There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.
The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.
A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…
Following a weekend in which two high profile pictures opened far under what their respective studios hoped for, a pair of comedies debut wide attempting to find an audience. They are Jennifer Lawrence’s raunchy comedy No Hard Feelings and Wes Anderson’s Asteroid City. You can peruse my detailed prediction posts on them here:
Feelings marks Lawrence’s first headlining role in theaters since Red Sparrow over five years ago. This isn’t a genre she’s known for and comedies in general struggle to break out these days in multiplexes. It could be lucky to top $10 million and that should put it in fourth position for a soft start.
Asteroid City performed impressively in its limited NY/LA six theater engagement. Branching out to middle America is another ballgame and my estimate puts it in sixth.
As for the #1 spot… well, it gets interesting. Before The Flash premiered, the assumption was it would have two weeks to itself atop the charts. However, the Ezra Miller led DCEU adventure opened way below expectations (more on that below). With a weak B Cinemascore grade, a drop in the mid 60s could occur. If Spider-Man: Across the Spider-Verse sees a small decline in the 30% range, Spidey may return to the top spot over his superhero competitor. I’m guessing that will be the case.
The Flash wasn’t the only bomb as Pixar’s Elemental, for all intents and purposes, had the weakest wide release in the studio’s near 30 year history. It had an A Cinemascore grade so it may only dip in the mid to high 40s for third place.
I have Transformers: Rise of the Beasts falling around 55-60% in its third frame for fifth place with The Little Mermaid right behind Asteroid City in seventh.
Here’s how I see it playing out:
1. Spider-Man: Across the Spider-Verse
Predicted Gross: $18.9 million
2. The Flash
Predicted Gross: $17.5 million
3. Elemental
Predicted Gross: $16.8 million
4. No Hard Feelings
Predicted Gross: $11.7 million
5. Transformers: Rise of the Beasts
Predicted Gross: $9.3 million
6. Asteroid City
Predicted Gross: $7.6 million
7. The Little Mermaid
Predicted Gross: $7 million
Box Office Results (June 16-18)
You can read a whole slew of think pieces as to why The Flash failed so badly in its debut. I had it making $83.2 million. It… um… didn’t. The DCEU title earned an unthinkable $55 million marking a sizable disappointment for Warner Bros. Here’s a figure I can’t stop thinking about. Twelve summers ago, notorious dud Green Lantern rolled out with $53 million. Adjusted for inflation, that’s better than The Flash. Ouch.
If it weren’t for the paragraph above, there would likely be more think pieces about Elemental not connecting with audiences. The Pixar animated feature was second with just $29.6 million. I was on target with a $30.6 million prediction. On the heels of Lightyear flopping last summer, this is two under performers in a row for the Disney property.
Spider-Man: Across the Spider-Verse was third with $27 million, in range with my $27.6 million call. The three-week tally is $279 million and, per above, I see it leaping to first yet again.
Transformers: Rise of the Beasts tumbled 66% in weekend #2 with $20.6 million (I said $21.8 million). The ten-day take is $101 million.
The Little Mermaid rounded out the top five with $11 million, falling below my $13.8 million forecast. The Disney live-action remake has made $253 million thus far in its four weeks.
Finally, horror spoof The Blackening couldn’t translate positive reviews to brisk business. It was sixth with $6 million compared to my $7.7 million projection.
Jennifer Lawrence enters new genre territory with No Hard Feelings on June 23rd. The raunchy comedy casts the Oscar winner as a down on her luck Uber driver hired to teach a 19-year-old (Andrew Barth Feldman) the birds and bees. Gene Stupnitsky, who made the 2019 sleeper hit Good Boys, directs. Costars include Matthew Broderick, Laura Benanti, Natalie Morales, Scott MacArthur, and Ebon Moss-Bachrach.
It’s been a minute since Lawrence has graced the big screen. She was in the supporting cast as Mystique for Dark Phoenix four years ago, but you have to go back five years to Red Sparrow since her last headlining multiplex appearance. Her last two features (Don’t Look Up, Causeway) went the streaming route. Audiences are accustomed to seeing her in action flicks and dramas so this is certainly a test.
As I’ve mentioned a lot over the past few years, it’s a challenge for original comedies to break out. Plenty of viewers may simply wait until it’s ready for home consumption. If this had come out at the height of Lawrence’s bankability, I might be offering a different outlook.
Sony Pictures won’t like this comp, but Rough Night with Scarlett Johansson was another example of a popular actress branching out to this type of movie. Debuting in June six years ago, the result was a soft $8 million start. I’ll say this gets over that figure, but not by too much.
No Hard Feelings opening weekend prediction: $11.7 million
Jennifer Lawrence teams up with her HungerGames director Francis Lawrence once again with RedSparrow. This spy thriller could rightfully be called TheSomberGames. To put it in Red Bull terms, there are times when Sparrow could use some wings.
While Lawrence gives a solid performance, the film never quite strikes a satisfying balance between wanting to be a little trashy and wanting to take itself as stone faced seriously as every character who inhabits it.
Here we have Jenny from the Red Block – with the star playing Dominika. She’s a well-known Russian ballerina whose career is cut short in a freak injury. Unable to care for her ill mother (Joely Richardson) or make ends meet, her high-ranking government official uncle (Matthias Schoenaerts) offers her an ultimatum. Dominika is to become an employee of the Foreign Intelligence Service and extract information from suspects by any means possible.
This brings her to an intensive training course called State School 4 or as she later coins it – Whore School. It’s an apt description as most of the methods taught by its headmaster (Charlotte Rampling) involve seduction. Her training soon puts her in close contact with CIA agent Nash (Joel Edgerton) as he knows the true identity of a Russian mole.
Based on a 2013 novel by Jason Matthews, RedSparrow follows the spy flick playbook of frequent double crosses and surprising character reveals. Unlike some recent entries in the well-worn genre, it’s bursts of violence are hardcore and it’s filled with sex. Dominika is tasked with always staying a step ahead of her mostly male coworkers and marks. That almost always involves their uncontrolled libido.
Director Lawrence and Jennifer Lawrence deserve some credit for making this pretty interesting for the first hour or so. The pic is not short on style and watching Dominika first adapt to her new reality has some entertaining and unexpected pleasures at first.
After a while, however, RedSparrow struggles as it devolves into more familiar torture scenes and unsurprising “surprises”. Unlike AtomicBlonde with Charlize Theron (a much better genre experience), there’s hardly any sense of fun here. The Lawrence’s seem convinced that the dour happenings are enough to sustain a 140 running time. Not quite.
Over the weekend, even Disney couldn’t knock Disney’s Black Panther off its perch atop the box office for the fourth frame in a row. Might the King’s reign end this weekend with the release of Tomb Raider? We also have teen romantic drama Love, Simon and faith-based true life drama I Can Only Imagine debuting. You can peruse my detailed prediction posts on that trio here:
And that’s not quite all. There’s also the action thriller 7 Days in Entebbe with Daniel Bruhl and Rosamund Pike. It’s slated to come out on a low 800 screens and reviews have not been kind. I think it will be lucky to clear $1 million in its opening and I didn’t bother to do an individual estimate for it.
My estimate for Tomb Raider does give it the #1 slot, albeit not by much. I believe Panther is probably good for another $25M+ weekend and that puts it within striking distance.
Love, Simon is a big question mark in my view. It has sleeper potential due to its subject matter and glowing reviews. It could easily surprise and post a third place debut, but I’ve got it a bit lower in fourth after the second weekend of A Wrinkle in Time. That film, which underwhelmed out of the gate, could lose about half its opening weekend audience.
As for the five spot, I predict Game Night will stay there (vaulting over The Strangers: Prey at Night and Red Sparrow). My $5.4 million projection for I Can Only Imagine leaves it just outside the top 5 (yet even it has the potential to surpass my meager estimate).
And with that, here’s how I have the weekend playing out:
1. Tomb Raider
Predicted Gross: $26.4 million
2. Black Panther
Predicted Gross: $25.7 million
3. A Wrinkle in Time
Predicted Gross: $16.4 million
4. Love, Simon
Predicted Gross: $13.3 million
5. Game Night
Predicted Gross: $5.6 million
Box Office Results (March 9-11)
Black Panther held off its most serious competition to date – topping the charts and becoming the highest grossing comic book flick not named The Avengers. Holding the #1 spot for the fourth weekend in a row, Panther made $40.8 million (on target with my $40.2 estimate) for $561 million total. It now appears inevitable that it will surpass the $623 million made by Avengers to become the all-time superhero champ.
A Wrinkle in Time had to settle for the runner-up spot with $33.1 million as it came in on the lower end of estimates (middling reviews probably didn’t help). The heavily promoted fantasy debuted under my forecast of $37.8 million. Depending on its holds over the next few weeks, it could struggle to reach the century club.
As far as newcomers go, the success story of the weekend is long gestating horror sequel The Strangers: Prey at Night, which earned $10.4 million for third and topped my $7.9 million projection. In one weekend, it made double its teeny $5 million budget.
Red Sparrow was fourth in its sophomore outing with $8.5 million (I said $8.1 million) to bring its rather disappointing tally to $31 million.
Peter Rabbit ended up sixth with $6.7 million (I said $7.5 million) for $93 million as it hops towards the $100 million club.
I incorrectly had Game Night outside the top five, but it placed fifth with $7.8 million for $45 million overall.
The Hurricane Heist bombed with moviegoers and earned just $3 million in its ninth place opening, under my $5.6 million prediction. Gringo was another newcomer gaining zero traction with audiences as it made $2.7 million for 11th place (I said $3.1 million).
Blogger’s Note (03/07): I am revising my Wrinkle prediction from $42.8 million to $37.8 million and now have it in second place
A quartet of new movies enter the marketplace this weekend as Disney’s A Wrinkle in Time, horror sequel The Strangers: Prey at Night, disaster action pic The Hurricane Heist, and action comedy Gringo debut. You can peruse my detailed prediction posts on each of them here:
A month ago, I would have told you that A Wrinkle in Time would easily debut at #1. However, then Black Panther happened (another Disney property). While I’m giving Time the #1 slot, if it under performs, it’s not out of the question that Panther could spend a fourth week atop the charts. I actually have the two of them quite close.
The other newbies likely face a tough road ahead. I have The Strangers sequel tops among that trio. My meager $3.1 million estimate for Gringo puts it well outside the top 5 while my $5.6 million projection for Hurricane also leaves it on the outside looking in. I’ll say Hurricane misses the top 5 due to holdover powers of others. The 3-5 slots and a bit beyond could have quite a logjam with Red Sparrow, Game Night, and Peter Rabbit all posting similar grosses. Sparrow should manage to be #3 (barely by my count). I’ll say current #3 Death Wish doesn’t hold up as well as Night or Rabbit and falls from the top 5 altogether.
And with that, my top 5 projections for the weekend ahead:
1. BlackPanther
Predicted Gross: $40.2 million
2. A Wrinkle in Time
Predicted Gross: $37.8 million
3. Red Sparrow
Predicted Gross: $8.1 million
4. The Strangers: Prey at Night
Predicted Gross: $7.9 million
5. Peter Rabbit
Predicted Gross: $7.5 million
Box Office Results (March 2-4)
Disney/Marvel’s Black Panther continued its incredible performance in its third weekend, easily placing first with $66.3 million (in range with my $65.4 million forecast) for a total of $501 million overall. That puts Panther currently in 10th place on the all-time domestic earners list and it’s likely to climb to seventh this weekend. Its gross is good for the #3 all-time third weekend, behind only Star Wars: The Force Awakens and Avatar.
Red Sparrow took the runner-up spot with a middling $16.8 million (just under my $17.5 million estimate). The Jennifer Lawrence spy thriller was hit with mixed reviews and marks the second box office disappointment in a row for the lead actress after mother!.
The Death Wish remake with Bruce Willis opened in third to a rather disappointing $13 million, under my $16.6 million projection. Poor reviews and potential bad timing for its release could have hurt it. It should fade rather quickly.
Game Night was fourth in its sophomore frame, holding up well with $10.4 million (I said $9.8 million) for $33 million total.
Peter Rabbit rounded out the top five with $10 million (ahead of my prediction of $8.7 million) for $84 million overall. The family tale looks to join the century club at some point.
The relatively new Entertainment Studios is hoping for another sleeper hit next weekend when The Hurricane Heist hits theaters. The disaster crime flick comes from director Rob Cohen (best known for making the original The Fast and the Furious and xXx) and centers on a group of bank robbers trying to pull off a job during a Category 5 hurricane. The cast includes Toby Kebbell, Maggie Grace, Ryan Kwanten, Melissa Bolona, and Ralph Ineson.
Made for a reported $35 million, Heist‘s best hope is that it will make some cash based on its concept (star power will not be a factor). There is plenty of competition out there as Red Sparrow and Death Wish will be in their sophomore frames and The Strangers: Prey at Night opens against it looking for similar audience members.
Last summer, the studio had an unexpected hit with the shark tale 47 Meters Down. It debuted to $11.2 million with a $44 million overall domestic haul. Ironically, that film’s director is behind the camera with The Strangers sequel it’s competing with. Meters had the advantage of having a shark in it (maybe one of the bank robbers should have been a great white) so I don’t really see Heist reaching its gross.
Interestingly, I keep going back to last fall’s Geostorm as an example of a disaster pic that outperformed expectations. That critically drubbed pic managed to gross $13.7 million out of the gate. Could Hurricane somehow blow away expectations? I doubt it.
For now, I’ll say this doesn’t reach double digits, but it could make more than my current expectations.
The Hurricane Heist opening weekend prediction: $5.6 million
Marvel’s Black Panther should continue its momentous run atop the box office as two newbies compete for action fan attention. They are Red Sparrow with Jennifer Lawrence and Death Wish starring Bruce Willis. You can peruse my detailed prediction posts on each of them here:
Not long ago, I might have estimated Red Sparrow would easily top Death Wish in their head to head. However, I’m beginning to believe it might be a fairly close race for the runner-up spot to Panther. That said, I’m still giving Katniss the edge over John McClane… or Joy over Hudson Hawk if you want to go less obvious.
Holdovers Game Night and Peter Rabbit should round out the top five.
And with that, my top 5 predictions for the weekend:
1. Black Panther
Predicted Gross: $65.4 million
2. Red Sparrow
Predicted Gross: $17.5 million
3. Death Wish
Predicted Gross: $16.6 million
4. Game Night
Predicted Gross: $9.8 million
5. Peter Rabbit
Predicted Gross: $8.7 million
Box Office Results (February 23-25)
Black Panther continued to confound prognosticators with its amazing run. In its sophomore frame, the Marvel phenomenon grossed $111.6 million, surging past my $101.8 million forecast. Incredibly, that gives it the #2 largest second weekend of all time behind only Star Wars: The Force Awakens.
Game Night debuted in second with a solid $17 million, capitalizing on positive reviews and a dearth of comedies to choose from. It opened in line with my $16.3 million estimate.
Peter Rabbit was third with $12.7 million in weekend #3 (I said $11.6 million) for $71 million overall.
Annihilation with Natalie Portman, despite glowing critical reception, struggled in fourth with $11 million – just edging my $10.4 million projection. While critics are digging it, audiences only gave it a C Cinemascore grade. Look for it to fade quickly.
Fifty Shades Freed rounded out the top five with $7.1 million (I said $6.9 million) to bring its tally to $89 million.
Finally, the YA romantic drama Every Day opened meekly in ninth with $3 million, right in line with my $2.9 million estimate.
Bruce Willis is back on the big screen next weekend with Death Wish, a remake of the 1974 action pic that starred Charles Bronson. Coming from director Eli Roth, the pic costars Elisabeth Shue, Vincent D’Onofrio, Dean Norris, Kimberly Elise, and Mike Epps.
Willis will be in full vigilante mode and those familiar with Death Wish know it spawned numerous sequels of highly questionable quality. The star of the proceedings has been a bit of a stranger to multiplexes in recent years as many of his films have gone the direct to VOD route.
Competition is certainly there with Jennifer Lawrence’s Red Sparrow debuting against it and also making a play for R rated genre fans. That said, if Den of Thieves could pull in $15.2 million in January, I believe this could put up fairly similar numbers and perhaps a bit higher.
Death Wish opening weekend prediction: $16.6 million
Blogger’s Note (02/28): I am revising my Red Sparrow down from $19.5 million to $17.5 million
Red Sparrow, out next Friday, reunites Jennifer Lawrence with her director for the last three Hunger Games installments Francis Lawrence. The spy thriller casts the star as a Russian spy with a supporting cast that includes Joel Edgerton, Matthew Schoenaerts, Charlotte Rampling, Jeremy Irons, and Mary-Louise Parker.
The 20th Century Fox release was originally scheduled for November of last year before the March push back. Reviews have been a bit mixed as it stands at 63% on Rotten Tomatoes at press time.
Lawrence has certainly had her share of massive hits. She’s also had some under performers as of late, including Passengers and mother! Competition is a factor here. Black Panther should still be ruling the charts and Death Wish with Bruce Willis opens directly against it and will try to capture the attention of actions fans.
I could see Red Sparrow performing similarly to another recent female led spy flick, last summer’s Atomic Blonde with Charlize Theron. It opened to $18.2 million. I’ll put this just a touch higher due to Lawrence’s drawing power, but still under $20 million.
Red Sparrow opening weekend prediction: $17.5 million
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