In what Hollywood is hoping looks more like a traditional summer season, it’s the MCU kicking it off with Doctor Strange in the Multiverse of Madness. The 28th feature in the biggest franchise of all is technically the follow-up to 2016’s Doctor Strange with Benedict Cumberbatch in the title role. It is, however, the character’s sixth appearance overall in the cinematic universe with the most recent being December’s massive Spider-Man: No Way Home.
Speaking of Spidey, Sam Raimi, maker of Tobey Maguire’s 2002-2007 trilogy, directs (taking over from Scott Derrickson). Costars back in the mix are Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Michael Stuhlbarg, and Rachel McAdams. Newcomers to the MCU include Xochitl Gomez and Patrick Stewart (in an undisclosed role that could turn out to be quite familiar).
Madness has the big advantage of following a juggernaut in No Way Home. That has served as an advantage to other MCU properties. For instance, Captain Marvel in 2019 was the follow-up to Avengers: Endgame and it made $153 million out of the gate. That was slightly better than the Guardians of the Galaxy sequel from two years earlier. Assisting Multiverse is that the good Doctor had a sizable part in the previous Spidey adventure.
Five and a half years ago, the first Strange took in $85 million for its start with an eventual domestic haul of $232 million. In the MCU world, it’s way more normal for sequels to outdo their predecessors and that will certainly apply here. It should have no trouble achieving the largest premiere for 2022 – currently held by The Batman at $134 million.
No one is really thinking this will approach the $260 million weekend of No Way Home, but $200 million is definitely feasible. Underestimating the MCU is usually not wise so I’ll say it hits that mark. My projection would get it the 7th largest domestic debut of all time (right behind Jurassic World and just ahead of The Avengers).
Doctor Strange in the Multiverse of Madness opening weekend prediction: $208.5 million
Sony and Marvel are hoping there’s plenty of buyers in the Morbius club as the dark superhero tale finally premieres on April 1st. Led by Jared Leto in the title vampiric role, Daniel Espinosa directs with a supporting cast including Matt Smith, Adria Arjona, Al Madrigal, and Tyrese Gibson.
This is the third entry in Sony’s Spider-Man Universe after the two Venom flicks from 2018 and last year. Both of them were massive hits and, of course, we are on the heels of Spider-Man: No Way Home being the third largest domestic earner in history.
Morbius was originally set for release all the way back in summer of 2020 before its numerous COVID related delays. Shot for a reported $75 million, it should have no trouble making its money back (especially when including international grosses). Yet I’m skeptical it approaches the $80 million that Venom started with or $90 million that its sequel earned out of the gate a few months back.
Estimates are in the $40-$50 million range and my hunch is that projecting a debut in the middle end of that range is the call.
And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.
These are my final picks for the races covering feature films. Will the Best Picture be CODA?
Or The Power of the Dog?
We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.
Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?
For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.
Let’s get to it! On Sunday evening, you will see a recap with how I performed…
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Commentary:
Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…
However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.
We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.
I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
Commentary:
This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.
PREDICTED WINNER:
Jane Campion, The Power of the Dog
Runner-Up:
Steven Spielberg, West Side Story
Best Actress
Nominees:
Jessicas Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Commentary:
Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.
PREDICTED WINNER:
Jessica Chastain, The Eyes of Tammy Faye
Riunner-Up:
Kristen Stewart, Spencer
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.
PREDICTED WINNER:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Commentary:
Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.
PREDICTED WINNER:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.
PREDICTED WINNER:
Troy Kotsur, CODA
Runner-Up:
Kodi Smit-McPhee, The Power of the Dog
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Commentary:
Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).
PREDICTED WINNER:
Belfast
Runner-Up:
Licorice Pizza
Best Adapted Screenplay
Nominees
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Commentary:
CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Commentary:
I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.
PREDICTED WINNER:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Commentary:
This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.
PREDICTED WINNER:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Commentary:
With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.
PREDICTED WINNER:
Summer of Soul
Runner-Up:
Flee
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Commentary:
Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.
PREDICTED WINNER:
Cruella
Runner-Up:
Dune
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
tick, tick… Boom!
Commentary:
Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.
PREDICTED WINNER:
Dune
Runner-Up:
King Richard
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Commentary:
Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.
PREDICTED WINNER:
The Eyes of Tammy Faye
Runner-Up:
House of Gucci
Best Original Score
Nominees:
Don’t Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog
Commentary:
Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
Commentary:
Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.
PREDICTED WINNER:
“Dos Oruguitas” from Encanto
Runner-Up:
“No Time to Die” from No Time to Die
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
For the last three categories, I could just say Dune and be done with it. In fact, I think I will…
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
There isn’t one… that’s how I’m confident I am that Dune takes it.
And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:
6 Wins
Dune
3 Wins
The Power of the Dog
2 Wins
Encanto, The Eyes of Tammy Faye
1 Win
Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story
**Blogger’s Update (03/24): The Indian period adventure RRR is slated for a release on over 1100 screens and it could be a sleeper hit for the weekend based on buzz and pre-sales. I’m adding it in the mix for a third place debut.
Sandra Bullock, Channing Tatum, Brad Pitt, and Daniel Radcliffe will try to dislodge The Batman from its three-week perch atop the charts when The Lost City debuts this Friday. It’s the only newcomer this weekend and you can peruse my detailed prediction post on the comedic adventure here:
My mid to high 20s estimate for the well reviewed City gets it to first place as long as The Batman sees a drop in the high 30s to low 40s range. It could end up being a close race, but I’m giving Bullock and company the benefit of the doubt.
As for the rest of the top 5, current #2 Jujutsu Kaisen 0 easily surpassed expectations in its debut (more on that below), but the sophomore drop should be steep (similar to the 70% fall of animated manga tale Demon Slayer). That would leave Uncharted in third with Kaisen fourth. In the five spot, Dog (also with Channing Tatum) may have a slighter dip than X in what might be a tight race for that position.
And with that, here’s my take on this Oscar frame’s top 7 performers:
1. The Lost City
Predicted Gross: $28.4 million
2. The Batman
Predicted Gross: $21.6 million
3. RRR
Predicted Gross: $7.8 million
4. Uncharted
Predicted Gross: $6.1 million
5. Jujutsu Kaisen 0
Predicted Gross: $5 million
6. Dog
Predicted Gross: $2.9 million
7. X
Predicted Gross: $2.7 million
Box Office Results (March 18-20)
While there were newbies to view, The Batman ruled the roost while Jujutsu had a terrific premiere. Robert Pattinson’s debut as the DCEU Crusader took in $36.7 million, below my projection of $42.1 million. The three-week tally sits at an impressive $300 million.
Jujutsu blew away prognostications with $17.6 million. The FUNimation entry (which was already a hit overseas) easily toppled my meager $9.8 million take. Like other genre fare, its opening frame should represent a large portion of the overall domestic gross.
Uncharted was third with $7.8 million. I was right on target at $7.7 million. Total earnings are $125 million.
Horror pic X from A24 capitalized on solid reviews and came in fourth with a decent $4.4 million. That’s ahead of my $2.9 million estimate and it will hope for solid holds in coming weekends.
Dog rounded out the top five with $3.9 million, a touch below my $4.6 million prediction. It’s up to $54 million.
Spider-Man: No Way Home was sixth with $3.1 million (I said $3.7 million) and the massive haul is $797 million.
Finally, crime drama The Outfit with Mark Rylance started in 8th place with a muted $1.4 million. That is better than my $1 million forecast, however.
The Caped Crusader should easily make it a three-peat at #1 while the Japanese animated fantasy Jujutsu Kaisen 0 and crime drama The Outfit with Mark Rylance debut. You can peruse my detailed prediction posts on the newcomers here:
Let’s begin with The Outfit because my mere $1 million estimate leaves it outside of the top five. As for Jujutsu, my projection should put it in either the two or three slot depending on how much Uncharted dips. It could be close.
The Batman‘s sophomore drop was a solid 50% and it stands to lose less in its third outing. Dog and Spider-Man: No Way Home should stay in the four and five positions.
Here’s how I see it breaking down:
1. The Batman
Predicted Gross: $42.1 million
2. Jujutsu Kaisen 0
Predicted Gross: $9.8 million
3. Uncharted
Predicted Gross: $7.7 million
4. Dog
Predicted Gross: $4.6 million
5. Spider-Man: No Way Home
Predicted Gross: $3.7 million
Box Office Results (March 11-13)
As mentioned, The Batman continued to rock the charts in weekend #2 with a sturdy hold at $66.5 million. That’s higher than my $62.5 million take and the ten-day total is $239 million.
All holdovers experienced meager declines (between 10-17% for all). Uncharted remained in the runner-up spot with $9.2 million compared to my $6.7 million take. It stands at an impressive $113 million.
The surprise of the weekend was BTS Permission to Dance on Stage – Seoul. The live concert pic with the K-pop superstars played in theaters on Saturday night and amassed $6.8 million for third place. I didn’t have it on my radar.
Dog was fourth with $5.2 million, a tad ahead of my $4.4 million prediction for $47 million overall.
Spider-Man: No Way Home rounded out the top five with $4 million (I said $3.8 million) to bring the gargantuan haul to $792 million.
With no new wide releases this weekend (or the next one), The Batman should easily maintain its perch atop the charts. The question is how much it drops in the sophomore frame.
I’m projecting a dip in the low to mid 50s range which would give it around $60-$65 million. Other holdovers should maintain their current rankings in the top five with smallish declines considering the lack of competition.
Here’s how I see it breaking down:
1. The Batman
Predicted Gross: $62.5 million
2. Uncharted
Predicted Gross: $6.7 million
3. Dog
Predicted Gross: $4.4 million
4. Spider-Man: No Way Home
Predicted Gross: $3.8 million
5. Death on the Nile
Predicted Gross: $1.9 million
Box Office Results (March 4-6)
As was widely expected, The Batman easily achieved the second best opening of the COVID era (behind Spidey). Robert Pattinson’s introduction as the Caped Crusader took in $134 million. That’s not near as high as my $155.2 million projection but it’s still a solid haul. With an A- Cinemascore grade and little competition, it will rule the month of March until The Lost City arrives on March 25th.
Uncharted dropped to second with $11.1 million, a tad ahead of my $10.5 million forecast. Tom Holland’s almost sure to be newest franchise sits at a cool $100 million.
Channing Tatum’s Dog was third with $6.1 million (I said $6.4 million) for a three-week take of $40 million.
Spider-Man: No Way Home was fourth at $4.5 million compared to my $3.8 million prediction. The massive tally is $786 million.
Death on the Nile rounded out the top five with $2.7 million (I went with $2.5 million). Total is $37 million.
And that does it for now, folks! Until next time… same Bat time… same Bat channel…
Andrew Garfield’s acclaimed performance as Rent playwright Jonathan Larson in Tick, Tick… Boom! is next up in my Case Of posts for this year’s Best Actor contenders. If you missed the first two, you can peruse them here:
Garfield received some career best notices for Lin-Manuel Miranda’s Netflix musical drama. It also helps that the actor had a banner 2021. In addition to Boom!, critics lauded his work as Jim Bakker alongside Oscar nominated Jessica Chastain in The Eyes of Tammy Faye and he reprised his web slinger role in the box office behemoth Spider-Man: No Way Home. At the Golden Globes, he took the gold for Best Actor in Musical/Comedy.
The Case Against Andrew Garfield:
The Globes divide their lead races into Drama and Musical/Comedy. Will Smith received the Drama trophy for King Richard and he also just won the SAG Award. In other words, Garfield is definitely behind Smith and likely third in line after Benedict Cumberbatch for The Power of the Dog.
Previous Nominations: 1
Hacksaw Ridge (2016 – Actor)
The Verdict:
Mr. Garfield probably has a better shot in 2021 than he did five years ago for Hacksaw Ridge, but he’s still in the middle of the pack and has yet to have a signature victory that proves he’s a threat to the frontrunners.
My Case Of posts will continue with the Supporting Actress hopefuls and Judi Dench in Belfast…
You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.
That history lesson is, of course, given to you because reboot The Batman with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.
So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes.
Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…
It’s an eagerly awaited weekend at the box office as The Batman looks to have the second highest debut of the COVID era (behind only Spider-Man: No Way Home). The DCEU reboot with Robert Pattinson as the Caped Crusader is the only new release of this weekend (and the majority of March) and my detailed prediction post on it can be found here:
The range of possibility is wide (anywhere from $100 to $200 million depending on what you’re reading). I believe a gross just north of $150 million is most likely and my projection gives it the 20th largest domestic opening of all time.
Holdovers should experience heftier dips than this past weekend with Uncharted, Dog, Spider-Man, and Death on the Nile all sliding a spot. Here’s how I see it looking:
1. The Batman
Predicted Gross: $155.2 million
2. Uncharted
Predicted Gross: $10.5 million
3. Dog
Predicted Gross: $6.4 million
4. Spider-Man: No Way Home
Predicted Gross: $3.8 million
5. Death on the Nile
Predicted Gross: $2.5 million
Box Office Results (February 25-27)
The leftovers didn’t spoil during the last frame of February while the two newcomers didn’t prove appetizing to moviegoers.
Uncharted ruled the charts for the second frame with $23 million, just ahead of my $21.8 million forecast for a two-week total of $83 million. Tom Holland, as I mentioned last week, has himself another promising franchise.
Channing Tatum’s Dog was a good boy in its sophomore outing with $10.1 million, outpacing my $8.4 million take. The two-week haul is $30 million.
Spider-Man: No Way Home was third with $5.8 million (I said $6 million) for a gargantuan take of $779 million.
Death on the Nile was fourth with $4.4 million, edging my $3.7 million prediction for a stalled $32 million overall.
Jackass Forever rounded out the top five with $3.1 million (I went with $2.8 million). It’s up to $52 million.
The fresh product managed respective 8th and 9th place starts. Studio 666, the horror comedy from the Foo Fighters, made only $1.5 million compared to my $2.1 million estimate. Cyrano with Peter Dinklage fared even worse with $1.3 million (I said $1.8 million).
Benedict Cumberbatch is the second Best Actor hopeful covered in my Case Of posts for that category. If you missed the first on Javier Bardem for Being the Ricardos, it’s here:
We might be witnessing a right year and right movie matchup for Cumberbatch to nab his first Oscar. After being previously nominated seven years back for The Imitation Game, he’s starring in the Best Picture frontrunner and garnered career best reviews. He’s been mentioned in all key precursors such as the Globes, SAG, BAFTA and Critics Choice. Furthermore, he had an impressive 2021 beyond Dog with kudos for the title role in The Electrical Life of Louis Wain and appearing as Doctor Strange in box office behemoth Spider-Man: No Way Home.
The Case Against Benedict Cumberbatch:
Only 3 Best Actor recipients in the 21st century came from the BP winner. Yet the most compelling case against comes courtesy of Will Smith, who stands as the favorite for King Richard. This is Smith’s third try and Benedict’s second. Voters may figure Cumberbatch will have other opportunities. The Academy has three other options to bestow gold on the Dog cast (with the best possibility being Kodi Smit-McPhee in supporting actor).
Previous Nominations: 1
The Imitation Game (2014 – Actor)
The Verdict:
I do believe Cumberbatch is a strong second to Smith at the moment. If Cumberbatch manages to grab the SAG or BAFTA, he could play the spoiler role that Anthony Hopkins (The Father) managed last year over the favored Chadwick Boseman in Ma Rainey’s Black Bottom.
My Case Of posts will continue with Supporting Actress and Ariana DeBose in West Side Story…
