Robert De Niro pulls double duty as real-life mobsters Vito Genovese and Frank Costello in The Alto Knights on March 21st. The crime drama from director Barry Levinson rolls into approximately 2500 venues with Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli in the supporting cast. Nicholas Pileggi, who wrote the source material for De Niro’s classic GoodFellas, penned the screenplay.
Warner Bros isn’t putting much marketing muscle behind this. Originally slated for February of last year, this is Levinson’s first theatrical project since the 2015 Bill Murray flop Rock the Kasbah. He did direct his star in HBO’s The Wizard of Lies back in 2017. Though De Niro is back in his most known genre, I’ll say Alto struggles to even hit $5 million as I analyze this.
The Alto Knight opening weekend prediction: $3.7 million
For about a decade starting in the early 80s, the films of Barry Levinson were a magnet for awards nominations. 1988’s Rain Man won Best Picture and Levinson took directing honors. 1991’s Bugsy scored numerous nods including the aforementioned big races. The Natural and Good Morning, Vietnam earned acting mentions. Levinson received screenplay nominations for Diner and Avalon.
Over the past decade or so, the filmmaker’s most acclaimed titles have come on the small screen with several HBO movies. His previous big screen offering was the panned 2015 Bill Murray vehicle Rock the Kasbah.
Those fortunes could change with The Survivor, which has screened in Toronto. The black and white Holocaust drama tells the true life story of Harry Haft (Ben Foster). During his captivity at Auschwitz, he was forced to box fellow prisoners in order to survive. Costars include Billy Magnussen, Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo.
Reviews from our neighbor up north have resulted in an 88% Rotten Tomatoes score. Not all the generally positive reaction are raves, but there’s one consistency. Foster is being heralded for his role. Despite praised performances in Hell or High Water and Leave No Trace, Foster has yet to capture the attention of Oscar voters. The actor reportedly lost a tremendous amount of weight for the part. That has been a recipe for making the ballot for plenty of winners and contenders including Matthew McConaughey (Dallas Buyers Club) and Joaquin Phoenix (Joker) to name just two. The Best Actor race probably has two slots filled already with Will Smith (King Richard) and Benedict Cumberbatch (The Power of the Dog). Hopefuls are waiting in the wings like Denzel Washington (The Tragedy of Macbeth), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up). There’s other performances from the fest circuit such as Phoenix (C’Mon C’Mon), Peter Dinklage (Cyrano), and Clifton Collins Jr. (Jockey) in the mix.
First things first. The Survivor needs to find a distributor and a 2021 release date to qualify. It will likely do so. The next question is how hard its eventual studio/streamer pushes for Foster. The Survivor is also a possibility in Cinematography, Makeup and Hairstyling, and maybe even Picture and Director if its gets the right push.
Bottom line: I’ve yet to even mention The Survivor in my weekly Oscar predictions. I doubt I’ll be projecting it yet for inclusion in the aforementioned categories, but I do suspect it will bubble up for the first time in other possibilities. My Oscar Prediction posts for the films of 2021 will continue…
Three new films open this Halloween weekend and I have every one of them debuting to below $10 million. They are: Bradley Cooper drama Burnt, zombie comedy Scouts Guide to the Zombie Apocalypse, and Sandra Bullock political comedy/drama Our Brand Is Crisis. You can peruse my detailed individual prediction posts on each here:
After the downright embarrassing performances of some of last week’s newbies (much more on that below), I’m not even supremely confident that putting each of these new entries in the $7-9 million range is correct, but we shall see.
**blogger’s update: due to the previously unknown knowledge that Scouts Guide is only opening on 1500 screens, I am downgrading my $8 million estimate to just $4.2 million
As for the top spot, it could continue to be a battle between The Martian and Goosebumps and my estimates reflect a photo finish. Bridge of Spies, in its third weekend, should continue its small declines from week to week.
And with that, we’ll do a top five projections for what should be a sluggish frame before Spectre and The Peanuts Movie roll out the following weekend:
Goosebumps
Predicted Gross: $11.2 million (representing a drop of 28%)
2. The Martian
Predicted Gross: $10.8 million (representing a drop of 31%)
3. Burnt
Predicted Gross: $8.9 million
4. Bridge of Spies
Predicted Gross: $8.1 million (representing a drop of 29%)
5. Our Brand Is Crisis
Predicted Gross: $7.8 million
Box Office Results (October 23-25)
Well, I thought it might be an unpredictable weekend and was it ever! Not too often that my #1 pick comes in seventh and my #4 pick finishes on top, but that’s exactly what happened.
Ridley Scott’s The Martian climbed back into the #1 position with $15.7 million, ahead of my $12.5M projection to bring its fine total to $166M in four weeks.
Last weekend’s champ Goosebumps fell to second with $15.5 million, under my $17.8M estimate for a two week tally of $43M. As mentioned above, I expect this and The Martian to duke it out for box office supremacy once again this weekend.
Bridge of Spies was third in weekend two with $11.3 million, on target with my $11.9M projection for a $32M total.
The first newcomer of five lackluster debuts belonged to Vin Diesel’s The Last Witch Hunter, taking in just $10.8 million compared to my $15.8M prediction. Poor reviews and a blah marketing campaign didn’t help.
Animated holdover Hotel Transylvania 2 was fifth with $8.8 million (I said $7.6M) for a current $148M haul.
In sixth was Paranormal Activity: The Ghost Dimension with $8 million (as opposed to my $9.7M projection). The latest and reportedly final entry in the franchise went out with a whimper, partly due to its low number of screens due to controversy about it debuting on VOD in just two weeks. This caused several theater chains to boycott it. While this opening is certainly soft, it is worth noting that it had the highest per screen average of anything in the top ten.
The big surprise of the weekend was the performance of Danny Boyle’s Steve Jobs, which came with sizzling Oscar buzz. I predicted it would win the weekend with $19.6 million, but it stumbled with a seventh place showing at $7.1 million – obviously way less than expected. Jobs will hope for small declines over subsequent frames as the studio hopes it can possibly play well into awards season.
Guillermo del Toro’s dud Crimson Peak was eighth in its sophomore frame with $5.6 million (I said $6.1M) for a lackluster $22M gross.
Positions nine and ten belonged to holdovers that I didn’t predict would be there – The Intern with $3.7 million and Sicario with $2.8 million. Their respective grosses stand at $64 and $39M.
That’s because two other new flicks had disastrous debuts. Bill Murray’s critically reviled Rock the Kasbah made just $1.4 million compared to my extremely generous $7.8M estimate and the live-action version of 80s cartoon Jem and the Holograms posted a pathetic $1.3 million (I said $4.1M). That’s good for respective 13th and 15th position debuts. Ouch.
And that’s all for now, my friends! Until next time…
It’s an extremely busy weekend at the box office as five new titles open up: the wide release of the acclaimed Steve Jobs, Vin Diesel’s The Last Witch Hunter, sixth franchise entry Paranormal Activity: The Ghost Dimension, Bill Murray comedy Rock the Kasbah, and 80s cartoon live-action adaptation Jem and the Holograms. You can read my detailed prediction posts on each of them here:
With the quintet of newbies premiering, it’s creating some real unpredictability as to what will come out on top, especially considering the fact that current champ Goosebumps could see a minimal decline in its second weekend due to the Halloween frame.
I’m going with Steve Jobs and its hot Oscar buzz coming out on top, but it could certainly debut a little lower than my estimate with meager drop-offs in subsequent weekends. The Last Witch Hunter could certainly over perform, though it appears unlikely Paranormal Activity has any shot at the top of the charts due to its lower theater count (my individual post on it explains further). Kasbah and Jem seem likely for single digit debuts outside the top five.
As for other holdovers, look for Bridge of Spies to have the tiniest decline of all unless Goosebumps holds up even better than my forecast. Guillermo del Toro’s Crimson Peak is likely to have the worst sophomore decline after its lackluster opening.
And with that, on a supremely unpredictable weekend, my estimates for the top ten:
Steve Jobs
Predicted Gross: $19.6 million
2. Goosebumps
Predicted Gross: $17.8 million (representing a drop of 25%)
3. The Last Witch Hunter
Predicted Gross: $15.8 million
4. The Martian
Predicted Gross: $12.5 million (representing a drop of 41%)
5. Bridge of Spies
Predicted Gross: $11.9 million (representing a drop of 22%)
6. Paranormal Activity: The Ghost Dimension
Predicted Gross: $9.7 million
7. Rock the Kasbah
Predicted Gross: $7.8 million
8. Hotel Transylvania 2
Predicted Gross: $7.6 million (representing a drop of 39%)
9. Crimson Peak
Predicted Gross: $6.1 million (representing a drop of 53%)
10. Jem and the Holograms
Predicted Gross: $4.1 million
Box Office Results (October 16-18)
Kid friendly Goosebumps managed to knock The Martian off its two week perch on top as it grossed a solid $23.6 million, beyond my $19.4M projection. As mentioned, this should hold up well in weekend #2.
The Martian slipped to second with $21.3 million, a bit under my $24.6M forecast for a terrific three week total of $143M.
Landing in third was Steven Spielberg’s acclaimed Bridge of Spies, posting an OK $15.3 million (compared to my $21.2M estimate). The good news is that Spies should perform well throughout the fall with its own Academy Award buzz going for it.
Crimson Peak flopped in fourth place with just $13.1 million compared to my $15.8M prediction. This one more or less got lost in the shuffle and represents a disappointment for director Guillermo del Toro.
Hotel Transylvania 2 was fifth with $12.6 million, lower than my $16M projection and its total is at $136M.
Languishing in sixth is the bomb Pan with $5.8 million in its second weekend (I said $6.8M). Its embarrassing two week haul is at $25M.
Finally, faith based football drama Woodlawn debuted in ninth (as I predicted) with $4 million, right in line with my $4.3M estimate.
And that’ll do it for now, folks! Until next time…
Bill Murray headlines the comedy Rock the Kasbah, out next weekend and it hopes to join the many successful genre pics Mr. Murray has graced over the past three decades plus. Oscar winner Barry Levinson directs Murray as a has-been rock agent looking to reclaim his mojo in Afghanistan, of all places. The stellar supporting cast includes Bruce Willis, Kate Hudson, Zooey Deschanel, and Danny McBride.
Last year around the same time period, Murray’s St. Vincent opened to positive buzz and an eventual $44 million domestic gross. Rock the Kasbah may have trouble replicating that kind of business. For starters, the buzz on Kasbah isn’t as hot as that of Vincent and there’s also plenty of adult competition in the form of Steve Jobs and the second weekend of Bridge of Spies, among others. On the other hand, this really is the only comedy out there among lots of dramas and horror type flicks.
As I see it, this modestly budgeted $15 million pic might struggle to reach double digits in weekend number one and its best hope might be small drop-offs in subsequent weekends for a respectable gross.
Rock the Kasbah opening weekend prediction: $7.8 million
For my The Last Witch Hunter prediction, click here:
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