Anna Kendrick, a Supporting Actress nominee for 2009’s Up in the Air, makes her directorial debut with Woman of the Hour. The late 70s set crime thriller tells the true life tale of a struggling actress (played by Kendrick) who appears on The Dating Game and ends up selecting serial killer Rodney Alcala (Daniel Zovatto). Costars include Tony Hale and Nicolette Robinson.
Hour first drew eyeballs nearly a year ago at the Toronto Film Festival. The Rotten Tomatoes score is 90% with critics calling it an assured debut from the Pitch Perfect performer. Reviews are also praising Zovatto’s performance. Netflix quickly snatched up the rights and they’ve taken their time picking their own date. It finally streams beginning October 18th.
Despite high marks, Netflix should have their hands full with other campaigns including Emilia Pérez, The Piano Lesson, and Maria. This is unlikely to be a priority. My Oscar Prediction posts will continue…
The psychological drama Alice, Darling takes Anna Kendrick out of Pitch Perfect mode and into darker territory. Marking the directorial debut of Mary Nighy (daughter of Bill), Kendrick plays a domestic abuse victim coming to terms with the danger of her circumstances. The supporting cast includes Kaniehtiio Horn, Charlie Carrick, and Wunmi Mosaku.
Darling premiered at the Toronto Film Festival. Early reviews have given it an 86% Rotten Tomatoes rating. It debuts December 30th for an awards qualifying run before an AMC Theatres exclusive release beginning January 20th.
Kendrick is a previous Oscar nominee in Supporting Actress 13 years ago for Up in the Air. Initial critical reaction has praised her work. However, distributor Lionsgate has not mounted a visible campaign in an Actress field that’s already crowded.
Bottom line: the director’s dad appears headed for an Actor nod for Living. Darling‘s prospects aren’t up in the air. They’re non-existent. My Oscar Predictions posts will continue…
The pitch is a rebooted cinematic version of the Charlie’s Angels franchise, but I suspect its opening gross will be far from perfect. Elizabeth Banks directs and costars with Kristen Stewart, Naomi Scott, and Ella Balinska in the three lead roles. The supporting cast includes Djimon Hounsou, Sam Claflin, and Patrick Stewart.
In the early 2000s, Drew Barrymore, Cameron Diaz, and Lucy Liu brought the 1970s TV hit to the big screen with McG directing. The first entry in 2000 took in $125 million while the 2003 sequel earned $100 million.
Expectations are not as high this time around. While Stewart has been making the rounds (including an SNL hosting gig), I believe this could fall victim to the franchise fatigue we’ve already witnessed in 2019 with the Men in Black and Terminator series, to name a couple.
I would anticipate a #2 debut behind Ford v Ferrari and I question whether Angels can handle a start of over $20 million… or even $15 million.
Charlie’s Angels opening weekend prediction: $14.2 million
Like its direct competitor A Quiet Place that also opens next weekend, Blockers made quite an impression with journalists and festival goers when it debuted at South by Southwest earlier this month. The raunchy comedy about parents trying to prevent their daughters plan to lose their virginity on prom night marks the directorial debut of Kay Cannon, best known for penning the Pitch Perfect franchise. The cast includes John Cena, Leslie Mann, Ike Barinholtz, Kathryn Newton, Graham Phillips, and Hannibal Buress.
Its festival premiere caused some buzz and it now stands at 91% currently on Rotten Tomatoes. The Universal release has now been pegged as a potential sleeper at the box office. Competition is light in the genre and the solid reviews should help. As I see it, the ceiling for Blockers is likely the $17 million achieved in February by Game Night, another comedy that received kudos from the critical community.
I’m not sure it will reach quite that high. I’ll project an opening in the low to mid teens and it could continue to play in subsequent weekends, just as Game Night has.
Blockers opening weekend prediction: $15.2 million
Blogger’s Note (12/20/17): I am revising my PP3 estimate from $40.6 million for the four-day to $33.6 million.
The Bellas are back for the holidays as PitchPerfect3 hits theaters next Friday. Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Alexis Knapp, and Hana Mae Lee are among returnees alongside Elizabeth Banks and John Michael Higgins. Newcomers to the series include Ruby Rose and John Lithgow. Trish Sie directs.
The 2012 original was a sleeper hit which grossed $65 million and then became more of a sensation once it became available for home viewing. The summer 2015 sequel shocked all prognosticators with a $69 million opening weekend (topping its predecessor’s entire domestic run) and $184 million overall.
It’s no surprise therefore that Universal Pictures wanted a third helping of accapella comedy. Two and a half years later, Pitch3 faces competition even in its own musical genre with Hugh Jackman’s TheGreatestShowman debuting two days prior. That said, the Bellas appear to have a built-in audience and it could be dangerous to underestimate them.
I still believe Pitch2 could turn out to be the high water mark in the franchise. A debut in the low to mid 40s would probably put part 3 in the #3 spot behind the second weekend of StarWars and the first for Jumanji: WelcometotheJungle. Yet with its reported smallish budget of $45 million, that should still be music to the studio’s ears.
PitchPerfect3 opening weekend prediction: $33.6 million (Friday to Monday estimate)
For my Jumanji: WelcometotheJungle prediction, click here:
As the June box office session begins, we have three new pictures opening in the marketplace: the Melissa McCarthy action comedy Spy, horror sequel Insidious: Chapter 3 and the film version of HBO’s Entourage. You can read my individual prediction posts on each here:
As I see it, Spy (which has received rave reviews) should easily come out of the gate at #1. The battle for second could be fierce between Insidious and current champ San Andreas, which had a larger than anticipated premiere (more on that below). I expect the third Insidious to just make it to the #2 position. I have Entourage placing fourth with Pitch Perfect 2 rounding out the top five in its fourth weekend.
And with that, my top five predictions for the weekend:
1. Spy
Predicted Gross: $42.1 million
2. Insidious: Chapter 3
Predicted Gross: $26 million
3. San Andreas
Predicted Gross: $24.3 million (representing a drop of 55%)
4. Entourage
Predicted Gross: $11.2 million ($16.5 million predicted for its five-day gross)
5. Pitch Perfect 2
Predicted Gross: $8.4 million (representing a drop of 43%)
Box Office Results (May 29-31)
Dwayne Johnson’s disaster flick San Andreas had anything but a disastrous opening with a higher than expected $54.5 million, easily topping my $43.4M projection. The pic was pretty much critic proof and audiences responded with a solid A- Cinemascore grade to give its star yet another hit, not even two months after his participation in the massive Furious 7.
Holdovers dipped further from their Memorial Day grosses than I anticipated as Pitch Perfect 2 was second with $14.8 million (I said $18.5M). The high grossing sequel has amassed $147.5M so far.
The bad news continued for Brad Bird’s Tomorrowland, which has undeniably become one of the season’s early disappointments. It experienced a precipitous drop in its sophomore frame with $14.3 million for third place, below my generous $19.1M prediction. Its two week total is at $63M and it probably won’t reach the $100M mark.
Mad Max: Fury Road took fourth with $14.1 million, just below my $15M estimate for an impressive total three week tally of $116.4M. Avengers: Age of Ultron was fifth with $11.4 million and I incorrectly had it outside the top five. The Marvel superhero juggernaut has made $427.5M at press time.
Cameron Crowe’s critically panned Aloha was DOA for a sixth place debut with just $9.6 million, well under my $18.2M projection. Audiences weren’t impressed with what they saw either with a lackluster B- Cinemascore grade. You can read my review of it here:
The four day Memorial Day weekend at the box office promises to be a fascinating one as Disney’s Tomorrowland and horror reboot Poltergeist enter the marketplace in competition with holdover hits Pitch Perfect 2, Mad Max: Fury Road, and Avengers: Age of Ultron. It could easily create a situation where all top five films over the holiday frame post numbers north of $25 million. You can read my detailed prediction posts on Tomorrowland and Poltergeist here:
My predictions reflect a belief that Tomorrowland will manage to top the charts, though it could face competition from Pitch Perfect 2. That musical comedy sequel performed way above expectations this weekend (more on that below) and depending on its drop, could contend for the #1 position, especially if Tomorrowland doesn’t meet projections. That said, I do have Pitch losing over half its audience due to its front loaded amazing start.
My estimate for Poltergeist is a bit on the low end compared to others and I have it debuting third. As for other holdovers, Avengers: Age of Ultron and Mad Max: Fury Road could find themselves in a close race for the four spot, but I’ll give the slight edge to Marvel’s heroes.
And with that, my top five predictions for the four day, Friday to Monday holiday weekend:
1. Tomorrowland
Predicted Gross: $44.6 million
2. Pitch Perfect 2
Predicted Gross: $32.8 million (representing a drop of 52%)
3. Poltergeist
Predicted Gross: $29.3 million
4. Avengers: Age of Ultron
Predicted Gross: $26.6 million (representing a drop of 31%)
5. Mad Max: Fury Road
Predicted Gross: $25.5 million (representing a drop of 43%)
Box Office Results (May 15-17)
As mentioned above, Pitch Perfect 2 had a shockingly great opening with $69.2 million. This marks the largest opening ever for a musical and third biggest comedic debut in history. Even more impressively, it made more in its first three days than its 2012 predecessor made in its entire domestic run ($65M). Perfect soared above my $42M projection and you can rest assure a third edition will be forthcoming.
Mad Max: Fury Road had to settle for a second place start far behind Pitch, but its $45.4 million haul is nothing to be ashamed of. And neither, ladies and gentleman, was my prediction… $45.4M million! Gold star! This is a solid debut for a reboot of a franchise that had been dormant for thirty years and its international grosses have impressed as well.
Avengers: Age of Ultron dropped to third after two weeks on top with $38.8 million, just above my $36.8M prediction. The Marvel tale has amassed $372M so far. The Reese Witherspoon comedy flop Hot Pursuit was fourth with $5.7 million in its sophomore frame, below my $7.2M estimate. The critically drubbed flick’s gross is at just $23M. Furious 7 was fifth with $3.6 million and I incorrectly had it outside the top five (its overall is at $343M). I had holdover The Age of Adaline at fifth with $4.1 million, but it was seventh with $3.1M (current earnings: $37M).
And that’s all for now, folks! Enjoy your holiday weekend!
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