Blogger’s Note (01/15): Revision time! Taking Bad Boys for Life up to $45.6 million and 1917 down a bit at $34.4 million.
The four-day MLK weekend is upon us with two high profile titles competing with 2019 holdovers. We have Will Smith and Martin Lawrence back in action with Bad Boys for Life and Robert Downey Jr. headlining the family fantasy adventure Dolittle. You can peruse my detailed prediction posts on both here:
I do not see the box office battle occurring between the two newcomers. That’s because current champ 1917 is fresh off 10 Oscar nominations, great buzz, and a better than expected debut. This holiday weekend often sees holdovers experience very small drops. When you combine the Academy having just released their nominees, that bodes well for the Sam Mendes World War I epic. I’m projecting that it has a slight increase over its opening three day wide rollout.
That puts it in a dogfight with Bad Boys. I’ve got the threequel (coming nearly 25 after the original) in the high 30s and I’m giving it an ever so slight edge over the Academy contender.
Dolittle seems headed for trouble considering its reported $175 million budget. It has already premiered in overseas markets and struggled. Family audiences have had plenty to choose from lately and many may skip this one. My low to mid 20s forecast puts it at a distant third.
I do expect Just Mercy to have a slight increase despite Oscar voters ignoring it. It could feasibly vault over Star Wars: The Rise of the Skywalker in the five spot with Jumanji dropping from third to fourth.
And with that, my take on the frame ahead:
1. Bad Boys for Life
Predicted Gross: $45.6 million
2. 1917
Predicted Gross: $34.4 million
3. Dolittle
Predicted Gross: $22.3 million
4. Jumanji: The Next Level
Predicted Gross: $11.8 million
5. Just Mercy
Predicted Gross: $10.2 million
6. Star Wars: The Rise of Skywalker
Predicted Gross: $9.6 million
Box Office Results (January 10-12)
It was a terrific weekend for 1917 ahead of its double digits Oscar haul Monday morning. The pic took in $37 million, topping my $31.2 million prediction. As described above, its outlook ahead looks rosy.
Star Wars: The Rise of Skywalker fell to second after three weeks at #1 with $15.1 million compared to my $16.9 million estimate. The ninth official episode of the franchise stands at $478 million.
Jumanji: The Next Level was third with $14 million, under my $17 million take. Total is $257 million as it looks for a small slide this weekend.
Like a Boss with Tiffany Haddish had a muted start in fourth with $10 million. I was a bit higher at $12.4 million.
Just Mercy expanded nationwide in fifth with $9.7 million, right on target with my $9.8 million projection. With an A+ Cinemascore grade, it should play well over the next few weeks.
Little Women was sixth with $7.8 million and was unable to match my forecast of $10.3 million. The newly minted Best Picture nominee has grossed $74 million with the century mark within reach.
Finally, Kristen Stewart had her second big budget flop in a row (after Charlie’s Angels) as Underwater was seventh with $7 million. It did manage to outdo my prediction of $5.4 million.
Well, folks, the Oscar nominations were out bright and early this morning. Per usual, there were some genuine surprises and omissions that will have Twitter buzzing right up until the ceremony February 9th.
Readers of the blog know that I spend months trying to put the puzzle together on who and what will be nominated. My results today? Out of the 109 predictions made, 88 of them came to fruition. In the eight biggest categories, there were four that I got all nominees correct… including Best Picture. Truth be told, I’m pretty pleased with my results!
Before we break it down race by race, some general comments. As for movies that had a disappointing wakeup call, there were numerous entries that had possibilities in the major categories and beyond. Those left on the cutting room floor include Booksmart, Dolemite Is My Name, The Farewell, Uncut Gems, and Us. Another movie barely left standing was Rocketman. I had it pegged for five nominations, but it managed just a single mention in Original Song.
For the films that did make it in, Joker scored the most nominations (somewhat of a surprise) with 11 followed by The Irishman, 1917, and Once Upon a Time in Hollywood with 10 apiece.
With some of my analysis here, you’ll see strong indications on what my winner forecast might be. Expect that post to be up a couple of days before the ceremony.
And with that, let’s break it down!
Best Picture
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
How I Did: 9/9 (!)
Analysis: For Oscar prognosticators, just getting the correct number of films that are nominated is an accomplishment. It can fluctuate anywhere between 5 and 10. Nine felt correct for some time and I’ve had these ones predicted for several weeks. As for a winner, I feel six of them have at least decent to strong shots. I’m nowhere near ready to crown a victor.
Best Director
The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
How I Did: 4/5
Analysis: It was Phillips riding the Joker wave over Greta Gerwig for Little Women. Like Picture, this race feels wide open and it could come down to Joon-Ho vs. Mendes.
Best Actor
The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
How I Did: 4/5
Analysis: With so many contenders in the running, going 4 for 5 here feels like more of an accomplishment that naming the Best Pic nominees. It was Pryce getting a slot over Taron Egerton in Rocketman. Banderas and Pryce are first time nominees. It looks like Phoenix could sweep awards season and that gives him his first win.
Best Actress
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)
How I Did: 5/5 (!)
Analysis: 100% here and like Best Actor, there’s a strong front runner with Zellweger. If so, she’d pick up her second statue after being named Supporting Actress for 2003’s Cold Mountain.
Best Supporting Actor
The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
How I Did: 5/5 (!)
Analysis: What a list of legends we have here! There’s some interesting tidbits to share. Every nominee here has won an Oscar. Yet it’s been some time since most were nominated – Pesci since 1990 for GoodFellas, Pacino since 1992 for his double nod with Scent of a Woman and Glengarry Glen Ross, Hopkins since 1997 (Amistad), and rather shockingly, Hanks… who has his first nomination since 2000 with Cast Away. Pitt, on the other hand, is the most recent nominee for his acting (2011’s Moneyball). However, he’s the only one of the five to never win the Oscar for his performances (he does have an Oscar for producing 2013’s 12 Years a Slave). Got all that? And here’s the last word on that… Pitt seems destined to join their company in February as a winner.
Best Supporting Actress
The Nominees: Kathy Bates (Richard Jewell), Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)
How I Did: 4/5
Analysis: Now we get to the first genuine shocker and that’s Jennifer Lopez not being nominated for Hustlers. Bates takes her spot. Lopez was generally seen as close to a sure thing for recognition and I’ve had her listed at #2 behind Dern for weeks. This only helps Dern for her first podium walk.
Best Adapted Screenplay
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes
How I Did: 5/5 (!)
Analysis: This has looked like the final five for a while now and this could represent the best chance for a major win for The Irishman. That said, I wouldn’t count Jojo or Joker completely out.
Best Original Screenplay
The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
How I Did: 4/5
Analysis: No love for The Farewell here with 1917 getting in. Tarantino is a soft favorite over Marriage Story and Parasite.
Best Internation Feature Film
The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite
How I Did: 3/5
Les Mis, Pain, and Parasite were automatics. The last two spots were tricky to forecast and I had Atlantics and Those Who Remained instead. Honeyland pulled off a notable achievement by being named here and in Documentary. Bottom line: this is the easiest race of them all to project. It’s going to be Parasite.
Best Animated Feature
The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4
How I Did: 4/5
Analysis: Next big surprise as Disney’s Frozen II was frozen out with Klaus taking the spot. Toy Story 4 is the favorite, but I don’t discount the possibility of an upset here (with Dragon and Body as potential spoilers).
Best Documentary Feature
The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland
How I Did: 3/5
Analysis: The documentary branch is always unpredictable and that proved accurate this morning. Apollo 11 and One Child Nation were the two I had in over The Cave and The Edge of Democracy. Netflix’s American Factory (the first doc from Barack and Michelle Obama’s production company) appears to be the leader of the pack.
Best Cinematography
The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood
How I Did: 4/5
Analysis: I had Ford v Ferrari over Lighthouse. This looks to be a win for 1917.
Best Costume Design
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood
How I Did: 3/5
Analysis: Surprises here with Dolemite Is My Name and Rocketman being ignored in favor of The Irishman and Joker. I even thought the two I predicted had real shots at winning. This one could be between Women and Hollywood.
Best Film Editing
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite
How I Did: 4/5
Analysis: Now this one is interesting! I had Hollywood in and not Jojo. Why is Editing important? Of any category at the Oscars, a nomination here means a lot to the eventual Best Picture winner. The last movie to win the big prize and not be nominated for Editing is 2014’s Birdman. And that’s really an asterisk since it was filmed in one long continuous shot (though the same basically holds true for 1917). Before that, the last Best Picture winner recipient to not score a nod here? You have to go all the way back to 1980’s Ordinary People. In other words, the snub for Hollywood here could mean something. Perhaps it will be an outlier. Yet I feel it’s key for ballot guessers to know that only two BP winners haven’t been recognized here in the past 40 years…
Best Makeup and Hairstyling
The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917
How I Did: 3/5
Analysis: Hollywood and Rocketman out and Maleficent and 1917 in. Expect this to be the sole win for Bombshell.
Best Original Score
The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker
How I Did: 5/5 (!)
Analysis: Back to perfection! Joker has gotten the precursor love, but 1917 is a threat.
Best Original Song
The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “(I’m Gonna) Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet
How I Did: 3/5
Analysis: This category is a head scratcher. I had “Spirit” from The Lion King and “Glasgow” from Wild Rose in over the Toy Story and Breakthrough tracks. This should be a contest between Elton John’s Rocketman tune and the Frozen song. However, both films were significantly snubbed in other categories as mentioned above. The one thing I do know… this branch clearly loves tracks that begin with the letter I.
Best Production Design
The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite
How I Did: 4/5
Analysis: Had Little Women over Parasite. This could definitely be a W for Hollywood.
Best Sound Editing
The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker
How I Did: 4/5
Analysis: Had Avengers: Endgame over Joker. In both sound races, this should be between Ford and 1917.
Best Sound Mixing
The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood
How I Did: 3/5
Had Rocketman and Skywalker over Astra and Hollywood. See Sound Editing above.
Best Visual Effects
The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker
How I Did: 5/5 (!)
Analysis: I’m glad this category is last alphabetically so I can end on a high note! I lean Lion King, but that could change.
And that does it for my nominations recap! As stated, expect winner predictions shortly before February 9th!
After months and months of speculation, dozens of blog posts, and constant shifting around, these are my final predictions for the 2019 Oscars. There’s been thousands of words written about the races so I’ll keep it simple here.
The nominations are out Monday. I’m picking nine pictures to get recognition (there can be anywhere from 5 to 10 and 8-9 is usually the sweet spot). For each category, I’m also naming an alternate and second alternate.
Lastly, you can be sure come Monday that I’ll have a recap up with reaction and my results. Here we go folks!
Best Picture
1917
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time in Hollywood
Parasite
ALTERNATE – The Farewell
ALTERNATE 2 – Knives Out
Best Director
Greta Gerwig, Little Women
Bong Joon-Ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
ALTERNATE – Todd Phillips, Joker
ALTERNATE 2 – Noah Baumbach, Marriage Story
Best Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
ALTERNATE – Awkwafina, The Farewell
ALTERNATE 2 – Lupita Nyong’o, Us
Best Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time in Hollywood
Adam Driver, Marriage Story
Taron Egerton, Rocketman
Joaquin Phoenix, Joker
ALTERNATE – Christian Bale, Ford v Ferrari
ALTERNATE 2 – Jonathan Pryce, The Two Popes
Best Supporting Actress
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
ALTERNATE – Zhao Shuzhen, The Farewell
ALTERNATE 2 – Nicole Kidman, Bombshell
Best Supporting Actor
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
ALTERNATE – Song Kang-Ho, Parasite
ALTERNATE 2 – Jamie Foxx, Just Mercy
Best Adapted Screenplay
The Irishman
Jojo Rabbit
Joker
Little Women
The Two Popes
ALTERNATE – A Beautiful Day in the Neighborhood
ALTERNATE 2 – Hustlers
Best Original Screenplay
The Farewell
Knives Out
Marriage Story
Once Upon a Time in Hollywood
Parasite
ALTERNATE – 1917
ALTERNATE 2 – Uncut Gems
Best International Feature Film
Atlantics
Les Miserables
Pain and Glory
Parasite
Those Who Remained
ALTERNATE – Beanpole
ALTERNATE 2 – Honeyland
Best Animated Feature
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4
ALTERNATE – Klaus
ALTERNATE 2 – Abominable
Best Documentary Feature
American Factory
Apollo 11
For Sama
Honeyland
One Child Nation
ALTERNATE – Midnight Family
ALTERNATE 2 – Maiden
Best Cinematography
1917
Ford v Ferrari
The Irishman
Joker
Once Upon a Time in Hollywood
ALTERNATE – The Lighthouse
ALTERNATE 2 – Portrait of a Lady on Fire
Best Costume Design
Dolemite Is My Name
Jojo Rabbit
Little Women
Once Upon a Time in Hollywood
Rocketman
ALTERNATE – Downton Abbey
ALTERNATE 2 – The Irishman
Best Film Editing
Ford v Ferrari
The Irishman
Joker
Once Upon a Time in Hollywood
Parasite
ALTERNATE – 1917
ALTERNATE 2 – Marriage Story
Best Makeup and Hairstyling
Bombshell
Joker
Judy
Once Upon a Time in Hollywood
Rocketman
ALTERNATE – Maleficent: Mistress of Evil
ALTERNATE 2 – Dolemite Is My Name
Best Production Design
1917
The Irishman
Jojo Rabbit
Little Women
Once Upon a Time in Hollywood
ALTERNATE – Parasite
ALTERNATE 2 – Joker
Best Original Score
1917
Joker
Little Women
Marriage Story
Star Wars: The Rise of Skywalker
ALTERNATE – Ford v Ferrari
ALTERNATE 2 – Jojo Rabbit
Best Original Song
“Glasgow” from Wild Rose
“(I’m Gonna) Love Me Again” from Rocketman
“Into the Unknown” from Frozen II
“Spirit” from The Lion King
“Stand Up” from Harriet
ALTERNATE – “I’m Standing with You” from Breakthrough
ALTERNATE 2 – “A Glass of Soju” from Parasite
Best Sound Editing
1917
Avengers: Endgame
Ford v Ferrari
Once Upon a Time in Hollywood
Star Wars: The Rise of Skywalker
ALTERNATE – Joker
ALTERNATE 2 – Rocketman
Best Sound Mixing
1917
Ford v Ferrari
Joker
Rocketman
Star Wars: The Rise of Skywalker
ALTERNATE – Avengers: Endgame
ALTERNATE 2 – Once Upon a Time in Hollywood
Best Visual Effects
1917
Avengers: Endgame
The Irishman
The Lion King
Star Wars: The Rise of Skywalker
ALTERNATE – Alita: Battle Angel
ALTERNATE 2 – Gemini Man
And that means my final tally for pictures getting the following number of nominations goes like this:
11 Nominations
Once Upon a Time in Hollywood
9 Nominations
The Irishman
8 Nominations
1917, Joker, Little Women
6 Nominations
Marriage Story
5 Nominations
Ford v Ferrari, Jojo Rabbit, Parasite, Rocketman
4 Nominations
Star Wars: The Rise of Skywalker
3 Nominations
Bombshell
2 Nominations
Avengers: Endgame, Frozen II, Harriet, Judy, The Lion King, Pain and Glory, The Two Popes
1 Nomination
A Beautiful Day in the Neighborhood, American Factory Apollo 11, Atlantics, Dolemite Is My Name, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Those Who Remained, Toy Story 4, Wild Rose
Blogger’s Update (01/15): Revising prediction down to $22.3 million
Robert Downey Jr. can speak to animals in Dolittle, but will the film speak to family audiences when it opens next weekend? The pic takes the well known character (previously played by Rex Harrison and Eddie Murphy) and places him in a pricey $175 million budgeted adventure. Stephen Gaghan, known for directing the 2005 political thriller Syriana, is the rather surprising choice for behind the camera duties. Our marvelous cinematic Iron Man leads the human cast that also includes Harry Collett, Antonio Banderas, Michael Sheen, Jessie Buckley, and Jim Broadbent. Many familiar faces are responsible for voicing the animal cast. That list includes Emma Thompson, Rami Malek, John Cena, Kumail Nanjiani, Octavia Spencer, Tom Holland, Craig Robinson, Ralph Fiennes, Selena Gomez, and Marion Cotillard (four Oscar winners among them!).
Dolittle was slated to be released last spring before it underwent reportedly extensive reshoots. The release of a property like this with its budget and leading man in late January is a bit curious and perhaps concerning.
Opening over the long MLK weekend, Dolittle will be in a battle for first place with Bad Boys for Life. Gauging the box office prowess of Downey is tricky nowadays since he’s pretty much only been Tony Stark over the past several years (those movies sell themselves).
Family audiences have had plenty of titles to choose from in the past month including Star Wars: The Rise of Skywalker, Spies in Disguise, and Jumanji: The Next Level. All three should bring in decent amounts of cash over the long frame. However, even with shaky buzz, Dolittle should hit mid to high 20s over the four days and north of $30 million is feasible. That puts it in second position based on my Bad Boys forecast or perhaps even third behind the second frame of 1917.
Dolittle opening weekend prediction: $22.3 million (Friday to Monday estimate)
There are years when the Golden Globes don’t seem to have much of an impact on my Oscar predictions. That could still hold true at the end of the day, but last night’s ceremony did so and that especially applies to the Best Actor derby and my numeric rankings in general with other top races. Let us count the ways…
The surprising wins for 1917 as Best Drama and Sam Mendes as its director is a real story. The timing could not be more perfect as the World War I action drama opens wide this weekend. In Picture, it rises from 5th to 4th. For Mendes, he goes from 4th to 3rd and that’s at the expense of Martin Scorsese.
Joaquin Phoenix hits the #1 slot in the ultra competitive Best Actor competition over Adam Driver, who’s been first for many weeks. Perhaps more significantly, Taron Egerton’s victory over Leonardo DiCaprio and Eddie Murphy in the Musical/Comedy race at the Globes places in my predicted five for the first time (he goes from 10th to 5th!). I’ve also put Antonio Banderas back in and that means Robert De Niro and Jonathan Pryce are on the outside looking in.
In Original Screenplay, Quentin Tarantino vaults to #1 over Noah Baumbach.
And an important programming note… this is the last time you will see my weekly predictions for 2019 in this manner. With nominations out a week from today, I will have a FINAL predictions post up this weekend (likely Friday or perhaps Saturday). As of this moment, here’s how I have it all shaking out!
Best Picture
Predicted Nominees:
1. Once Upon a Time in Hollywood (Previous Ranking: 1)
2. Parasite (PR: 3)
3. The Irishman (PR: 2)
4. 1917 (PR: 5)
5. Marriage Story (PR: 4)
6. Joker (PR: 7)
7. Jojo Rabbit (PR: 6)
8. Ford v Ferrari (PR: 8)
9. Little Women (PR: 9)
Other Possibilities:
10. The Farewell (PR: 12)
11. Bombshell (PR: 11)
12. The Two Popes (PR: 10)
13. Knives Out (PR: 14)
14. Uncut Gems (PR: 15)
15. Pain and Glory (PR: 13)
Best Director
Predicted Nominees:
1. Bong Joon-Ho, Parasite (PR: 1)
2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)
3. Sam Mendes, 1917 (PR: 4)
4. Martin Scorsese, The Irishman (PR: 3)
5. Noah Baumbach, Marriage Story (PR: 5)
Other Possibilities:
6. Todd Phillips, Joker (PR: 6)
7. Greta Gerwig, Little Women (PR: 9)
8. James Mangold, Ford v Ferrari (PR: 7)
9. Taika Waititi, Jojo Rabbit (PR: 8)
10. Pedro Almodovar, Pain and Glory (PR: 10)
Best Actor
Predicted Nominees:
1. Joaquin Phoenix, Joker (PR: 2)
2. Adam Driver, Marriage Story (PR: 1)
3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 3)
4. Antonio Banderas, Pain and Glory (PR: 6)
5. Taron Egerton, Rocketman (PR: 10)
Other Possibilities:
6. Robert De Niro, The Irishman (PR: 4)
7. Jonathan Pryce, The Two Popes (PR: 5)
8. Christian Bale, Ford v Ferrari (PR: 7)
9. Adam Sandler, Uncut Gems (PR: 9)
10. Eddie Murphy, Dolemite Is My Name (PR: 8)
Best Actress
Predicted Nominees:
1. Renee Zellweger, Judy (PR: 1)
2. Scarlett Johansson, Marriage Story (PR: 2)
3. Charlize Theron, Bombshell (PR: 3)
4. Cynthia Erivo, Harriet (PR: 4)
5. Saoirse Ronan, Little Women (PR: 5)
Other Possibilities:
6. Awkwafina, The Farewell (PR: 6)
7. Lupita Nyong’o, Us (PR: 7)
8. Mary Kay Place, Diane (PR: 10)
9. Alfre Woodard, Clemency (PR: 8)
10. Ana de Armas, Knives Out (PR: 9)
Best Supporting Actor
Predicted Nominees:
1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)
2. Al Pacino, The Irishman (PR: 2)
3. Joe Pesci, The Irishman (PR: 3)
4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)
5. Anthony Hopkins, The Two Popes (PR: 5)
Other Possibilities:
6. Song Kang-Ho, Parasite (PR: 7)
7. Jamie Foxx, Just Mercy (PR: 6)
8. Willem Dafoe, The Lighthouse (PR: 8)
9. Alan Alda, Marriage Story (PR: 10)
10. Shia LaBeouf, Honey Boy (PR: 9)
Best Supporting Actress
Predicted Nominees:
1. Laura Dern, Marriage Story (PR: 1)
2. Jennifer Lopez, Hustlers (PR: 2)
3. Margot Robbie, Bombshell (PR: 3)
4. Scarlett Johansson, Jojo Rabbit (PR: 4)
5. Florence Pugh, Little Women (PR: 5)
Other Possibilities:
6. Nicole Kidman, Bombshell (PR: 6)
7. Shuzhen Zhao, The Farewell (PR: 7)
8. Annette Bening, The Report (PR: 8)
9. Kathy Bates, Richard Jewell (PR: 9)
10. Thomasin McKenzie, Jojo Rabbit (PR: 10)
Best Adapted Screenplay
Predicted Nominees:
1. The Irishman (PR: 1)
2. Jojo Rabbit (PR: 2)
3. Little Women (PR: 3)
4. Joker (PR: 5)
5. The Two Popes (PR: 4)
Other Possibilities:
6. A Beautiful Day in the Neighborhood (PR: 6)
7. Hustlers (PR: 7)
8. Just Mercy (PR: 8)
9. Dark Waters (PR: 10)
10. Richard Jewell (PR: 9)
Best Original Screenplay
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 2)
2. Marriage Story (PR: 1)
3. Parasite (PR: 3)
4. The Farewell (PR: 4)
5. Knives Out (PR: 5)
Other Possibilities:
6. 1917 (PR: 7)
7. Uncut Gems (PR: Not Ranked)
8. Pain and Glory (PR: 6)
9. Ford v Ferrari (PR: 8)
10. Bombshell (PR: 9)
Dropped Out:
Dolemite Is My Name
Best International Feature Film
Predicted Nominees:
1. Parasite (PR: 1)
2. Pain and Glory (PR: 2)
3. Les Miserables (PR: 3)
4. Corpus Christi (PR: 6)
5. Atlantics (PR: 4)
Other Possibilities:
6. Beanpole (PR: 7)
7. Those Who Remained (PR: 9)
8. The Painted Bird (PR: 5)
9. Honeyland (PR: 8)
10. Truth and Justice (PR: 10)
Best Animated Feature Film
Predicted Nominees:
1. Toy Story 4 (PR: 1)
2. Frozen II (PR: 2)
3. How to Train Your Dragon: The Hidden World (PR: 3)
4. I Lost My Body (PR: 4)
5. Missing Link (PR: 5)
Other Possibilities:
6. Funan (PR: 9)
7. Klaus (PR: 6)
8. Weathering with You (PR: 8)
9. Abominable (PR: 7)
10. Bunuel in the Labyrinth of the Turtles (PR: 10)
Best Documentary Feature
Predicted Nominees:
1. American Factory (PR: 1)
2. For Sama (PR: 3)
3. Apollo 11 (PR: 2)
4. One Child Nation (PR: 4)
5. Honeyland (PR: 5)
Other Possibilities:
6. The Cave (PR: 6)
7. Midnight Family (PR: 9)
8. Maiden (PR: Not Ranked)
9. The Biggest Little Farm (PR: 7)
10. The Edge of Democracy (PR: 8)
Dropped Out:
Knock Down the House
Best Cinematography
Predicted Nominees:
1. 1917 (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Joker (PR: 4)
4. The Irishman (PR: 3)
5. Portrait of a Lady on Fire (PR: 8)
Other Possibilities:
6. Ford v Ferrari (PR: 7)
7. The Lighthouse (PR: 6)
8. Parasite (PR: 5)
9. Little Women (PR: Not Ranked)
10. Marriage Story (PR: 9)
Dropped Out:
A Hidden Life
Best Costume Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 2)
3. Dolemite Is My Name (PR: 3)
4. Rocketman (PR: 4)
5. Downton Abbey (PR: 5)
Other Possibilities:
6. The Irishman (PR: 7)
7. Joker (PR: 8)
8. Jojo Rabbit (PR: 9)
9. Judy (PR: 6)
10. The Aeronauts (PR: 10)
Best Film Editing
Predicted Nominees:
1. Ford v Ferrari (PR: 1)
2. The Irishman (PR: 2)
3. Once Upon a Time in Hollywood (PR: 3)
4. Marriage Story (PR: 4)
5. Parasite (PR: 5)
Other Possibilities:
6. Joker (PR: 6)
7. 1917 (PR: 7)
8. Uncut Gems (PR: Not Ranked)
9. Jojo Rabbit (PR: 8)
10. Little Women (PR: Not Ranked)
Dropped Out:
Bombshell
Apollo 11
Best Makeup and Hairstyling
Predicted Nominees:
1. Bombshell (PR: 1)
2. Judy (PR: 3)
3. Joker (PR: 2)
4. Rocketman (PR: 5)
5. Once Upon a Time in Hollywood (PR: 4)
Other Possibilities:
6. Maleficent: Mistress of Evil (PR: 7)
7. Dolemite Is My Name (PR: 6)
8. 1917 (PR: 10)
9. Little Women (PR: 8)
10. Downton Abbey (PR: 9)
Best Original Score
Predicted Nominees:
1. 1917 (PR: 1)
2. Joker (PR: 2)
3. Marriage Story (PR: 4)
4. Little Women (PR: 3)
5. Star Wars: The Rise of Skywalker (PR: 6)
Other Possibilities:
6. Ford v Ferrari (PR: 5)
7. Motherless Brooklyn (PR: 7)
8. Jojo Rabbit (PR: 8)
9. The King (PR: Not Ranked)
10. Avengers: Endgame (PR: 9)
Dropped Out:
Pain and Glory
Best Original Song
Predicted Nominees:
1. “Into the Unknown” from Frozen II (PR: 1)
2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)
3. “Glasgow” from Wild Rose (PR: 4)
4. “Spirit” from The Lion King (PR: 5)
5. “Stand Up” from Harriet (PR: 3)
Other Possibilities:
6. “A Glass of Soju” from Parasite (PR: 7)
7. “Daily Battles” from Motherless Brooklyn (PR: 6)
8. “Letter to My Godfather” from The Black Godfather (PR: Not Ranked)
9. “I’m Standing with You” from Breakthrough (PR: 9)
10. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 8)
Dropped Out:
“Speechless” from Aladdin
Best Production Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. The Irishman (PR: 2)
3. Little Women (PR: 3)
4. 1917 (PR: 5)
5. Jojo Rabbit (PR: 7)
Other Possibilities:
6. Parasite (PR: 4)
7. Joker (PR: 6)
8. The Two Popes (PR: 10)
9. Downton Abbey (PR: 8)
10. Knives Out (PR: Not Ranked)
Dropped Out:
Ford v Ferrari
Best Sound Editing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Avengers: Endgame (PR: 4)
5. Ad Astra (PR: 8)
Other Possibilities:
6. Rocketman (PR: 5)
7. Once Upon a Time in Hollywood (PR: 6)
8. Joker (PR: 7)
9. The Irishman (PR: 9)
10. Us (PR: 10)
Best Sound Mixing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Rocketman (PR: 4)
4. Star Wars: The Rise of Skywalker (PR: 6)
5. Avengers: Endgame (PR: 3)
Other Possibilities:
6. Once Upon a Time in Hollywood (PR: 5)
7. Ad Astra (PR: 7)
8. Joker (PR: 8)
9. The Irishman (PR: 9)
10. Us (PR: 10)
Best Visual Effects
Predicted Nominees:
1. The Lion King (PR: 1)
2. Avengers: Endgame (PR: 2)
3. The Irishman (PR: 4)
4. Star Wars: The Rise of Skywalker (PR: 3)
5. 1917 (PR: 5)
Other Possibilities:
6. Gemini Man (PR: 7)
7. Alita: Battle Angel (PR: 6)
8. Terminator: Dark Fate (PR: 8)
9. Captain Marvel (PR: 9)
10. Cats (PR: 10)
And that equates to these pictures garnering the following numbers for nominations:
10 Nominations
Once Upon a Time in Hollywood
9 Nominations
The Irishman
8 Nominations
1917, Marriage Story
7 Nominations
Little Women
6 Nominations
Joker
5 Nominations
Parasite, Rocketman
4 Nominations
Ford v Ferrari, Jojo Rabbit, Star Wars: The Rise of Skywalker
3 Nominations
Avengers: Endgame, Bombshell
2 Nominations
Frozen II, Harriet, Judy, The Lion King, Pain and Glory, The Two Popes
1 Nomination
A Beautiful Day in the Neighborhood, Ad Astra, American Factory, Apollo 11, Atlantics, Corpus Christi, Dolemite Is My Name, Downton Abbey, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Portrait of a Lady on Fire, Toy Story 4, Wild Rose
Fresh off its surprising Best Drama win last night at the Golden Globes, World War I epic 1917 appears to have the benefit of great timing as it opens wide Friday. We have three other newcomers in the mix with the Michael B. Jordan/Jamie Foxx legal drama Just Mercy, Tiffany Haddish/Rose Byrne comedy Like a Boss, and Kristen Stewart led sci-fi horror pic Underwater. You can peruse my detailed prediction posts on the quartet here:
1917 has performed impressively in two weeks of limited release and the awards cred should only help. My projection last week put in the mid 20s and I’ve revised up to low 30s. That would easily put it in first, ending the three-week reign of Star Wars: The Rise of Skywalker.
Both Mercy and Boss could see grosses in the low double digits to low teens. I do feel both have the potential to over perform. That said, Mercy has lacked the Oscar buzz that 1917 has and Haddish’s previous comedic starring vehicle Nobody’s Fool did so-so with $14 million for its start. As for Underwater, despite a considerable reported budget of $80 million, this looks like a massive flop. My measly $5.4 million estimate leaves it well outside the top five and marks the second costly flop for Stewart in a row after Charlie’s Angels.
There might be shades of January 2018 happening with two particular holdovers. That’s when Jumanji: Welcome to the Jungle experienced much smaller declines than Star Wars: The Last Jedi and the two films switched positions. I expect that to occur now with The Next Level staying in second and Skywalker falling to third (though I have it about as close as can be).
And with that, my top 6 outlook:
1. 1917
Predicted Gross: $31.8 million
2. Jumanji: The Next Level
Predicted Gross: $17 million
3. Star Wars: The Rise of Skywalker
Predicted Gross: $16.9 million
4. Like a Boss
Predicted Gross: $12.4 million
5. Little Women
Predicted Gross: $10.3 million
6. Just Mercy
Predicted Gross: $9.8 million
Box Office Results (January 3-5)
2020 started off as 2019 closed with Star Wars: The Rise of Skywalker in first. The ninth official episode of the franchise fell over 50% to $34.5 million, right on pace with my $34.4 million prediction. The total stands at $451 million.
Jumanji: The Next Level remained second with a considerably smaller dip at $26.2 million, a bit ahead of my $23.8 million projection. It’s up to $235 million and has another week of non threatening competition until Dolittle arrives.
Little Women had a terrific sophomore hold in third with $13.6 million (I said $12.1 million). The two week tally is $60 million as it seems destined to hit the century mark.
Frozen II was fourth with $11.8 million, in range with my $11.6 million forecast. The Disney behemoth is now at $450 million.
Finally, the year’s first wide release was The Grudge. The horror reboot was a dud with critics and audiences. The latter gave it an unprecedented F Cinemascore grade. Opening in fifth and making $11.4 million, it did manage to top my $10.2 million take. And considering it only cost a reported $10 million to produce, don’t feel too bad for Sony. Based on word of mouth, I expect it to fall off a cliff next weekend.
We talk about the Star Wars franchise the same way we speak of politics or sports. With passion and fervent opinions and disagreements. Perhaps we are giving it too much credit, but it’s become an American cinematic pastime. No group of films has inspired as much thought and re-thought. So we arrive at the ninth episode, The Rise of Skywalker, with all that baggage and more. After all, this one is tasked with closing out the saga that began at a time far, far away in 1977. Returning to direct with that weight on his shoulders is J.J. Abrams, who kickstarted the series for new owner Disney four years ago with The Force Awakens.
He does so two years following The Last Jedi from Rian Johnson, which sharply divided fans and critics by going in unexpected directions. Even Luke Skywalker himself, Mark Hamill, didn’t jive with the choices Johnson made with his character shuddered on an island and not wishing to utilize his Jedi skills. That was one compliant from some diehard fans, among others. You could say they had their knives out for it, so to speak.
I found The Last Jedi to be flawed and disjointed, but also filled with great moments. There aren’t many of them here in Skywalker. As I ponder it, episodes VII-IX do follow a similar arc as the iconic I-III. The Force Awakens was tasked with introducing new and exciting characters from these galaxies. It also had to mix in Luke and Leia and Han Solo and Chewie. I felt, for the most part, that it did so successfully. That especially applies to Rey (Daisy Ridley) and Kylo Ren (Adam Driver). In fact, their little therapy sessions from The Last Jedi were highlights of the whole trilogy. The common critique of Awakens is that it was a rehash of the first Star Wars. While this is with some merit, it didn’t take away my immense enjoyment of it.
As mentioned, The Last Jedi was more of a mixed bag. Yet with Johnson’s sometimes confounding but often daring choices, it was also the boldest. This is where a comparison with 1980’s The Empire Strikes Back seems fair. Don’t get me wrong. It’s nowhere in its league, but it did take what happened in the predecessor and take it in unexpected directions.
And now The Last Skywalker. Like 1983’s Return of the Jedi, this trilogy finale has to wrap it all up. Allow me to throw in this disclaimer – I don’t hold Return of the Jedi anywhere near the regards of what came before it. While I feel there are terrific moments, there’s a lot that didn’t work me and not just the Ewoks. It often felt a little tired and unsure of what to do with itself for a chunk of the running time. That applies to Skywalker and there’s aren’t as many terrific moments.
The similarities don’t end on just a quality level. Ultimately, the main plot here finds Rey facing a choice of whether to stay a Jedi or follow her lineage to the dark side… just as Luke did in Jedi. By the way, those lineage inquiries are addressed. Another complaint in Rian Johnson’s script was how he handled that aspect. Rey’s supporting cast is around with Finn (John Boyega) and Poe (Oscar Isaac) marshaling support to take on Kylo. And as the trailer suggested, Emperor Palpatine (Ian McDiarmid) is back in the mix, too. So is Billy Dee Williams as cocky fighter pilot Lando. His return isn’t exactly as pined for as what we got with Luke, Leia, and Han. As for Leia, Carrie Fisher does return utilizing unused footage from Awakens and Last Jedi. It’s handled delicately.
There are new players with Richard E. Grant joining Domhnall Gleeson as one of Kylo’s top lieutenants. Abrams throws some small parts to Keri Russell and Dominic Monaghan (who both starred in his TV shows). The short shrift is given to Rose (Kelly Marie Tran), who had more of a presence in Last Jedi, but is basically ignored. That’s not exactly a problem as this is the Rey and Kylo show. Once again, both Ridley and Driver’s performances are first rate. Truth be told, though, Johnson wrote their dynamic better the last time around.
For the major detractors of The Last Jedi, perhaps this episode will feel like a return to Star Wars normalcy. I’m happy to listen to an argument that Johnson’s effort pairs well with the return of Abrams, but it would take lots of convincing. Skywalker often reeks of a course correction. This is becoming more common with franchises. We just saw Terminator: Dark Fate ignore the three pictures ahead of it. The X-Men series had to get creative with their timeline and do away with it under specific circumstances.
Those franchises aren’t Star Wars. The meeting between Han Solo and his son Kylo in The Force Awakens was a memorable, emotional, and surprising one. Whatever Mark Hamill and others might think about his treatment in The Last Jedi, a brief reunion with his sister in it was marvelous. In Skywalker, Abrams goes for a lot of those moments. And it felt, well, forced. The visual splendor and incredible production design (and the rousing John Williams score) is intact. A few scenes with Rey and Kylo work. Ultimately, I suspect my feelings about The Rise of Skywalker will be somewhat similar to Return of the Jedi – as an inferior product to its two predecessors.
Blogger’s Note (01/02): On the eve of its premiere, I’m revising my Grudge estimate down to $10.2 million for a fifth place showing.
As 2020 comes before us on the box office front, the year should begin as 2019 ended with Star Wars: The Rise of Skywalker and Jumanji: The Next Level topping the charts. There is only one newcomer this weekend as horror reboot The Grudge debuts and you can peruse my detailed prediction post on it here:
We have seen scary movies perform very well in this weekend in recent history. However, I’m skeptical that The Grudge gets to the teens. That could put it in a battle for third place with the sophomore frame of Little Women and Disney’s Frozen II. I’m giving the newbie a slight edge.
For the returning sequels in the 1-2 positions, it will fascinating to see the drop of Skywalker in weekend #3. It didn’t match my Christmas expectations and a dip of over 50% seems quite feasible. The fall for Jumanji shouldn’t be near as pronounced as it should continue to leg out admirably like its 2017 predecessor did.
And with that, my vision for 2020’s first weekend:
1. Star Wars: The Rise of Skywalker
Predicted Gross: $34.4 million
2. Jumanji: The Next Level
Predicted Gross: $23.8 million
3. Little Women
Predicted Gross: $12.1 million
4. Frozen II
Predicted Gross: $11.6 million
5. The Grudge
Predicted Gross: $10.2 million
Box Office Results (December 27-29)
There was no question that Star Wars would maintain its #1 perch atop the charts, but the ninth episode (with mixed reaction from critics and crowds) certainly didn’t hit my numbers. Skywalker made $72.3 million and that’s considerably below my $92 million estimate. In two weeks, it’s running just behind where The Last Jedi was at two years ago. However, I expect that to change this weekend when it loses more than half its audience.
Jumanji: The Next Level was second with $35.3 million, in line with my $37.5 million projection. The total is $175 million.
Frozen II was third with $16.8 million, a tad under my $18 million prediction as its gargantuan gross has hit $421 million.
Little Women had the honor of being the best performing Christmas opener in fourth place. The Greta Gerwig directed Oscar contender made $16.7 million over the traditional weekend and $29.2 million since its Wednesday start. That’s pretty close to respective estimates of $14.8 million and $28.7 million. Look for this one to hold well with solid word-of-mouth.
The animated Spies in Disguise opened in fifth with $13.3 million from Friday to Sunday and I was on target with a projection of $13.6 million. Since Wednesday, it’s made $22.2 million and I was more generous at $27.4 million.
Finally, Adam Sandler’s critically acclaimed Uncut Gems shone brightly in seventh with a better than expected $9.5 million over the regular weekend and $18.8 million since Wednesday. That’s well over my takes of $5.7 million and $11 million. Factoring in its limited release dollars, it’s up to $21 million.
And that does it for now, folks! Happy New Year and until next time…
There are two weeks to go before Oscar nominations come out and it’s been two weeks since I’ve updated my predictions. There’s not much in the way of major movement in the top races, but the numbers have shifted in some cases. Let’s break it down:
In Picture, Once Upon a Time in Hollywood vaults to #1 in what looks like a three-way competition between it, The Irishman, and Parasite.
Bong-Joon Ho rises to first in Director over Tarantino and Scorsese.
There is a change in Actor as Jonathan Pryce is back in over Antonio Banderas. Pain and Glory takes another hit in Original Screenplay as I’ve taken it out and put Knives Out back in.
Check in later this week for my predictions on winners for the Golden Globes, which airs this Sunday. The plan is to have Oscar predictions next Monday and then a post up on Saturday (January 11) with final predictions on the races.
Best Picture
Predicted Nominees:
1. Once Upon a Time in Hollywood (Previous Ranking: 2)
2. The Irishman (PR: 1)
3. Parasite (PR: 3)
4. Marriage Story (PR: 4)
5. 1917 (PR: 5)
6. Jojo Rabbit (PR: 6)
7. Joker (PR: 7)
8. Ford v Ferrari (PR: 8)
9. Little Women (PR: 9)
Other Possibilities:
10. The Two Popes (PR: 10)
11. Bombshell (PR: 11)
12. The Farewell (PR: 12)
13. Pain and Glory (PR: 13)
14. Knives Out (PR: 13)
15. Uncut Gems (PR: 14)
Dropped Out:
Rocketman
Best Director
Predicted Nominees:
1. Bong Joon-Ho, Parasite (PR: 2)
2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 3)
3. Martin Scorsese, The Irishman (PR: 1)
4. Sam Mendes, 1917 (PR: 4)
5. Noah Baumbach, Marriage Story (PR: 5)
Other Possibilities:
6. Todd Phillips, Joker (PR: 6)
7. James Mangold, Ford v Ferrari (PR: 7)
8. Taika Waititi, Jojo Rabbit (PR: 9)
9. Greta Gerwig, Little Women (PR: 8)
10. Pedro Almodovar, Pain and Glory (PR: Not Ranked)
Dropped Out:
Ben and Josh Safdie, Uncut Gems
Best Actor
Predicted Nominees:
1. Adam Driver, Marriage Story (PR: 1)
2. Joaquin Phoenix, Joker (PR: 2)
3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 3)
4. Robert De Niro, The Irishman (PR: 5)
5. Jonathan Pryce, The Two Popes (PR: 7)
Other Possibilities:
6. Antonio Banderas, Pain and Glory (PR: 4)
7. Christian Bale, Ford v Ferrari (PR: 6)
8. Eddie Murphy, Dolemite Is My Name (PR: 10)
9. Adam Sandler, Uncut Gems (PR: 8)
10. Taron Egerton, Rocketman (PR: 9)
Best Actress
Predicted Nominees:
1. Renee Zellweger, Judy (PR: 1)
2. Scarlett Johansson, Marriage Story (PR: 2)
3. Charlize Theron, Bombshell (PR: 3)
4. Cynthia Erivo, Harriet (PR: 4)
5. Saoirse Ronan, Little Women (PR: 5)
Other Possibilities:
6. Awkwafina, The Farewell (PR: 7)
7. Lupita Nyong’o, Us (PR: 6)
8. Alfre Woodard, Clemency (PR: 8)
9. Ana de Armas, Knives Out (PR: Not Rankled)
10. Mary Kay Place, Diane (PR: 9)
Dropped Out:
Elisabeth Moss, Her Smell
Best Supporting Actor
Predicted Nominees:
1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)
2. Al Pacino, The Irishman (PR: 2)
3. Joe Pesci, The Irishman (PR: 3)
4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)
5. Anthony Hopkins, The Two Popes (PR: 5)
Other Possibilities:
6. Jamie Foxx, Just Mercy (PR: 7)
7. Song Kang-Ho, Parasite (PR: 6)
8. Willem Dafoe, The Lighthouse (PR: 8)
9. Shia LaBeouf, Honey Boy (PR: 9)
10. Alan Alda, Marriage Story (PR: Not Ranked)
Dropped Out:
Taika Waititi, Jojo Rabbit
Best Supporting Actress
Predicted Nominees:
1. Laura Dern, Marriage Story (PR: 1)
2. Jennifer Lopez, Hustlers (PR: 2)
3. Margot Robbie, Bombshell (PR: 3)
4. Scarlett Johansson, Jojo Rabbit (PR: 5)
5. Florence Pugh, Little Women (PR: 4)
Other Possibilities:
6. Nicole Kidman, Bombshell (PR: 9)
7. Zhao Shuzhen, The Farewell (PR: 6)
8. Annette Bening, The Report (PR: 7)
9. Kathy Bates, Richard Jewell (PR: 8)
10. Thomasin McKenzie, Jojo Rabbit (PR: Not Ranked)
Dropped Out:
Jo Yeo-Jeong, Parasite
Best Adapted Screenplay
Predicted Nominees:
1. The Irishman (PR: 1)
2. Jojo Rabbit (PR: 2)
3. Little Women (PR: 3)
4. The Two Popes (PR: 4)
5. Joker (PR: 5)
Other Possibilities:
6. A Beautiful Day in the Neighborhood (PR: 6)
7. Hustlers (PR: 7)
8. Just Mercy (PR: 8)
9. Richard Jewell (PR: 9)
10. Dark Waters (PR: 10)
Best Original Screenplay
Predicted Nominees
1. Marriage Story (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 3)
4. The Farewell (PR: 4)
5. Knives Out (PR: 6)
Other Possibilities:
6. Pain and Glory (PR: 5)
7. 1917 (PR: 8)
8. Ford v Ferrari (PR: 9)
9. Bombshell (PR: 7)
10. Dolemite Is My Name (PR: Not Ranked)
Dropped Out:
Uncut Gems
Best International Feature Film
Predicted Nominees:
1. Parasite (PR: 1)
2. Pain and Glory (PR: 2)
3. Les Miserables (PR: 3)
4. Atlantics (PR: 4)
5. The Painted Bird (PR: 9)
Other Possibilities:
6. Corpus Christi (PR: 7)
7. Beanpole (PR: 5)
8. Honeyland (PR: 8)
9. Those Who Remained (PR: 6)
10. Truth and Justice (PR: 10)
Best Animated Feature
Predicted Nominees:
1. Toy Story 4 (PR: 1)
2. Frozen II (PR: 2)
3. How to Train Your Dragon: The Hidden World (PR: 3)
4. I Lost My Body (PR: 4)
5. Missing Link (PR: 5)
Other Possibilities:
6. Klaus (PR: 8)
7. Abominable (PR: 6)
8. Weathering with You (PR: 7)
9. Funan (PR: 10)
10. Bunuel in the Labyrinth of the Turtles (PR: 9)
Best Documentary Feature
Predicted Nominees:
1. American Factory (PR: 1)
2. Apollo 11 (PR: 2)
3. For Sama (PR: 4)
4. One Child Nation (PR: 3)
5. Honeyland (PR: 5)
Other Possibilities:
6. The Cave (PR: 6)
7. The Biggest Little Farm (PR: 8)
8. The Edge of Democracy (PR: 7)
9. Midnight Family (PR: Not Ranked)
10. Knock Down the House (PR: Not Ranked)
Dropped Out:
Maiden
Aquarela
Best Cinematography
Predicted Nominees:
1. 1917 (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. The Irishman (PR: 4)
4. Joker (PR: 3)
5. Parasite (PR: 5)
Other Possibilities:
6. The Lighthouse (PR: 6)
7. Ford v Ferrari (PR: 8)
8. Portrait of a Lady on Fire (PR: 7)
9. Marriage Story (PR: Not Ranked)
10. A Hidden Life (PR: 9)
Dropped Out:
Ad Astra
Best Costume Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 2)
3. Dolemite Is My Name (PR: 3)
4. Rocketman (PR: 4)
5. Downton Abbey (PR: 5)
Other Possibilities:
6. Judy (PR: 7)
7. The Irishman (PR: 6)
8. Joker (PR: Not Ranked)
9. Jojo Rabbit (PR: 8)
10. The Aeronauts (PR: 10)
Dropped Out:
Cats
Best Film Editing
Predicted Nominees:
1. Ford v Ferrari (PR: 2)
2. The Irishman (PR: 1)
3. Once Upon a Time in Hollywood (PR: 3)
4. Marriage Story (PR: 6)
5. Parasite (PR: 5)
Other Possibilities:
6. Joker (PR: 7)
7. 1917 (PR: 4)
8. Jojo Rabbit (PR: 8)
9. Bombshell (PR: 9)
10. Apollo 11 (PR: Not Ranked)
Dropped Out:
Knives Out
Best Makeup and Hairstyling
Predicted Nominees:
1. Bombshell (PR: 1)
2. Joker (PR: 3)
3. Judy (PR: 2)
4. Once Upon a Time in Hollywood (PR: 6)
5. Rocketman (PR: 8)
Other Possibilities:
6. Dolemite Is My Name (PR: 4)
7. Maleficent: Mistress of Evil (PR: 10)
8. Little Women (PR: 7)
9. Downton Abbey (PR: 4)
10. 1917 (PR: 9)
Best Original Score
Predicted Nominees:
1. 1917 (PR: 1)
2. Joker (PR: 5)
3. Little Women (PR: 3)
4. Marriage Story (PR: 4)
5. Ford v Ferrari (PR: 6)
Other Possibilities:
6. Star Wars: The Rise of Skywalker (PR: 2)
7. Motherless Brooklyn (PR: 10)
8. Jojo Rabbit (PR: 8)
9. Avengers: Endgame (PR: 9)
10. Pain and Glory (PR: Not Ranked)
Dropped Out:
Us
Best Original Song
Predicted Nominees:
1. “Into the Unknown” from Frozen II (PR: 1)
2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)
3. “Stand Up” from Harriet (PR: 3)
4. “Glasgow” from Wild Rose (PR: 5)
5. “Spirit” from The Lion King (PR: 4)
Other Possibilities:
6. “Daily Battles” from Motherless Brooklyn (PR: 6)
7. “A Glass of Soju” from Parasite (PR: 9)
8. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 8)
9. “I’m Standing with You” from Breakthrough (PR: 10)
10. “Speechless” from Aladdin (PR: 7)
Best Production Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. The Irishman (PR: 4)
3. Little Women (PR: 3)
4. Parasite (PR: 6)
5. 1917 (PR: 2)
Other Possibilities:
6. Joker (PR: 5)
7. Jojo Rabbit (PR: 7)
8. Downton Abbey (PR: 8)
9. Ford v Ferrari (PR: 9)
10. The Two Popes (PR: 10)
Best Sound Editing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Avengers: Endgame (PR: 5)
5. Rocketman (PR: 6)
Other Possibilities:
6. Once Upon a Time in Hollywood (PR: 7)
7. Joker (PR: 4)
8. Ad Astra (PR: 9)
9. The Irishman (PR: 8)
10. Us (PR: Not Ranked)
Dropped Out:
John Wick: Chapter 3 – Parabellum
Best Sound Mixing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Avengers: Endgame (PR: 5)
4. Rocketman (PR: 4)
5. Once Upon a Time in Hollywood (PR: 7)
Other Possibilities:
6. Star Wars: The Rise of Skywalker (PR: 3)
7. Ad Astra (PR: 10)
8. Joker (PR: 6)
9. The Irishman (PR: 8)
10. Us (PR: Not Ranked)
Dropped Out:
Cats
Best Visual Effects
Predicted Nominees:
1. The Lion King (PR: 4)
2. Avengers: Endgame (PR: 3)
3. Star Wars: The Rise of Skywalker (PR: 2)
4. The Irishman (PR: 1)
5. 1917 (PR: 5)
Other Possibilities:
6. Alita: Battle Angel (PR: 6)
7. Gemini Man (PR: 7)
8. Terminator: Dark Fate (PR: 10)
9. Captain Marvel (PR: 8)
10. Cats (PR: 9)
And that equates to these films getting the following numbers of nods:
11 Nominations
Once Upon a Time in Hollywood
10 Nominations
The Irishman
8 Nominations
1917, Marriage Story
7 Nominations
Little Women, Parasite
6 Nominations
Joker
5 Nominations
Ford v Ferrari, Rocketman
3 Nominations
Avengers: Endgame, Bombshell, Jojo Rabbit, The Two Popes
2 Nominations
Frozen II, Harriet, Judy, The Lion King, Star Wars: The Rise of Skywalker
1 Nomination
A Beautiful Day in the Neighborhood, American Factory, Apollo 11, Atlantics, Dolemite Is My Name, Downton Abbey, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Pain and Glory, The Painted Bird, Toy Story 4, Wild Rose
It is Christmastime at the box office and multiplexes are offering three new debuts: Greta Gerwig’s adaptation of Little Women, animated action comedy Spies in Disguise with Will Smith and Tom Holland, and the nationwide expansion of Adam Sandler’s critically heralded crime thriller Uncut Gems. You can peruse my detailed prediction posts on all three here:
The holiday falling on a Wednesday makes things quite interesting. For the newbies, you can generally assume the Wednesday and Thursday combined numbers (they all open on Christmas) will roughly equal the Friday to Sunday earnings. I have Women and Spies each in the low teens for the traditional weekend and that means high 20s for the five-day rollouts. I wouldn’t be shocked to see either of them take in a bit more. As for Gems, I believe it could struggle a bit in its wide berth even though it’s posted impressive grosses in limited fashion. My $5.7 million Friday to Sunday projection and $11 million Wednesday to Sunday estimate puts it outside the top five. The other premieres are slated for the four and five spots.
That’s because the current top three may just stay the same. The question isn’t whether Star Wars: The Rise of Skywalker stays #1 (it will), but how much it falls in the sophomore frame. Predecessor The Last Jedi plummeted a steep 67% two years ago, but the days of the week for this holiday makes a difference. I’ll project it loses less than half its audience and manages to be in the low 90s range.
Other holdovers around this time of year see increases and I expect that to be the case with family flicks Jumanji: The Next Level and Frozen II. And with that, my Yuletide take on what I expect:
1. Star Wars: The Rise of Skywalker
Predicted Gross: $92 million
2. Jumanji: The Next Level
Predicted Gross: $37.5 million
3. Frozen II
Predicted Gross: $18 million
4. Little Women
Predicted Gross: $14.8 million (Friday to Sunday); $28.7 million (Wednesday to Sunday)
5. Spies in Disguise
Predicted Gross: $13.6 million (Friday to Sunday); $27.4 million (Wednesday to Sunday)
Box Office Results (December 20-22)
Rare is the picture that can take in more than $175 million out of the gate and be considered somewhat of a letdown. Such is the case with Star Wars: The Rise of Skywalker. Suffering a very mixed reaction from critics and even audiences, the ninth official episode in the massive franchise made $177.3 million. That’s under my forecast of $191.4 million and 19% less than what The Last Jedi achieved in 2017. It’s $80 million lower than the haul of The Force Awakens four years ago. As mentioned above, I do anticipate its hold to be sturdier than Jedi. For the weekends that follow, it may not be so lucky.
Jumanji: The Next Level dropped to second with $26.5 million, right on target with my $26.8 million prediction. The sequel crossed the century mark after ten days with $102 million. Expect an uptick as family crowds continue to turn out.
Frozen II was third with $12.9 million (I said $11 million) as the Disney sequel has amassed a hot $387 million.
Use whatever bad pun you wish as Cats had an embarrassing opening in fourth. Reviled by critics and with a rank Cinemascore C+ grade, the musical earned just $6.6 million. That’s well under my $14.5 million projection. This is truly an example where word-of-mouth made a difference.
Knives Out was fifth and I incorrectly had it outside the top five. It earned $6.5 million and is up to $89 million.
Finally, the Fox News expose opened wide and came in below estimates with $5.1 million (I was higher at $6.9 million). Despite some Oscar chatter, this didn’t break out. It will hope for meager declines as the awards season continues.
And that does it for now, folks! Wishing you a Happy Holidays and until next time…
All My Life... I Wanted To Be A Blogster 