in an elaborate car chase. Blunt being more involved in the fights might have helped. Her one scene where she gets to do so is memorable.
The Fall Guy, given the personnel, is a minor disappointment especially with how convoluted it gets in the denouement. The occasionally on point self-referential jokes and the Barbenheimer cast mates provide the highlights. When they’re apart, it can feel like just an empty space.
For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.
This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).
Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).
I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.
The Fall Guy opening weekend prediction: $38.3 million
For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:
Ryan Gosling (fresh off his third Oscar nom for Barbie) and Emily Blunt (just up for her first with Oppenheimer) lead the cast of The Fall Guy, slated for May 3rd. We are a month and a half away from that release, but it had a splashy debut at South by Southwest and the buzz is substantial. David Leitch (the man behind John Wick, Atomic Blonde, Deadpool 2, and Bullet Train) directs with a supporting cast including Aaron Taylor-Johnson, Winston Duke, Stephanie Hsu, and Hannah Waddingham.
Based on the 1980s action TV series starring Lee Majors, Gosling plays a stunt man once again after portraying the same profession in The Place Beyond the Pines and Drive. Critics are calling it a lovingly crafted and quite funny and romantic homage to the cinematic workers who put themselves in danger for our entertainment. It stands at 92% on Rotten Tomatoes.
While we wait for the Academy to develop a category honoring stunt performers (like SAG does), The Fall Guy‘s best and perhaps only hope at recognition is in tech races like Sound (feasible) and Visual Effects (maybe more of a reach). Assuming Universal campaigns for it in Musical/Comedy at the Golden Globes, its luck could be better with potential nods in Film, Actor, and Actress. And, yes, its chances for inclusion in the SAG Stunt Ensemble race seems like a no brainer. My Oscar Prediction posts will continue…
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
Adele Kim, best known for cowriting 2018’s smash surprise hit Crazy Rich Asians, makes her directorial debut with Joy Ride on July 7th. The raunchy comedy, which premiered at South by Southwest to impressive reviews, stars Ashley Park, Sherry Cola, recent Oscar nominee Stephanie Hsu from Everything Everywhere All at Once, Sabrina Wu, Ronny Chieng, Annie Mumolo, David Denman, and Lori Tan Chinn.
The road trip pic is another hard R laugher in a genre underrepresented in recent years. There’s been a bit of a comeback this summer as it follows No Hard Feelings by two weeks and precedes August’s Strays.
With a 100% Rotten Tomatoes rating, this could manage to ride its festival buzz to a debut above $10 million. I’m going say it falls just short.
Joy Ride opening weekend prediction: $8.4 million
For my Insidious: The Red Door prediction, click here:
We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.
Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!
Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.
Back to the Oscars that just happened…
All Quiet on the Western Front
Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.
Does It Make the Final Five?
Yes, despite surprising misses for its Director and in Film Editing. I still think the 9 nine total nods (also second best to Everything) puts it in the quintet.
Avatar: The Way of Water
As anticipated, James Cameron’s long-awaited sequel to the 2009 box office behemoth was a victor in Visual Effects. It also got nods in Production Design and Sound.
Does It Make the Final Five?
No. Water logged less than half of its predecessor’s nine mentions and Cameron himself didn’t make the directorial derby.
The Banshees of Inisherin
Martin McDonagh’s black comedy clocked nine nominations with the others being for the director and screenwriter (both McDonagh), Actor (Colin Farrell), two Supporting Actor bids (Brendan Gleeson and Barry Keoghan), Supporting Actress (Kerry Condon), Film Editing, and Original Score. It ended up going 0 for 8.
Does It Make the Final Five?
Yes. The winning percentage of zero was due to the Everything love, but it still would’ve found a slot among the five.
Elvis
Baz Luhrmann’s lavish musical biopic of The King shimmied to 8 nods including Actor (Austin Butler), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Production Design, and Sound. Like Banshees, it left the building with no statues.
Does It Make the Final Five?
No. Had Elvis garnered wins in some of the below-the-line races (which it was expected to) or for Butler, I may have a different answer in this case. Yet it wasn’t to be.
The Fabelmans
Steven Spielberg’s most personal work to date saw 7 nominations for the director and screenwriter (both Spielberg with Tony Kushner co-scribing), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Score, and Production Design. In what’s starting to sound like a broken record, it failed to capitalize on any of its nominations.
Does It Make the Final Five?
Yes though I struggled with this one. Missing editing (a good harbinger of a BP nod) was a surprise and same goes for the cinematography. Ultimately the power of Spielberg might’ve reserved this for the fourth or fifth spot.
Tár
Todd Field’s profile of a complicated EGOT winner generated six mentions for its director and screenwriter (both Field), Actress (Cate Blanchett), Cinematography, and Film Editing. Once again – any potential victory was thwarted by Everything as it went 0/6.
Does It Make the Final Five?
Yes. I must say that I really went back and forth on this (more so than with The Fabelmans). Yet it managed to score inclusions in the precursors that matter most and it gets the edge for it.
Top Gun: Maverick
The moneymaking monolith of 2022 had a total of six nominations with Adapted Screenplay, Film Editing, Original Song, Sound, and Visual Effects on the menu. It emerged victorious in Sound (Everything and Western Front didn’t take them all).
Does It Make the Final Five?
No. I went back and forth between this and Tár for #5. The latter got in where it matters. Maverick, despite being the people’s champ, missed key races like Director (Joseph Kosinski), Actor (Tom Cruise), and Cinematography.
Triangle of Sadness
The Palme d’or recipient at Cannes was awarded an unexpected directing nod for Ruben Östlund and an expected screenwriting mention for him. The count for was 0 for 3.
Does It Make the Final Five?
No. Östlund’s surprise nomination for his behind the camera was a pleasant surprise, but a final five slot would be an even bigger shocker.
Women Talking
Director Sarah Polley won for her Adapted Screenplay and that marks Women‘s only other nom. That means the sprawling cast that included Rooney Mara, Claire Foy, and Jessie Buckley were all left out.
Does It Make the Final Five?
No. Despite the screenplay award, the aforementioned facts make this the easiest of the bunch to leave out (especially considering its two nods were the smallest of the group).
And that means my 2022 final five is:
All Quiet on the Western Front
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Stay tuned for the inverse of these posts beginning with 2008!
If you missed my write-ups in the series covering 2009-21, you can access them right here:
As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.
One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.
Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.
Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.
Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.
For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.
Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).
Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.
In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.
OK… deep breath. With all that context, let’s see where everything and everyone ranks…
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. The Color Purple (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. Dune: Part Two (PR: 4) (E)
5. Oppenheimer (PR: 5) (E)
6. Saltburn (PR: 7) (+1)
7. The Zone of Interest (PR: 15) (+8)
8. The Holdovers (PR: 8) (E)
9. Air (PR: 9) (E)
10. Poor Things (PR: 6) (-4)
Other Possibilities:
11. May December (PR: 10) (-1)
12. Maestro (PR: 11) (-1)
13. Anatomy of a Fall (PR: Not Ranked)
14. Challengers (PR: 14) (E)
15. Blitz (PR: 13) (-2)
16. Barbie (PR: 12) (-4)
17. Napoleon (PR: 18) (+1)
18. Rustin (PR: 20) (+2)
19. Flint Strong (PR: 17) (-2)
20. Bob Marley: One Love (PR: 16) (-4)
21. The Nickel Boys (PR: 21) (E)
22. The Book of Clarence (PR: 22) (E)
23. The Killer (PR: 19) (-4)
24. Asteroid City (PR: 25) (+1)
25. Ferrari (PR: 23) (-2)
Dropped Out:
Strangers
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)
3. Blitz Bazawule, The Color Purple (PR: 4) (+1)
4. Celine Song, Past Lives (PR: 2) (-2)
5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 6) (E)
7. Emerald Fennell, Saltburn (PR: 7) (E)
8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)
9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)
10. Alexander Payne, The Holdovers (PR: 9) (-1)
11. Bradley Cooper, Maestro (PR: 13) (+2)
12. Ben Affleck, Air (PR: 11) (-1)
13. Ridley Scott, Napoleon (PR: 15) (+2)
14. Greta Gerwig, Barbie (PR: 10) (-4)
15. Steve McQueen, Blitz (PR: 12) (-3)
Dropped Out:
Todd Haynes, May December
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Emma Stone, Poor Things (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)
7. Carey Mulligan, Maestro (PR: 7) (E)
8. Zendaya, Challengers (PR: 8) (E)
9. Margot Robbie, Barbie (PR: 6) (-3)
10. Saoirse Ronan, Blitz (PR: 9) (-1)
11. Kate Winslet, Lee (PR: 11) (E)
12. Annette Bening, Nyad (PR: 12) (E)
13. Sandra Hüller, The Zone of Interest (PR: 13) (E)
14. Ryan Destiny, Flint Strong (PR: 14) (E)
15. Jane Levy, A Little Prayer (PR: Not Ranked)
Dropped Out:
Regina King, Shirley
Amy Adams, Nightbitch
Best Actor
Predicted Nominees:
1. Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Paul Giamatti, The Holdovers (PR: 4) (+1)
4. Barry Keoghan, Saltburn (PR: 3) (-1)
5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)
Other Possibilities:
6. Bradley Cooper, Maestro (PR: 5) (-1)
7. Teo Yoo, Past Lives (PR: 7) (E)
8. Cillian Murphy, Oppenheimer (PR: 6) (-2)
9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)
10. Joaquin Phoenix, Napoleon (PR: 10) (E)
11. David Strathairn, A Little Prayer (PR: Not Ranked)
12. Matt Damon, Air (PR: 9) (-3)
13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)
14. Mike Faist, Challengers (PR: 12) (-2)
15. John David Washington, The Piano Lesson (PR: 14) (-1)
Dropped Out:
Andrew Scott, Strangers
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Julianne Moore, May December (PR: 6) (+1)
Other Possibilities:
6. Viola Davis, Air (PR: 5) (-1)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)
9. Audra McDonald, Rustin (PR: 8) (-1)
10. Halle Bailey, The Color Purple (PR: Not Ranked)
11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)
12. Tilda Swinton, The Killer (PR: 10) (-2)
13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)
14. Jodie Foster, Nyad (PR: 14) (E)
15. Vanessa Kirby, Napoleon (PR: Not Ranked)
Dropped Out:
Claire Foy, Strangers
Rebecca Ferguson, Dune: Part Two
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)
2. Willem Dafoe, Poor Things (PR: 2) (E)
3. Colman Domingo, The Color Purple (PR: 10) (+7)
4. Charles Melton, May December (PR: 8) (+4)
5. John Magaro, Past Lives (PR: 3) (-2)
Other Possibilties:
6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)
7. Ryan Gosling, Barbie (PR: 6) (-1)
8. Richard E. Grant, Saltburn (PR: 11) (+3)
9. Ben Affleck, Air (PR: 7) (-2)
10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)
11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)
12. Mark Ruffalo, Poor Things (PR: 9) (-3)
13. Corey Hawkins, The Color Purple (PR: Not Ranked)
14. Glynn Turman, Rustin (PR: 15) (+1)
15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)
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