Upright Citizens Brigade alum Kate McKinnon scored ten Emmy nominations during her ten-year tenure on SNL and it’s no mystery. In the past decade and change on the show, she’s been the standout with unforgettable impressions and truly strange fictional creations.
Her collection of impersonations runs the gamut from an uncanny Ellen DeGeneres and Jane Lynch to lots of political figures including Hillary Clinton, Angela Merkel, Ruth Bader Ginsburg, Elizabeth Warren, Rudy Giuliani, Lindsey Graham and Jeff Sessions. McKinnon’s range is wide as she can land excellent takes on Justin Bieber, Maggie Smith, and Lisa Kudrow.
The most known non-impression work is Colleen Rafferty, a rough around the edges recent abductee in viral sketches with Cecily Strong and, most famously, Ryan Gosling. There’s Sheila Sovage, her constantly intoxicated bar patron in the uproarious Last Call bits. At the Update desk, Russian current events commentator Olya was a highlight. #8 will be up soon!
A current cast mate clocks in at #37 on my Top 50 SNLers of all time and that’s Heidi Gardner. Since 2017, the Kansas City native has been low-key killing it on the half century old sketch show. Last season, she probably got more ink than ever before by understandably not keeping it together during Ryan Gosling and Mikey Day’s Beavis & Butthead bit.
Well before that, however, she was creating uproarious characters (many on Update) like busy body coworker Crystal, every boxer’s girlfriend Angel, and awkward teen critic Bailey to name a few. Early in this 50th season, Gardner has already provided belly laughs by devouring a gigantic burger while being supportive of her friends with family struggles. #36 will be up soon!
The super matchup of Ryan Reynolds and Hugh Jackman as their most iconic characters hits theaters on Friday with Deadpool & Wolverine. The third pic in the Deadpool series also marks Jackman’s 10th go-round as the clawed mutant. Shawn Levy directs with Emma Corrin, Matthew Macfadyen, Morena Baccarin, Rob Delaney, Leslie Uggams, and Karan Soni among the supporting players.
Reviews for the Deadpool trilogy have some consistency. The 2016 original has an 85% RT score while the 2018 sequel sports 84%. With the embargo up today, D & W sits at 79%. 2017’s Logan, Jackman’s previous appearance in the role, was more acclaimed at 93% and it landed an Adapted Screenplay nomination from the Academy.
The Deadpool movies have garnered zero Oscar nods. Part one was up at Golden Globes for Best Musical/Comedy and Reynolds for Actor in a Musical/Comedy (losing to La La Land and its lead Ryan Gosling, respectively). Part two was blanked by the Hollywood Foreign Press Association. I wouldn’t anticipate part three getting noticed by the Academy or the HFPA. While several MCU titles have managed Visual Effects mentions, Mr. Pool has not and I do not believe it’ll start here. My Oscar Prediction posts will continue…
We all know Tom Cruise does his own stunts. He reminds us of that frequently and is the biggest artist handling the bulk of those duties himself. David Leitch’s The Fall Guy takes time to honor those performers doubling for the non-Cruisers and that’s a noble cause though it often plays like a long shaggy dog story.
Sort of based on the 1980s TV show with Lee Majors, Ryan Gosling is Colt Seavers. He’s Cliff Booth to Aaron Taylor-Johnson’s Rick Dalton… or rather Tom Ryder, who’s a mega action superstar with a penchant for hard partying. Seavers does the trickier work while Ryder takes all the credit. A prologue details a setup gone wrong that derails Colt’s career and his budding relationship with camerawoman Jody Moreno (Emily Blunt).
A year and a half later, Colt is parking cars instead of crashing them. He is summoned by producer Gail (Hannah Waddingham, kind of looking like 70s era Robert Evans in a wig) to set in Sydney. The selling point is the opportunity to make up with Jody, who is now directing the sci-fi saga Metalstorm with Ryder headlining. Upon his arrival down under, it turns out Jody has no idea what’s up or that he was joining the production.
The picture’s lead has mysteriously disappeared and Colt is tasked with tracking him down while also stunting by day. And, of course, there’s some serious and humorous tension with his ex.
I was reminded at times of 80s action comedies like Beverly Hills Cop or Fletch where the plot is inconsequential and where coasting on the above the title players’ charisma is enough. Obviously Gosling and Blunt have that level of appeal.
Somehow I didn’t fall for it despite their efforts. They have chemistry, but this fails to coast on their charms. The action scenes are well-choreographed. They should be given the subject matter and Leitch (John Wick, Atomic Blonde, Bullet Train) in charge. Yet there’s not one sequence that rivals, say, the antics of you know who in fill in the recent Mission: Impossible entry.
There are more references to Miami Vice or other 80s artifacts than the TV show it takes its name from. This includes Jody belting out “Against All Odds” by Phil Collins at a karaoke bar while Colt is engaged in an elaborate car chase. Blunt being more involved in the fights might have helped. Her one scene where she gets to do so is memorable.
The Fall Guy, given the personnel, is a minor disappointment especially with how convoluted it gets in the denouement. The occasionally on point self-referential jokes and the Barbenheimer cast mates provide the highlights. When they’re apart, it can feel like just an empty space.
Kingdom of the Planet of the Apes is poised to rule over the box office charts as it looks for a similar opening to its predecessors. We also have Not Another Church Movie, spoofing the Tyler Perry assembly line of features out. You can peruse my detailed prediction posts on the newcomers here:
I have Kingdom premiering similarly to 2011’s Rise of the Planet of the Apes and 2017’s War for the Planet of the Apes and even a smidge higher. I don’t foresee it reaching the heights of 2014’s Dawn of the Planet of the Apes at $72 million.
As for Church, I’m forecasting its number of parishioners gives it a mid single digits start and that should mean a third place showing. I do believe it has a shot at over performance, per my individual write-up. It could also flame out in the low single digits (this is a tough one).
There’s no question that The Fall Guy did not exceed expectations. In fact, the action comedy with Ryan Gosling and Emily Blunt came in at the lowest end of its anticipated range (more on that below). An A- Cinemascore could mean the sophomore drop won’t be too damaging, but I suspect high 40s to low 50s is where the dip will be.
Holdovers Challengers and the re-release of Star Wars: Episode 1 – The Phantom Menace should round out the top five. The latter’s first weekend back in theaters is probably front loaded. Therefore I see Phantom sliding from 2nd to 5th and Challengers only down one spot in fourth.
Here’s how I see it shaking out:
1. Kingdom of the Planet of the Apes
Predicted Gross: $55.2 million
2. The Fall Guy
Predicted Gross: $13.3 million
3. Not Another Church Movie
Predicted Gross: $4.9 million
4. Challengers
Predicted Gross: $4.7 million
5. Star Wars: Episode 1 – The Phantom Menance
Predicted Gross: $4 million
Box Office Results (May 3-5)
Despite the Barbenheimer pedigree (the pics that ruled summer 2023), The Fall Guy‘s performance was stunted at just $27.7 million. That’s well under my $38.3 million prediction and a letdown considering the reported $150 million price tag. For the past decade and a half, the MCU/Disney has owned the first weekend of May that marks the official start of cinematic summer. With that franchise sitting it out, audiences responded with indifference to the Gosling and Blunt show.
The Mouse Factory did bank some more cash for its Star Wars franchise. Marking its 25th anniversary and despite its checkered reputation, the re-release of The Phantom Menace took in $8.7 million for second place. It certainly didn’t hurt that Saturday fell on May 4th (a sacred date for many fans). That tops my $6.8 million forecast as the first episode is now at $483 million stateside in the last quarter century.
Challengers was third with $7.5 million, on target with my $7.9 million call. Zendaya’s sports drama eased an expected 49% to bring its two-week total to $29 million.
Poorly reviewed horror flick Tarot had a fourth place debut in the cards with $6.5 million, a bit over my $5.6 million projection. Look for this to fade fast as have other recent genre offerings.
Godzilla x Kong: The New Empire rounded out the top five with $4.5 million (I said $4.7 million) to bring its haul to $188 million after six weeks.
Finally, faith-based drama Unsung Hero fell considerably further in weekend #2 than I figured. In seventh place, its $2.9 million gross was well under my estimate of $5.4 million. The total is $13 million.
The summer box office season officially rises with Ryan Gosling and Emily Blunt in The Fall Guy as horror pic Tarot is also on deck. You can peruse my detailed prediction posts on the newcomers here:
Blogger’s Update (04/30): A couple hours after posting, per the comments below, I realized the large theatrical output that The Phantom Menance re-release is getting this weekend. My $6.8M projection puts it in third.
Loosely based on the 1980s action show, the supporting Oscar nominees from Barbenheimer should dominate the charts with The Fall Guy. This is the rare year in the past decade and a half that the MCU is sitting the first frame of May out. Fall won’t climb anywhere near as high as that franchise does to kick off the season. A best case scenario might be $50 million, but I’ve got it in the high 30s. This should leg out impressively over the coming weeks.
As for Tarot, a mid single digits take should place it fourth behind the second weekend of current champ Challengers and Phantom. Scary movies have struggled lately with recent genre titles failing to reach $10 million out of the box.
The sophomore drop for Challengers could have a somewhat wide range. A low to mid 40s decline would be considered a win. I suspect it might see a fall in the high 40s or low 50s region.
Another question mark is the percentage reduction for faith-based drama Unsung Hero in weekend #2. With an A+ Cinemascore grade, audiences are liking what they see and should be recommending to friends and, in this case, fellow parishioners. It might only witness a 25-35% decrease and has a decent shot at being fourth if Tarot comes in under my meager projection.
Godzilla x Kong: The New Empire should round out the high six and here’s how I see it playing out:
1. The Fall Guy
Predicted Gross: $38.3 million
2. Challengers
Predicted Gross: $7.9 million
3. Star Wars: Episode 1 – The Phantom Menace re-release
Predicted Gross: $6.8 million
4. Tarot
Predicted Gross: $5.6 million
5. Unsung Hero
Predicted Gross: $5.4 million
6. Godzilla x Kong: The New Empire
Predicted Gross: $4.7 million
Box Office Results (April 26-28)
Zendaya and company fought off all competitors as Challengers served up $15 million in its opening. The well-reviewed love triangle didn’t quite match my $16.2 million forecast. It ended up right in its anticipated range.
Unsung Hero was runner-up with a solid $7.7 million, besting my $5.9 million call. In its first weekend it made back its tiny $6 million price tag and, as mentioned, should hold up well in the near future.
Godzilla x Kong: The New Empire was third in weekend #5 at $7.2 million compared to my $6 million prediction. The overall take is a roaring $181 million.
Civil War plummeted from 1st to 4th with $7 million while still topping my $6.3 million projection. The three-week tally is $56 million.
Abigail rounded out the top five in its sophomore go-round at $5.2 million (I was close at $5.4 million). Total is $18 million.
Finally, The Ministry of Ungentlemanly Warfare was sixth with $3.8 million. I was higher at $5.2 million as it dove a hefty 57% in its second weekend.
For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.
This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).
Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).
I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.
The Fall Guy opening weekend prediction: $38.3 million
For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:
And here we go! We are about three weeks removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days.
It begins with Supporting Actor. When I did my first picks on the competition in 2023, it yielded one nominee: Mark Ruffalo in Poor Things. Under the 10 other possibilities, I named the eventual winner Robert Downey Jr. for Oppenheimer as well as Robert De Niro in Killers of the Flower Moon. I did not identify Sterling K. Brown (American Fiction) or Ryan Gosling (Barbie) at the early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actors listed here could end up being campaigned for in lead actor and vice versa when I get to Best Actor.
This premiere post previews a potential showdown of Succession actors Kieran Culkin and Jeremy Strong as well as possible spots for legends like Denzel Washington and Willem Dafoe. There’s also relative unknowns (Leigh Gill, Clarence Maclin) and a pair of Dune thespians (Javier Bardem, Austin Butler). This lineup is admittedly far less star-studded than 2023’s.
Here’s the first snapshot:
TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTOR AT THE 97TH ACADEMY AWARDS
Ryan Gosling (fresh off his third Oscar nom for Barbie) and Emily Blunt (just up for her first with Oppenheimer) lead the cast of The Fall Guy, slated for May 3rd. We are a month and a half away from that release, but it had a splashy debut at South by Southwest and the buzz is substantial. David Leitch (the man behind John Wick, Atomic Blonde, Deadpool 2, and Bullet Train) directs with a supporting cast including Aaron Taylor-Johnson, Winston Duke, Stephanie Hsu, and Hannah Waddingham.
Based on the 1980s action TV series starring Lee Majors, Gosling plays a stunt man once again after portraying the same profession in The Place Beyond the Pines and Drive. Critics are calling it a lovingly crafted and quite funny and romantic homage to the cinematic workers who put themselves in danger for our entertainment. It stands at 92% on Rotten Tomatoes.
While we wait for the Academy to develop a category honoring stunt performers (like SAG does), The Fall Guy‘s best and perhaps only hope at recognition is in tech races like Sound (feasible) and Visual Effects (maybe more of a reach). Assuming Universal campaigns for it in Musical/Comedy at the Golden Globes, its luck could be better with potential nods in Film, Actor, and Actress. And, yes, its chances for inclusion in the SAG Stunt Ensemble race seems like a no brainer. My Oscar Prediction posts will continue…
After a year plus of speculation, the 96th Academy Awards have finally happened. As anticipated, Oppenheimer had a solid night by winning over half of its nominations with 7 trophies out of 13 nods. It emerged triumphant in the top of the line races where it was expected to do so: Picture, Director (Christopher Nolan), Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). **Fun fact: RDJ is the first former SNL cast member to win an Oscar. Oppenheimer also took the prizes for Cinematography, Film Editing, and Original Score. I correctly called those victories for the epic biopic correctly.
The real question of the night was what other movie would emerge as having a good night with the Academy. That answer turned out to be Poor Things. I only had Yorgos Lanthimos’s multi-genre experiencing generating one Oscar. It received four. I rightly had it pegged for Production Design. Yet it also took Makeup & Hairstyling over my pick of Maestro and Costume Design over my favored Barbie.
And then… Emma Stone took to the podium for her second Academy Award in 7 years over Lily Gladstone (Killers of the Flower Moon), who had seemed to grab the momentum after her SAG statue. It turned out to be the BAFTAs (where Stone won) that had the closest correlations with tonight’s show. Poor Things had a rich bounty that was better than my projections and pretty much everyone else’s.
The Zone of Interest, as widely projected, is the International Feature Film. In another slight surprise, it also was named for Best Sound over Oppenheimer (got that wrong).
Oppenheimer, Poor Things, and Zone were the only films with multiple golden pickups. Other BP nominees that nabbed a win were The Holdovers where Da’Vine Randolph completed her sweep in Supporting Actress and Anatomy of a Fall in Original Screenplay and American Fiction in Adapted Screenplay (got those right). Same goes for Barbie‘s sole trophy in Original Song with “What Was I Made For?” by Billie Eilish over “I’m Just Ken” (though Ryan Gosling’s performance of the tune was perhaps the evening’s highlight).
I correctly called 20 Days in Mariupol for Documentary Feature while The Boy and the Heron is Animated Feature over Spider-Man: Across the Spider-Verse (I went with Spidey). Another wrong projection: The Creator didn’t take Visual Effects as that went to Godzilla Minus One.
All in all, I went 14 for 20. I will note that in the six races I missed, my runners-up ended up with each one. And in perhaps the biggest shocker of the night, the ceremony actually wrapped up early and that was with host Jimmy Kimmel (who’s good at this assignment) stretching in the home stretch.
It’s been a blast trying to figure out the 96th Academy Awards! Now onto the 97th…
FINAL WIN TALLY
7 Wins
Oppenheimer
4 Wins
Poor Things
2 Wins
The Zone of Interest
1 Win
American Fiction, Anatomy of a Fall, Barbie, The Boy and the Heron, Godzilla Minus One, The Holdovers, 20 Days in Mariupol
All My Life... I Wanted To Be A Blogster 