Thor: Love and Thunder is the 29th entry in the Marvel Cinematic Universe and it will be the 29th to debut in first place when it opens Friday. My detailed prediction post on it can be accessed here:
The franchise is riding high off the success of Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. The former King of Asgard’s fourth adventure is getting mixed reviews, but that didn’t hurt Multiverse and it shouldn’t matter much here. My projection in the mid 150s gives it a slightly better start than Guardians of the Galaxy Vol. 2 and Captain Marvel.
As for holdovers, Minions: The Rise of Gru blew away expectations (more on that below). It should lose around 50-55% of the Friday to Sunday portion of its opening holiday weekend. Top Gun: Maverick will land in third displaying the smallest dip of the bunch with Elvis and Jurassic World: Dominion rounding out the top five at 40% range falls.
Here’s how I see it looking:
1. Thor: Love and Thunder
Predicted Gross: $155.7 million
2. Minions: The Rise of Gru
Predicted Gross: $48.8 million
3. Top Gun: Maverick
Predicted Gross: $18.5 million
4. Elvis
Predicted Gross: $11.6 million
5. Jurassic World: Dominion
Predicted Gross: $9.1 million
Box Office Results (July 1-4)
Minions: The Rise of Gru set a pandemic era record for animated features with a bountiful $107 million. The fifth entry in the Despicable Me/Minions tales, Steve Carell and company soared past my (and everyone else’s) expectations. I had it making $86.4 million over the four-day Independence Day weekend. With an A Cinemascore grade, it should perform well into the future and keep the series chugging along (the next one is slated for summer 2024 already).
Top Gun: Maverick remained in second with $32.2 million – above my $29.8 million take. On the weekend of his 60th birthday, Tom Cruise’s biggest hit ever is up to $570 million.
Elvis shimmied down to third after premiering in first with $22.7 million, right in line with my $23.2 million projection. Baz Luhrmann’s musical biopic is at an impressive $71 million with $100 million firmly in its sights.
Jurassic World: Dominion was fourth with $19.6 million compared to my guesstimate of $17.3 million. The sixth dino flick’s tally roared to $335 million.
The Black Phone rounded out the top five with $14.1 million (I said $14.5 million) as the low budget horror pic has rung up a pleasing $49 million.
Finally, Pixar’s Lightyear continued its uninspiring run with $7.6 million for a $106 million tally. I was more generous at $10.2 million.
Each Thor pic has outdone the last and Disney hopes that trend continues when Thor: Love and Thunder hits theaters on July 8th. The sixth MCU entry in the past 14 months, the franchise shows no signs of slowing down as this follows juggernauts Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness.
This particular series is only the second to have a fourth feature (the other being Avengers). Taika Waititi, who made 2017’s predecessor Ragnarok, returns behind the camera with Chris Hemsworth once again hammering away as the title character. Natalie Portman’s Jane is back after sitting out part 3 and other familiar faces include Tessa Thompson, Jaimie Alexander, and Jeff Goldblum. The Guardians of the Galaxy are also in the mix. Newcomers to the fold are Christian Bale as main villain Gorr the God Butcher and Russell Crowe as Zeus. Expect plenty of cameos as well.
The first Thor (only the 4th of now 29 MCU flicks) grossed $65 million out of the gate with an overall gross of $181 million. Two and a half years later, The Dark World improved upon that with $85 and $206 million, respectively. Ragnarok easily surpassed that with $122 million and $315 million eventually.
Love and Thunder should continue the trend. Since the character’s last stand-alone effort, Thor was prominently placed in the massive Avengers sagas Infinity War and Endgame. That said, Multiverse from early May was a direct benefactor of following No Way Home when it premiered with $187 million. Its Spidey predecessor swung the second largest domestic opening of all time behind Endgame.
I don’t believe Thunder will reach the stratosphere of Multiverse. Somewhere between $140-$160 million seems doable. If buzz continues to grow louder in the coming days, I reserve the right to revise up. My current take puts it in the range of Guardians of the Galaxy Vol. 2 ($146 million) and Captain Marvel ($153 million). I’ll put it slightly over both.
Thor: Love and Thunder opening weekend prediction: $155.7 million
Sam Raimi’s horror sense and gory sensibilities (Evil Dead style) permeates Doctor Strange in the Multiverse of Madness. On paper this is a sequel to 2016’s predecessor which introduced Benedict Cumberbatch as the cocky mythical surgeon Stephen Strange. As with most sagas in the MCU, his character has been in plenty of other adventures in the interim (most notably the gargantuan Avengers: Infinity War and Endgame). The fifth word is the most key in the title. As Spider-Man: No Way Home (with its understandably audience pleasing cameos) showed just a few months back, this cinematic universe is now comprised of scores of them. Multiverse has a limited amount of fun with this development that’s far less memorable.
Instead this sequel often serves as a continuation of Disney Plus’s first Marvel streaming series WandaVision with Elizabeth Olsen. If you didn’t watch that, you’re going to be a little lost. Olsen’s Wanda, on the TV show, created an idyllic home life with Vision (Paul Bettany) and two cute kids with superhero powers. The problem – it was a completely invented reality and Wanda was causing harm to others by continuing the charade. She comes to her senses eventually. Multiverse finds Wanda being taken over by her alter ego the Scarlet Witch after acquiring a book of magic spells. Her character motivations stretch credibility with the same elasticity as a certain cameo where she battles familiar MCUers with some different faces.
Wanda/Scarlet’s plans to reunite with her made up kiddos jeopardize life in plenty of multiverses. None of them involve her wanting to reunite with the love of her life Vision (there’s that credibility issue). It does involve Doctor Strange teaming up with America Chavez (Xochitl Gomez). I’m sure her persona will be fleshed out in future installments. For now she’s a teen with the ability to jump multiverses who possesses powers she’s just beginning to harness. Strange first makes her acquaintance while attending the wedding of his former flame Christine (Rachel McAdams). A CG monster interrupts the reception on the streets outside and an eye popping (literally) battle ensues. The Scarlet Witch wants America for her own nefarious purposes so the Doc must protect her across multiple dimensions.
Actually… only a couple of dimensions as Multiverse never gets much screen time to explore the possibilities other than a brief and very cool sequence. Therein lies part of the problem. While I know we’re dealing with intergalactic mayhem that can mean all sorts of unanticipated cameos and landscapes, Madness can feel surprisingly low stakes. It doesn’t help with the aforementioned matters of Scarlet’s clunky story treatment.
What does occasionally assist in the entertainment value is Raimi being in the director’s chair. Taking over for Scott Derrickson, the veteran filmmaker doesn’t shy away from jump scares and his unique brand made notable four decades ago in Evil Dead. There are unquestionably some impressive and spellbinding visuals. There’s also a pop-in by Bruce Campbell that is more satisfying than higher profile cameos. Unfortunately this suffers from a malady similar to Raimi’s Spider-Man 3 with villainous plots that don’t quite ultimately work. Chiwetel Ejiofor unceremoniously returns as a version of Mordo, Strange’s former ally turned foe.
All this Strange magic while Stephen pines for Christine makes for a middle of the universe to lower tier universe experience. I appreciate Kevin Feige and the team allowing Raimi so much creative control. However, while previous confrontations were fought in fewer dimensions, I felt they covered more meaningful ground. As the MCU moves forward across all these galaxies (sometimes with inspiration and sometimes trudging on shaky foundations), we’ll have lots of opportunities to see how the mix turns out. I still have guarded optimism.
Universal is looking for the dinosaurs to rule the box office landscape for the sixth time with Jurassic World: Dominion. It’s the only new wide release and you can peruse my detailed prediction post on it here:
Dominion is the third feature in the second Jurassic trilogy and the numbers could be assisted by melding cast members from the original trilogy with the current one. I’m projecting it’ll improve on the opening weekend of predecessor Fallen Kingdom, but not approach the $200M+ debut of Jurassic World. That said – I have a strange feeling it might underperform so check back to see if my projection shifts later this week.
Top Gun: Maverick will be the runner-up after two incredible weeks on top including an astonishing sophomore hold (more on that below). It had no competition this past weekend and the dinos should eat into its grosses. Even with Dominion around, it still may only drop in the 40-45% range… maybe even less.
The rest of the top five should be populated by holdovers Doctor Strange in the Multiverse of Madness, The Bad Guys, and The Bob’s Burgers Movie.
Here’s how I see it:
1. Jurassic World: Dominion
Predicted Gross: $155.3 million
2. Top Gun: Maverick
Predicted Gross: $58.8 million
3. Doctor Strange in the Multiverse of Madness
Predicted Gross: $5.2 million
4. The Bad Guys
Predicted Gross: $2.4 million
5. The Bob’s Burgers Movie
Predicted Gross: $2.2 million
Box Office Results (June 3-5)
In a turn of events that was even more impressive than its Memorial Day weekend rollout, Top Gun: Maverick is officially a phenomenon as it dropped only 29%. That means a #1 frame of $90 million – towering over my $67.5 million projection. The number is the 8th largest sophomore output of all time. For perspective – it’s $6 million higher than Spider-Man: No Way Home and just $13 million below what The Avengers made during the same weekend. It’s the best hold we’ve ever witnessed for a picture that debuted above $100 million. The ten-day tally is $295 million and the sky looks to be the limit.
Doctor Strange in the Multiverse of Madness remained in second with $9.1 million. My guess? $9.1 million! The MCU behemoth is up to $388 million.
The Bob’s Burgers Movie fell a steep 63% in its second serving with $4.6 million, a bit under my $5.3 million prediction. Total is $22 million.
The Bad Guys took fourth with $3.3 million (I said $3.1 million) as it inches close to the century mark with $87 million.
Downton Abbey: A New Era rounded out the top five at $3.1 million, in line with my $3.2 million estimate for $35 million overall.
Blogger’s Update (05/12): Revising Firestarter down to $6.5 million
A different caped crusader set the 2022 opening weekend record with Doctor Strange in the Multiverse of Madness dominating the charts. It will reign supreme in its sophomore frame as only the Stephen King adapted horror reboot Firestarter debuts this weekend. You can peruse my detailed prediction post on it here:
I’m giving Firestarter (also available via Peacock) the benefit of the doubt by putting it in double digits considering its genre often over performs. That should easily give it the #2 slot behind MCU’s mystical doc.
Look for The Bad Guys and Sonic the Hedgehog 2 to slide a spot to 3rd and 4th. The five spot could be close between Fantastic Beasts: The Secrets of Dumbledore and Everything Everywhere All at Once.
The real question is how far Multiverse drops in its sophomore outing. The Strange sequel received mixed critical reaction that has carried over a bit with audiences. The B+ Cinemascore grade is among the lowest of the franchise. Only Eternals (B) was below it while 2011’s original Thor also received the B+ designation. Due to that factor, I could foresee a low to potentially high 60s range fall.
Here’s how I see the top 6 playing out:
1. Doctor Strange in the Multiverse of Madness
Predicted Gross: $66.8 million
2. The Bad Guys
Predicted Gross: $7.1 million
3. Firestarter
Predicted Gross: $6.5 million
4. Sonic the Hedgehog 2
Predicted Gross: $4.3 million
5. Everything Everywhere All at Once
Predicted Gross: $3.1 million
6. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $2.7 million
Box Office Results (May 6-8)
Doctor Strange in the Multiverse of Madness had the #11 largest domestic debut in history, positioning itself between fellow Disney sequels Avengers: Age of Ultron and Incredibles 2. Coming on the heels of Spider-Man: No Way Home, the MCU property amassed $187.4 million. While that didn’t get into top 10 all-time territory like I projected at $208.5 million, it’s still a marvelous haul (especially considering the 2016 original began with $85 million). For the reasons stated above, I do expect a larger than normal MCU decline in the mid 60s.
The Bad Guys, after two weeks in first, was second with $9.5 million. That’s in line with my $10 million estimate as the DreamWorks title has taken in $57 million thus far.
Sonic the Hedgehog 2 was third with $6 million, a bit under my expected $7.1 million. Overall gross is a sturdy $169 million.
Fantastic Beasts: The Secrets of Dumbledore continued its underwhelming run with $4.2 million. I was on target as I said $4.3 million. Total is $86 million as it’s hoping to at least eek out $100 million.
Everything Everywhere All at Once rounded out the top five with $3.5 million. I projected a little higher with $4.4 million, but its pleasing tally is up to $41 million.
The summer box office season officially kicks off in the manner it has many times lately… with an expected Marvel Cinematic Universe juggernaut. Doctor Strange in the Multiverse of Madness looks to accomplish some records after previous franchise entry Spider-Man: No Way Home set plenty of its own. You can peruse my detailed prediction post on Benedict Cumberbatch’s return as the mystical doc here:
My estimate would give Multiverse the 7th largest domestic premiere of all time and the highest ever for the month of May (topping The Avengers). It would be #4 in terms of MCU entries – behind Avengers: Endgame, No Way Home, and Avengers: Infinity War.
No other film is daring to open against this and family friendly entries The Bad Guys (after two weeks on top) and Sonic the Hedgehog 2 should slide a spot. Everything Everywhere All at Once is holding extremely well from week to week and it could rise to fourth over Fantastic Beasts: The Secrets of Dumbledore.
Here’s how I think the top 5 will look:
1. Doctor Strange in the Multiverse of Madness
Predicted Gross: $208.5 million
2. The Bad Guys
Predicted Gross: $10 million
3. Sonic the Hedgehog 2
Predicted Gross: $7.1 million
4. Everything Everywhere All at Once
Predicted Gross: $4.4 million
5. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $4.3 million
Box Office Results (April 29-May 1)
Before Marvel begins its domination, it was a pretty quiet weekend with The Bad Guys repeating in first. The DreamWorks Animation effort made $16.2 million, topping my $14.4 million projection for $44 million in 10 days.
Most holdovers managed to slightly exceed my expectations. Sonic the Hedgehog 2 stayed in second at $11.5 million compared to my $10.8 million call. Total is $161 million.
Fantastic Beasts: The Secrets of Dumbledore continued its ho-hum run in third with $8.3 million, just above my $7.7 million take. The three-week tally is a disappointing $79 million.
The Northman was fourth in its sophomore outing with $6.3 million. I went with $5.6 million and it’s at $22 million.
Everything Everywhere All at Once actually had a 2% increase with $5.5 million to round out the top five (I said $4.2 million). The A24 Oscar hopeful has made an impressive $35 million.
The Unbearable Weight of Massive Talent was sixth with $3.8 million (I predicted $3.5 million) for $13 million in two weeks.
Finally, Liam Neeson’s streak of low grosses stayed intact as Memory opened in 8th with $3.1 million. That’s in line with his recent (non) earners and just below my $3.3 million projection.
In what Hollywood is hoping looks more like a traditional summer season, it’s the MCU kicking it off with Doctor Strange in the Multiverse of Madness. The 28th feature in the biggest franchise of all is technically the follow-up to 2016’s Doctor Strange with Benedict Cumberbatch in the title role. It is, however, the character’s sixth appearance overall in the cinematic universe with the most recent being December’s massive Spider-Man: No Way Home.
Speaking of Spidey, Sam Raimi, maker of Tobey Maguire’s 2002-2007 trilogy, directs (taking over from Scott Derrickson). Costars back in the mix are Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Michael Stuhlbarg, and Rachel McAdams. Newcomers to the MCU include Xochitl Gomez and Patrick Stewart (in an undisclosed role that could turn out to be quite familiar).
Madness has the big advantage of following a juggernaut in No Way Home. That has served as an advantage to other MCU properties. For instance, Captain Marvel in 2019 was the follow-up to Avengers: Endgame and it made $153 million out of the gate. That was slightly better than the Guardians of the Galaxy sequel from two years earlier. Assisting Multiverse is that the good Doctor had a sizable part in the previous Spidey adventure.
Five and a half years ago, the first Strange took in $85 million for its start with an eventual domestic haul of $232 million. In the MCU world, it’s way more normal for sequels to outdo their predecessors and that will certainly apply here. It should have no trouble achieving the largest premiere for 2022 – currently held by The Batman at $134 million.
No one is really thinking this will approach the $260 million weekend of No Way Home, but $200 million is definitely feasible. Underestimating the MCU is usually not wise so I’ll say it hits that mark. My projection would get it the 7th largest domestic debut of all time (right behind Jurassic World and just ahead of The Avengers).
Doctor Strange in the Multiverse of Madness opening weekend prediction: $208.5 million
Sony and Marvel are hoping there’s plenty of buyers in the Morbius club as the dark superhero tale finally premieres on April 1st. Led by Jared Leto in the title vampiric role, Daniel Espinosa directs with a supporting cast including Matt Smith, Adria Arjona, Al Madrigal, and Tyrese Gibson.
This is the third entry in Sony’s Spider-Man Universe after the two Venom flicks from 2018 and last year. Both of them were massive hits and, of course, we are on the heels of Spider-Man: No Way Home being the third largest domestic earner in history.
Morbius was originally set for release all the way back in summer of 2020 before its numerous COVID related delays. Shot for a reported $75 million, it should have no trouble making its money back (especially when including international grosses). Yet I’m skeptical it approaches the $80 million that Venom started with or $90 million that its sequel earned out of the gate a few months back.
Estimates are in the $40-$50 million range and my hunch is that projecting a debut in the middle end of that range is the call.
And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.
These are my final picks for the races covering feature films. Will the Best Picture be CODA?
Or The Power of the Dog?
We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.
Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?
For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.
Let’s get to it! On Sunday evening, you will see a recap with how I performed…
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Commentary:
Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…
However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.
We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.
I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
Commentary:
This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.
PREDICTED WINNER:
Jane Campion, The Power of the Dog
Runner-Up:
Steven Spielberg, West Side Story
Best Actress
Nominees:
Jessicas Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Commentary:
Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.
PREDICTED WINNER:
Jessica Chastain, The Eyes of Tammy Faye
Riunner-Up:
Kristen Stewart, Spencer
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.
PREDICTED WINNER:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Commentary:
Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.
PREDICTED WINNER:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.
PREDICTED WINNER:
Troy Kotsur, CODA
Runner-Up:
Kodi Smit-McPhee, The Power of the Dog
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Commentary:
Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).
PREDICTED WINNER:
Belfast
Runner-Up:
Licorice Pizza
Best Adapted Screenplay
Nominees
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Commentary:
CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Commentary:
I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.
PREDICTED WINNER:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Commentary:
This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.
PREDICTED WINNER:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Commentary:
With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.
PREDICTED WINNER:
Summer of Soul
Runner-Up:
Flee
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Commentary:
Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.
PREDICTED WINNER:
Cruella
Runner-Up:
Dune
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
tick, tick… Boom!
Commentary:
Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.
PREDICTED WINNER:
Dune
Runner-Up:
King Richard
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Commentary:
Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.
PREDICTED WINNER:
The Eyes of Tammy Faye
Runner-Up:
House of Gucci
Best Original Score
Nominees:
Don’t Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog
Commentary:
Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
Commentary:
Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.
PREDICTED WINNER:
“Dos Oruguitas” from Encanto
Runner-Up:
“No Time to Die” from No Time to Die
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
For the last three categories, I could just say Dune and be done with it. In fact, I think I will…
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
There isn’t one… that’s how I’m confident I am that Dune takes it.
And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:
6 Wins
Dune
3 Wins
The Power of the Dog
2 Wins
Encanto, The Eyes of Tammy Faye
1 Win
Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story
**Blogger’s Update (03/24): The Indian period adventure RRR is slated for a release on over 1100 screens and it could be a sleeper hit for the weekend based on buzz and pre-sales. I’m adding it in the mix for a third place debut.
Sandra Bullock, Channing Tatum, Brad Pitt, and Daniel Radcliffe will try to dislodge The Batman from its three-week perch atop the charts when The Lost City debuts this Friday. It’s the only newcomer this weekend and you can peruse my detailed prediction post on the comedic adventure here:
My mid to high 20s estimate for the well reviewed City gets it to first place as long as The Batman sees a drop in the high 30s to low 40s range. It could end up being a close race, but I’m giving Bullock and company the benefit of the doubt.
As for the rest of the top 5, current #2 Jujutsu Kaisen 0 easily surpassed expectations in its debut (more on that below), but the sophomore drop should be steep (similar to the 70% fall of animated manga tale Demon Slayer). That would leave Uncharted in third with Kaisen fourth. In the five spot, Dog (also with Channing Tatum) may have a slighter dip than X in what might be a tight race for that position.
And with that, here’s my take on this Oscar frame’s top 7 performers:
1. The Lost City
Predicted Gross: $28.4 million
2. The Batman
Predicted Gross: $21.6 million
3. RRR
Predicted Gross: $7.8 million
4. Uncharted
Predicted Gross: $6.1 million
5. Jujutsu Kaisen 0
Predicted Gross: $5 million
6. Dog
Predicted Gross: $2.9 million
7. X
Predicted Gross: $2.7 million
Box Office Results (March 18-20)
While there were newbies to view, The Batman ruled the roost while Jujutsu had a terrific premiere. Robert Pattinson’s debut as the DCEU Crusader took in $36.7 million, below my projection of $42.1 million. The three-week tally sits at an impressive $300 million.
Jujutsu blew away prognostications with $17.6 million. The FUNimation entry (which was already a hit overseas) easily toppled my meager $9.8 million take. Like other genre fare, its opening frame should represent a large portion of the overall domestic gross.
Uncharted was third with $7.8 million. I was right on target at $7.7 million. Total earnings are $125 million.
Horror pic X from A24 capitalized on solid reviews and came in fourth with a decent $4.4 million. That’s ahead of my $2.9 million estimate and it will hope for solid holds in coming weekends.
Dog rounded out the top five with $3.9 million, a touch below my $4.6 million prediction. It’s up to $54 million.
Spider-Man: No Way Home was sixth with $3.1 million (I said $3.7 million) and the massive haul is $797 million.
Finally, crime drama The Outfit with Mark Rylance started in 8th place with a muted $1.4 million. That is better than my $1 million forecast, however.
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