Angelic comedy Good Fortune will hope for just that when it opens on October 17th. Marking the directorial debut of comedian Aziz Ansari, it premiered at the Toronto Film Festival to mostly satisfied reaction. The body swap tale stars Seth Rogen and Ansari with Keanu Reeves as a “budget guardian angel”. The supporting cast includes Keke Palmer and Sandra Oh.
Rotten Tomatoes is at 81% with 66 on Metacritic. Plenty of critics particularly dig the Reeves casting. While the Academy won’t consider this, could Fortune make a play in Musical/Comedy at the Golden Globes? I don’t think the reviews are quite there for it to have a legit shot unless divine intervention is involved. My Oscar Prediction posts will continue…
Before we get to the headlines (and certainly there are), let’s dispense with some quick takes on the 82nd Golden Globes Awards ceremony. Nikki Glaser did a very good job hosting and I’d expect to see her back. Seth Rogen correctly pointed out that the camera angle on the presenters tonight was awkward. And Vin Diesel made the evening awkward too when he said hi from the stage to Dwayne Johnson. They famously did not get along working together on Fast and Furious franchise features.
Back to the awards. I went 9 for 15 in my picks. Quite frankly, I would’ve been pleased with getting over half in this unpredictable ceremony and I did so I’ll take it. Emilia Pérez had a big night with four victories. So did The Brutalist with three. Anora… not so much.
Jacques Audiard’s Pérez took three prizes I predicted it would in Non-English Language Film, Supporting Actress (Zoe Saldaña), and Original Song (“El Mal”). Yet I had it falling short to Sean Baker’s Anora for Best Musical/Comedy and it prevailed. Has Pérez‘s stock risen? Probably.
Those who have followed my Oscar predictions on the blog will notice I’ve never had Anora listed in first in Best Picture. A lot of other prognosticators have. I’m not patting myself on the back. This is one of the more unpredictable seasons in memory. I’ve just never bought the narrative that Anora will take the grand prize and tonight fuels it.
A bigger surprise than Anora losing Musical/Comedy, in my view, was Mikey Madison not taking Actress. That went instead to Demi Moore in The Substance, who gave the strongest acceptance speech of the night. You have to wonder if this makes Moore the frontrunner. I have had Madison listed for weeks in 1st place for the Academy’s Actress statue and that could change when I update my picks in the next couple of days (hopefully tomorrow). Anora also didn’t get Screenplay and I thought it would. That went instead to Conclave.
After Conclave‘s screenplay award, I thought maybe it would go onto take Best Drama. However, Globe voters opted for The Brutalist (which my was pick). Its maker Brady Corbet won Director. I also had it forecasted for Original Score but that went to Challengers in a surprise call. I’ve had The Brutalist placed in 1st for months in BP for the Oscars. Interestingly, in the previous ten years, only 3 GG Drama winners correlated with Oscar (Moonlight, Nomadland, last year’s Oppenheimer). I still think it’s the odds on favorite.
Adrien Brody did give The Brutalist a third Globe in Best Actor and I went with Timothée Chalamet in A Complete Unknown. This could signal Brody’s performance will be favored in ceremonies to come. I also missed Best Actress (Drama). I went with Angelina Jolie in Maria while my runner-up Fernanda Torres (I’m Still Here) made the podium walk.
With Moore and Torres victorious over Madison and Jolie, the Oscar Best Actress is looking wide open with several hopefuls jockeying for position.
Let’s run down some races I got right. Kieran Culkin is your Supporting Actor for A Real Pain. The hard to figure out Best Actor in a Musical/Comedy derby is one I was lucky with when Sebastian Stan in A Different Man was picked. Wicked took the Cinematic and Box Office Achievement award. And I will pat myself on the back for going with Flow in Animated Feature instead of The Wild Robot.
So where do we stand now with Oscar as I prepare a new forecast? Anora is down. Emilia is up. The Brutalist holds strong. Demi Moore could be a real threat in Actress. And I think Dwayne Johnson still dislikes Vin Diesel…
30 years ago, Disney’s animated The Lion King landed four Oscar nominations with three of its tracks nominated in Original Song. “Can You Feel the Love Tonight” (performed by Elton John) was the victorious track over “Circle of Life” and “Hakuna Matata”. Tim Rice also took home the gold for his score. 25 years later, the photorealistic remake directed by Jon Favreau was up for Visual Effects but fell short to 1917.
And now – Mufasa: The Lion King, which serves as a prequel and sequel to the remake, hits multiplexes Friday. Barry Jenkins, maker of 2016’s Best Picture Moonlight, made the surprising choice to direct it. Donald Glover, Seth Rogen, Billy Eichner, Beyoncé and her daughter Blue Ivy, Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, and Anika Noni Rose are among the cast.
Will this contend for anything? We do know it has two chances. The Oscar shortlists were unveiled this afternoon (a post regarding that will be up shortly) and Mufasa made the ten possibilities for Visual Effects and “Tell Me It’s You” is among 15 tunes eligible.
Those are likely the only two races where this stands a chance. The Rotten Tomatoes score is 59% with Metacritic at 58. I think it has a better shot in VE than Original Song, but wouldn’t be surprised to see it miss both come nomination morning. My Oscar Prediction posts will continue…
Mufasa: The Lion King roars into theaters December 20th serving as a prequel and sequel to 2019’s live-action The Lion King. It was, of course, a remake of the 1994 Disney animated classic and it grossed a massive $1.6 billion worldwide. Barry Jenkins, the Oscar winning director of Moonlight, directs. The voiceover cast with several returning from five years ago includes Donald Glover, Seth Rogen, Billy Eichner, Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika None Rose, Blue Ivy Carter, and her mom Beyoncé Knowles-Carter.
In the summer of ’19, King turned out to be a phenomenon with a $191 million opening and eventual $543 million domestic haul. Despite the heavy cash, many critics were harsh though it did earn an A Cinemascore. I’m still not sure audiences are clamoring for the prequel/sequel.
Don’t get me wrong. Plenty of parents and their kiddos will turn up. I’m just not expecting anywhere near the figures of what we saw a half decade ago. The Christmas holiday typically means even tentpole titles will start out slower than what they might in other seasons. Mufasa also must contend with Sonic the Hedgehog 3 which debuts directly against it and could be more front loaded.
I’m projecting the Lion premieres in second behind the Hedgehog with a low 50s gross and it’ll probably leg out solidly in the weeks to follow.
Mufasa: The Lion King opening weekend prediction: $51.3 million
For my Sonic the Hedgehog 3 prediction, click here:
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
Lionsgate is seeking viewers for Miller’s Girl when it opens on January 26th, but the challenge could be audiences even knowing it exists. The pic from debut director/writer Jade Halley Bartlett stars Martin Freeman and Jenna Ortega. The trailer might remind one of a late 80s/early 90s style Fatal Attraction clone. Costars include Gideon Adlon, Bashir Salahuddin, Dagmara Domińczyk, and Christine Adams.
With a coproduction credit from Seth Rogen and Evan Goldberg, Girl hopes that Ortega’s Wednesday fans will turn up to watch her on a Friday-Sunday at the multiplex. I haven’t seen a theater count for this yet and that could alter my forecast. The marketing campaign seems scant and my prediction reflects it. Miller’s might not be crossing $3 million.
Miller’s Girl opening weekend prediction: $2.2 million
After premiering at the Toronto Film Festival and performing decently (though not spectacularly) in limited fashion, Craig Gillespie’s Dumb Money opens wide in theaters on September 29th. It recounts the 2021 true life of GameStop’s brief and unexpected explosion on the stock market. The large ensemble includes Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, and Seth Rogen.
There’s plenty of comps to The Big Short (while not as effusive) as the dramedy holds a steady 83% on Rotten Tomatoes. The platform release includes showing on over 600 screens this weekend. I’ve yet to see a final count for the next frame, but it should be on at least 2000 screens. If that number changes, my projection could. Same goes for how it performs in around 600 venues.
The smart money is a projection in the $5-8 million range and I’ll put it right in the lower end of that scale.
Dumb Money opening weekend (wide expansion) prediction: $5.5 million
Craig Gillespie’s Dumb Money is one of the higher profile debuts at the Toronto Film Festival. It recounts 2021’s life is stranger than fiction tale of stock manipulation causing GameStop to become the #1 financial property. Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, and Seth Rogen star.
The trailer and subject matter hinted we were entering The Big Short territory. That 2015 similarly themed pic netted 5 Academy nods, including Best Picture and a victory in Adapted Screenplay. Dumb sits at 86% on Rotten Tomatoes based on Ontario reactions. I wouldn’t completely discount it resonating with awards voters. However, I suspect Adapted Screenplay might be the only race where it has a shot of getting in (despite kudos for Davidson and Ferrera in particular for their supporting parts). In other words, anticipate it falling short of The Big Short. My Oscar Prediction posts will continue…
In what might be the most egregious Oscar snub in the history of the ceremony, Vanilla Ice’s iconic jam “Ninja Rap” was not (I repeat not) nominated for Original Song with 1991’s Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Therefore the six previous features in the TMNT franchise have had zero presence with the Academy in the 30 years+ of its existence.
That could very well change with Teenage Mutant Ninja Turtles: Mutant Mayhem. The animated pic that includes Seth Rogen and Evan Goldberg among its cowriters opens Wednesday, August 2nd. With the review embargo lifted, the Rotten Tomatoes score is a boisterous and rather shocking 98%! Many critics are saying this is the best Turtles offering the series has seen.
Best Animated Feature is absolutely in play. The catch could be the competition. Spider-Man: Across the Spider-Verse is guaranteed a slot and perhaps the win. Japan’s The Boy and the Heron is probably in and don’t discount Pixar’s Elemental. Disney also has this fall’s Wish and other hopefuls could pop up in the second half of the year.
Yet it’s hard to ignore the positivity for Donatello, Michelangelo, Raphael, and Leonardo. My hunch is that this quartet could make the quintet of animated features in contention. My Oscar Prediction posts will continue…
It’s been over seven years since Donatello, Michelangelo, Raphael, and Leonardo have graced the silver screen. With Seth Rogen and Evan Goldberg among the five cowriters, animated versions of the pizza loving reptilian crimefighters return in Teenage Mutant Ninja Turtles: Mutant Mayhem on Wednesday, August 2nd. Jeff Rowe makes his directorial debut with teens (Micah Abbey, Shamon Brown Jr., Brady Noon, Nicolas Cantu) voicing the title characters. Plenty of known actors are in on the fun including Hannibal Buress, Rose Byrne, John Cena, Jackie Chan, Ice Cube, Natasia Demetriou, Giancarlo Esposito, Post Malone, Paul Rudd, Maya Rudolph, and Rogen himself.
Paramount and Nickelodeon fully plan for this latest iteration to become its own franchise. A sequel and a spinoff TV series are in the works. Early buzz for the project is strong. While we won’t see anything approaching The Super Mario Bros. Movie numbers, there’s a three decades plus TMNT cinematic history mostly in its favor.
The first big screen adaptations of the comic book was the live-action trilogy from 1990-1993. Each entry there was less successful than the other with 1990’s original as the high point with a $25 million start and $135 million (not adjusted for inflation) eventual domestic haul. 2007’s TMNT is the other animated work. It made a decent $24 million out of the gate before limping to a $54 million overall take. In 2014, the franchise returned to live-action with Megan Fox leading and it posted series best results ($65 million premiere and $191 million total). 2016 sequel Out of the Shadows couldn’t keep up with $82 million in the bank.
We know something with near certainty. This won’t nab the greatest turtle debut at $65 million or the lowest which was 1993’s Teenage Mutant Ninja Turtles III at only $12 million. With a Wednesday start, I’ll project mid to high 30s for the traditional weekend and possibly in the high 4os to $50 million when factoring the five-day.
Teenage Mutant Ninja Turtles: Mutant Mayhem opening weekend prediction: $36.1 million (Friday to Sunday); $51.2 million
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